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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 151 72 it is the complementary color RGB 81 104 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 151 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 174 151 72 shade: RGB 179 151 67, RGB 196 169 86, RGB 213 187 105, RGB 230 205 124 and RGB 247 223 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 151 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 174 151 72 shade: RGB 174 151 72, RGB 157 133 53, RGB 140 115 34, RGB 123 97 15 and RGB 106 79 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 174 151 72 shade: RGB 172 149 72, RGB 172 122 72, RGB 172 95 72 and RGB 172 72 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 174 151 72 shade: RGB 172 149 72, RGB 168 172 72, RGB 141 172 72, RGB 114 172 72 and RGB 86 172 72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 174 151 72 shade matches the following richer shades: RGB 172 149 72, RGB 192 160 52, RGB 212 171 32 and RGB 231 182 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 174 151 72 shade: RGB 172 149 72, RGB 152 139 92, RGB 132 128 111, RGB 113 117 131 and RGB 93 106 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 174 151 72 shade: RGB 172 95 72, RGB 172 122 72, RGB 172 149 72, RGB 169 172 72 and RGB 142 172 72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 174 151 72 shade: RGB 114 99 47, RGB 143 124 60, RGB 172 149 72, RGB 188 168 97 and RGB 201 184 126

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 174 151 72 shade: RGB 174 151 72, RGB 75 172 72 and RGB 109 72 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 174 151 72 shade: RGB 174 151 72, RGB 72 172 149 and RGB 149 72 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 174 151 72 shade: RGB 174 151 72, RGB 75 172 72, RGB 72 95 172 and RGB 169 72 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 174 151 72 shade: RGB 174 151 72, RGB 72 172 98, RGB 72 95 172 and RGB 172 72 145

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 59 / 32

HEX #AE9748

RGB 174 151 72

HSL 46.47, 0.41%, 0.48%

LAB 63.01, -1.3, 44.03

 

Complementary color

CMYK 56 / 43 / 0 / 28

HEX #5168B7

RGB 81 104 183

HSL 226.47, 0.41%, 0.52%

LAB 45.73, 15.04, -44.53

 

CMYK 0 / 16 / 63 / 30

HEX #B39743

RGB 179 151 67

HSL 45, 0.46%, 0.48%

LAB 63.44, 0.52, 47.06

 

CMYK 0 / 14 / 56 / 23

HEX #C4A956

RGB 196 169 86

HSL 45.27, 0.48%, 0.55%

LAB 70.02, -0.42, 45.86

 

CMYK 0 / 12 / 51 / 16

HEX #D5BB69

RGB 213 187 105

HSL 45.56, 0.56%, 0.62%

LAB 76.5, -1.2, 44.6

 

CMYK 0 / 11 / 46 / 10

HEX #E6CD7C

RGB 230 205 124

HSL 45.85, 0.68%, 0.69%

LAB 82.88, -1.87, 43.36

 

CMYK 0 / 10 / 42 / 3

HEX #F7DF8F

RGB 247 223 143

HSL 46.15, 0.87%, 0.76%

LAB 89.17, -2.44, 42.15

 

CMYK 0 / 13 / 59 / 32

HEX #AE9748

RGB 174 151 72

HSL 46.47, 0.41%, 0.48%

LAB 63.01, -1.3, 44.03

 

CMYK 0 / 15 / 66 / 38

HEX #9D8535

RGB 157 133 53

HSL 46.15, 0.5%, 0.41%

LAB 56.29, -0.3, 45.17

 

CMYK 0 / 18 / 76 / 45

HEX #8C7322

RGB 140 115 34

HSL 45.85, 0.61%, 0.34%

LAB 49.44, 0.94, 45.95

 

CMYK 0 / 21 / 88 / 52

HEX #7B610F

RGB 123 97 15

HSL 45.56, 0.78%, 0.27%

LAB 42.45, 2.52, 45.81

 

CMYK 0 / 25 / 100 / 58

HEX #6A4F00

RGB 106 79 0

HSL 44.72, 1%, 0.21%

LAB 35.31, 4.5, 43.84

 

CMYK 0 / 13 / 58 / 33

HEX #AC9548

RGB 172 149 72

HSL 46.2, 0.41%, 0.48%

LAB 62.28, -1.08, 43.14

 

CMYK 0 / 29 / 58 / 33

HEX #AC7A48

RGB 172 122 72

HSL 30, 0.41%, 0.48%

LAB 55.23, 13.92, 34.82

 

CMYK 0 / 45 / 58 / 33

HEX #AC5F48

RGB 172 95 72

HSL 13.8, 0.41%, 0.48%

LAB 48.79, 29.01, 26.84

 

CMYK 0 / 58 / 58 / 33

HEX #AC4848

RGB 172 72 72

HSL 0, 0.41%, 0.48%

LAB 44.05, 41.02, 20.73

 

CMYK 0 / 13 / 58 / 33

HEX #AC9548

RGB 172 149 72

HSL 46.2, 0.41%, 0.48%

LAB 62.28, -1.08, 43.14

 

CMYK 2 / 0 / 58 / 33

HEX #A8AC48

RGB 168 172 72

HSL 62.4, 0.41%, 0.48%

LAB 68.24, -15.01, 49.8

 

CMYK 18 / 0 / 58 / 33

HEX #8DAC48

RGB 141 172 72

HSL 78.6, 0.41%, 0.48%

LAB 66.24, -26.18, 47.01

 

CMYK 34 / 0 / 58 / 33

HEX #72AC48

RGB 114 172 72

HSL 94.8, 0.41%, 0.48%

LAB 64.6, -36.48, 44.7

 

CMYK 50 / 0 / 58 / 33

HEX #56AC48

RGB 86 172 72

HSL 111.6, 0.41%, 0.48%

LAB 63.3, -45.62, 42.86

 

CMYK 0 / 13 / 58 / 33

HEX #AC9548

RGB 172 149 72

HSL 46.2, 0.41%, 0.48%

LAB 62.28, -1.08, 43.14

 

CMYK 0 / 17 / 73 / 25

HEX #C0A034

RGB 192 160 52

HSL 46.29, 0.57%, 0.48%

LAB 66.97, 0.5, 57.67

 

CMYK 0 / 19 / 85 / 17

HEX #D4AB20

RGB 212 171 32

HSL 46.33, 0.74%, 0.48%

LAB 71.71, 2.71, 69.25

 

CMYK 0 / 21 / 95 / 9

HEX #E7B60C

RGB 231 182 12

HSL 46.58, 0.9%, 0.48%

LAB 76.36, 4.86, 77.37

 

CMYK 0 / 13 / 58 / 33

HEX #AC9548

RGB 172 149 72

HSL 46.2, 0.41%, 0.48%

LAB 62.28, -1.08, 43.14

 

CMYK 0 / 9 / 39 / 40

HEX #988B5C

RGB 152 139 92

HSL 47, 0.25%, 0.48%

LAB 57.95, -2.24, 26.91

 

CMYK 0 / 3 / 16 / 48

HEX #84806F

RGB 132 128 111

HSL 48.57, 0.09%, 0.48%

LAB 53.48, -1.59, 9.77

 

CMYK 14 / 11 / 0 / 49

HEX #717583

RGB 113 117 131

HSL 226.67, 0.07%, 0.48%

LAB 49.34, 1.55, -8.18

 

CMYK 38 / 30 / 0 / 41

HEX #5D6A97

RGB 93 106 151

HSL 226.55, 0.24%, 0.48%

LAB 45.46, 6.83, -26.1

 

CMYK 0 / 45 / 58 / 33

HEX #AC5F48

RGB 172 95 72

HSL 13.8, 0.41%, 0.48%

LAB 48.79, 29.01, 26.84

 

CMYK 0 / 29 / 58 / 33

HEX #AC7A48

RGB 172 122 72

HSL 30, 0.41%, 0.48%

LAB 55.23, 13.92, 34.82

 

CMYK 0 / 13 / 58 / 33

HEX #AC9548

RGB 172 149 72

HSL 46.2, 0.41%, 0.48%

LAB 62.28, -1.08, 43.14

 

CMYK 2 / 0 / 58 / 33

HEX #A9AC48

RGB 169 172 72

HSL 61.8, 0.41%, 0.48%

LAB 68.32, -14.59, 49.91

 

CMYK 17 / 0 / 58 / 33

HEX #8EAC48

RGB 142 172 72

HSL 78, 0.41%, 0.48%

LAB 66.31, -25.78, 47.1

 

CMYK 0 / 13 / 59 / 55

HEX #72632F

RGB 114 99 47

HSL 46.57, 0.42%, 0.32%

LAB 42.32, -1.13, 31.33

 

CMYK 0 / 13 / 58 / 44

HEX #8F7C3C

RGB 143 124 60

HSL 46.27, 0.41%, 0.4%

LAB 52.49, -1.06, 37.1

 

CMYK 0 / 13 / 58 / 33

HEX #AC9548

RGB 172 149 72

HSL 46.2, 0.41%, 0.48%

LAB 62.28, -1.08, 43.14

 

CMYK 0 / 11 / 48 / 26

HEX #BCA861

RGB 188 168 97

HSL 46.81, 0.4%, 0.56%

LAB 69.15, -2.3, 39.12

 

CMYK 0 / 8 / 37 / 21

HEX #C9B87E

RGB 201 184 126

HSL 46.4, 0.41%, 0.64%

LAB 74.95, -2.36, 31.68

 

CMYK 0 / 13 / 59 / 32

HEX #AE9748

RGB 174 151 72

HSL 46.47, 0.41%, 0.48%

LAB 63.01, -1.3, 44.03

 

CMYK 56 / 0 / 58 / 33

HEX #4BAC48

RGB 75 172 72

HSL 118.2, 0.41%, 0.48%

LAB 62.9, -48.64, 42.29

 

CMYK 37 / 58 / 0 / 33

HEX #6D48AC

RGB 109 72 172

HSL 262.2, 0.41%, 0.48%

LAB 39.35, 37.9, -48.14

 

CMYK 0 / 13 / 59 / 32

HEX #AE9748

RGB 174 151 72

HSL 46.47, 0.41%, 0.48%

LAB 63.01, -1.3, 44.03

 

CMYK 58 / 0 / 13 / 33

HEX #48AC95

RGB 72 172 149

HSL 166.2, 0.41%, 0.48%

LAB 64.2, -34.81, 3.12

 

CMYK 13 / 58 / 0 / 33

HEX #9548AC

RGB 149 72 172

HSL 286.2, 0.41%, 0.48%

LAB 44.24, 48.09, -40.05

 

CMYK 0 / 13 / 59 / 32

HEX #AE9748

RGB 174 151 72

HSL 46.47, 0.41%, 0.48%

LAB 63.01, -1.3, 44.03

 

CMYK 56 / 0 / 58 / 33

HEX #4BAC48

RGB 75 172 72

HSL 118.2, 0.41%, 0.48%

LAB 62.9, -48.64, 42.29

 

CMYK 58 / 45 / 0 / 33

HEX #485FAC

RGB 72 95 172

HSL 226.2, 0.41%, 0.48%

LAB 42.06, 15.11, -43.96

 

CMYK 2 / 58 / 0 / 33

HEX #A948AC

RGB 169 72 172

HSL 298.2, 0.41%, 0.48%

LAB 47.04, 53.38, -35.44

 

CMYK 0 / 13 / 59 / 32

HEX #AE9748

RGB 174 151 72

HSL 46.47, 0.41%, 0.48%

LAB 63.01, -1.3, 44.03

 

CMYK 58 / 0 / 43 / 33

HEX #48AC62

RGB 72 172 98

HSL 135.6, 0.41%, 0.48%

LAB 63.15, -45.61, 29.51

 

CMYK 58 / 45 / 0 / 33

HEX #485FAC

RGB 72 95 172

HSL 226.2, 0.41%, 0.48%

LAB 42.06, 15.11, -43.96

 

CMYK 0 / 58 / 16 / 33

HEX #AC4891

RGB 172 72 145

HSL 316.2, 0.41%, 0.48%

LAB 46.24, 49.66, -20.59

 

Description

Color code: RGB 174 151 72 | qconv.com Color code: RGB 174 151 72 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 151 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 151 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 59 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 59% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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