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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 93 231 it is the complementary color RGB 83 162 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 93 231. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 93 231 shade: RGB 177 93 226, RGB 194 111 245, RGB 211 129 255, RGB 228 147 255 and RGB 245 165 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 93 231. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 93 231 shade: RGB 172 93 231, RGB 155 75 212, RGB 138 57 193, RGB 121 39 174 and RGB 104 21 155

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 93 231 shade: RGB 173 95 231, RGB 209 95 231, RGB 231 95 215, RGB 231 95 179 and RGB 231 95 142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 93 231 shade: RGB 173 95 231, RGB 136 95 231, RGB 99 95 231 and RGB 95 95 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 93 231 shade matches the following richer shades: RGB 173 95 231 and RGB 175 80 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 93 231 shade: RGB 173 95 231, RGB 170 110 216, RGB 168 124 201, RGB 166 139 186 and RGB 164 154 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 93 231 shade: RGB 99 95 231, RGB 136 95 231, RGB 172 95 231, RGB 208 95 231 and RGB 231 95 217

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 93 231 shade: RGB 135 31 212, RGB 154 59 225, RGB 173 95 231, RGB 191 131 236 and RGB 209 167 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 93 231 shade: RGB 172 93 231, RGB 231 95 126 and RGB 95 231 117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 93 231 shade: RGB 172 93 231, RGB 231 172 95 and RGB 95 231 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 93 231 shade: RGB 172 93 231, RGB 231 95 126, RGB 154 231 95 and RGB 95 231 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 93 231 shade: RGB 172 93 231, RGB 231 104 95, RGB 154 231 95 and RGB 95 222 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 60 / 0 / 9

HEX #AC5DE7

RGB 172 93 231

HSL 274.35, 0.74%, 0.64%

LAB 54.42, 56.06, -57.59

 

Complementary color

CMYK 49 / 0 / 85 / 36

HEX #53A218

RGB 83 162 24

HSL 94.35, 0.74%, 0.36%

LAB 59.66, -46.33, 57.23

 

CMYK 22 / 59 / 0 / 11

HEX #B15DE2

RGB 177 93 226

HSL 277.89, 0.7%, 0.63%

LAB 54.73, 56.14, -54.25

 

CMYK 21 / 55 / 0 / 4

HEX #C26FF5

RGB 194 111 245

HSL 277.16, 0.87%, 0.7%

LAB 61.16, 55.41, -54.47

 

CMYK 17 / 49 / 0 / 0

HEX #D381FF

RGB 211 129 255

HSL 279.05, 1%, 0.75%

LAB 67.1, 52.73, -50.42

 

CMYK 11 / 42 / 0 / 0

HEX #E493FF

RGB 228 147 255

HSL 285, 1%, 0.79%

LAB 72.62, 48.09, -41.64

 

CMYK 4 / 35 / 0 / 0

HEX #F5A5FF

RGB 245 165 255

HSL 293.33, 1%, 0.82%

LAB 78.19, 43.71, -32.84

 

CMYK 26 / 60 / 0 / 9

HEX #AC5DE7

RGB 172 93 231

HSL 274.35, 0.74%, 0.64%

LAB 54.42, 56.06, -57.59

 

CMYK 27 / 65 / 0 / 17

HEX #9B4BD4

RGB 155 75 212

HSL 275.04, 0.61%, 0.56%

LAB 47.95, 56.72, -57.32

 

CMYK 28 / 70 / 0 / 24

HEX #8A39C1

RGB 138 57 193

HSL 275.74, 0.54%, 0.49%

LAB 41.5, 57.14, -56.86

 

CMYK 30 / 78 / 0 / 32

HEX #7927AE

RGB 121 39 174

HSL 276.44, 0.63%, 0.42%

LAB 35.15, 57.05, -56.05

 

CMYK 33 / 86 / 0 / 39

HEX #68159B

RGB 104 21 155

HSL 277.16, 0.76%, 0.35%

LAB 29.02, 56.03, -54.67

 

CMYK 25 / 59 / 0 / 9

HEX #AD5FE7

RGB 173 95 231

HSL 274.41, 0.74%, 0.64%

LAB 54.91, 55.3, -56.8

 

CMYK 10 / 59 / 0 / 9

HEX #D15FE7

RGB 209 95 231

HSL 290.29, 0.74%, 0.64%

LAB 59.44, 63.97, -49.3

 

CMYK 0 / 59 / 7 / 9

HEX #E75FD7

RGB 231 95 215

HSL 307.06, 0.74%, 0.64%

LAB 61.72, 66.76, -36.53

 

CMYK 0 / 59 / 23 / 9

HEX #E75FB3

RGB 231 95 179

HSL 322.94, 0.74%, 0.64%

LAB 60.27, 61.46, -18.3

 

CMYK 0 / 59 / 39 / 9

HEX #E75F8E

RGB 231 95 142

HSL 339.26, 0.74%, 0.64%

LAB 59.09, 56.96, 1.36

 

CMYK 25 / 59 / 0 / 9

HEX #AD5FE7

RGB 173 95 231

HSL 274.41, 0.74%, 0.64%

LAB 54.91, 55.3, -56.8

 

CMYK 41 / 59 / 0 / 9

HEX #885FE7

RGB 136 95 231

HSL 258.09, 0.74%, 0.64%

LAB 50.91, 46.93, -63.44

 

CMYK 57 / 59 / 0 / 9

HEX #635FE7

RGB 99 95 231

HSL 241.76, 0.74%, 0.64%

LAB 47.76, 39.71, -68.68

 

CMYK 59 / 59 / 0 / 9

HEX #5F5FE7

RGB 95 95 231

HSL 240, 0.74%, 0.64%

LAB 47.48, 39.02, -69.16

 

CMYK 25 / 59 / 0 / 9

HEX #AD5FE7

RGB 173 95 231

HSL 274.41, 0.74%, 0.64%

LAB 54.91, 55.3, -56.8

 

CMYK 29 / 67 / 0 / 4

HEX #AF50F5

RGB 175 80 245

HSL 274.55, 0.89%, 0.64%

LAB 53.43, 65.9, -66.99

 

CMYK 25 / 59 / 0 / 9

HEX #AD5FE7

RGB 173 95 231

HSL 274.41, 0.74%, 0.64%

LAB 54.91, 55.3, -56.8

 

CMYK 21 / 49 / 0 / 15

HEX #AA6ED8

RGB 170 110 216

HSL 273.96, 0.58%, 0.64%

LAB 56.74, 43.31, -45.46

 

CMYK 16 / 38 / 0 / 21

HEX #A87CC9

RGB 168 124 201

HSL 274.29, 0.42%, 0.64%

LAB 58.93, 31.59, -33.55

 

CMYK 11 / 25 / 0 / 27

HEX #A68BBA

RGB 166 139 186

HSL 274.47, 0.25%, 0.64%

LAB 61.76, 19.16, -20.74

 

CMYK 4 / 10 / 0 / 33

HEX #A49AAB

RGB 164 154 171

HSL 275.29, 0.09%, 0.64%

LAB 64.92, 6.9, -7.53

 

CMYK 57 / 59 / 0 / 9

HEX #635FE7

RGB 99 95 231

HSL 241.76, 0.74%, 0.64%

LAB 47.76, 39.71, -68.68

 

CMYK 41 / 59 / 0 / 9

HEX #885FE7

RGB 136 95 231

HSL 258.09, 0.74%, 0.64%

LAB 50.91, 46.93, -63.44

 

CMYK 26 / 59 / 0 / 9

HEX #AC5FE7

RGB 172 95 231

HSL 273.97, 0.74%, 0.64%

LAB 54.79, 55.06, -56.99

 

CMYK 10 / 59 / 0 / 9

HEX #D05FE7

RGB 208 95 231

HSL 289.85, 0.74%, 0.64%

LAB 59.31, 63.72, -49.52

 

CMYK 0 / 59 / 6 / 9

HEX #E75FD9

RGB 231 95 217

HSL 306.18, 0.74%, 0.64%

LAB 61.81, 67.08, -37.51

 

CMYK 36 / 85 / 0 / 17

HEX #871FD4

RGB 135 31 212

HSL 274.48, 0.74%, 0.48%

LAB 39.38, 69.96, -71.35

 

CMYK 32 / 74 / 0 / 12

HEX #9A3BE1

RGB 154 59 225

HSL 274.34, 0.73%, 0.56%

LAB 46.22, 66.38, -67.53

 

CMYK 25 / 59 / 0 / 9

HEX #AD5FE7

RGB 173 95 231

HSL 274.41, 0.74%, 0.64%

LAB 54.91, 55.3, -56.8

 

CMYK 19 / 44 / 0 / 7

HEX #BF83EC

RGB 191 131 236

HSL 274.29, 0.73%, 0.72%

LAB 64.46, 42.16, -44.3

 

CMYK 13 / 31 / 0 / 5

HEX #D1A7F1

RGB 209 167 241

HSL 274.05, 0.73%, 0.8%

LAB 74.54, 28.9, -31.21

 

CMYK 26 / 60 / 0 / 9

HEX #AC5DE7

RGB 172 93 231

HSL 274.35, 0.74%, 0.64%

LAB 54.42, 56.06, -57.59

 

CMYK 0 / 59 / 45 / 9

HEX #E75F7E

RGB 231 95 126

HSL 346.32, 0.74%, 0.64%

LAB 58.68, 55.33, 10.1

 

CMYK 59 / 0 / 49 / 9

HEX #5FE775

RGB 95 231 117

HSL 129.71, 0.74%, 0.64%

LAB 82.31, -60.29, 44.38

 

CMYK 26 / 60 / 0 / 9

HEX #AC5DE7

RGB 172 93 231

HSL 274.35, 0.74%, 0.64%

LAB 54.42, 56.06, -57.59

 

CMYK 0 / 26 / 59 / 9

HEX #E7AC5F

RGB 231 172 95

HSL 33.97, 0.74%, 0.64%

LAB 74.39, 13.39, 47.45

 

CMYK 59 / 0 / 26 / 9

HEX #5FE7AC

RGB 95 231 172

HSL 153.97, 0.74%, 0.64%

LAB 83.21, -50.64, 17.83

 

CMYK 26 / 60 / 0 / 9

HEX #AC5DE7

RGB 172 93 231

HSL 274.35, 0.74%, 0.64%

LAB 54.42, 56.06, -57.59

 

CMYK 0 / 59 / 45 / 9

HEX #E75F7E

RGB 231 95 126

HSL 346.32, 0.74%, 0.64%

LAB 58.68, 55.33, 10.1

 

CMYK 33 / 0 / 59 / 9

HEX #9AE75F

RGB 154 231 95

HSL 93.97, 0.74%, 0.64%

LAB 84.41, -46.09, 57.51

 

CMYK 59 / 0 / 14 / 9

HEX #5FE7C7

RGB 95 231 199

HSL 165.88, 0.74%, 0.64%

LAB 83.81, -44.61, 4.53

 

CMYK 26 / 60 / 0 / 9

HEX #AC5DE7

RGB 172 93 231

HSL 274.35, 0.74%, 0.64%

LAB 54.42, 56.06, -57.59

 

CMYK 0 / 55 / 59 / 9

HEX #E7685F

RGB 231 104 95

HSL 3.97, 0.74%, 0.64%

LAB 59.63, 48.61, 29.29

 

CMYK 33 / 0 / 59 / 9

HEX #9AE75F

RGB 154 231 95

HSL 93.97, 0.74%, 0.64%

LAB 84.41, -46.09, 57.51

 

CMYK 59 / 4 / 0 / 9

HEX #5FDEE7

RGB 95 222 231

HSL 183.97, 0.74%, 0.64%

LAB 82.08, -32.3, -14.97

 

Description

Color code: RGB 172 93 231 | qconv.com Color code: RGB 172 93 231 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 93 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 93 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 60 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 60% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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