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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 90 124 it is the complementary color RGB 81 165 131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 90 124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 174 90 124 shade: RGB 179 90 119, RGB 196 108 138, RGB 213 126 157, RGB 230 144 176 and RGB 247 162 195

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 90 124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 174 90 124 shade: RGB 174 90 124, RGB 157 72 105, RGB 140 54 86, RGB 123 36 67 and RGB 106 18 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 174 90 124 shade: RGB 174 90 124, RGB 174 90 102 and RGB 174 90 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 174 90 124 shade: RGB 174 90 124, RGB 174 90 147, RGB 174 90 169, RGB 156 90 174 and RGB 133 90 174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 174 90 124 shade matches the following richer shades: RGB 174 90 124, RGB 194 71 120, RGB 213 51 117, RGB 233 31 113 and RGB 253 11 109

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 174 90 124 shade: RGB 174 90 124, RGB 154 110 128, RGB 134 130 132, RGB 114 150 135 and RGB 94 170 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 174 90 124 shade: RGB 174 90 170, RGB 174 90 147, RGB 174 90 125, RGB 174 90 103 and RGB 174 100 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 174 90 124 shade: RGB 122 60 85, RGB 150 73 104, RGB 174 90 124, RGB 187 118 146 and RGB 201 146 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 174 90 124 shade: RGB 174 90 124, RGB 174 156 90 and RGB 90 158 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 174 90 124 shade: RGB 174 90 124, RGB 125 174 90 and RGB 90 125 174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 174 90 124 shade: RGB 174 90 124, RGB 174 156 90, RGB 90 174 139 and RGB 90 109 174

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 174 90 124 shade: RGB 174 90 124, RGB 167 174 90, RGB 90 174 139 and RGB 97 90 174

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 29 / 32

HEX #AE5A7C

RGB 174 90 124

HSL 335.71, 0.34%, 0.52%

LAB 49.21, 38.2, -3.47

 

Complementary color

CMYK 51 / 0 / 21 / 35

HEX #51A583

RGB 81 165 131

HSL 155.71, 0.34%, 0.48%

LAB 61.91, -33.81, 9.9

 

CMYK 0 / 50 / 34 / 30

HEX #B35A77

RGB 179 90 119

HSL 340.45, 0.37%, 0.53%

LAB 49.77, 39.3, 0.43

 

CMYK 0 / 45 / 30 / 23

HEX #C46C8A

RGB 196 108 138

HSL 339.55, 0.43%, 0.6%

LAB 56.38, 38.41, -0.87

 

CMYK 0 / 41 / 26 / 16

HEX #D57E9D

RGB 213 126 157

HSL 338.62, 0.51%, 0.66%

LAB 62.93, 37.54, -1.98

 

CMYK 0 / 37 / 23 / 10

HEX #E690B0

RGB 230 144 176

HSL 337.67, 0.63%, 0.73%

LAB 69.4, 36.71, -2.96

 

CMYK 0 / 34 / 21 / 3

HEX #F7A2C3

RGB 247 162 195

HSL 336.71, 0.84%, 0.8%

LAB 75.8, 35.92, -3.83

 

CMYK 0 / 48 / 29 / 32

HEX #AE5A7C

RGB 174 90 124

HSL 335.71, 0.34%, 0.52%

LAB 49.21, 38.2, -3.47

 

CMYK 0 / 54 / 33 / 38

HEX #9D4869

RGB 157 72 105

HSL 336.71, 0.37%, 0.45%

LAB 42.49, 39.04, -2.1

 

CMYK 0 / 61 / 39 / 45

HEX #8C3656

RGB 140 54 86

HSL 337.67, 0.44%, 0.38%

LAB 35.76, 39.77, -0.36

 

CMYK 0 / 71 / 46 / 52

HEX #7B2443

RGB 123 36 67

HSL 338.62, 0.55%, 0.31%

LAB 29.1, 40.15, 1.96

 

CMYK 0 / 83 / 55 / 58

HEX #6A1230

RGB 106 18 48

HSL 339.55, 0.71%, 0.24%

LAB 22.69, 39.72, 5.25

 

CMYK 0 / 48 / 29 / 32

HEX #AE5A7C

RGB 174 90 124

HSL 335.71, 0.34%, 0.52%

LAB 49.21, 38.2, -3.47

 

CMYK 0 / 48 / 41 / 32

HEX #AE5A66

RGB 174 90 102

HSL 351.43, 0.34%, 0.52%

LAB 48.6, 35.42, 8.86

 

CMYK 0 / 48 / 48 / 32

HEX #AE5A5A

RGB 174 90 90

HSL 0, 0.34%, 0.52%

LAB 48.32, 34.13, 15.67

 

CMYK 0 / 48 / 29 / 32

HEX #AE5A7C

RGB 174 90 124

HSL 335.71, 0.34%, 0.52%

LAB 49.21, 38.2, -3.47

 

CMYK 0 / 48 / 16 / 32

HEX #AE5A93

RGB 174 90 147

HSL 319.29, 0.34%, 0.52%

LAB 50, 41.66, -16.02

 

CMYK 0 / 48 / 3 / 32

HEX #AE5AA9

RGB 174 90 169

HSL 303.57, 0.34%, 0.52%

LAB 50.89, 45.44, -27.61

 

CMYK 10 / 48 / 0 / 32

HEX #9C5AAE

RGB 156 90 174

HSL 287.14, 0.34%, 0.52%

LAB 48.81, 41.05, -33.96

 

CMYK 24 / 48 / 0 / 32

HEX #855AAE

RGB 133 90 174

HSL 270.71, 0.34%, 0.52%

LAB 46.12, 34.38, -38.38

 

CMYK 0 / 48 / 29 / 32

HEX #AE5A7C

RGB 174 90 124

HSL 335.71, 0.34%, 0.52%

LAB 49.21, 38.2, -3.47

 

CMYK 0 / 63 / 38 / 24

HEX #C24778

RGB 194 71 120

HSL 336.1, 0.5%, 0.52%

LAB 48.68, 53.49, -1.5

 

CMYK 0 / 76 / 45 / 16

HEX #D53375

RGB 213 51 117

HSL 335.56, 0.66%, 0.52%

LAB 49.25, 65.99, 1.55

 

CMYK 0 / 87 / 52 / 9

HEX #E91F71

RGB 233 31 113

HSL 335.64, 0.82%, 0.52%

LAB 51.26, 75.4, 7.37

 

CMYK 0 / 96 / 57 / 1

HEX #FD0B6D

RGB 253 11 109

HSL 335.7, 0.98%, 0.52%

LAB 54.27, 82.12, 14.58

 

CMYK 0 / 48 / 29 / 32

HEX #AE5A7C

RGB 174 90 124

HSL 335.71, 0.34%, 0.52%

LAB 49.21, 38.2, -3.47

 

CMYK 0 / 29 / 17 / 40

HEX #9A6E80

RGB 154 110 128

HSL 335.45, 0.18%, 0.52%

LAB 51.36, 20.32, -2.97

 

CMYK 0 / 3 / 1 / 47

HEX #868284

RGB 134 130 132

HSL 330, 0.02%, 0.52%

LAB 54.76, 1.89, -0.55

 

CMYK 24 / 0 / 10 / 41

HEX #729687

RGB 114 150 135

HSL 155, 0.15%, 0.52%

LAB 59.1, -15.71, 3.85

 

CMYK 45 / 0 / 18 / 33

HEX #5EAA8B

RGB 94 170 139

HSL 155.53, 0.31%, 0.52%

LAB 64.16, -31.01, 8.71

 

CMYK 0 / 48 / 2 / 32

HEX #AE5AAA

RGB 174 90 170

HSL 302.86, 0.34%, 0.52%

LAB 50.94, 45.63, -28.12

 

CMYK 0 / 48 / 16 / 32

HEX #AE5A93

RGB 174 90 147

HSL 319.29, 0.34%, 0.52%

LAB 50, 41.66, -16.02

 

CMYK 0 / 48 / 28 / 32

HEX #AE5A7D

RGB 174 90 125

HSL 335, 0.34%, 0.52%

LAB 49.24, 38.34, -4.03

 

CMYK 0 / 48 / 41 / 32

HEX #AE5A67

RGB 174 90 103

HSL 350.71, 0.34%, 0.52%

LAB 48.62, 35.54, 8.29

 

CMYK 0 / 43 / 48 / 32

HEX #AE645A

RGB 174 100 90

HSL 7.14, 0.34%, 0.52%

LAB 50.51, 28.71, 18.64

 

CMYK 0 / 51 / 30 / 52

HEX #7A3C55

RGB 122 60 85

HSL 335.81, 0.34%, 0.36%

LAB 34.04, 30.05, -2.59

 

CMYK 0 / 51 / 31 / 41

HEX #964968

RGB 150 73 104

HSL 335.84, 0.35%, 0.44%

LAB 41.61, 35.91, -2.9

 

CMYK 0 / 48 / 29 / 32

HEX #AE5A7C

RGB 174 90 124

HSL 335.71, 0.34%, 0.52%

LAB 49.21, 38.2, -3.47

 

CMYK 0 / 37 / 22 / 27

HEX #BB7692

RGB 187 118 146

HSL 335.65, 0.34%, 0.6%

LAB 57.65, 30.95, -3.79

 

CMYK 0 / 27 / 16 / 21

HEX #C992A8

RGB 201 146 168

HSL 336, 0.34%, 0.68%

LAB 66.37, 24.08, -3.31

 

CMYK 0 / 48 / 29 / 32

HEX #AE5A7C

RGB 174 90 124

HSL 335.71, 0.34%, 0.52%

LAB 49.21, 38.2, -3.47

 

CMYK 0 / 10 / 48 / 32

HEX #AE9C5A

RGB 174 156 90

HSL 47.14, 0.34%, 0.52%

LAB 64.57, -2.43, 36.79

 

CMYK 48 / 9 / 0 / 32

HEX #5A9EAE

RGB 90 158 174

HSL 191.43, 0.34%, 0.52%

LAB 61.38, -17.14, -15.01

 

CMYK 0 / 48 / 29 / 32

HEX #AE5A7C

RGB 174 90 124

HSL 335.71, 0.34%, 0.52%

LAB 49.21, 38.2, -3.47

 

CMYK 28 / 0 / 48 / 32

HEX #7DAE5A

RGB 125 174 90

HSL 95, 0.34%, 0.52%

LAB 66.04, -31.38, 37.78

 

CMYK 48 / 28 / 0 / 32

HEX #5A7DAE

RGB 90 125 174

HSL 215, 0.34%, 0.52%

LAB 51.72, 1.43, -29.83

 

CMYK 0 / 48 / 29 / 32

HEX #AE5A7C

RGB 174 90 124

HSL 335.71, 0.34%, 0.52%

LAB 49.21, 38.2, -3.47

 

CMYK 0 / 10 / 48 / 32

HEX #AE9C5A

RGB 174 156 90

HSL 47.14, 0.34%, 0.52%

LAB 64.57, -2.43, 36.79

 

CMYK 48 / 0 / 20 / 32

HEX #5AAE8B

RGB 90 174 139

HSL 155, 0.34%, 0.52%

LAB 65.21, -33.95, 10.19

 

CMYK 48 / 37 / 0 / 32

HEX #5A6DAE

RGB 90 109 174

HSL 226.43, 0.34%, 0.52%

LAB 47.19, 11.11, -36.93

 

CMYK 0 / 48 / 29 / 32

HEX #AE5A7C

RGB 174 90 124

HSL 335.71, 0.34%, 0.52%

LAB 49.21, 38.2, -3.47

 

CMYK 4 / 0 / 48 / 32

HEX #A7AE5A

RGB 167 174 90

HSL 65, 0.34%, 0.52%

LAB 68.91, -14.88, 41.95

 

CMYK 48 / 0 / 20 / 32

HEX #5AAE8B

RGB 90 174 139

HSL 155, 0.34%, 0.52%

LAB 65.21, -33.95, 10.19

 

CMYK 44 / 48 / 0 / 32

HEX #615AAE

RGB 97 90 174

HSL 245, 0.34%, 0.52%

LAB 42.63, 24.67, -44.14

 

Description

Color code: RGB 174 90 124 | qconv.com Color code: RGB 174 90 124 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 90 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 90 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 29 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 29% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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