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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 142 112 it is the complementary color RGB 82 113 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 142 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 173 142 112 shade: RGB 178 142 107, RGB 195 160 126, RGB 212 178 145, RGB 229 196 164 and RGB 246 214 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 142 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 173 142 112 shade: RGB 173 142 112, RGB 156 124 93, RGB 139 106 74, RGB 122 88 55 and RGB 105 70 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 173 142 112 shade: RGB 173 142 112, RGB 173 125 112 and RGB 173 112 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 173 142 112 shade: RGB 173 142 112, RGB 173 158 112, RGB 171 173 112, RGB 154 173 112 and RGB 138 173 112

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 173 142 112 shade matches the following richer shades: RGB 173 142 112, RGB 191 142 94, RGB 209 141 76, RGB 227 141 58 and RGB 245 141 39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 173 142 112 shade: RGB 173 142 112, RGB 154 142 130, RGB 136 142 148, RGB 118 143 166 and RGB 100 143 185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 173 142 112 shade: RGB 173 112 115, RGB 173 125 112, RGB 173 141 112, RGB 173 157 112 and RGB 172 173 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 173 142 112 shade: RGB 128 101 74, RGB 155 121 89, RGB 173 142 112, RGB 188 163 138 and RGB 203 183 164

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 173 142 112 shade: RGB 173 142 112, RGB 131 173 112 and RGB 117 112 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 173 142 112 shade: RGB 173 142 112, RGB 112 173 141 and RGB 141 112 173

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 173 142 112 shade: RGB 173 142 112, RGB 131 173 112, RGB 112 143 173 and RGB 153 112 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 173 142 112 shade: RGB 173 142 112, RGB 113 173 112, RGB 112 143 173 and RGB 172 112 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 35 / 32

HEX #AD8E70

RGB 173 142 112

HSL 29.51, 0.27%, 0.56%

LAB 61.13, 7.32, 20.39

 

Complementary color

CMYK 43 / 21 / 0 / 44

HEX #52718F

RGB 82 113 143

HSL 209.51, 0.27%, 0.44%

LAB 46.43, -2.89, -19.91

 

CMYK 0 / 20 / 40 / 30

HEX #B28E6B

RGB 178 142 107

HSL 29.58, 0.32%, 0.56%

LAB 61.54, 8.77, 23.81

 

CMYK 0 / 18 / 35 / 24

HEX #C3A07E

RGB 195 160 126

HSL 29.57, 0.37%, 0.63%

LAB 68.2, 8.09, 22.59

 

CMYK 0 / 16 / 32 / 17

HEX #D4B291

RGB 212 178 145

HSL 29.55, 0.44%, 0.7%

LAB 74.75, 7.51, 21.46

 

CMYK 0 / 14 / 28 / 10

HEX #E5C4A4

RGB 229 196 164

HSL 29.54, 0.56%, 0.77%

LAB 81.19, 7, 20.41

 

CMYK 0 / 13 / 26 / 4

HEX #F6D6B7

RGB 246 214 183

HSL 29.52, 0.78%, 0.84%

LAB 87.54, 6.54, 19.42

 

CMYK 0 / 18 / 35 / 32

HEX #AD8E70

RGB 173 142 112

HSL 29.51, 0.27%, 0.56%

LAB 61.13, 7.32, 20.39

 

CMYK 0 / 21 / 40 / 39

HEX #9C7C5D

RGB 156 124 93

HSL 29.52, 0.25%, 0.49%

LAB 54.32, 8.01, 21.63

 

CMYK 0 / 24 / 47 / 45

HEX #8B6A4A

RGB 139 106 74

HSL 29.54, 0.31%, 0.42%

LAB 47.35, 8.84, 23.01

 

CMYK 0 / 28 / 55 / 52

HEX #7A5837

RGB 122 88 55

HSL 29.55, 0.38%, 0.35%

LAB 40.23, 9.87, 24.53

 

CMYK 0 / 33 / 66 / 59

HEX #694624

RGB 105 70 36

HSL 29.57, 0.49%, 0.28%

LAB 32.94, 11.17, 26.21

 

CMYK 0 / 18 / 35 / 32

HEX #AD8E70

RGB 173 142 112

HSL 29.51, 0.27%, 0.56%

LAB 61.13, 7.32, 20.39

 

CMYK 0 / 28 / 35 / 32

HEX #AD7D70

RGB 173 125 112

HSL 12.79, 0.27%, 0.56%

LAB 56.8, 16.86, 14.45

 

CMYK 0 / 35 / 35 / 32

HEX #AD7070

RGB 173 112 112

HSL 0, 0.27%, 0.56%

LAB 53.65, 24.18, 10.03

 

CMYK 0 / 18 / 35 / 32

HEX #AD8E70

RGB 173 142 112

HSL 29.51, 0.27%, 0.56%

LAB 61.13, 7.32, 20.39

 

CMYK 0 / 9 / 35 / 32

HEX #AD9E70

RGB 173 158 112

HSL 45.25, 0.27%, 0.56%

LAB 65.36, -1.48, 26.06

 

CMYK 1 / 0 / 35 / 32

HEX #ABAD70

RGB 171 173 112

HSL 61.97, 0.27%, 0.56%

LAB 69.27, -10.3, 31.15

 

CMYK 11 / 0 / 35 / 32

HEX #9AAD70

RGB 154 173 112

HSL 78.69, 0.27%, 0.56%

LAB 67.97, -17.03, 29.21

 

CMYK 20 / 0 / 35 / 32

HEX #8AAD70

RGB 138 173 112

HSL 94.43, 0.27%, 0.56%

LAB 66.87, -23.13, 27.56

 

CMYK 0 / 18 / 35 / 32

HEX #AD8E70

RGB 173 142 112

HSL 29.51, 0.27%, 0.56%

LAB 61.13, 7.32, 20.39

 

CMYK 0 / 26 / 51 / 25

HEX #BF8E5E

RGB 191 142 94

HSL 29.69, 0.43%, 0.56%

LAB 62.7, 12.83, 32.7

 

CMYK 0 / 33 / 64 / 18

HEX #D18D4C

RGB 209 141 76

HSL 29.32, 0.59%, 0.56%

LAB 64.26, 19.53, 44.47

 

CMYK 0 / 38 / 74 / 11

HEX #E38D3A

RGB 227 141 58

HSL 29.47, 0.75%, 0.56%

LAB 66.28, 26.09, 55.79

 

CMYK 0 / 42 / 84 / 4

HEX #F58D27

RGB 245 141 39

HSL 29.71, 0.91%, 0.56%

LAB 68.47, 32.84, 66.03

 

CMYK 0 / 18 / 35 / 32

HEX #AD8E70

RGB 173 142 112

HSL 29.51, 0.27%, 0.56%

LAB 61.13, 7.32, 20.39

 

CMYK 0 / 8 / 16 / 40

HEX #9A8E82

RGB 154 142 130

HSL 30, 0.11%, 0.56%

LAB 59.73, 2.37, 8

 

CMYK 8 / 4 / 0 / 42

HEX #888E94

RGB 136 142 148

HSL 210, 0.05%, 0.56%

LAB 58.71, -0.95, -3.95

 

CMYK 29 / 14 / 0 / 35

HEX #768FA6

RGB 118 143 166

HSL 208.75, 0.21%, 0.56%

LAB 58.27, -3.34, -15.03

 

CMYK 46 / 23 / 0 / 27

HEX #648FB9

RGB 100 143 185

HSL 209.65, 0.38%, 0.56%

LAB 57.9, -3.24, -26.51

 

CMYK 0 / 35 / 34 / 32

HEX #AD7073

RGB 173 112 115

HSL 357.05, 0.27%, 0.56%

LAB 53.72, 24.57, 8.38

 

CMYK 0 / 28 / 35 / 32

HEX #AD7D70

RGB 173 125 112

HSL 12.79, 0.27%, 0.56%

LAB 56.8, 16.86, 14.45

 

CMYK 0 / 18 / 35 / 32

HEX #AD8D70

RGB 173 141 112

HSL 28.52, 0.27%, 0.56%

LAB 60.87, 7.88, 20.03

 

CMYK 0 / 9 / 35 / 32

HEX #AD9D70

RGB 173 157 112

HSL 44.26, 0.27%, 0.56%

LAB 65.1, -0.94, 25.7

 

CMYK 1 / 0 / 35 / 32

HEX #ACAD70

RGB 172 173 112

HSL 60.98, 0.27%, 0.56%

LAB 69.35, -9.9, 31.27

 

CMYK 0 / 21 / 42 / 50

HEX #80654A

RGB 128 101 74

HSL 30, 0.27%, 0.4%

LAB 44.79, 6.93, 19.41

 

CMYK 0 / 22 / 43 / 39

HEX #9B7959

RGB 155 121 89

HSL 29.09, 0.27%, 0.48%

LAB 53.35, 8.82, 22.6

 

CMYK 0 / 18 / 35 / 32

HEX #AD8E70

RGB 173 142 112

HSL 29.51, 0.27%, 0.56%

LAB 61.13, 7.32, 20.39

 

CMYK 0 / 13 / 27 / 26

HEX #BCA38A

RGB 188 163 138

HSL 30, 0.27%, 0.64%

LAB 68.55, 5.27, 16.37

 

CMYK 0 / 10 / 19 / 20

HEX #CBB7A4

RGB 203 183 164

HSL 29.23, 0.27%, 0.72%

LAB 75.6, 4.06, 12.25

 

CMYK 0 / 18 / 35 / 32

HEX #AD8E70

RGB 173 142 112

HSL 29.51, 0.27%, 0.56%

LAB 61.13, 7.32, 20.39

 

CMYK 24 / 0 / 35 / 32

HEX #83AD70

RGB 131 173 112

HSL 101.31, 0.27%, 0.56%

LAB 66.43, -25.69, 26.9

 

CMYK 32 / 35 / 0 / 32

HEX #7570AD

RGB 117 112 173

HSL 244.92, 0.27%, 0.56%

LAB 49.96, 16.37, -31.85

 

CMYK 0 / 18 / 35 / 32

HEX #AD8E70

RGB 173 142 112

HSL 29.51, 0.27%, 0.56%

LAB 61.13, 7.32, 20.39

 

CMYK 35 / 0 / 18 / 32

HEX #70AD8D

RGB 112 173 141

HSL 148.52, 0.27%, 0.56%

LAB 65.95, -26.85, 10.27

 

CMYK 18 / 35 / 0 / 32

HEX #8D70AD

RGB 141 112 173

HSL 268.52, 0.27%, 0.56%

LAB 52.14, 23.73, -28.3

 

CMYK 0 / 18 / 35 / 32

HEX #AD8E70

RGB 173 142 112

HSL 29.51, 0.27%, 0.56%

LAB 61.13, 7.32, 20.39

 

CMYK 24 / 0 / 35 / 32

HEX #83AD70

RGB 131 173 112

HSL 101.31, 0.27%, 0.56%

LAB 66.43, -25.69, 26.9

 

CMYK 35 / 17 / 0 / 32

HEX #708FAD

RGB 112 143 173

HSL 209.51, 0.27%, 0.56%

LAB 58.14, -3.32, -19.26

 

CMYK 12 / 35 / 0 / 32

HEX #9970AD

RGB 153 112 173

HSL 280.33, 0.27%, 0.56%

LAB 53.36, 27.57, -26.31

 

CMYK 0 / 18 / 35 / 32

HEX #AD8E70

RGB 173 142 112

HSL 29.51, 0.27%, 0.56%

LAB 61.13, 7.32, 20.39

 

CMYK 35 / 0 / 35 / 32

HEX #71AD70

RGB 113 173 112

HSL 119.02, 0.27%, 0.56%

LAB 65.41, -31.93, 25.36

 

CMYK 35 / 17 / 0 / 32

HEX #708FAD

RGB 112 143 173

HSL 209.51, 0.27%, 0.56%

LAB 58.14, -3.32, -19.26

 

CMYK 1 / 35 / 0 / 32

HEX #AC70AD

RGB 172 112 173

HSL 299.02, 0.27%, 0.56%

LAB 55.46, 33.74, -22.9

 

Description

Color code: RGB 173 142 112 | qconv.com Color code: RGB 173 142 112 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 142 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 142 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 35 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 35% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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