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Color name
RGB 173 192 42

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 192 42 it is the complementary color RGB 82 63 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 192 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 173 192 42 shade: RGB 178 192 37, RGB 195 210 56, RGB 212 228 75, RGB 229 246 94 and RGB 246 255 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 192 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 173 192 42 shade: RGB 173 192 42, RGB 156 174 23, RGB 139 156 4, RGB 122 138 0 and RGB 105 120 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 173 192 42 shade: RGB 173 192 42, RGB 192 170 42, RGB 192 130 42, RGB 192 89 42 and RGB 192 49 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 173 192 42 shade: RGB 173 192 42, RGB 132 192 42, RGB 92 192 42, RGB 51 192 42 and RGB 42 192 73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 173 192 42 shade matches the following richer shades: RGB 173 192 42, RGB 187 211 23 and RGB 201 230 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 173 192 42 shade: RGB 173 192 42, RGB 159 173 61, RGB 145 154 80, RGB 130 135 99 and RGB 116 116 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 173 192 42 shade: RGB 192 129 42, RGB 192 169 42, RGB 174 192 42, RGB 134 192 42 and RGB 94 192 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 173 192 42 shade: RGB 112 124 27, RGB 142 158 34, RGB 173 192 42, RGB 193 212 63 and RGB 204 220 96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 173 192 42 shade: RGB 173 192 42, RGB 42 192 89 and RGB 149 42 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 173 192 42 shade: RGB 173 192 42, RGB 42 174 192 and RGB 192 42 174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 173 192 42 shade: RGB 173 192 42, RGB 42 192 89, RGB 59 42 192 and RGB 192 42 144

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 173 192 42 shade: RGB 173 192 42, RGB 42 192 134, RGB 59 42 192 and RGB 192 42 99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 78 / 25

HEX #ADC02A

RGB 173 192 42

HSL 67.6, 0.64%, 0.46%

LAB 74.03, -24.63, 67.18

 

Complementary color

CMYK 62 / 70 / 0 / 16

HEX #523FD5

RGB 82 63 213

HSL 247.6, 0.64%, 0.54%

LAB 38.12, 49.93, -74.23

 

CMYK 7 / 0 / 81 / 25

HEX #B2C025

RGB 178 192 37

HSL 65.42, 0.68%, 0.45%

LAB 74.38, -22.71, 69.03

 

CMYK 7 / 0 / 73 / 18

HEX #C3D238

RGB 195 210 56

HSL 65.84, 0.63%, 0.52%

LAB 80.73, -23.61, 69.58

 

CMYK 7 / 0 / 67 / 11

HEX #D4E44B

RGB 212 228 75

HSL 66.27, 0.74%, 0.59%

LAB 86.99, -24.36, 69.45

 

CMYK 7 / 0 / 62 / 4

HEX #E5F65E

RGB 229 246 94

HSL 66.71, 0.89%, 0.67%

LAB 93.18, -24.97, 68.89

 

CMYK 4 / 0 / 56 / 0

HEX #F6FF71

RGB 246 255 113

HSL 63.8, 1%, 0.72%

LAB 96.94, -21.23, 65.47

 

CMYK 10 / 0 / 78 / 25

HEX #ADC02A

RGB 173 192 42

HSL 67.6, 0.64%, 0.46%

LAB 74.03, -24.63, 67.18

 

CMYK 10 / 0 / 87 / 32

HEX #9CAE17

RGB 156 174 23

HSL 67.15, 0.77%, 0.39%

LAB 67.58, -23.64, 65.93

 

CMYK 11 / 0 / 97 / 39

HEX #8B9C04

RGB 139 156 4

HSL 66.71, 0.95%, 0.31%

LAB 61.02, -22.43, 63.26

 

CMYK 12 / 0 / 100 / 46

HEX #7A8A00

RGB 122 138 0

HSL 66.96, 1%, 0.27%

LAB 54.36, -20.93, 58.3

 

CMYK 13 / 0 / 100 / 53

HEX #697800

RGB 105 120 0

HSL 67.5, 1%, 0.24%

LAB 47.54, -19.33, 52.62

 

CMYK 10 / 0 / 78 / 25

HEX #ADC02A

RGB 173 192 42

HSL 67.6, 0.64%, 0.46%

LAB 74.03, -24.63, 67.18

 

CMYK 0 / 11 / 78 / 25

HEX #C0AA2A

RGB 192 170 42

HSL 51.2, 0.64%, 0.46%

LAB 69.56, -5.25, 63.71

 

CMYK 0 / 32 / 78 / 25

HEX #C0822A

RGB 192 130 42

HSL 35.2, 0.64%, 0.46%

LAB 59.29, 16.44, 54.21

 

CMYK 0 / 54 / 78 / 25

HEX #C0592A

RGB 192 89 42

HSL 18.8, 0.64%, 0.46%

LAB 50.12, 38.45, 45.32

 

CMYK 0 / 74 / 78 / 25

HEX #C0312A

RGB 192 49 42

HSL 2.8, 0.64%, 0.46%

LAB 43.61, 55.78, 38.68

 

CMYK 10 / 0 / 78 / 25

HEX #ADC02A

RGB 173 192 42

HSL 67.6, 0.64%, 0.46%

LAB 74.03, -24.63, 67.18

 

CMYK 31 / 0 / 78 / 25

HEX #84C02A

RGB 132 192 42

HSL 84, 0.64%, 0.46%

LAB 71.4, -40.96, 63.8

 

CMYK 52 / 0 / 78 / 25

HEX #5CC02A

RGB 92 192 42

HSL 100, 0.64%, 0.46%

LAB 69.57, -54.21, 61.42

 

CMYK 73 / 0 / 78 / 25

HEX #33C02A

RGB 51 192 42

HSL 116.4, 0.64%, 0.46%

LAB 68.44, -63.46, 59.95

 

CMYK 78 / 0 / 62 / 25

HEX #2AC049

RGB 42 192 73

HSL 132.4, 0.64%, 0.46%

LAB 68.51, -61.98, 48.09

 

CMYK 10 / 0 / 78 / 25

HEX #ADC02A

RGB 173 192 42

HSL 67.6, 0.64%, 0.46%

LAB 74.03, -24.63, 67.18

 

CMYK 11 / 0 / 89 / 17

HEX #BBD317

RGB 187 211 23

HSL 67.66, 0.8%, 0.46%

LAB 80.3, -28.47, 77.21

 

CMYK 13 / 0 / 98 / 10

HEX #C9E604

RGB 201 230 4

HSL 67.7, 0.97%, 0.46%

LAB 86.51, -31.87, 84.53

 

CMYK 10 / 0 / 78 / 25

HEX #ADC02A

RGB 173 192 42

HSL 67.6, 0.64%, 0.46%

LAB 74.03, -24.63, 67.18

 

CMYK 8 / 0 / 65 / 32

HEX #9FAD3D

RGB 159 173 61

HSL 67.5, 0.48%, 0.46%

LAB 67.72, -20.12, 53.85

 

CMYK 6 / 0 / 48 / 40

HEX #919A50

RGB 145 154 80

HSL 67.3, 0.32%, 0.46%

LAB 61.4, -14.65, 37.5

 

CMYK 4 / 0 / 27 / 47

HEX #828763

RGB 130 135 99

HSL 68.33, 0.15%, 0.46%

LAB 55.05, -8.23, 18.79

 

CMYK 2 / 2 / 0 / 54

HEX #747476

RGB 116 116 118

HSL 240, 0.01%, 0.46%

LAB 48.9, 0.41, -1.11

 

CMYK 0 / 33 / 78 / 25

HEX #C0812A

RGB 192 129 42

HSL 34.8, 0.64%, 0.46%

LAB 59.04, 17, 53.98

 

CMYK 0 / 12 / 78 / 25

HEX #C0A92A

RGB 192 169 42

HSL 50.8, 0.64%, 0.46%

LAB 69.29, -4.72, 63.47

 

CMYK 9 / 0 / 78 / 25

HEX #AEC02A

RGB 174 192 42

HSL 67.2, 0.64%, 0.46%

LAB 74.1, -24.21, 67.27

 

CMYK 30 / 0 / 78 / 25

HEX #86C02A

RGB 134 192 42

HSL 83.2, 0.64%, 0.46%

LAB 71.51, -40.21, 63.94

 

CMYK 51 / 0 / 78 / 25

HEX #5EC02A

RGB 94 192 42

HSL 99.2, 0.64%, 0.46%

LAB 69.64, -53.64, 61.52

 

CMYK 10 / 0 / 78 / 51

HEX #707C1B

RGB 112 124 27

HSL 67.42, 0.64%, 0.3%

LAB 49.42, -17.38, 47.69

 

CMYK 10 / 0 / 78 / 38

HEX #8E9E22

RGB 142 158 34

HSL 67.74, 0.65%, 0.38%

LAB 61.93, -21.32, 57.76

 

CMYK 10 / 0 / 78 / 25

HEX #ADC02A

RGB 173 192 42

HSL 67.6, 0.64%, 0.46%

LAB 74.03, -24.63, 67.18

 

CMYK 9 / 0 / 70 / 17

HEX #C1D43F

RGB 193 212 63

HSL 67.65, 0.63%, 0.54%

LAB 81.17, -25.05, 67.56

 

CMYK 7 / 0 / 56 / 14

HEX #CCDC60

RGB 204 220 96

HSL 67.74, 0.64%, 0.62%

LAB 84.42, -22.3, 57.92

 

CMYK 10 / 0 / 78 / 25

HEX #ADC02A

RGB 173 192 42

HSL 67.6, 0.64%, 0.46%

LAB 74.03, -24.63, 67.18

 

CMYK 78 / 0 / 54 / 25

HEX #2AC059

RGB 42 192 89

HSL 138.8, 0.64%, 0.46%

LAB 68.69, -59.88, 40.86

 

CMYK 22 / 78 / 0 / 25

HEX #952AC0

RGB 149 42 192

HSL 282.8, 0.64%, 0.46%

LAB 40.98, 64.79, -57.04

 

CMYK 10 / 0 / 78 / 25

HEX #ADC02A

RGB 173 192 42

HSL 67.6, 0.64%, 0.46%

LAB 74.03, -24.63, 67.18

 

CMYK 78 / 9 / 0 / 25

HEX #2AAEC0

RGB 42 174 192

HSL 187.2, 0.64%, 0.46%

LAB 65.41, -27.99, -19.1

 

CMYK 0 / 78 / 9 / 25

HEX #C02AAE

RGB 192 42 174

HSL 307.2, 0.64%, 0.46%

LAB 46.87, 70.23, -36.65

 

CMYK 10 / 0 / 78 / 25

HEX #ADC02A

RGB 173 192 42

HSL 67.6, 0.64%, 0.46%

LAB 74.03, -24.63, 67.18

 

CMYK 78 / 0 / 54 / 25

HEX #2AC059

RGB 42 192 89

HSL 138.8, 0.64%, 0.46%

LAB 68.69, -59.88, 40.86

 

CMYK 69 / 78 / 0 / 25

HEX #3B2AC0

RGB 59 42 192

HSL 246.8, 0.64%, 0.46%

LAB 30.38, 51.93, -74.81

 

CMYK 0 / 78 / 25 / 25

HEX #C02A90

RGB 192 42 144

HSL 319.2, 0.64%, 0.46%

LAB 45.46, 66.17, -20.91

 

CMYK 10 / 0 / 78 / 25

HEX #ADC02A

RGB 173 192 42

HSL 67.6, 0.64%, 0.46%

LAB 74.03, -24.63, 67.18

 

CMYK 78 / 0 / 30 / 25

HEX #2AC086

RGB 42 192 134

HSL 156.8, 0.64%, 0.46%

LAB 69.41, -51.63, 18.59

 

CMYK 69 / 78 / 0 / 25

HEX #3B2AC0

RGB 59 42 192

HSL 246.8, 0.64%, 0.46%

LAB 30.38, 51.93, -74.81

 

CMYK 0 / 78 / 48 / 25

HEX #C02A63

RGB 192 42 99

HSL 337.2, 0.64%, 0.46%

LAB 43.89, 61.43, 4.39

 

Description

Color code: RGB 173 192 42 | qconv.com Color code: RGB 173 192 42 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 192 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 192 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 78 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 78% 25% C M Y K

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Provide designers and agencies with accurate color values.

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