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Color name
RGB 173 22 48

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 22 48 it is the complementary color RGB 82 233 207. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 22 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 173 22 48 shade: RGB 178 22 43, RGB 195 40 62, RGB 212 58 81, RGB 229 76 100 and RGB 246 94 119

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 22 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 173 22 48 shade: RGB 173 22 48, RGB 156 4 29, RGB 139 0 10, RGB 122 0 0 and RGB 105 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 173 22 48 shade: RGB 171 22 47 and RGB 171 22 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 173 22 48 shade: RGB 171 22 47, RGB 171 22 88, RGB 171 22 128, RGB 171 22 168 and RGB 134 22 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 173 22 48 shade matches the following richer shades: RGB 171 22 47 and RGB 187 6 37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 173 22 48 shade: RGB 171 22 47, RGB 155 37 58, RGB 140 53 68, RGB 124 69 78 and RGB 108 85 89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 173 22 48 shade: RGB 171 22 129, RGB 171 22 89, RGB 171 22 49, RGB 171 34 22 and RGB 171 74 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 173 22 48 shade: RGB 98 12 27, RGB 134 17 37, RGB 171 22 47, RGB 208 27 58 and RGB 228 48 79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 173 22 48 shade: RGB 173 22 48, RGB 169 171 22 and RGB 22 109 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 173 22 48 shade: RGB 173 22 48, RGB 49 171 22 and RGB 22 49 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 173 22 48 shade: RGB 173 22 48, RGB 169 171 22, RGB 22 171 144 and RGB 24 22 171

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 173 22 48 shade: RGB 173 22 48, RGB 124 171 22, RGB 22 171 144 and RGB 69 22 171

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 72 / 32

HEX #AD1630

RGB 173 22 48

HSL 349.67, 0.77%, 0.38%

LAB 37.25, 57.91, 26.96

 

Complementary color

CMYK 65 / 0 / 11 / 9

HEX #52E9CF

RGB 82 233 207

HSL 169.67, 0.77%, 0.62%

LAB 84.27, -45.74, 0.93

 

CMYK 0 / 88 / 76 / 30

HEX #B2162B

RGB 178 22 43

HSL 351.92, 0.78%, 0.39%

LAB 38.22, 59.06, 31.44

 

CMYK 0 / 79 / 68 / 24

HEX #C3283E

RGB 195 40 62

HSL 351.48, 0.66%, 0.46%

LAB 43.46, 60.33, 26.9

 

CMYK 0 / 73 / 62 / 17

HEX #D43A51

RGB 212 58 81

HSL 351.04, 0.64%, 0.53%

LAB 49.03, 60.7, 23.11

 

CMYK 0 / 67 / 56 / 10

HEX #E54C64

RGB 229 76 100

HSL 350.59, 0.75%, 0.6%

LAB 54.81, 60.51, 19.99

 

CMYK 0 / 62 / 52 / 4

HEX #F65E77

RGB 246 94 119

HSL 350.13, 0.89%, 0.67%

LAB 60.72, 59.98, 17.37

 

CMYK 0 / 87 / 72 / 32

HEX #AD1630

RGB 173 22 48

HSL 349.67, 0.77%, 0.38%

LAB 37.25, 57.91, 26.96

 

CMYK 0 / 97 / 81 / 39

HEX #9C041D

RGB 156 4 29

HSL 350.13, 0.95%, 0.31%

LAB 32.35, 55.48, 32.2

 

CMYK 0 / 100 / 93 / 45

HEX #8B000A

RGB 139 0 10

HSL 355.68, 1%, 0.27%

LAB 28.14, 51.17, 37.27

 

CMYK 0 / 100 / 100 / 52

HEX #7A0000

RGB 122 0 0

HSL 0, 1%, 0.24%

LAB 24.12, 46.42, 36.22

 

CMYK 0 / 100 / 100 / 59

HEX #690000

RGB 105 0 0

HSL 0, 1%, 0.21%

LAB 20.06, 41.72, 30.68

 

CMYK 0 / 87 / 73 / 33

HEX #AB162F

RGB 171 22 47

HSL 349.93, 0.77%, 0.38%

LAB 36.81, 57.32, 26.96

 

CMYK 0 / 87 / 87 / 33

HEX #AB1616

RGB 171 22 22

HSL 0, 0.77%, 0.38%

LAB 36.54, 56.51, 41.15

 

CMYK 0 / 87 / 73 / 33

HEX #AB162F

RGB 171 22 47

HSL 349.93, 0.77%, 0.38%

LAB 36.81, 57.32, 26.96

 

CMYK 0 / 87 / 49 / 33

HEX #AB1658

RGB 171 22 88

HSL 333.42, 0.77%, 0.38%

LAB 37.73, 59.96, 1.93

 

CMYK 0 / 87 / 25 / 33

HEX #AB1680

RGB 171 22 128

HSL 317.32, 0.77%, 0.38%

LAB 39.22, 64.13, -21.07

 

CMYK 0 / 87 / 2 / 33

HEX #AB16A8

RGB 171 22 168

HSL 301.21, 0.77%, 0.38%

LAB 41.31, 69.66, -42.13

 

CMYK 22 / 87 / 0 / 33

HEX #8616AB

RGB 134 22 171

HSL 285.1, 0.77%, 0.38%

LAB 35.17, 63.73, -54.14

 

CMYK 0 / 87 / 73 / 33

HEX #AB162F

RGB 171 22 47

HSL 349.93, 0.77%, 0.38%

LAB 36.81, 57.32, 26.96

 

CMYK 0 / 97 / 80 / 27

HEX #BB0625

RGB 187 6 37

HSL 349.72, 0.94%, 0.38%

LAB 39.29, 63.43, 36.73

 

CMYK 0 / 87 / 73 / 33

HEX #AB162F

RGB 171 22 47

HSL 349.93, 0.77%, 0.38%

LAB 36.81, 57.32, 26.96

 

CMYK 0 / 76 / 63 / 39

HEX #9B253A

RGB 155 37 58

HSL 349.32, 0.61%, 0.38%

LAB 35.2, 49.18, 17.25

 

CMYK 0 / 62 / 51 / 45

HEX #8C3544

RGB 140 53 68

HSL 349.66, 0.45%, 0.38%

LAB 35.08, 38.31, 10.21

 

CMYK 0 / 44 / 37 / 51

HEX #7C454E

RGB 124 69 78

HSL 350.18, 0.28%, 0.38%

LAB 36.16, 24.71, 4.99

 

CMYK 0 / 21 / 18 / 58

HEX #6C5559

RGB 108 85 89

HSL 349.57, 0.12%, 0.38%

LAB 38.56, 10.21, 1.3

 

CMYK 0 / 87 / 25 / 33

HEX #AB1681

RGB 171 22 129

HSL 316.91, 0.77%, 0.38%

LAB 39.27, 64.25, -21.62

 

CMYK 0 / 87 / 48 / 33

HEX #AB1659

RGB 171 22 89

HSL 333.02, 0.77%, 0.38%

LAB 37.76, 60.05, 1.33

 

CMYK 0 / 87 / 71 / 33

HEX #AB1631

RGB 171 22 49

HSL 349.13, 0.77%, 0.38%

LAB 36.84, 57.41, 25.74

 

CMYK 0 / 80 / 87 / 33

HEX #AB2216

RGB 171 34 22

HSL 4.83, 0.77%, 0.38%

LAB 37.59, 53.52, 42.03

 

CMYK 0 / 57 / 87 / 33

HEX #AB4A16

RGB 171 74 22

HSL 20.94, 0.77%, 0.38%

LAB 43.67, 37.12, 47.08

 

CMYK 0 / 88 / 72 / 62

HEX #620C1B

RGB 98 12 27

HSL 349.53, 0.78%, 0.22%

LAB 19.8, 37.52, 15.76

 

CMYK 0 / 87 / 72 / 47

HEX #861125

RGB 134 17 37

HSL 349.74, 0.77%, 0.3%

LAB 28.39, 47.56, 21.36

 

CMYK 0 / 87 / 73 / 33

HEX #AB162F

RGB 171 22 47

HSL 349.93, 0.77%, 0.38%

LAB 36.81, 57.32, 26.96

 

CMYK 0 / 87 / 72 / 18

HEX #D01B3A

RGB 208 27 58

HSL 349.72, 0.77%, 0.46%

LAB 44.94, 66.69, 31.73

 

CMYK 0 / 79 / 65 / 11

HEX #E4304F

RGB 228 48 79

HSL 349.67, 0.77%, 0.54%

LAB 50.89, 68.23, 27.3

 

CMYK 0 / 87 / 72 / 32

HEX #AD1630

RGB 173 22 48

HSL 349.67, 0.77%, 0.38%

LAB 37.25, 57.91, 26.96

 

CMYK 1 / 0 / 87 / 33

HEX #A9AB16

RGB 169 171 22

HSL 60.81, 0.77%, 0.38%

LAB 67.74, -16.51, 66.68

 

CMYK 87 / 36 / 0 / 33

HEX #166DAB

RGB 22 109 171

HSL 204.97, 0.77%, 0.38%

LAB 44.3, -1.32, -39.92

 

CMYK 0 / 87 / 72 / 32

HEX #AD1630

RGB 173 22 48

HSL 349.67, 0.77%, 0.38%

LAB 37.25, 57.91, 26.96

 

CMYK 71 / 0 / 87 / 33

HEX #31AB16

RGB 49 171 22

HSL 109.13, 0.77%, 0.38%

LAB 61.51, -58.18, 58.93

 

CMYK 87 / 71 / 0 / 33

HEX #1631AB

RGB 22 49 171

HSL 229.13, 0.77%, 0.38%

LAB 27.59, 38.12, -66.98

 

CMYK 0 / 87 / 72 / 32

HEX #AD1630

RGB 173 22 48

HSL 349.67, 0.77%, 0.38%

LAB 37.25, 57.91, 26.96

 

CMYK 1 / 0 / 87 / 33

HEX #A9AB16

RGB 169 171 22

HSL 60.81, 0.77%, 0.38%

LAB 67.74, -16.51, 66.68

 

CMYK 87 / 0 / 16 / 33

HEX #16AB90

RGB 22 171 144

HSL 169.13, 0.77%, 0.38%

LAB 62.77, -42.48, 3.7

 

CMYK 86 / 87 / 0 / 33

HEX #1816AB

RGB 24 22 171

HSL 240.81, 0.77%, 0.38%

LAB 22.68, 52.52, -75.12

 

CMYK 0 / 87 / 72 / 32

HEX #AD1630

RGB 173 22 48

HSL 349.67, 0.77%, 0.38%

LAB 37.25, 57.91, 26.96

 

CMYK 27 / 0 / 87 / 33

HEX #7CAB16

RGB 124 171 22

HSL 78.93, 0.77%, 0.38%

LAB 64.54, -35.48, 62.73

 

CMYK 87 / 0 / 16 / 33

HEX #16AB90

RGB 22 171 144

HSL 169.13, 0.77%, 0.38%

LAB 62.77, -42.48, 3.7

 

CMYK 60 / 87 / 0 / 33

HEX #4516AB

RGB 69 22 171

HSL 258.93, 0.77%, 0.38%

LAB 26.1, 55.31, -69.36

 

Description

Color code: RGB 173 22 48 | qconv.com Color code: RGB 173 22 48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 22 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 22 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 72 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 72% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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