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Color name
RGB 174 129 132

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 129 132 it is the complementary color RGB 81 126 123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 129 132. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 174 129 132 shade: RGB 179 129 127, RGB 196 147 146, RGB 213 165 165, RGB 230 183 184 and RGB 247 201 203

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 129 132. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 174 129 132 shade: RGB 174 129 132, RGB 157 111 113, RGB 140 93 94, RGB 123 75 75 and RGB 106 57 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 174 129 132 shade: RGB 173 127 130 and RGB 173 127 127

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 174 129 132 shade: RGB 173 127 130, RGB 173 127 142, RGB 173 127 155, RGB 173 127 167 and RGB 166 127 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 174 129 132 shade matches the following richer shades: RGB 173 127 130, RGB 190 110 115, RGB 207 93 101, RGB 224 76 86 and RGB 241 59 71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 174 129 132 shade: RGB 173 127 130, RGB 156 144 145, RGB 139 161 159, RGB 122 178 174 and RGB 105 195 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 174 129 132 shade: RGB 173 127 155, RGB 173 127 142, RGB 173 127 130, RGB 173 136 127 and RGB 173 148 127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 174 129 132 shade: RGB 133 85 88, RGB 157 102 105, RGB 173 127 130, RGB 189 152 155 and RGB 205 177 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 174 129 132 shade: RGB 174 129 132, RGB 167 173 127 and RGB 127 148 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 174 129 132 shade: RGB 174 129 132, RGB 130 173 127 and RGB 127 130 173

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 174 129 132 shade: RGB 174 129 132, RGB 167 173 127, RGB 127 173 170 and RGB 133 127 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 174 129 132 shade: RGB 174 129 132, RGB 153 173 127, RGB 127 173 170 and RGB 147 127 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 24 / 32

HEX #AE8184

RGB 174 129 132

HSL 356, 0.22%, 0.59%

LAB 58.38, 17.81, 5.18

 

Complementary color

CMYK 36 / 0 / 2 / 51

HEX #517E7B

RGB 81 126 123

HSL 176, 0.22%, 0.41%

LAB 49.62, -16.11, -3.28

 

CMYK 0 / 28 / 29 / 30

HEX #B3817F

RGB 179 129 127

HSL 2.31, 0.25%, 0.6%

LAB 58.8, 19.02, 8.73

 

CMYK 0 / 25 / 26 / 23

HEX #C49392

RGB 196 147 146

HSL 1.2, 0.3%, 0.67%

LAB 65.5, 18.31, 7.73

 

CMYK 0 / 23 / 23 / 16

HEX #D5A5A5

RGB 213 165 165

HSL 0, 0.36%, 0.74%

LAB 72.08, 17.67, 6.81

 

CMYK 0 / 20 / 20 / 10

HEX #E6B7B8

RGB 230 183 184

HSL 358.72, 0.48%, 0.81%

LAB 78.55, 17.09, 5.96

 

CMYK 0 / 19 / 18 / 3

HEX #F7C9CB

RGB 247 201 203

HSL 357.39, 0.74%, 0.88%

LAB 84.92, 16.57, 5.16

 

CMYK 0 / 26 / 24 / 32

HEX #AE8184

RGB 174 129 132

HSL 356, 0.22%, 0.59%

LAB 58.38, 17.81, 5.18

 

CMYK 0 / 29 / 28 / 38

HEX #9D6F71

RGB 157 111 113

HSL 357.39, 0.19%, 0.53%

LAB 51.53, 18.55, 6.18

 

CMYK 0 / 34 / 33 / 45

HEX #8C5D5E

RGB 140 93 94

HSL 358.72, 0.2%, 0.46%

LAB 44.54, 19.39, 7.3

 

CMYK 0 / 39 / 39 / 52

HEX #7B4B4B

RGB 123 75 75

HSL 0, 0.24%, 0.39%

LAB 37.39, 20.38, 8.61

 

CMYK 0 / 46 / 47 / 58

HEX #6A3938

RGB 106 57 56

HSL 1.2, 0.31%, 0.32%

LAB 30.1, 21.52, 10.21

 

CMYK 0 / 27 / 25 / 32

HEX #AD7F82

RGB 173 127 130

HSL 356.09, 0.22%, 0.59%

LAB 57.73, 18.25, 5.38

 

CMYK 0 / 27 / 27 / 32

HEX #AD7F7F

RGB 173 127 127

HSL 0, 0.22%, 0.59%

LAB 57.65, 17.8, 7

 

CMYK 0 / 27 / 25 / 32

HEX #AD7F82

RGB 173 127 130

HSL 356.09, 0.22%, 0.59%

LAB 57.73, 18.25, 5.38

 

CMYK 0 / 27 / 18 / 32

HEX #AD7F8E

RGB 173 127 142

HSL 340.43, 0.22%, 0.59%

LAB 58.05, 20.12, -1.07

 

CMYK 0 / 27 / 10 / 32

HEX #AD7F9B

RGB 173 127 155

HSL 323.48, 0.22%, 0.59%

LAB 58.44, 22.33, -7.99

 

CMYK 0 / 27 / 3 / 32

HEX #AD7FA7

RGB 173 127 167

HSL 307.83, 0.22%, 0.59%

LAB 58.84, 24.52, -14.29

 

CMYK 4 / 27 / 0 / 32

HEX #A67FAD

RGB 166 127 173

HSL 290.87, 0.22%, 0.59%

LAB 58.32, 23.29, -18.57

 

CMYK 0 / 27 / 25 / 32

HEX #AD7F82

RGB 173 127 130

HSL 356.09, 0.22%, 0.59%

LAB 57.73, 18.25, 5.38

 

CMYK 0 / 42 / 39 / 25

HEX #BE6E73

RGB 190 110 115

HSL 356.25, 0.38%, 0.59%

LAB 55.42, 32.24, 11.08

 

CMYK 0 / 55 / 51 / 19

HEX #CF5D65

RGB 207 93 101

HSL 355.79, 0.54%, 0.59%

LAB 54.06, 45.82, 17.78

 

CMYK 0 / 66 / 62 / 12

HEX #E04C56

RGB 224 76 86

HSL 355.95, 0.7%, 0.59%

LAB 53.69, 57.99, 26.61

 

CMYK 0 / 76 / 71 / 5

HEX #F13B47

RGB 241 59 71

HSL 356.04, 0.87%, 0.59%

LAB 54.33, 68.34, 36.77

 

CMYK 0 / 27 / 25 / 32

HEX #AD7F82

RGB 173 127 130

HSL 356.09, 0.22%, 0.59%

LAB 57.73, 18.25, 5.38

 

CMYK 0 / 8 / 7 / 39

HEX #9C9091

RGB 156 144 145

HSL 355, 0.06%, 0.59%

LAB 60.83, 4.63, 1.07

 

CMYK 14 / 0 / 1 / 37

HEX #8BA19F

RGB 139 161 159

HSL 174.55, 0.1%, 0.59%

LAB 64.55, -8.09, -1.56

 

CMYK 31 / 0 / 2 / 30

HEX #7AB2AE

RGB 122 178 174

HSL 175.71, 0.27%, 0.59%

LAB 68.78, -19.08, -3.81

 

CMYK 46 / 0 / 3 / 24

HEX #69C3BD

RGB 105 195 189

HSL 176, 0.43%, 0.59%

LAB 73.36, -28.4, -5.36

 

CMYK 0 / 27 / 10 / 32

HEX #AD7F9B

RGB 173 127 155

HSL 323.48, 0.22%, 0.59%

LAB 58.44, 22.33, -7.99

 

CMYK 0 / 27 / 18 / 32

HEX #AD7F8E

RGB 173 127 142

HSL 340.43, 0.22%, 0.59%

LAB 58.05, 20.12, -1.07

 

CMYK 0 / 27 / 25 / 32

HEX #AD7F82

RGB 173 127 130

HSL 356.09, 0.22%, 0.59%

LAB 57.73, 18.25, 5.38

 

CMYK 0 / 21 / 27 / 32

HEX #AD887F

RGB 173 136 127

HSL 11.74, 0.22%, 0.59%

LAB 59.91, 12.73, 10.21

 

CMYK 0 / 14 / 27 / 32

HEX #AD947F

RGB 173 148 127

HSL 27.39, 0.22%, 0.59%

LAB 63.01, 6.03, 14.56

 

CMYK 0 / 36 / 34 / 48

HEX #855558

RGB 133 85 88

HSL 356.25, 0.22%, 0.43%

LAB 41.51, 20.38, 6.55

 

CMYK 0 / 35 / 33 / 38

HEX #9D6669

RGB 157 102 105

HSL 356.73, 0.22%, 0.51%

LAB 49.12, 22.57, 7.48

 

CMYK 0 / 27 / 25 / 32

HEX #AD7F82

RGB 173 127 130

HSL 356.09, 0.22%, 0.59%

LAB 57.73, 18.25, 5.38

 

CMYK 0 / 20 / 18 / 26

HEX #BD989B

RGB 189 152 155

HSL 355.14, 0.22%, 0.67%

LAB 66.25, 14.26, 3.66

 

CMYK 0 / 14 / 13 / 20

HEX #CDB1B3

RGB 205 177 179

HSL 355.71, 0.22%, 0.75%

LAB 74.62, 10.41, 2.7

 

CMYK 0 / 26 / 24 / 32

HEX #AE8184

RGB 174 129 132

HSL 356, 0.22%, 0.59%

LAB 58.38, 17.81, 5.18

 

CMYK 3 / 0 / 27 / 32

HEX #A7AD7F

RGB 167 173 127

HSL 67.83, 0.22%, 0.59%

LAB 69.21, -9.89, 22.99

 

CMYK 27 / 14 / 0 / 32

HEX #7F94AD

RGB 127 148 173

HSL 212.61, 0.22%, 0.59%

LAB 60.52, -1.63, -15.54

 

CMYK 0 / 26 / 24 / 32

HEX #AE8184

RGB 174 129 132

HSL 356, 0.22%, 0.59%

LAB 58.38, 17.81, 5.18

 

CMYK 25 / 0 / 27 / 32

HEX #82AD7F

RGB 130 173 127

HSL 116.09, 0.22%, 0.59%

LAB 66.65, -23.62, 19.08

 

CMYK 27 / 25 / 0 / 32

HEX #7F82AD

RGB 127 130 173

HSL 236.09, 0.22%, 0.59%

LAB 55.58, 8.72, -23.09

 

CMYK 0 / 26 / 24 / 32

HEX #AE8184

RGB 174 129 132

HSL 356, 0.22%, 0.59%

LAB 58.38, 17.81, 5.18

 

CMYK 3 / 0 / 27 / 32

HEX #A7AD7F

RGB 167 173 127

HSL 67.83, 0.22%, 0.59%

LAB 69.21, -9.89, 22.99

 

CMYK 27 / 0 / 2 / 32

HEX #7FADAA

RGB 127 173 170

HSL 176.09, 0.22%, 0.59%

LAB 67.5, -15.93, -3.44

 

CMYK 23 / 27 / 0 / 32

HEX #857FAD

RGB 133 127 173

HSL 247.83, 0.22%, 0.59%

LAB 55.26, 12.37, -23.53

 

CMYK 0 / 26 / 24 / 32

HEX #AE8184

RGB 174 129 132

HSL 356, 0.22%, 0.59%

LAB 58.38, 17.81, 5.18

 

CMYK 12 / 0 / 27 / 32

HEX #99AD7F

RGB 153 173 127

HSL 86.09, 0.22%, 0.59%

LAB 68.16, -15.25, 21.4

 

CMYK 27 / 0 / 2 / 32

HEX #7FADAA

RGB 127 173 170

HSL 176.09, 0.22%, 0.59%

LAB 67.5, -15.93, -3.44

 

CMYK 15 / 27 / 0 / 32

HEX #937FAD

RGB 147 127 173

HSL 266.09, 0.22%, 0.59%

LAB 56.49, 16.92, -21.55

 

Description

Color code: RGB 174 129 132 | qconv.com Color code: RGB 174 129 132 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 129 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 129 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 24 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 24% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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