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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 161 15 it is the complementary color RGB 82 94 240. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 161 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 173 161 15 shade: RGB 178 161 10, RGB 195 179 29, RGB 212 197 48, RGB 229 215 67 and RGB 246 233 86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 161 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 173 161 15 shade: RGB 173 161 15, RGB 156 143 0, RGB 139 125 0, RGB 122 107 0 and RGB 105 89 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 173 161 15 shade: RGB 173 161 15, RGB 173 118 15, RGB 173 76 15, RGB 173 33 15 and RGB 173 15 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 173 161 15 shade: RGB 173 161 15, RGB 142 173 15, RGB 100 173 15, RGB 57 173 15 and RGB 15 173 15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 173 161 15 shade matches the following richer shades: RGB 173 161 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 173 161 15 shade: RGB 173 161 15, RGB 158 148 30, RGB 143 135 45, RGB 127 122 60 and RGB 112 109 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 173 161 15 shade: RGB 173 75 15, RGB 173 118 15, RGB 173 160 15, RGB 144 173 15 and RGB 102 173 15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 173 161 15 shade: RGB 97 90 8, RGB 135 126 11, RGB 173 161 15, RGB 211 196 18 and RGB 235 220 35

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 173 161 15 shade: RGB 173 161 15, RGB 15 173 33 and RGB 96 15 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 173 161 15 shade: RGB 173 161 15, RGB 15 173 160 and RGB 160 15 173

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 173 161 15 shade: RGB 173 161 15, RGB 15 173 33, RGB 15 28 173 and RGB 173 15 155

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 173 161 15 shade: RGB 173 161 15, RGB 15 173 81, RGB 15 28 173 and RGB 173 15 107

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 91 / 32

HEX #ADA10F

RGB 173 161 15

HSL 55.44, 0.84%, 0.37%

LAB 65.29, -9.69, 66.18

 

Complementary color

CMYK 66 / 61 / 0 / 6

HEX #525EF0

RGB 82 94 240

HSL 235.44, 0.84%, 0.63%

LAB 47.09, 40.57, -74.88

 

CMYK 0 / 10 / 94 / 30

HEX #B2A10A

RGB 178 161 10

HSL 53.93, 0.89%, 0.37%

LAB 65.73, -7.52, 67.45

 

CMYK 0 / 8 / 85 / 24

HEX #C3B31D

RGB 195 179 29

HSL 54.22, 0.74%, 0.44%

LAB 72.18, -9.04, 69.71

 

CMYK 0 / 7 / 77 / 17

HEX #D4C530

RGB 212 197 48

HSL 54.51, 0.66%, 0.51%

LAB 78.55, -10.32, 70.61

 

CMYK 0 / 6 / 71 / 10

HEX #E5D743

RGB 229 215 67

HSL 54.81, 0.76%, 0.58%

LAB 84.82, -11.4, 70.66

 

CMYK 0 / 5 / 65 / 4

HEX #F6E956

RGB 246 233 86

HSL 55.13, 0.9%, 0.65%

LAB 91.03, -12.33, 70.2

 

CMYK 0 / 7 / 91 / 32

HEX #ADA10F

RGB 173 161 15

HSL 55.44, 0.84%, 0.37%

LAB 65.29, -9.69, 66.18

 

CMYK 0 / 8 / 100 / 39

HEX #9C8F00

RGB 156 143 0

HSL 55, 1%, 0.31%

LAB 58.71, -8.05, 62.79

 

CMYK 0 / 10 / 100 / 45

HEX #8B7D00

RGB 139 125 0

HSL 53.96, 1%, 0.27%

LAB 52.01, -6.13, 57.24

 

CMYK 0 / 12 / 100 / 52

HEX #7A6B00

RGB 122 107 0

HSL 52.62, 1%, 0.24%

LAB 45.16, -4.12, 51.57

 

CMYK 0 / 15 / 100 / 59

HEX #695900

RGB 105 89 0

HSL 50.86, 1%, 0.21%

LAB 38.11, -2.01, 45.74

 

CMYK 0 / 7 / 91 / 32

HEX #ADA10F

RGB 173 161 15

HSL 55.44, 0.84%, 0.37%

LAB 65.29, -9.69, 66.18

 

CMYK 0 / 32 / 91 / 32

HEX #AD760F

RGB 173 118 15

HSL 39.11, 0.84%, 0.37%

LAB 53.89, 13.87, 57.4

 

CMYK 0 / 56 / 91 / 32

HEX #AD4C0F

RGB 173 76 15

HSL 23.16, 0.84%, 0.37%

LAB 44.36, 36.75, 50.24

 

CMYK 0 / 81 / 91 / 32

HEX #AD210F

RGB 173 33 15

HSL 6.84, 0.84%, 0.37%

LAB 37.85, 54.28, 45.53

 

CMYK 0 / 91 / 91 / 32

HEX #AD0F0F

RGB 173 15 15

HSL 0, 0.84%, 0.37%

LAB 36.48, 58.19, 44.57

 

CMYK 0 / 7 / 91 / 32

HEX #ADA10F

RGB 173 161 15

HSL 55.44, 0.84%, 0.37%

LAB 65.29, -9.69, 66.18

 

CMYK 18 / 0 / 91 / 32

HEX #8EAD0F

RGB 142 173 15

HSL 71.77, 0.84%, 0.37%

LAB 66.27, -29.26, 65.92

 

CMYK 42 / 0 / 91 / 32

HEX #64AD0F

RGB 100 173 15

HSL 87.72, 0.84%, 0.37%

LAB 63.86, -45.43, 62.96

 

CMYK 67 / 0 / 91 / 32

HEX #39AD0F

RGB 57 173 15

HSL 104.05, 0.84%, 0.37%

LAB 62.33, -57.49, 61.06

 

CMYK 91 / 0 / 91 / 32

HEX #0FAD0F

RGB 15 173 15

HSL 120, 0.84%, 0.37%

LAB 61.67, -63.25, 60.24

 

CMYK 0 / 7 / 91 / 32

HEX #ADA10F

RGB 173 161 15

HSL 55.44, 0.84%, 0.37%

LAB 65.29, -9.69, 66.18

 

CMYK 0 / 7 / 91 / 32

HEX #ADA10F

RGB 173 161 15

HSL 55.44, 0.84%, 0.37%

LAB 65.29, -9.69, 66.18

 

CMYK 0 / 6 / 81 / 38

HEX #9E941E

RGB 158 148 30

HSL 55.31, 0.68%, 0.37%

LAB 60.38, -9.17, 58.09

 

CMYK 0 / 6 / 69 / 44

HEX #8F872D

RGB 143 135 45

HSL 55.1, 0.52%, 0.37%

LAB 55.44, -8.24, 47.43

 

CMYK 0 / 4 / 53 / 50

HEX #7F7A3C

RGB 127 122 60

HSL 55.52, 0.36%, 0.37%

LAB 50.4, -7.14, 34.27

 

CMYK 0 / 3 / 32 / 56

HEX #706D4C

RGB 112 109 76

HSL 55, 0.19%, 0.37%

LAB 45.5, -4.51, 18.9

 

CMYK 0 / 57 / 91 / 32

HEX #AD4B0F

RGB 173 75 15

HSL 22.78, 0.84%, 0.37%

LAB 44.16, 37.26, 50.1

 

CMYK 0 / 32 / 91 / 32

HEX #AD760F

RGB 173 118 15

HSL 39.11, 0.84%, 0.37%

LAB 53.89, 13.87, 57.4

 

CMYK 0 / 8 / 91 / 32

HEX #ADA00F

RGB 173 160 15

HSL 55.06, 0.84%, 0.37%

LAB 65.01, -9.16, 65.96

 

CMYK 17 / 0 / 91 / 32

HEX #90AD0F

RGB 144 173 15

HSL 71.01, 0.84%, 0.37%

LAB 66.41, -28.43, 66.08

 

CMYK 41 / 0 / 91 / 32

HEX #66AD0F

RGB 102 173 15

HSL 86.96, 0.84%, 0.37%

LAB 63.96, -44.74, 63.07

 

CMYK 0 / 7 / 92 / 62

HEX #615A08

RGB 97 90 8

HSL 55.28, 0.85%, 0.21%

LAB 37.61, -6.35, 42.64

 

CMYK 0 / 7 / 92 / 47

HEX #877E0B

RGB 135 126 11

HSL 55.65, 0.85%, 0.29%

LAB 51.95, -8.35, 54.97

 

CMYK 0 / 7 / 91 / 32

HEX #ADA10F

RGB 173 161 15

HSL 55.44, 0.84%, 0.37%

LAB 65.29, -9.69, 66.18

 

CMYK 0 / 7 / 91 / 17

HEX #D3C412

RGB 211 196 18

HSL 55.34, 0.84%, 0.45%

LAB 78.09, -11, 77.05

 

CMYK 0 / 6 / 85 / 8

HEX #EBDC23

RGB 235 220 35

HSL 55.5, 0.83%, 0.53%

LAB 86.49, -12.47, 81.54

 

CMYK 0 / 7 / 91 / 32

HEX #ADA10F

RGB 173 161 15

HSL 55.44, 0.84%, 0.37%

LAB 65.29, -9.69, 66.18

 

CMYK 91 / 0 / 81 / 32

HEX #0FAD21

RGB 15 173 33

HSL 126.84, 0.84%, 0.37%

LAB 61.74, -62.41, 56.13

 

CMYK 45 / 91 / 0 / 32

HEX #600FAD

RGB 96 15 173

HSL 270.76, 0.84%, 0.37%

LAB 29.02, 60.47, -65.62

 

CMYK 0 / 7 / 91 / 32

HEX #ADA10F

RGB 173 161 15

HSL 55.44, 0.84%, 0.37%

LAB 65.29, -9.69, 66.18

 

CMYK 91 / 0 / 8 / 32

HEX #0FADA0

RGB 15 173 160

HSL 175.06, 0.84%, 0.37%

LAB 63.78, -39.28, -3.76

 

CMYK 8 / 91 / 0 / 32

HEX #A00FAD

RGB 160 15 173

HSL 295.06, 0.84%, 0.37%

LAB 39.3, 69.63, -48.44

 

CMYK 0 / 7 / 91 / 32

HEX #ADA10F

RGB 173 161 15

HSL 55.44, 0.84%, 0.37%

LAB 65.29, -9.69, 66.18

 

CMYK 91 / 0 / 81 / 32

HEX #0FAD21

RGB 15 173 33

HSL 126.84, 0.84%, 0.37%

LAB 61.74, -62.41, 56.13

 

CMYK 91 / 84 / 0 / 32

HEX #0F1CAD

RGB 15 28 173

HSL 235.06, 0.84%, 0.37%

LAB 23.5, 50.26, -74.97

 

CMYK 0 / 91 / 10 / 32

HEX #AD0F9B

RGB 173 15 155

HSL 306.84, 0.84%, 0.37%

LAB 40.56, 69.22, -35.48

 

CMYK 0 / 7 / 91 / 32

HEX #ADA10F

RGB 173 161 15

HSL 55.44, 0.84%, 0.37%

LAB 65.29, -9.69, 66.18

 

CMYK 91 / 0 / 53 / 32

HEX #0FAD51

RGB 15 173 81

HSL 145.06, 0.84%, 0.37%

LAB 62.15, -57.24, 36.74

 

CMYK 91 / 84 / 0 / 32

HEX #0F1CAD

RGB 15 28 173

HSL 235.06, 0.84%, 0.37%

LAB 23.5, 50.26, -74.97

 

CMYK 0 / 91 / 38 / 32

HEX #AD0F6B

RGB 173 15 107

HSL 325.06, 0.84%, 0.37%

LAB 38.35, 63.4, -9.21

 

Description

Color code: RGB 173 161 15 | qconv.com Color code: RGB 173 161 15 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 161 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 161 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 91 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 91% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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