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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 74 91 it is the complementary color RGB 83 181 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 74 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 74 91 shade: RGB 177 74 86, RGB 194 92 105, RGB 211 110 124, RGB 228 128 143 and RGB 245 146 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 74 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 74 91 shade: RGB 172 74 91, RGB 155 56 72, RGB 138 38 53, RGB 121 20 34 and RGB 104 2 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 74 91 shade: RGB 171 73 90 and RGB 171 73 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 74 91 shade: RGB 171 73 90, RGB 171 73 116, RGB 171 73 143, RGB 171 73 169 and RGB 146 73 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 74 91 shade matches the following richer shades: RGB 171 73 90, RGB 191 53 77, RGB 210 33 64 and RGB 230 14 51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 74 91 shade: RGB 171 73 90, RGB 151 93 103, RGB 131 113 116, RGB 111 132 129 and RGB 92 152 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 74 91 shade: RGB 171 73 143, RGB 171 73 117, RGB 171 73 91, RGB 171 81 73 and RGB 171 107 73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 74 91 shade: RGB 113 48 59, RGB 142 61 75, RGB 171 73 90, RGB 187 98 113 and RGB 200 127 139

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 74 91 shade: RGB 172 74 91, RGB 169 171 73 and RGB 73 130 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 74 91 shade: RGB 172 74 91, RGB 91 171 73 and RGB 73 91 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 74 91 shade: RGB 172 74 91, RGB 169 171 73, RGB 73 171 153 and RGB 75 73 171

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 74 91 shade: RGB 172 74 91, RGB 140 171 73, RGB 73 171 153 and RGB 104 73 171

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 47 / 33

HEX #AC4A5B

RGB 172 74 91

HSL 349.59, 0.4%, 0.48%

LAB 44.83, 41.73, 10.19

 

Complementary color

CMYK 54 / 0 / 9 / 29

HEX #53B5A4

RGB 83 181 164

HSL 169.59, 0.4%, 0.52%

LAB 67.7, -32.94, -0.07

 

CMYK 0 / 58 / 51 / 31

HEX #B14A56

RGB 177 74 86

HSL 353.01, 0.41%, 0.49%

LAB 45.52, 43.03, 14.32

 

CMYK 0 / 53 / 46 / 24

HEX #C25C69

RGB 194 92 105

HSL 352.35, 0.46%, 0.56%

LAB 52, 42.05, 12.27

 

CMYK 0 / 48 / 41 / 17

HEX #D36E7C

RGB 211 110 124

HSL 351.68, 0.53%, 0.63%

LAB 58.47, 41.04, 10.55

 

CMYK 0 / 44 / 37 / 11

HEX #E4808F

RGB 228 128 143

HSL 351, 0.65%, 0.7%

LAB 64.9, 40.06, 9.08

 

CMYK 0 / 40 / 34 / 4

HEX #F592A2

RGB 245 146 162

HSL 350.3, 0.83%, 0.77%

LAB 71.27, 39.12, 7.79

 

CMYK 0 / 57 / 47 / 33

HEX #AC4A5B

RGB 172 74 91

HSL 349.59, 0.4%, 0.48%

LAB 44.83, 41.73, 10.19

 

CMYK 0 / 64 / 54 / 39

HEX #9B3848

RGB 155 56 72

HSL 350.3, 0.47%, 0.41%

LAB 38.31, 42.55, 12.53

 

CMYK 0 / 72 / 62 / 46

HEX #8A2635

RGB 138 38 53

HSL 351, 0.57%, 0.35%

LAB 31.91, 43.03, 15.54

 

CMYK 0 / 83 / 72 / 53

HEX #791422

RGB 121 20 34

HSL 351.68, 0.72%, 0.28%

LAB 25.81, 42.73, 19.55

 

CMYK 0 / 98 / 86 / 59

HEX #68020F

RGB 104 2 15

HSL 352.35, 0.96%, 0.21%

LAB 20.13, 41.32, 24.28

 

CMYK 0 / 57 / 47 / 33

HEX #AB495A

RGB 171 73 90

HSL 349.59, 0.4%, 0.48%

LAB 44.46, 41.76, 10.26

 

CMYK 0 / 57 / 57 / 33

HEX #AB4949

RGB 171 73 73

HSL 0, 0.4%, 0.48%

LAB 44.1, 40.24, 20.15

 

CMYK 0 / 57 / 47 / 33

HEX #AB495A

RGB 171 73 90

HSL 349.59, 0.4%, 0.48%

LAB 44.46, 41.76, 10.26

 

CMYK 0 / 57 / 32 / 33

HEX #AB4974

RGB 171 73 116

HSL 333.67, 0.4%, 0.48%

LAB 45.2, 44.73, -4.62

 

CMYK 0 / 57 / 16 / 33

HEX #AB498F

RGB 171 73 143

HSL 317.14, 0.4%, 0.48%

LAB 46.19, 48.58, -19.49

 

CMYK 0 / 57 / 1 / 33

HEX #AB49A9

RGB 171 73 169

HSL 301.22, 0.4%, 0.48%

LAB 47.35, 52.92, -33.17

 

CMYK 15 / 57 / 0 / 33

HEX #9249AB

RGB 146 73 171

HSL 284.69, 0.4%, 0.48%

LAB 43.97, 46.58, -39.91

 

CMYK 0 / 57 / 47 / 33

HEX #AB495A

RGB 171 73 90

HSL 349.59, 0.4%, 0.48%

LAB 44.46, 41.76, 10.26

 

CMYK 0 / 72 / 60 / 25

HEX #BF354D

RGB 191 53 77

HSL 349.57, 0.57%, 0.48%

LAB 44.46, 55.86, 18.82

 

CMYK 0 / 84 / 70 / 18

HEX #D22140

RGB 210 33 64

HSL 349.49, 0.73%, 0.48%

LAB 45.85, 66.28, 29.29

 

CMYK 0 / 94 / 78 / 10

HEX #E60E33

RGB 230 14 51

HSL 349.72, 0.89%, 0.48%

LAB 48.73, 73.78, 41.32

 

CMYK 0 / 57 / 47 / 33

HEX #AB495A

RGB 171 73 90

HSL 349.59, 0.4%, 0.48%

LAB 44.46, 41.76, 10.26

 

CMYK 0 / 38 / 32 / 41

HEX #975D67

RGB 151 93 103

HSL 349.66, 0.24%, 0.48%

LAB 46.16, 25.06, 4.35

 

CMYK 0 / 14 / 11 / 49

HEX #837174

RGB 131 113 116

HSL 350, 0.07%, 0.48%

LAB 49.37, 7.57, 0.93

 

CMYK 16 / 0 / 2 / 48

HEX #6F8481

RGB 111 132 129

HSL 171.43, 0.09%, 0.48%

LAB 53.46, -8.22, -0.93

 

CMYK 39 / 0 / 7 / 40

HEX #5C988E

RGB 92 152 142

HSL 170, 0.25%, 0.48%

LAB 58.68, -21.93, -0.89

 

CMYK 0 / 57 / 16 / 33

HEX #AB498F

RGB 171 73 143

HSL 317.14, 0.4%, 0.48%

LAB 46.19, 48.58, -19.49

 

CMYK 0 / 57 / 32 / 33

HEX #AB4975

RGB 171 73 117

HSL 333.06, 0.4%, 0.48%

LAB 45.23, 44.86, -5.18

 

CMYK 0 / 57 / 47 / 33

HEX #AB495B

RGB 171 73 91

HSL 348.98, 0.4%, 0.48%

LAB 44.49, 41.86, 9.68

 

CMYK 0 / 53 / 57 / 33

HEX #AB5149

RGB 171 81 73

HSL 4.9, 0.4%, 0.48%

LAB 45.67, 36.18, 22.21

 

CMYK 0 / 37 / 57 / 33

HEX #AB6B49

RGB 171 107 73

HSL 20.82, 0.4%, 0.48%

LAB 51.44, 22.02, 29.58

 

CMYK 0 / 58 / 48 / 56

HEX #71303B

RGB 113 48 59

HSL 349.85, 0.4%, 0.32%

LAB 29.26, 29.87, 7.25

 

CMYK 0 / 57 / 47 / 44

HEX #8E3D4B

RGB 142 61 75

HSL 349.63, 0.4%, 0.4%

LAB 37.11, 35.74, 8.62

 

CMYK 0 / 57 / 47 / 33

HEX #AB495A

RGB 171 73 90

HSL 349.59, 0.4%, 0.48%

LAB 44.46, 41.76, 10.26

 

CMYK 0 / 48 / 40 / 27

HEX #BB6271

RGB 187 98 113

HSL 349.89, 0.4%, 0.56%

LAB 52.39, 37.28, 7.92

 

CMYK 0 / 37 / 31 / 22

HEX #C87F8B

RGB 200 127 139

HSL 350.14, 0.4%, 0.64%

LAB 61.06, 29.82, 5.41

 

CMYK 0 / 57 / 47 / 33

HEX #AC4A5B

RGB 172 74 91

HSL 349.59, 0.4%, 0.48%

LAB 44.83, 41.73, 10.19

 

CMYK 1 / 0 / 57 / 33

HEX #A9AB49

RGB 169 171 73

HSL 61.22, 0.4%, 0.48%

LAB 68.05, -13.99, 49.15

 

CMYK 57 / 24 / 0 / 33

HEX #4982AB

RGB 73 130 171

HSL 205.1, 0.4%, 0.48%

LAB 52.2, -6.4, -27.42

 

CMYK 0 / 57 / 47 / 33

HEX #AC4A5B

RGB 172 74 91

HSL 349.59, 0.4%, 0.48%

LAB 44.83, 41.73, 10.19

 

CMYK 47 / 0 / 57 / 33

HEX #5BAB49

RGB 91 171 73

HSL 108.98, 0.4%, 0.48%

LAB 63.2, -43.6, 42.32

 

CMYK 57 / 47 / 0 / 33

HEX #495BAB

RGB 73 91 171

HSL 228.98, 0.4%, 0.48%

LAB 40.96, 17.53, -45.13

 

CMYK 0 / 57 / 47 / 33

HEX #AC4A5B

RGB 172 74 91

HSL 349.59, 0.4%, 0.48%

LAB 44.83, 41.73, 10.19

 

CMYK 1 / 0 / 57 / 33

HEX #A9AB49

RGB 169 171 73

HSL 61.22, 0.4%, 0.48%

LAB 68.05, -13.99, 49.15

 

CMYK 57 / 0 / 11 / 33

HEX #49AB99

RGB 73 171 153

HSL 168.98, 0.4%, 0.48%

LAB 64.03, -33.12, 0.64

 

CMYK 56 / 57 / 0 / 33

HEX #4B49AB

RGB 75 73 171

HSL 241.22, 0.4%, 0.48%

LAB 36.37, 29.45, -52.52

 

CMYK 0 / 57 / 47 / 33

HEX #AC4A5B

RGB 172 74 91

HSL 349.59, 0.4%, 0.48%

LAB 44.83, 41.73, 10.19

 

CMYK 18 / 0 / 57 / 33

HEX #8CAB49

RGB 140 171 73

HSL 78.98, 0.4%, 0.48%

LAB 65.89, -26, 46.13

 

CMYK 57 / 0 / 11 / 33

HEX #49AB99

RGB 73 171 153

HSL 168.98, 0.4%, 0.48%

LAB 64.03, -33.12, 0.64

 

CMYK 39 / 57 / 0 / 33

HEX #6849AB

RGB 104 73 171

HSL 258.98, 0.4%, 0.48%

LAB 38.98, 35.84, -48.17

 

Description

Color code: RGB 172 74 91 | qconv.com Color code: RGB 172 74 91 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 74 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 74 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 47 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 47% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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