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Color name
RGB 174 105 118

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 105 118 it is the complementary color RGB 81 150 137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 105 118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 174 105 118 shade: RGB 179 105 113, RGB 196 123 132, RGB 213 141 151, RGB 230 159 170 and RGB 247 177 189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 105 118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 174 105 118 shade: RGB 174 105 118, RGB 157 87 99, RGB 140 69 80, RGB 123 51 61 and RGB 106 33 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 174 105 118 shade: RGB 174 105 118 and RGB 174 105 105

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 174 105 118 shade: RGB 174 105 118, RGB 174 105 137, RGB 174 105 155, RGB 174 105 174 and RGB 156 105 174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 174 105 118 shade matches the following richer shades: RGB 174 105 118, RGB 193 87 107, RGB 211 68 95, RGB 230 50 84 and RGB 248 31 72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 174 105 118 shade: RGB 174 105 118, RGB 156 124 130, RGB 137 142 141, RGB 118 161 153 and RGB 100 180 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 174 105 118 shade: RGB 174 105 156, RGB 174 105 137, RGB 174 105 119, RGB 174 110 105 and RGB 174 128 105

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 174 105 118 shade: RGB 128 69 80, RGB 155 83 97, RGB 174 105 118, RGB 189 132 143 and RGB 203 159 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 174 105 118 shade: RGB 174 105 118, RGB 174 174 105 and RGB 105 147 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 174 105 118 shade: RGB 174 105 118, RGB 119 174 105 and RGB 105 119 174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 174 105 118 shade: RGB 174 105 118, RGB 174 174 105, RGB 105 174 160 and RGB 105 105 174

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 174 105 118 shade: RGB 174 105 118, RGB 154 174 105, RGB 105 174 160 and RGB 126 105 174

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 32 / 32

HEX #AE6976

RGB 174 105 118

HSL 348.7, 0.3%, 0.55%

LAB 52.3, 29.26, 4.6

 

Complementary color

CMYK 46 / 0 / 9 / 41

HEX #519689

RGB 81 150 137

HSL 168.7, 0.3%, 0.45%

LAB 57.43, -25.12, 0.08

 

CMYK 0 / 41 / 37 / 30

HEX #B36971

RGB 179 105 113

HSL 353.51, 0.33%, 0.56%

LAB 52.82, 30.52, 8.38

 

CMYK 0 / 37 / 33 / 23

HEX #C47B84

RGB 196 123 132

HSL 352.6, 0.38%, 0.63%

LAB 59.5, 29.57, 7.12

 

CMYK 0 / 34 / 29 / 16

HEX #D58D97

RGB 213 141 151

HSL 351.67, 0.46%, 0.69%

LAB 66.08, 28.69, 6

 

CMYK 0 / 31 / 26 / 10

HEX #E69FAA

RGB 230 159 170

HSL 350.7, 0.59%, 0.76%

LAB 72.58, 27.9, 5

 

CMYK 0 / 28 / 23 / 3

HEX #F7B1BD

RGB 247 177 189

HSL 349.71, 0.81%, 0.83%

LAB 78.98, 27.17, 4.09

 

CMYK 0 / 40 / 32 / 32

HEX #AE6976

RGB 174 105 118

HSL 348.7, 0.3%, 0.55%

LAB 52.3, 29.26, 4.6

 

CMYK 0 / 45 / 37 / 38

HEX #9D5763

RGB 157 87 99

HSL 349.71, 0.29%, 0.48%

LAB 45.48, 30.24, 5.91

 

CMYK 0 / 51 / 43 / 45

HEX #8C4550

RGB 140 69 80

HSL 350.7, 0.34%, 0.41%

LAB 38.57, 31.28, 7.48

 

CMYK 0 / 59 / 50 / 52

HEX #7B333D

RGB 123 51 61

HSL 351.67, 0.41%, 0.34%

LAB 31.61, 32.33, 9.47

 

CMYK 0 / 69 / 60 / 58

HEX #6A212A

RGB 106 33 42

HSL 352.6, 0.53%, 0.27%

LAB 24.7, 33.21, 12.14

 

CMYK 0 / 40 / 32 / 32

HEX #AE6976

RGB 174 105 118

HSL 348.7, 0.3%, 0.55%

LAB 52.3, 29.26, 4.6

 

CMYK 0 / 40 / 40 / 32

HEX #AE6969

RGB 174 105 105

HSL 0, 0.3%, 0.55%

LAB 51.97, 27.61, 11.82

 

CMYK 0 / 40 / 32 / 32

HEX #AE6976

RGB 174 105 118

HSL 348.7, 0.3%, 0.55%

LAB 52.3, 29.26, 4.6

 

CMYK 0 / 40 / 21 / 32

HEX #AE6989

RGB 174 105 137

HSL 332.17, 0.3%, 0.55%

LAB 52.85, 32.01, -5.82

 

CMYK 0 / 40 / 11 / 32

HEX #AE699B

RGB 174 105 155

HSL 316.52, 0.3%, 0.55%

LAB 53.46, 34.97, -15.47

 

CMYK 0 / 40 / 0 / 32

HEX #AE69AE

RGB 174 105 174

HSL 300, 0.3%, 0.55%

LAB 54.19, 38.43, -25.41

 

CMYK 10 / 40 / 0 / 32

HEX #9C69AE

RGB 156 105 174

HSL 284.35, 0.3%, 0.55%

LAB 52.09, 32.73, -28.83

 

CMYK 0 / 40 / 32 / 32

HEX #AE6976

RGB 174 105 118

HSL 348.7, 0.3%, 0.55%

LAB 52.3, 29.26, 4.6

 

CMYK 0 / 55 / 45 / 24

HEX #C1576B

RGB 193 87 107

HSL 348.68, 0.46%, 0.55%

LAB 50.94, 44.38, 9.56

 

CMYK 0 / 68 / 55 / 17

HEX #D3445F

RGB 211 68 95

HSL 348.67, 0.62%, 0.55%

LAB 50.46, 57.68, 16.56

 

CMYK 0 / 78 / 63 / 10

HEX #E63254

RGB 230 50 84

HSL 348.67, 0.78%, 0.55%

LAB 51.55, 68.5, 25.23

 

CMYK 0 / 88 / 71 / 3

HEX #F81F48

RGB 248 31 72

HSL 348.66, 0.94%, 0.55%

LAB 53.39, 76.76, 35.4

 

CMYK 0 / 40 / 32 / 32

HEX #AE6976

RGB 174 105 118

HSL 348.7, 0.3%, 0.55%

LAB 52.3, 29.26, 4.6

 

CMYK 0 / 21 / 17 / 39

HEX #9C7C82

RGB 156 124 130

HSL 348.75, 0.14%, 0.55%

LAB 55.17, 13.37, 1.46

 

CMYK 4 / 0 / 1 / 44

HEX #898E8D

RGB 137 142 141

HSL 168, 0.02%, 0.55%

LAB 58.59, -2.02, -0.11

 

CMYK 27 / 0 / 5 / 37

HEX #76A199

RGB 118 161 153

HSL 168.84, 0.19%, 0.55%

LAB 63.05, -16.28, -0.56

 

CMYK 44 / 0 / 8 / 29

HEX #64B4A5

RGB 100 180 165

HSL 168.75, 0.35%, 0.55%

LAB 68.07, -28.23, -0

 

CMYK 0 / 40 / 10 / 32

HEX #AE699C

RGB 174 105 156

HSL 315.65, 0.3%, 0.55%

LAB 53.49, 35.15, -16

 

CMYK 0 / 40 / 21 / 32

HEX #AE6989

RGB 174 105 137

HSL 332.17, 0.3%, 0.55%

LAB 52.85, 32.01, -5.82

 

CMYK 0 / 40 / 32 / 32

HEX #AE6977

RGB 174 105 119

HSL 347.83, 0.3%, 0.55%

LAB 52.32, 29.39, 4.04

 

CMYK 0 / 37 / 40 / 32

HEX #AE6E69

RGB 174 110 105

HSL 4.35, 0.3%, 0.55%

LAB 53.14, 24.83, 13.43

 

CMYK 0 / 26 / 40 / 32

HEX #AE8069

RGB 174 128 105

HSL 20, 0.3%, 0.55%

LAB 57.52, 14.71, 19.45

 

CMYK 0 / 46 / 38 / 50

HEX #804550

RGB 128 69 80

HSL 348.81, 0.3%, 0.39%

LAB 36.79, 26.58, 4.71

 

CMYK 0 / 46 / 37 / 39

HEX #9B5361

RGB 155 83 97

HSL 348.33, 0.3%, 0.47%

LAB 44.26, 31.42, 5.35

 

CMYK 0 / 40 / 32 / 32

HEX #AE6976

RGB 174 105 118

HSL 348.7, 0.3%, 0.55%

LAB 52.3, 29.26, 4.6

 

CMYK 0 / 30 / 24 / 26

HEX #BD848F

RGB 189 132 143

HSL 348.42, 0.3%, 0.63%

LAB 61.05, 23.51, 2.93

 

CMYK 0 / 22 / 18 / 20

HEX #CB9FA7

RGB 203 159 167

HSL 349.09, 0.3%, 0.71%

LAB 69.67, 17.53, 2.1

 

CMYK 0 / 40 / 32 / 32

HEX #AE6976

RGB 174 105 118

HSL 348.7, 0.3%, 0.55%

LAB 52.3, 29.26, 4.6

 

CMYK 0 / 0 / 40 / 32

HEX #AEAE69

RGB 174 174 105

HSL 60, 0.3%, 0.55%

LAB 69.68, -10.43, 35.39

 

CMYK 40 / 16 / 0 / 32

HEX #6993AE

RGB 105 147 174

HSL 203.48, 0.3%, 0.55%

LAB 58.91, -7.29, -18.69

 

CMYK 0 / 40 / 32 / 32

HEX #AE6976

RGB 174 105 118

HSL 348.7, 0.3%, 0.55%

LAB 52.3, 29.26, 4.6

 

CMYK 32 / 0 / 40 / 32

HEX #77AE69

RGB 119 174 105

HSL 107.83, 0.3%, 0.55%

LAB 65.91, -31.47, 29.81

 

CMYK 40 / 32 / 0 / 32

HEX #6977AE

RGB 105 119 174

HSL 227.83, 0.3%, 0.55%

LAB 50.98, 8.99, -30.91

 

CMYK 0 / 40 / 32 / 32

HEX #AE6976

RGB 174 105 118

HSL 348.7, 0.3%, 0.55%

LAB 52.3, 29.26, 4.6

 

CMYK 0 / 0 / 40 / 32

HEX #AEAE69

RGB 174 174 105

HSL 60, 0.3%, 0.55%

LAB 69.68, -10.43, 35.39

 

CMYK 40 / 0 / 8 / 32

HEX #69AEA0

RGB 105 174 160

HSL 167.83, 0.3%, 0.55%

LAB 66.38, -25.15, 0.32

 

CMYK 40 / 40 / 0 / 32

HEX #6969AE

RGB 105 105 174

HSL 240, 0.3%, 0.55%

LAB 47.19, 17.5, -36.86

 

CMYK 0 / 40 / 32 / 32

HEX #AE6976

RGB 174 105 118

HSL 348.7, 0.3%, 0.55%

LAB 52.3, 29.26, 4.6

 

CMYK 11 / 0 / 40 / 32

HEX #9AAE69

RGB 154 174 105

HSL 77.39, 0.3%, 0.55%

LAB 68.14, -18.45, 33.12

 

CMYK 40 / 0 / 8 / 32

HEX #69AEA0

RGB 105 174 160

HSL 167.83, 0.3%, 0.55%

LAB 66.38, -25.15, 0.32

 

CMYK 28 / 40 / 0 / 32

HEX #7E69AE

RGB 126 105 174

HSL 258.26, 0.3%, 0.55%

LAB 49, 23.51, -33.88

 

Description

Color code: RGB 174 105 118 | qconv.com Color code: RGB 174 105 118 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 105 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 105 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 32 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 32% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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