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Color name
RGB 174 105 115

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 105 115 it is the complementary color RGB 81 150 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 105 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 174 105 115 shade: RGB 179 105 110, RGB 196 123 129, RGB 213 141 148, RGB 230 159 167 and RGB 247 177 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 105 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 174 105 115 shade: RGB 174 105 115, RGB 157 87 96, RGB 140 69 77, RGB 123 51 58 and RGB 106 33 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 174 105 115 shade: RGB 174 105 115 and RGB 174 105 105

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 174 105 115 shade: RGB 174 105 115, RGB 174 105 134, RGB 174 105 152, RGB 174 105 171 and RGB 159 105 174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 174 105 115 shade matches the following richer shades: RGB 174 105 115, RGB 193 87 102, RGB 211 68 89, RGB 230 50 76 and RGB 248 31 63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 174 105 115 shade: RGB 174 105 115, RGB 156 124 128, RGB 137 142 142, RGB 118 161 155 and RGB 100 180 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 174 105 115 shade: RGB 174 105 152, RGB 174 105 134, RGB 174 105 116, RGB 174 113 105 and RGB 174 132 105

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 174 105 115 shade: RGB 128 69 77, RGB 155 83 94, RGB 174 105 115, RGB 189 132 140 and RGB 203 159 165

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 174 105 115 shade: RGB 174 105 115, RGB 171 174 105 and RGB 105 143 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 174 105 115 shade: RGB 174 105 115, RGB 116 174 105 and RGB 105 116 174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 174 105 115 shade: RGB 174 105 115, RGB 171 174 105, RGB 105 174 164 and RGB 109 105 174

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 174 105 115 shade: RGB 174 105 115, RGB 150 174 105, RGB 105 174 164 and RGB 129 105 174

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 34 / 32

HEX #AE6973

RGB 174 105 115

HSL 351.3, 0.3%, 0.55%

LAB 52.22, 28.86, 6.26

 

Complementary color

CMYK 46 / 0 / 7 / 41

HEX #51968C

RGB 81 150 140

HSL 171.3, 0.3%, 0.45%

LAB 57.52, -24.36, -1.51

 

CMYK 0 / 41 / 39 / 30

HEX #B3696E

RGB 179 105 110

HSL 355.95, 0.33%, 0.56%

LAB 52.74, 30.15, 10.04

 

CMYK 0 / 37 / 34 / 23

HEX #C47B81

RGB 196 123 129

HSL 355.07, 0.38%, 0.63%

LAB 59.42, 29.18, 8.74

 

CMYK 0 / 34 / 31 / 16

HEX #D58D94

RGB 213 141 148

HSL 354.17, 0.46%, 0.69%

LAB 66.01, 28.29, 7.59

 

CMYK 0 / 31 / 27 / 10

HEX #E69FA7

RGB 230 159 167

HSL 353.24, 0.59%, 0.76%

LAB 72.5, 27.48, 6.55

 

CMYK 0 / 28 / 25 / 3

HEX #F7B1BA

RGB 247 177 186

HSL 352.29, 0.81%, 0.83%

LAB 78.9, 26.75, 5.61

 

CMYK 0 / 40 / 34 / 32

HEX #AE6973

RGB 174 105 115

HSL 351.3, 0.3%, 0.55%

LAB 52.22, 28.86, 6.26

 

CMYK 0 / 45 / 39 / 38

HEX #9D5760

RGB 157 87 96

HSL 352.29, 0.29%, 0.48%

LAB 45.4, 29.86, 7.62

 

CMYK 0 / 51 / 45 / 45

HEX #8C454D

RGB 140 69 77

HSL 353.24, 0.34%, 0.41%

LAB 38.49, 30.94, 9.26

 

CMYK 0 / 59 / 53 / 52

HEX #7B333A

RGB 123 51 58

HSL 354.17, 0.41%, 0.34%

LAB 31.54, 32.03, 11.32

 

CMYK 0 / 69 / 63 / 58

HEX #6A2127

RGB 106 33 39

HSL 355.07, 0.53%, 0.27%

LAB 24.63, 32.97, 14.08

 

CMYK 0 / 40 / 34 / 32

HEX #AE6973

RGB 174 105 115

HSL 351.3, 0.3%, 0.55%

LAB 52.22, 28.86, 6.26

 

CMYK 0 / 40 / 40 / 32

HEX #AE6969

RGB 174 105 105

HSL 0, 0.3%, 0.55%

LAB 51.97, 27.61, 11.82

 

CMYK 0 / 40 / 34 / 32

HEX #AE6973

RGB 174 105 115

HSL 351.3, 0.3%, 0.55%

LAB 52.22, 28.86, 6.26

 

CMYK 0 / 40 / 23 / 32

HEX #AE6986

RGB 174 105 134

HSL 334.78, 0.3%, 0.55%

LAB 52.76, 31.55, -4.19

 

CMYK 0 / 40 / 13 / 32

HEX #AE6998

RGB 174 105 152

HSL 319.13, 0.3%, 0.55%

LAB 53.35, 34.46, -13.88

 

CMYK 0 / 40 / 2 / 32

HEX #AE69AB

RGB 174 105 171

HSL 302.61, 0.3%, 0.55%

LAB 54.07, 37.86, -23.86

 

CMYK 9 / 40 / 0 / 32

HEX #9F69AE

RGB 159 105 174

HSL 286.96, 0.3%, 0.55%

LAB 52.43, 33.68, -28.28

 

CMYK 0 / 40 / 34 / 32

HEX #AE6973

RGB 174 105 115

HSL 351.3, 0.3%, 0.55%

LAB 52.22, 28.86, 6.26

 

CMYK 0 / 55 / 47 / 24

HEX #C15766

RGB 193 87 102

HSL 351.51, 0.46%, 0.55%

LAB 50.82, 43.88, 12.39

 

CMYK 0 / 68 / 58 / 17

HEX #D34459

RGB 211 68 89

HSL 351.19, 0.62%, 0.55%

LAB 50.34, 57.24, 20

 

CMYK 0 / 78 / 67 / 10

HEX #E6324C

RGB 230 50 76

HSL 351.33, 0.78%, 0.55%

LAB 51.41, 68.08, 29.83

 

CMYK 0 / 88 / 75 / 3

HEX #F81F3F

RGB 248 31 63

HSL 351.15, 0.94%, 0.55%

LAB 53.27, 76.42, 40.48

 

CMYK 0 / 40 / 34 / 32

HEX #AE6973

RGB 174 105 115

HSL 351.3, 0.3%, 0.55%

LAB 52.22, 28.86, 6.26

 

CMYK 0 / 21 / 18 / 39

HEX #9C7C80

RGB 156 124 128

HSL 352.5, 0.14%, 0.55%

LAB 55.12, 13.03, 2.54

 

CMYK 4 / 0 / 0 / 44

HEX #898E8E

RGB 137 142 142

HSL 180, 0.02%, 0.55%

LAB 58.62, -1.82, -0.64

 

CMYK 27 / 0 / 4 / 37

HEX #76A19B

RGB 118 161 155

HSL 171.63, 0.19%, 0.55%

LAB 63.1, -15.83, -1.6

 

CMYK 44 / 0 / 7 / 29

HEX #64B4A8

RGB 100 180 168

HSL 171, 0.35%, 0.55%

LAB 68.15, -27.5, -1.54

 

CMYK 0 / 40 / 13 / 32

HEX #AE6998

RGB 174 105 152

HSL 319.13, 0.3%, 0.55%

LAB 53.35, 34.46, -13.88

 

CMYK 0 / 40 / 23 / 32

HEX #AE6986

RGB 174 105 134

HSL 334.78, 0.3%, 0.55%

LAB 52.76, 31.55, -4.19

 

CMYK 0 / 40 / 33 / 32

HEX #AE6974

RGB 174 105 116

HSL 350.43, 0.3%, 0.55%

LAB 52.24, 28.99, 5.7

 

CMYK 0 / 35 / 40 / 32

HEX #AE7169

RGB 174 113 105

HSL 6.96, 0.3%, 0.55%

LAB 53.84, 23.15, 14.42

 

CMYK 0 / 24 / 40 / 32

HEX #AE8469

RGB 174 132 105

HSL 23.48, 0.3%, 0.55%

LAB 58.53, 12.46, 20.81

 

CMYK 0 / 46 / 40 / 50

HEX #80454D

RGB 128 69 77

HSL 351.86, 0.3%, 0.39%

LAB 36.71, 26.19, 6.49

 

CMYK 0 / 46 / 39 / 39

HEX #9B535E

RGB 155 83 94

HSL 350.83, 0.3%, 0.47%

LAB 44.18, 31.05, 7.07

 

CMYK 0 / 40 / 34 / 32

HEX #AE6973

RGB 174 105 115

HSL 351.3, 0.3%, 0.55%

LAB 52.22, 28.86, 6.26

 

CMYK 0 / 30 / 26 / 26

HEX #BD848C

RGB 189 132 140

HSL 351.58, 0.3%, 0.63%

LAB 60.97, 23.07, 4.53

 

CMYK 0 / 22 / 19 / 20

HEX #CB9FA5

RGB 203 159 165

HSL 351.82, 0.3%, 0.71%

LAB 69.62, 17.21, 3.14

 

CMYK 0 / 40 / 34 / 32

HEX #AE6973

RGB 174 105 115

HSL 351.3, 0.3%, 0.55%

LAB 52.22, 28.86, 6.26

 

CMYK 2 / 0 / 40 / 32

HEX #ABAE69

RGB 171 174 105

HSL 62.61, 0.3%, 0.55%

LAB 69.43, -11.65, 35.03

 

CMYK 40 / 18 / 0 / 32

HEX #698FAE

RGB 105 143 174

HSL 206.96, 0.3%, 0.55%

LAB 57.76, -5.04, -20.45

 

CMYK 0 / 40 / 34 / 32

HEX #AE6973

RGB 174 105 115

HSL 351.3, 0.3%, 0.55%

LAB 52.22, 28.86, 6.26

 

CMYK 33 / 0 / 40 / 32

HEX #74AE69

RGB 116 174 105

HSL 110.43, 0.3%, 0.55%

LAB 65.75, -32.5, 29.57

 

CMYK 40 / 33 / 0 / 32

HEX #6974AE

RGB 105 116 174

HSL 230.43, 0.3%, 0.55%

LAB 50.16, 10.8, -32.2

 

CMYK 0 / 40 / 34 / 32

HEX #AE6973

RGB 174 105 115

HSL 351.3, 0.3%, 0.55%

LAB 52.22, 28.86, 6.26

 

CMYK 2 / 0 / 40 / 32

HEX #ABAE69

RGB 171 174 105

HSL 62.61, 0.3%, 0.55%

LAB 69.43, -11.65, 35.03

 

CMYK 40 / 0 / 6 / 32

HEX #69AEA4

RGB 105 174 164

HSL 171.3, 0.3%, 0.55%

LAB 66.49, -24.19, -1.74

 

CMYK 37 / 40 / 0 / 32

HEX #6D69AE

RGB 109 105 174

HSL 243.48, 0.3%, 0.55%

LAB 47.51, 18.6, -36.33

 

CMYK 0 / 40 / 34 / 32

HEX #AE6973

RGB 174 105 115

HSL 351.3, 0.3%, 0.55%

LAB 52.22, 28.86, 6.26

 

CMYK 14 / 0 / 40 / 32

HEX #96AE69

RGB 150 174 105

HSL 80.87, 0.3%, 0.55%

LAB 67.86, -20.02, 32.7

 

CMYK 40 / 0 / 6 / 32

HEX #69AEA4

RGB 105 174 164

HSL 171.3, 0.3%, 0.55%

LAB 66.49, -24.19, -1.74

 

CMYK 26 / 40 / 0 / 32

HEX #8169AE

RGB 129 105 174

HSL 260.87, 0.3%, 0.55%

LAB 49.28, 24.4, -33.42

 

Description

Color code: RGB 174 105 115 | qconv.com Color code: RGB 174 105 115 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 105 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 105 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 34 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 34% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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