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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 106 240 it is the complementary color RGB 82 149 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 106 240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 173 106 240 shade: RGB 178 106 235, RGB 195 124 254, RGB 212 142 255, RGB 229 160 255 and RGB 246 178 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 106 240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 173 106 240 shade: RGB 173 106 240, RGB 156 88 221, RGB 139 70 202, RGB 122 52 183 and RGB 105 34 164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 173 106 240 shade: RGB 173 106 240, RGB 209 106 240, RGB 240 106 235, RGB 240 106 198 and RGB 240 106 162

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 173 106 240 shade: RGB 173 106 240, RGB 137 106 240 and RGB 106 106 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 173 106 240 shade matches the following richer shades: RGB 173 106 240 and RGB 173 93 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 173 106 240 shade: RGB 173 106 240, RGB 173 119 227, RGB 173 132 213, RGB 173 146 200 and RGB 173 159 187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 173 106 240 shade: RGB 106 110 240, RGB 137 106 240, RGB 173 106 240, RGB 209 106 240 and RGB 240 106 235

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 173 106 240 shade: RGB 132 31 232, RGB 152 68 236, RGB 173 106 240, RGB 194 144 244 and RGB 214 181 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 173 106 240 shade: RGB 173 106 240, RGB 240 106 146 and RGB 106 240 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 173 106 240 shade: RGB 173 106 240, RGB 240 173 106 and RGB 106 240 173

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 173 106 240 shade: RGB 173 106 240, RGB 240 106 146, RGB 173 240 106 and RGB 106 240 200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 173 106 240 shade: RGB 173 106 240, RGB 240 106 106, RGB 173 240 106 and RGB 106 240 240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 56 / 0 / 6

HEX #AD6AF0

RGB 173 106 240

HSL 270, 0.82%, 0.68%

LAB 57.54, 51.72, -57.61

 

Complementary color

CMYK 45 / 0 / 90 / 42

HEX #52950F

RGB 82 149 15

HSL 90, 0.82%, 0.32%

LAB 55.4, -41.76, 55.54

 

CMYK 24 / 55 / 0 / 8

HEX #B26AEB

RGB 178 106 235

HSL 273.49, 0.76%, 0.67%

LAB 57.82, 51.8, -54.35

 

CMYK 23 / 51 / 0 / 0

HEX #C37CFE

RGB 195 124 254

HSL 272.77, 0.98%, 0.74%

LAB 64.3, 50.95, -54.43

 

CMYK 17 / 44 / 0 / 0

HEX #D48EFF

RGB 212 142 255

HSL 277.17, 1%, 0.78%

LAB 69.87, 46.22, -46.06

 

CMYK 10 / 37 / 0 / 0

HEX #E5A0FF

RGB 229 160 255

HSL 283.58, 1%, 0.81%

LAB 75.46, 41.56, -37.2

 

CMYK 4 / 30 / 0 / 0

HEX #F6B2FF

RGB 246 178 255

HSL 292.99, 1%, 0.85%

LAB 81.1, 37.21, -28.36

 

CMYK 28 / 56 / 0 / 6

HEX #AD6AF0

RGB 173 106 240

HSL 270, 0.82%, 0.68%

LAB 57.54, 51.72, -57.61

 

CMYK 29 / 60 / 0 / 13

HEX #9C58DD

RGB 156 88 221

HSL 270.68, 0.66%, 0.61%

LAB 51, 52.59, -57.53

 

CMYK 31 / 65 / 0 / 21

HEX #8B46CA

RGB 139 70 202

HSL 271.36, 0.55%, 0.53%

LAB 44.42, 53.36, -57.35

 

CMYK 33 / 72 / 0 / 28

HEX #7A34B7

RGB 122 52 183

HSL 272.06, 0.56%, 0.46%

LAB 37.86, 53.9, -56.98

 

CMYK 36 / 79 / 0 / 36

HEX #6922A4

RGB 105 34 164

HSL 272.77, 0.66%, 0.39%

LAB 31.41, 53.91, -56.23

 

CMYK 28 / 56 / 0 / 6

HEX #AD6AF0

RGB 173 106 240

HSL 270, 0.82%, 0.68%

LAB 57.54, 51.72, -57.61

 

CMYK 13 / 56 / 0 / 6

HEX #D16AF0

RGB 209 106 240

HSL 286.12, 0.82%, 0.68%

LAB 61.79, 60.59, -50.59

 

CMYK 0 / 56 / 2 / 6

HEX #F06AEB

RGB 240 106 235

HSL 302.24, 0.82%, 0.68%

LAB 65.62, 67.58, -41.51

 

CMYK 0 / 56 / 18 / 6

HEX #F06AC6

RGB 240 106 198

HSL 318.81, 0.82%, 0.68%

LAB 64.09, 61.84, -23.18

 

CMYK 0 / 56 / 33 / 6

HEX #F06AA2

RGB 240 106 162

HSL 334.93, 0.82%, 0.68%

LAB 62.88, 57.1, -4.49

 

CMYK 28 / 56 / 0 / 6

HEX #AD6AF0

RGB 173 106 240

HSL 270, 0.82%, 0.68%

LAB 57.54, 51.72, -57.61

 

CMYK 43 / 56 / 0 / 6

HEX #896AF0

RGB 137 106 240

HSL 253.88, 0.82%, 0.68%

LAB 53.94, 43.44, -63.59

 

CMYK 56 / 56 / 0 / 6

HEX #6A6AF0

RGB 106 106 240

HSL 240, 0.82%, 0.68%

LAB 51.45, 37.22, -67.72

 

CMYK 28 / 56 / 0 / 6

HEX #AD6AF0

RGB 173 106 240

HSL 270, 0.82%, 0.68%

LAB 57.54, 51.72, -57.61

 

CMYK 32 / 63 / 0 / 1

HEX #AD5DFD

RGB 173 93 253

HSL 270, 0.98%, 0.68%

LAB 55.89, 61.28, -67.48

 

CMYK 28 / 56 / 0 / 6

HEX #AD6AF0

RGB 173 106 240

HSL 270, 0.82%, 0.68%

LAB 57.54, 51.72, -57.61

 

CMYK 24 / 48 / 0 / 11

HEX #AD77E3

RGB 173 119 227

HSL 270, 0.66%, 0.68%

LAB 59.55, 41.72, -47.17

 

CMYK 19 / 38 / 0 / 16

HEX #AD84D5

RGB 173 132 213

HSL 270.37, 0.49%, 0.68%

LAB 61.82, 31.28, -35.77

 

CMYK 14 / 27 / 0 / 22

HEX #AD92C8

RGB 173 146 200

HSL 270, 0.33%, 0.68%

LAB 64.65, 20.5, -24.12

 

CMYK 7 / 15 / 0 / 27

HEX #AD9FBB

RGB 173 159 187

HSL 270, 0.17%, 0.68%

LAB 67.48, 10.46, -12.58

 

CMYK 56 / 54 / 0 / 6

HEX #6A6EF0

RGB 106 110 240

HSL 238.21, 0.82%, 0.68%

LAB 52.41, 34.83, -66.18

 

CMYK 43 / 56 / 0 / 6

HEX #896AF0

RGB 137 106 240

HSL 253.88, 0.82%, 0.68%

LAB 53.94, 43.44, -63.59

 

CMYK 28 / 56 / 0 / 6

HEX #AD6AF0

RGB 173 106 240

HSL 270, 0.82%, 0.68%

LAB 57.54, 51.72, -57.61

 

CMYK 13 / 56 / 0 / 6

HEX #D16AF0

RGB 209 106 240

HSL 286.12, 0.82%, 0.68%

LAB 61.79, 60.59, -50.59

 

CMYK 0 / 56 / 2 / 6

HEX #F06AEB

RGB 240 106 235

HSL 302.24, 0.82%, 0.68%

LAB 65.62, 67.58, -41.51

 

CMYK 43 / 87 / 0 / 9

HEX #841FE8

RGB 132 31 232

HSL 270.15, 0.81%, 0.52%

LAB 40.75, 73.89, -80.57

 

CMYK 36 / 71 / 0 / 7

HEX #9844EC

RGB 152 68 236

HSL 270, 0.82%, 0.6%

LAB 48.09, 64.77, -70.74

 

CMYK 28 / 56 / 0 / 6

HEX #AD6AF0

RGB 173 106 240

HSL 270, 0.82%, 0.68%

LAB 57.54, 51.72, -57.61

 

CMYK 20 / 41 / 0 / 4

HEX #C290F4

RGB 194 144 244

HSL 270, 0.82%, 0.76%

LAB 67.98, 37.7, -43.15

 

CMYK 13 / 27 / 0 / 3

HEX #D6B5F7

RGB 214 181 247

HSL 270, 0.8%, 0.84%

LAB 78.5, 24.08, -28.33

 

CMYK 28 / 56 / 0 / 6

HEX #AD6AF0

RGB 173 106 240

HSL 270, 0.82%, 0.68%

LAB 57.54, 51.72, -57.61

 

CMYK 0 / 56 / 39 / 6

HEX #F06A92

RGB 240 106 146

HSL 342.09, 0.82%, 0.68%

LAB 62.43, 55.29, 4.05

 

CMYK 56 / 0 / 50 / 6

HEX #6AF077

RGB 106 240 119

HSL 125.82, 0.82%, 0.68%

LAB 85.36, -60.85, 47.28

 

CMYK 28 / 56 / 0 / 6

HEX #AD6AF0

RGB 173 106 240

HSL 270, 0.82%, 0.68%

LAB 57.54, 51.72, -57.61

 

CMYK 0 / 28 / 56 / 6

HEX #F0AD6A

RGB 240 173 106

HSL 30, 0.82%, 0.68%

LAB 75.73, 17.39, 43.79

 

CMYK 56 / 0 / 28 / 6

HEX #6AF0AD

RGB 106 240 173

HSL 150, 0.82%, 0.68%

LAB 86.21, -51.87, 21.52

 

CMYK 28 / 56 / 0 / 6

HEX #AD6AF0

RGB 173 106 240

HSL 270, 0.82%, 0.68%

LAB 57.54, 51.72, -57.61

 

CMYK 0 / 56 / 39 / 6

HEX #F06A92

RGB 240 106 146

HSL 342.09, 0.82%, 0.68%

LAB 62.43, 55.29, 4.05

 

CMYK 28 / 0 / 56 / 6

HEX #ADF06A

RGB 173 240 106

HSL 90, 0.82%, 0.68%

LAB 88.09, -42.36, 57.17

 

CMYK 56 / 0 / 17 / 6

HEX #6AF0C8

RGB 106 240 200

HSL 162.09, 0.82%, 0.68%

LAB 86.78, -46.14, 8.32

 

CMYK 28 / 56 / 0 / 6

HEX #AD6AF0

RGB 173 106 240

HSL 270, 0.82%, 0.68%

LAB 57.54, 51.72, -57.61

 

CMYK 0 / 56 / 56 / 6

HEX #F06A6A

RGB 240 106 106

HSL 0, 0.82%, 0.68%

LAB 61.55, 51.63, 25.8

 

CMYK 28 / 0 / 56 / 6

HEX #ADF06A

RGB 173 240 106

HSL 90, 0.82%, 0.68%

LAB 88.09, -42.36, 57.17

 

CMYK 56 / 0 / 0 / 6

HEX #6AF0F0

RGB 106 240 240

HSL 180, 0.82%, 0.68%

LAB 87.81, -36.36, -11.1

 

Description

Color code: RGB 173 106 240 | qconv.com Color code: RGB 173 106 240 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 106 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 106 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 56 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 56% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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