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Color name
RGB 174 162 127

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 162 127 it is the complementary color RGB 81 93 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 162 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 174 162 127 shade: RGB 179 162 122, RGB 196 180 141, RGB 213 198 160, RGB 230 216 179 and RGB 247 234 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 162 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 174 162 127 shade: RGB 174 162 127, RGB 157 144 108, RGB 140 126 89, RGB 123 108 70 and RGB 106 90 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 174 162 127 shade: RGB 173 161 127, RGB 173 149 127, RGB 173 136 127 and RGB 173 127 127

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 174 162 127 shade: RGB 173 161 127, RGB 172 173 127, RGB 160 173 127, RGB 147 173 127 and RGB 135 173 127

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 174 162 127 shade matches the following richer shades: RGB 173 161 127, RGB 190 169 110, RGB 207 178 93, RGB 224 186 76 and RGB 241 194 59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 174 162 127 shade: RGB 173 161 127, RGB 156 153 144, RGB 139 145 161, RGB 122 136 178 and RGB 105 128 195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 174 162 127 shade: RGB 173 136 127, RGB 173 148 127, RGB 173 161 127, RGB 173 173 127 and RGB 161 173 127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 174 162 127 shade: RGB 133 120 85, RGB 157 143 102, RGB 173 161 127, RGB 189 180 152 and RGB 205 198 177

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 174 162 127 shade: RGB 174 162 127, RGB 130 173 127 and RGB 142 127 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 174 162 127 shade: RGB 174 162 127, RGB 127 173 161 and RGB 161 127 173

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 174 162 127 shade: RGB 174 162 127, RGB 130 173 127, RGB 127 139 173 and RGB 170 127 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 174 162 127 shade: RGB 174 162 127, RGB 127 173 138, RGB 127 139 173 and RGB 173 127 162

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 27 / 32

HEX #AEA27F

RGB 174 162 127

HSL 44.68, 0.22%, 0.59%

LAB 66.8, -1.26, 19.81

 

Complementary color

CMYK 37 / 27 / 0 / 50

HEX #515D80

RGB 81 93 128

HSL 224.68, 0.22%, 0.41%

LAB 39.81, 4.6, -21.1

 

CMYK 0 / 9 / 32 / 30

HEX #B3A27A

RGB 179 162 122

HSL 42.11, 0.27%, 0.59%

LAB 67.15, 0.06, 23.09

 

CMYK 0 / 8 / 28 / 23

HEX #C4B48D

RGB 196 180 141

HSL 42.55, 0.32%, 0.66%

LAB 73.74, -0.33, 22

 

CMYK 0 / 7 / 25 / 16

HEX #D5C6A0

RGB 213 198 160

HSL 43.02, 0.39%, 0.73%

LAB 80.22, -0.68, 20.97

 

CMYK 0 / 6 / 22 / 10

HEX #E6D8B3

RGB 230 216 179

HSL 43.53, 0.5%, 0.8%

LAB 86.6, -0.98, 20

 

CMYK 0 / 5 / 20 / 3

HEX #F7EAC6

RGB 247 234 198

HSL 44.08, 0.75%, 0.87%

LAB 92.88, -1.25, 19.08

 

CMYK 0 / 7 / 27 / 32

HEX #AEA27F

RGB 174 162 127

HSL 44.68, 0.22%, 0.59%

LAB 66.8, -1.26, 19.81

 

CMYK 0 / 8 / 31 / 38

HEX #9D906C

RGB 157 144 108

HSL 44.08, 0.2%, 0.52%

LAB 60.07, -0.88, 20.92

 

CMYK 0 / 10 / 36 / 45

HEX #8C7E59

RGB 140 126 89

HSL 43.53, 0.22%, 0.45%

LAB 53.19, -0.44, 22.12

 

CMYK 0 / 12 / 43 / 52

HEX #7B6C46

RGB 123 108 70

HSL 43.02, 0.27%, 0.38%

LAB 46.15, 0.12, 23.42

 

CMYK 0 / 15 / 52 / 58

HEX #6A5A33

RGB 106 90 51

HSL 42.55, 0.35%, 0.31%

LAB 38.93, 0.84, 24.82

 

CMYK 0 / 7 / 27 / 32

HEX #ADA17F

RGB 173 161 127

HSL 44.35, 0.22%, 0.59%

LAB 66.45, -1.11, 19.31

 

CMYK 0 / 14 / 27 / 32

HEX #AD957F

RGB 173 149 127

HSL 28.7, 0.22%, 0.59%

LAB 63.27, 5.47, 14.92

 

CMYK 0 / 21 / 27 / 32

HEX #AD887F

RGB 173 136 127

HSL 11.74, 0.22%, 0.59%

LAB 59.91, 12.73, 10.21

 

CMYK 0 / 27 / 27 / 32

HEX #AD7F7F

RGB 173 127 127

HSL 0, 0.22%, 0.59%

LAB 57.65, 17.8, 7

 

CMYK 0 / 7 / 27 / 32

HEX #ADA17F

RGB 173 161 127

HSL 44.35, 0.22%, 0.59%

LAB 66.45, -1.11, 19.31

 

CMYK 1 / 0 / 27 / 32

HEX #ACAD7F

RGB 172 173 127

HSL 61.3, 0.22%, 0.59%

LAB 69.6, -7.94, 23.59

 

CMYK 8 / 0 / 27 / 32

HEX #A0AD7F

RGB 160 173 127

HSL 76.96, 0.22%, 0.59%

LAB 68.67, -12.59, 22.18

 

CMYK 15 / 0 / 27 / 32

HEX #93AD7F

RGB 147 173 127

HSL 93.91, 0.22%, 0.59%

LAB 67.74, -17.5, 20.75

 

CMYK 22 / 0 / 27 / 32

HEX #87AD7F

RGB 135 173 127

HSL 109.57, 0.22%, 0.59%

LAB 66.95, -21.86, 19.55

 

CMYK 0 / 7 / 27 / 32

HEX #ADA17F

RGB 173 161 127

HSL 44.35, 0.22%, 0.59%

LAB 66.45, -1.11, 19.31

 

CMYK 0 / 11 / 42 / 25

HEX #BEA96E

RGB 190 169 110

HSL 44.25, 0.38%, 0.59%

LAB 69.79, -0.67, 33.2

 

CMYK 0 / 14 / 55 / 19

HEX #CFB25D

RGB 207 178 93

HSL 44.74, 0.54%, 0.59%

LAB 73.48, 0.01, 46.76

 

CMYK 0 / 17 / 66 / 12

HEX #E0BA4C

RGB 224 186 76

HSL 44.59, 0.7%, 0.59%

LAB 76.97, 1.81, 58.97

 

CMYK 0 / 20 / 76 / 5

HEX #F1C23B

RGB 241 194 59

HSL 44.51, 0.87%, 0.59%

LAB 80.52, 4.04, 69.76

 

CMYK 0 / 7 / 27 / 32

HEX #ADA17F

RGB 173 161 127

HSL 44.35, 0.22%, 0.59%

LAB 66.45, -1.11, 19.31

 

CMYK 0 / 2 / 8 / 39

HEX #9C9990

RGB 156 153 144

HSL 45, 0.06%, 0.59%

LAB 63.23, -0.57, 5.11

 

CMYK 14 / 10 / 0 / 37

HEX #8B91A1

RGB 139 145 161

HSL 223.64, 0.1%, 0.59%

LAB 60.17, 1.2, -9.17

 

CMYK 31 / 24 / 0 / 30

HEX #7A88B2

RGB 122 136 178

HSL 225, 0.27%, 0.59%

LAB 57.04, 4.97, -23.74

 

CMYK 46 / 34 / 0 / 24

HEX #6980C3

RGB 105 128 195

HSL 224.67, 0.43%, 0.59%

LAB 54.43, 9.78, -37.58

 

CMYK 0 / 21 / 27 / 32

HEX #AD887F

RGB 173 136 127

HSL 11.74, 0.22%, 0.59%

LAB 59.91, 12.73, 10.21

 

CMYK 0 / 14 / 27 / 32

HEX #AD947F

RGB 173 148 127

HSL 27.39, 0.22%, 0.59%

LAB 63.01, 6.03, 14.56

 

CMYK 0 / 7 / 27 / 32

HEX #ADA17F

RGB 173 161 127

HSL 44.35, 0.22%, 0.59%

LAB 66.45, -1.11, 19.31

 

CMYK 0 / 0 / 27 / 32

HEX #ADAD7F

RGB 173 173 127

HSL 60, 0.22%, 0.59%

LAB 69.69, -7.54, 23.72

 

CMYK 7 / 0 / 27 / 32

HEX #A1AD7F

RGB 161 173 127

HSL 75.65, 0.22%, 0.59%

LAB 68.75, -12.21, 22.29

 

CMYK 0 / 10 / 36 / 48

HEX #857855

RGB 133 120 85

HSL 43.75, 0.22%, 0.43%

LAB 50.78, -0.54, 21.07

 

CMYK 0 / 9 / 35 / 38

HEX #9D8F66

RGB 157 143 102

HSL 44.73, 0.22%, 0.51%

LAB 59.68, -1.12, 23.74

 

CMYK 0 / 7 / 27 / 32

HEX #ADA17F

RGB 173 161 127

HSL 44.35, 0.22%, 0.59%

LAB 66.45, -1.11, 19.31

 

CMYK 0 / 5 / 20 / 26

HEX #BDB498

RGB 189 180 152

HSL 45.41, 0.22%, 0.67%

LAB 73.37, -1.45, 15.45

 

CMYK 0 / 3 / 14 / 20

HEX #CDC6B1

RGB 205 198 177

HSL 45, 0.22%, 0.75%

LAB 79.92, -1.12, 11.39

 

CMYK 0 / 7 / 27 / 32

HEX #AEA27F

RGB 174 162 127

HSL 44.68, 0.22%, 0.59%

LAB 66.8, -1.26, 19.81

 

CMYK 25 / 0 / 27 / 32

HEX #82AD7F

RGB 130 173 127

HSL 116.09, 0.22%, 0.59%

LAB 66.65, -23.62, 19.08

 

CMYK 18 / 27 / 0 / 32

HEX #8E7FAD

RGB 142 127 173

HSL 259.57, 0.22%, 0.59%

LAB 56.03, 15.27, -22.28

 

CMYK 0 / 7 / 27 / 32

HEX #AEA27F

RGB 174 162 127

HSL 44.68, 0.22%, 0.59%

LAB 66.8, -1.26, 19.81

 

CMYK 27 / 0 / 7 / 32

HEX #7FADA1

RGB 127 173 161

HSL 164.35, 0.22%, 0.59%

LAB 67.26, -17.94, 1.19

 

CMYK 7 / 27 / 0 / 32

HEX #A17FAD

RGB 161 127 173

HSL 284.35, 0.22%, 0.59%

LAB 57.82, 21.6, -19.39

 

CMYK 0 / 7 / 27 / 32

HEX #AEA27F

RGB 174 162 127

HSL 44.68, 0.22%, 0.59%

LAB 66.8, -1.26, 19.81

 

CMYK 25 / 0 / 27 / 32

HEX #82AD7F

RGB 130 173 127

HSL 116.09, 0.22%, 0.59%

LAB 66.65, -23.62, 19.08

 

CMYK 27 / 20 / 0 / 32

HEX #7F8BAD

RGB 127 139 173

HSL 224.35, 0.22%, 0.59%

LAB 58.03, 3.5, -19.33

 

CMYK 2 / 27 / 0 / 32

HEX #AA7FAD

RGB 170 127 173

HSL 296.09, 0.22%, 0.59%

LAB 58.73, 24.65, -17.91

 

CMYK 0 / 7 / 27 / 32

HEX #AEA27F

RGB 174 162 127

HSL 44.68, 0.22%, 0.59%

LAB 66.8, -1.26, 19.81

 

CMYK 27 / 0 / 20 / 32

HEX #7FAD8A

RGB 127 173 138

HSL 134.35, 0.22%, 0.59%

LAB 66.7, -22.65, 13.1

 

CMYK 27 / 20 / 0 / 32

HEX #7F8BAD

RGB 127 139 173

HSL 224.35, 0.22%, 0.59%

LAB 58.03, 3.5, -19.33

 

CMYK 0 / 27 / 6 / 32

HEX #AD7FA2

RGB 173 127 162

HSL 314.35, 0.22%, 0.59%

LAB 58.67, 23.59, -11.67

 

Description

Color code: RGB 174 162 127 | qconv.com Color code: RGB 174 162 127 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 162 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 162 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 27 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 27% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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