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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 122 223 it is the complementary color RGB 81 133 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 122 223. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 174 122 223 shade: RGB 179 122 218, RGB 196 140 237, RGB 213 158 255, RGB 230 176 255 and RGB 247 194 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 122 223. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 174 122 223 shade: RGB 174 122 223, RGB 157 104 204, RGB 140 86 185, RGB 123 68 166 and RGB 106 50 147

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 174 122 223 shade: RGB 174 123 223, RGB 201 123 223, RGB 223 123 217, RGB 223 123 190 and RGB 223 123 164

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 174 122 223 shade: RGB 174 123 223, RGB 148 123 223 and RGB 123 123 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 174 122 223 shade matches the following richer shades: RGB 174 123 223, RGB 175 110 236 and RGB 175 97 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 174 122 223 shade: RGB 174 123 223, RGB 174 136 209, RGB 174 150 196, RGB 173 163 183 and RGB 173 176 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 174 122 223 shade: RGB 123 126 223, RGB 146 123 223, RGB 173 123 223, RGB 199 123 223 and RGB 223 123 219

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 174 122 223 shade: RGB 134 57 207, RGB 154 90 215, RGB 174 123 223, RGB 195 156 231 and RGB 215 190 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 174 122 223 shade: RGB 174 122 223, RGB 223 123 153 and RGB 123 223 133

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 174 122 223 shade: RGB 174 122 223, RGB 223 173 123 and RGB 123 223 173

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 174 122 223 shade: RGB 174 122 223, RGB 223 123 153, RGB 173 223 123 and RGB 123 223 193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 174 122 223 shade: RGB 174 122 223, RGB 223 123 123, RGB 173 223 123 and RGB 123 223 223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 45 / 0 / 13

HEX #AE7ADF

RGB 174 122 223

HSL 270.89, 0.61%, 0.68%

LAB 60.11, 39.42, -44.04

 

Complementary color

CMYK 39 / 0 / 76 / 48

HEX #518520

RGB 81 133 32

HSL 90.89, 0.61%, 0.32%

LAB 50.25, -34.44, 45.97

 

CMYK 18 / 44 / 0 / 15

HEX #B37ADA

RGB 179 122 218

HSL 275.63, 0.56%, 0.67%

LAB 60.4, 39.71, -40.76

 

CMYK 17 / 41 / 0 / 7

HEX #C48CED

RGB 196 140 237

HSL 274.64, 0.73%, 0.74%

LAB 66.98, 38.91, -40.86

 

CMYK 16 / 38 / 0 / 0

HEX #D59EFF

RGB 213 158 255

HSL 274.02, 1%, 0.81%

LAB 73.43, 37.94, -40.48

 

CMYK 10 / 31 / 0 / 0

HEX #E6B0FF

RGB 230 176 255

HSL 281.01, 1%, 0.85%

LAB 79.1, 33.34, -31.58

 

CMYK 3 / 24 / 0 / 0

HEX #F7C2FF

RGB 247 194 255

HSL 292.13, 1%, 0.88%

LAB 84.78, 29.07, -22.75

 

CMYK 22 / 45 / 0 / 13

HEX #AE7ADF

RGB 174 122 223

HSL 270.89, 0.61%, 0.68%

LAB 60.11, 39.42, -44.04

 

CMYK 23 / 49 / 0 / 20

HEX #9D68CC

RGB 157 104 204

HSL 271.8, 0.5%, 0.6%

LAB 53.42, 40.3, -44.01

 

CMYK 24 / 54 / 0 / 27

HEX #8C56B9

RGB 140 86 185

HSL 272.73, 0.41%, 0.53%

LAB 46.62, 41.2, -43.96

 

CMYK 26 / 59 / 0 / 35

HEX #7B44A6

RGB 123 68 166

HSL 273.67, 0.42%, 0.46%

LAB 39.75, 42.08, -43.85

 

CMYK 28 / 66 / 0 / 42

HEX #6A3293

RGB 106 50 147

HSL 274.64, 0.49%, 0.39%

LAB 32.81, 42.85, -43.61

 

CMYK 22 / 45 / 0 / 13

HEX #AE7BDF

RGB 174 123 223

HSL 270.6, 0.61%, 0.68%

LAB 60.33, 38.87, -43.69

 

CMYK 10 / 45 / 0 / 13

HEX #C97BDF

RGB 201 123 223

HSL 286.8, 0.61%, 0.68%

LAB 63.27, 46.54, -38.87

 

CMYK 0 / 45 / 3 / 13

HEX #DF7BD9

RGB 223 123 217

HSL 303.6, 0.61%, 0.68%

LAB 65.64, 51.82, -31.64

 

CMYK 0 / 45 / 15 / 13

HEX #DF7BBE

RGB 223 123 190

HSL 319.8, 0.61%, 0.68%

LAB 64.62, 47.35, -18.06

 

CMYK 0 / 45 / 26 / 13

HEX #DF7BA4

RGB 223 123 164

HSL 335.4, 0.61%, 0.68%

LAB 63.78, 43.53, -4.57

 

CMYK 22 / 45 / 0 / 13

HEX #AE7BDF

RGB 174 123 223

HSL 270.6, 0.61%, 0.68%

LAB 60.33, 38.87, -43.69

 

CMYK 34 / 45 / 0 / 13

HEX #947BDF

RGB 148 123 223

HSL 255, 0.61%, 0.68%

LAB 57.84, 31.79, -47.8

 

CMYK 45 / 45 / 0 / 13

HEX #7B7BDF

RGB 123 123 223

HSL 240, 0.61%, 0.68%

LAB 55.79, 25.49, -51.17

 

CMYK 22 / 45 / 0 / 13

HEX #AE7BDF

RGB 174 123 223

HSL 270.6, 0.61%, 0.68%

LAB 60.33, 38.87, -43.69

 

CMYK 26 / 53 / 0 / 7

HEX #AF6EEC

RGB 175 110 236

HSL 270.95, 0.77%, 0.68%

LAB 58.34, 49.18, -54.09

 

CMYK 30 / 61 / 0 / 2

HEX #AF61F9

RGB 175 97 249

HSL 270.79, 0.93%, 0.68%

LAB 56.59, 58.83, -64.13

 

CMYK 22 / 45 / 0 / 13

HEX #AE7BDF

RGB 174 123 223

HSL 270.6, 0.61%, 0.68%

LAB 60.33, 38.87, -43.69

 

CMYK 17 / 35 / 0 / 18

HEX #AE88D1

RGB 174 136 209

HSL 271.23, 0.44%, 0.68%

LAB 62.68, 28.43, -32.18

 

CMYK 11 / 23 / 0 / 23

HEX #AE96C4

RGB 174 150 196

HSL 271.3, 0.28%, 0.68%

LAB 65.59, 17.71, -20.44

 

CMYK 5 / 11 / 0 / 28

HEX #ADA3B7

RGB 173 163 183

HSL 270, 0.12%, 0.68%

LAB 68.39, 7.43, -8.99

 

CMYK 2 / 0 / 3 / 31

HEX #ADB0AA

RGB 173 176 170

HSL 90, 0.04%, 0.68%

LAB 71.44, -2.18, 2.69

 

CMYK 45 / 43 / 0 / 13

HEX #7B7EDF

RGB 123 126 223

HSL 238.2, 0.61%, 0.68%

LAB 56.55, 23.71, -49.97

 

CMYK 35 / 45 / 0 / 13

HEX #927BDF

RGB 146 123 223

HSL 253.8, 0.61%, 0.68%

LAB 57.66, 31.26, -48.09

 

CMYK 22 / 45 / 0 / 13

HEX #AD7BDF

RGB 173 123 223

HSL 270, 0.61%, 0.68%

LAB 60.23, 38.59, -43.86

 

CMYK 11 / 45 / 0 / 13

HEX #C77BDF

RGB 199 123 223

HSL 285.6, 0.61%, 0.68%

LAB 63.04, 45.97, -39.25

 

CMYK 0 / 45 / 2 / 13

HEX #DF7BDB

RGB 223 123 219

HSL 302.4, 0.61%, 0.68%

LAB 65.72, 52.18, -32.62

 

CMYK 35 / 72 / 0 / 19

HEX #8639CF

RGB 134 57 207

HSL 270.8, 0.61%, 0.52%

LAB 42, 59.57, -64.2

 

CMYK 28 / 58 / 0 / 16

HEX #9A5AD7

RGB 154 90 215

HSL 270.72, 0.61%, 0.6%

LAB 50.79, 49.67, -54.47

 

CMYK 22 / 45 / 0 / 13

HEX #AE7BDF

RGB 174 123 223

HSL 270.6, 0.61%, 0.68%

LAB 60.33, 38.87, -43.69

 

CMYK 16 / 32 / 0 / 9

HEX #C39CE7

RGB 195 156 231

HSL 271.2, 0.61%, 0.76%

LAB 70.28, 28.53, -32.44

 

CMYK 10 / 21 / 0 / 6

HEX #D7BEEF

RGB 215 190 239

HSL 270.61, 0.6%, 0.84%

LAB 80.46, 17.88, -21.03

 

CMYK 22 / 45 / 0 / 13

HEX #AE7ADF

RGB 174 122 223

HSL 270.89, 0.61%, 0.68%

LAB 60.11, 39.42, -44.04

 

CMYK 0 / 45 / 31 / 13

HEX #DF7B99

RGB 223 123 153

HSL 342, 0.61%, 0.68%

LAB 63.47, 42.08, 1.25

 

CMYK 45 / 0 / 40 / 13

HEX #7BDF85

RGB 123 223 133

HSL 126, 0.61%, 0.68%

LAB 81.12, -47.72, 35.2

 

CMYK 22 / 45 / 0 / 13

HEX #AE7ADF

RGB 174 122 223

HSL 270.89, 0.61%, 0.68%

LAB 60.11, 39.42, -44.04

 

CMYK 0 / 22 / 45 / 13

HEX #DFAD7B

RGB 223 173 123

HSL 30, 0.61%, 0.68%

LAB 74.19, 12.02, 32.66

 

CMYK 45 / 0 / 22 / 13

HEX #7BDFAD

RGB 123 223 173

HSL 150, 0.61%, 0.68%

LAB 81.84, -40.59, 15.53

 

CMYK 22 / 45 / 0 / 13

HEX #AE7ADF

RGB 174 122 223

HSL 270.89, 0.61%, 0.68%

LAB 60.11, 39.42, -44.04

 

CMYK 0 / 45 / 31 / 13

HEX #DF7B99

RGB 223 123 153

HSL 342, 0.61%, 0.68%

LAB 63.47, 42.08, 1.25

 

CMYK 22 / 0 / 45 / 13

HEX #ADDF7B

RGB 173 223 123

HSL 90, 0.61%, 0.68%

LAB 83.49, -32.9, 43.7

 

CMYK 45 / 0 / 13 / 13

HEX #7BDFC1

RGB 123 223 193

HSL 162, 0.61%, 0.68%

LAB 82.29, -36.35, 5.62

 

CMYK 22 / 45 / 0 / 13

HEX #AE7ADF

RGB 174 122 223

HSL 270.89, 0.61%, 0.68%

LAB 60.11, 39.42, -44.04

 

CMYK 0 / 45 / 45 / 13

HEX #DF7B7B

RGB 223 123 123

HSL 0, 0.61%, 0.68%

LAB 62.75, 38.64, 17.33

 

CMYK 22 / 0 / 45 / 13

HEX #ADDF7B

RGB 173 223 123

HSL 90, 0.61%, 0.68%

LAB 83.49, -32.9, 43.7

 

CMYK 45 / 0 / 0 / 13

HEX #7BDFDF

RGB 123 223 223

HSL 180, 0.61%, 0.68%

LAB 83.08, -29.24, -9.13

 

Description

Color code: RGB 174 122 223 | qconv.com Color code: RGB 174 122 223 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 122 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 122 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 45 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 45% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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