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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 120 158 it is the complementary color RGB 81 135 97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 120 158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 174 120 158 shade: RGB 179 120 153, RGB 196 138 172, RGB 213 156 191, RGB 230 174 210 and RGB 247 192 229

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 120 158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 174 120 158 shade: RGB 174 120 158, RGB 157 102 139, RGB 140 84 120, RGB 123 66 101 and RGB 106 48 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 174 120 158 shade: RGB 174 121 158, RGB 174 121 144, RGB 174 121 129 and RGB 174 121 121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 174 120 158 shade: RGB 174 121 158, RGB 174 121 173, RGB 161 121 174, RGB 147 121 174 and RGB 132 121 174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 174 120 158 shade matches the following richer shades: RGB 174 121 158, RGB 192 103 165, RGB 209 86 172, RGB 226 69 179 and RGB 243 51 187

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 174 120 158 shade: RGB 174 121 158, RGB 157 138 151, RGB 140 155 144, RGB 122 173 137 and RGB 105 190 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 174 120 158 shade: RGB 161 121 174, RGB 174 121 173, RGB 174 121 159, RGB 174 121 145 and RGB 174 121 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 174 120 158 shade: RGB 133 79 117, RGB 159 95 140, RGB 174 121 158, RGB 190 146 177 and RGB 205 172 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 174 120 158 shade: RGB 174 120 158, RGB 174 147 121 and RGB 121 174 168

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 174 120 158 shade: RGB 174 120 158, RGB 159 174 121 and RGB 121 159 174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 174 120 158 shade: RGB 174 120 158, RGB 174 147 121, RGB 121 174 136 and RGB 121 148 174

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 174 120 158 shade: RGB 174 120 158, RGB 174 163 121, RGB 121 174 136 and RGB 121 132 174

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 9 / 32

HEX #AE789E

RGB 174 120 158

HSL 317.78, 0.25%, 0.58%

LAB 56.98, 27.17, -11.9

 

Complementary color

CMYK 40 / 0 / 28 / 47

HEX #518761

RGB 81 135 97

HSL 137.78, 0.25%, 0.42%

LAB 51.77, -26.71, 14.93

 

CMYK 0 / 33 / 15 / 30

HEX #B37899

RGB 179 120 153

HSL 326.44, 0.28%, 0.59%

LAB 57.38, 28.08, -8.34

 

CMYK 0 / 30 / 12 / 23

HEX #C48AAC

RGB 196 138 172

HSL 324.83, 0.33%, 0.65%

LAB 64.07, 27.35, -9.03

 

CMYK 0 / 27 / 10 / 16

HEX #D59CBF

RGB 213 156 191

HSL 323.16, 0.4%, 0.72%

LAB 70.65, 26.68, -9.65

 

CMYK 0 / 24 / 9 / 10

HEX #E6AED2

RGB 230 174 210

HSL 321.43, 0.53%, 0.79%

LAB 77.13, 26.07, -10.24

 

CMYK 0 / 22 / 7 / 3

HEX #F7C0E5

RGB 247 192 229

HSL 319.64, 0.77%, 0.86%

LAB 83.51, 25.49, -10.8

 

CMYK 0 / 31 / 9 / 32

HEX #AE789E

RGB 174 120 158

HSL 317.78, 0.25%, 0.58%

LAB 56.98, 27.17, -11.9

 

CMYK 0 / 35 / 11 / 38

HEX #9D668B

RGB 157 102 139

HSL 319.64, 0.22%, 0.51%

LAB 50.14, 27.92, -11.27

 

CMYK 0 / 40 / 14 / 45

HEX #8C5478

RGB 140 84 120

HSL 321.43, 0.25%, 0.44%

LAB 43.17, 28.73, -10.55

 

CMYK 0 / 46 / 18 / 52

HEX #7B4265

RGB 123 66 101

HSL 323.16, 0.3%, 0.37%

LAB 36.07, 29.58, -9.7

 

CMYK 0 / 55 / 23 / 58

HEX #6A3052

RGB 106 48 82

HSL 324.83, 0.38%, 0.3%

LAB 28.87, 30.4, -8.62

 

CMYK 0 / 30 / 9 / 32

HEX #AE799E

RGB 174 121 158

HSL 318.11, 0.25%, 0.58%

LAB 57.21, 26.6, -11.55

 

CMYK 0 / 30 / 17 / 32

HEX #AE7990

RGB 174 121 144

HSL 333.96, 0.25%, 0.58%

LAB 56.77, 24.21, -4.1

 

CMYK 0 / 30 / 26 / 32

HEX #AE7981

RGB 174 121 129

HSL 350.94, 0.25%, 0.58%

LAB 56.35, 21.87, 3.98

 

CMYK 0 / 30 / 30 / 32

HEX #AE7979

RGB 174 121 121

HSL 0, 0.25%, 0.58%

LAB 56.14, 20.72, 8.34

 

CMYK 0 / 30 / 9 / 32

HEX #AE799E

RGB 174 121 158

HSL 318.11, 0.25%, 0.58%

LAB 57.21, 26.6, -11.55

 

CMYK 0 / 30 / 1 / 32

HEX #AE79AD

RGB 174 121 173

HSL 301.13, 0.25%, 0.58%

LAB 57.74, 29.39, -19.38

 

CMYK 7 / 30 / 0 / 32

HEX #A179AE

RGB 161 121 174

HSL 285.28, 0.25%, 0.58%

LAB 56.39, 25.24, -22.14

 

CMYK 16 / 30 / 0 / 32

HEX #9379AE

RGB 147 121 174

HSL 269.43, 0.25%, 0.58%

LAB 55, 20.63, -24.4

 

CMYK 24 / 30 / 0 / 32

HEX #8479AE

RGB 132 121 174

HSL 252.45, 0.25%, 0.58%

LAB 53.64, 15.83, -26.62

 

CMYK 0 / 30 / 9 / 32

HEX #AE799E

RGB 174 121 158

HSL 318.11, 0.25%, 0.58%

LAB 57.21, 26.6, -11.55

 

CMYK 0 / 46 / 14 / 25

HEX #C067A5

RGB 192 103 165

HSL 318.2, 0.41%, 0.58%

LAB 55.71, 43.68, -17.66

 

CMYK 0 / 59 / 18 / 18

HEX #D156AC

RGB 209 86 172

HSL 318.05, 0.57%, 0.58%

LAB 55.27, 58.12, -22.19

 

CMYK 0 / 69 / 21 / 11

HEX #E245B3

RGB 226 69 179

HSL 317.96, 0.73%, 0.58%

LAB 55.77, 70.38, -25.27

 

CMYK 0 / 79 / 23 / 5

HEX #F333BB

RGB 243 51 187

HSL 317.5, 0.89%, 0.58%

LAB 57.09, 80.69, -27.63

 

CMYK 0 / 30 / 9 / 32

HEX #AE799E

RGB 174 121 158

HSL 318.11, 0.25%, 0.58%

LAB 57.21, 26.6, -11.55

 

CMYK 0 / 12 / 4 / 38

HEX #9D8A97

RGB 157 138 151

HSL 318.95, 0.09%, 0.58%

LAB 59.51, 9.51, -4.29

 

CMYK 10 / 0 / 7 / 39

HEX #8C9B90

RGB 140 155 144

HSL 136, 0.07%, 0.58%

LAB 62.53, -7.53, 3.94

 

CMYK 29 / 0 / 21 / 32

HEX #7AAD89

RGB 122 173 137

HSL 137.65, 0.24%, 0.58%

LAB 66.39, -24.49, 13.17

 

CMYK 45 / 0 / 32 / 25

HEX #69BE82

RGB 105 190 130

HSL 137.65, 0.4%, 0.58%

LAB 70.48, -39.03, 22.49

 

CMYK 7 / 30 / 0 / 32

HEX #A179AE

RGB 161 121 174

HSL 285.28, 0.25%, 0.58%

LAB 56.39, 25.24, -22.14

 

CMYK 0 / 30 / 1 / 32

HEX #AE79AD

RGB 174 121 173

HSL 301.13, 0.25%, 0.58%

LAB 57.74, 29.39, -19.38

 

CMYK 0 / 30 / 9 / 32

HEX #AE799F

RGB 174 121 159

HSL 316.98, 0.25%, 0.58%

LAB 57.25, 26.78, -12.07

 

CMYK 0 / 30 / 17 / 32

HEX #AE7991

RGB 174 121 145

HSL 332.83, 0.25%, 0.58%

LAB 56.8, 24.37, -4.64

 

CMYK 0 / 30 / 25 / 32

HEX #AE7982

RGB 174 121 130

HSL 349.81, 0.25%, 0.58%

LAB 56.37, 22.02, 3.44

 

CMYK 0 / 41 / 12 / 48

HEX #854F75

RGB 133 79 117

HSL 317.78, 0.25%, 0.42%

LAB 41, 28.54, -12.09

 

CMYK 0 / 40 / 12 / 38

HEX #9F5F8C

RGB 159 95 140

HSL 317.81, 0.25%, 0.5%

LAB 48.82, 32.74, -13.83

 

CMYK 0 / 30 / 9 / 32

HEX #AE799E

RGB 174 121 158

HSL 318.11, 0.25%, 0.58%

LAB 57.21, 26.6, -11.55

 

CMYK 0 / 23 / 7 / 25

HEX #BE92B1

RGB 190 146 177

HSL 317.73, 0.25%, 0.66%

LAB 65.5, 21.68, -9.78

 

CMYK 0 / 16 / 5 / 20

HEX #CDACC3

RGB 205 172 195

HSL 318.18, 0.25%, 0.74%

LAB 73.82, 15.88, -7.23

 

CMYK 0 / 31 / 9 / 32

HEX #AE789E

RGB 174 120 158

HSL 317.78, 0.25%, 0.58%

LAB 56.98, 27.17, -11.9

 

CMYK 0 / 16 / 30 / 32

HEX #AE9379

RGB 174 147 121

HSL 29.43, 0.25%, 0.58%

LAB 62.72, 6.14, 17.53

 

CMYK 30 / 0 / 3 / 32

HEX #79AEA8

RGB 121 174 168

HSL 173.21, 0.25%, 0.58%

LAB 67.4, -18.71, -2.52

 

CMYK 0 / 31 / 9 / 32

HEX #AE789E

RGB 174 120 158

HSL 317.78, 0.25%, 0.58%

LAB 56.98, 27.17, -11.9

 

CMYK 9 / 0 / 30 / 32

HEX #9FAE79

RGB 159 174 121

HSL 76.98, 0.25%, 0.58%

LAB 68.77, -14.37, 25.53

 

CMYK 30 / 9 / 0 / 32

HEX #799FAE

RGB 121 159 174

HSL 196.98, 0.25%, 0.58%

LAB 63.27, -9.31, -12

 

CMYK 0 / 31 / 9 / 32

HEX #AE789E

RGB 174 120 158

HSL 317.78, 0.25%, 0.58%

LAB 56.98, 27.17, -11.9

 

CMYK 0 / 16 / 30 / 32

HEX #AE9379

RGB 174 147 121

HSL 29.43, 0.25%, 0.58%

LAB 62.72, 6.14, 17.53

 

CMYK 30 / 0 / 22 / 32

HEX #79AE88

RGB 121 174 136

HSL 136.98, 0.25%, 0.58%

LAB 66.61, -25.51, 14.02

 

CMYK 30 / 15 / 0 / 32

HEX #7994AE

RGB 121 148 174

HSL 209.43, 0.25%, 0.58%

LAB 60.16, -3.22, -16.7

 

CMYK 0 / 31 / 9 / 32

HEX #AE789E

RGB 174 120 158

HSL 317.78, 0.25%, 0.58%

LAB 56.98, 27.17, -11.9

 

CMYK 0 / 6 / 30 / 32

HEX #AEA379

RGB 174 163 121

HSL 47.55, 0.25%, 0.58%

LAB 66.96, -2.62, 23.3

 

CMYK 30 / 0 / 22 / 32

HEX #79AE88

RGB 121 174 136

HSL 136.98, 0.25%, 0.58%

LAB 66.61, -25.51, 14.02

 

CMYK 30 / 24 / 0 / 32

HEX #7984AE

RGB 121 132 174

HSL 227.55, 0.25%, 0.58%

LAB 55.71, 5.96, -23.5

 

Description

Color code: RGB 174 120 158 | qconv.com Color code: RGB 174 120 158 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 120 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 120 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 9 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 9% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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