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Color name
RGB 174 95 43

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 95 43 it is the complementary color RGB 81 160 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 95 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 174 95 43 shade: RGB 179 95 38, RGB 196 113 57, RGB 213 131 76, RGB 230 149 95 and RGB 247 167 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 95 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 174 95 43 shade: RGB 174 95 43, RGB 157 77 24, RGB 140 59 5, RGB 123 41 0 and RGB 106 23 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 174 95 43 shade: RGB 175 96 43, RGB 175 60 43 and RGB 175 43 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 174 95 43 shade: RGB 175 96 43, RGB 175 131 43, RGB 175 167 43, RGB 148 175 43 and RGB 112 175 43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 174 95 43 shade matches the following richer shades: RGB 175 96 43, RGB 193 92 26 and RGB 210 88 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 174 95 43 shade: RGB 175 96 43, RGB 157 99 61, RGB 139 103 79, RGB 122 107 97 and RGB 104 110 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 174 95 43 shade: RGB 175 43 63, RGB 175 59 43, RGB 175 94 43, RGB 175 129 43 and RGB 175 164 43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 174 95 43 shade: RGB 109 59 27, RGB 142 78 35, RGB 175 96 43, RGB 205 114 55 and RGB 213 138 88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 174 95 43 shade: RGB 174 95 43, RGB 98 175 43 and RGB 43 46 175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 174 95 43 shade: RGB 174 95 43, RGB 43 175 94 and RGB 94 43 175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 174 95 43 shade: RGB 174 95 43, RGB 98 175 43, RGB 43 125 175 and RGB 120 43 175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 174 95 43 shade: RGB 174 95 43, RGB 59 175 43, RGB 43 125 175 and RGB 160 43 175

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 75 / 32

HEX #AE5F2B

RGB 174 95 43

HSL 23.82, 0.6%, 0.43%

LAB 48.71, 28.01, 42.53

 

Complementary color

CMYK 62 / 25 / 0 / 17

HEX #51A0D4

RGB 81 160 212

HSL 203.82, 0.6%, 0.57%

LAB 63.05, -8.63, -33.76

 

CMYK 0 / 47 / 79 / 30

HEX #B35F26

RGB 179 95 38

HSL 24.26, 0.65%, 0.43%

LAB 49.38, 29.89, 45.83

 

CMYK 0 / 42 / 71 / 23

HEX #C47139

RGB 196 113 57

HSL 24.17, 0.55%, 0.5%

LAB 55.93, 28.14, 44.19

 

CMYK 0 / 38 / 64 / 16

HEX #D5834C

RGB 213 131 76

HSL 24.09, 0.62%, 0.57%

LAB 62.42, 26.59, 42.46

 

CMYK 0 / 35 / 59 / 10

HEX #E6955F

RGB 230 149 95

HSL 24, 0.73%, 0.64%

LAB 68.86, 25.22, 40.79

RGB 230 149 95

CMYK 0 / 32 / 54 / 3

HEX #F7A772

RGB 247 167 114

HSL 23.91, 0.89%, 0.71%

LAB 75.22, 24.01, 39.21

RGB 247 167 114

CMYK 0 / 45 / 75 / 32

HEX #AE5F2B

RGB 174 95 43

HSL 23.82, 0.6%, 0.43%

LAB 48.71, 28.01, 42.53

 

CMYK 0 / 51 / 85 / 38

HEX #9D4D18

RGB 157 77 24

HSL 23.91, 0.73%, 0.35%

LAB 42.06, 29.9, 44.01

 

CMYK 0 / 58 / 96 / 45

HEX #8C3B05

RGB 140 59 5

HSL 24, 0.93%, 0.28%

LAB 35.43, 31.96, 44.51

 

CMYK 0 / 67 / 100 / 52

HEX #7B2900

RGB 123 41 0

HSL 20, 1%, 0.24%

LAB 28.89, 34.06, 40.57

 

CMYK 0 / 78 / 100 / 58

HEX #6A1700

RGB 106 23 0

HSL 13.02, 1%, 0.21%

LAB 22.57, 35.55, 33.48

 

CMYK 0 / 45 / 75 / 31

HEX #AF602B

RGB 175 96 43

HSL 24.09, 0.61%, 0.43%

LAB 49.07, 27.88, 42.96

 

CMYK 0 / 66 / 75 / 31

HEX #AF3C2B

RGB 175 60 43

HSL 7.73, 0.61%, 0.43%

LAB 42.03, 45.92, 35.49

 

CMYK 0 / 75 / 75 / 31

HEX #AF2B2B

RGB 175 43 43

HSL 0, 0.61%, 0.43%

LAB 39.61, 52.56, 32.82

 

CMYK 0 / 45 / 75 / 31

HEX #AF602B

RGB 175 96 43

HSL 24.09, 0.61%, 0.43%

LAB 49.07, 27.88, 42.96

 

CMYK 0 / 25 / 75 / 31

HEX #AF832B

RGB 175 131 43

HSL 40, 0.61%, 0.43%

LAB 57.58, 8.38, 51.48

 

CMYK 0 / 5 / 75 / 31

HEX #AFA72B

RGB 175 167 43

HSL 56.36, 0.61%, 0.43%

LAB 67.22, -11.12, 60.67

 

CMYK 15 / 0 / 75 / 31

HEX #94AF2B

RGB 148 175 43

HSL 72.27, 0.61%, 0.43%

LAB 67.37, -26.76, 60.06

 

CMYK 36 / 0 / 75 / 31

HEX #70AF2B

RGB 112 175 43

HSL 88.64, 0.61%, 0.43%

LAB 65.18, -40.86, 57.2

 

CMYK 0 / 45 / 75 / 31

HEX #AF602B

RGB 175 96 43

HSL 24.09, 0.61%, 0.43%

LAB 49.07, 27.88, 42.96

 

CMYK 0 / 52 / 87 / 24

HEX #C15C1A

RGB 193 92 26

HSL 23.71, 0.76%, 0.43%

LAB 50.76, 36.82, 52.84

 

CMYK 0 / 58 / 96 / 18

HEX #D25808

RGB 210 88 8

HSL 23.76, 0.93%, 0.43%

LAB 52.62, 45.09, 60.44

 

CMYK 0 / 45 / 75 / 31

HEX #AF602B

RGB 175 96 43

HSL 24.09, 0.61%, 0.43%

LAB 49.07, 27.88, 42.96

 

CMYK 0 / 37 / 61 / 38

HEX #9D633D

RGB 157 99 61

HSL 23.75, 0.44%, 0.43%

LAB 47.53, 19.58, 31.08

 

CMYK 0 / 26 / 43 / 45

HEX #8B674F

RGB 139 103 79

HSL 24, 0.28%, 0.43%

LAB 46.65, 11.17, 19.17

 

CMYK 0 / 12 / 20 / 52

HEX #7A6B61

RGB 122 107 97

HSL 24, 0.11%, 0.43%

LAB 46.33, 4.15, 7.77

 

CMYK 9 / 4 / 0 / 55

HEX #686E72

RGB 104 110 114

HSL 204, 0.05%, 0.43%

LAB 46.06, -1.41, -3.02

 

CMYK 0 / 75 / 64 / 31

HEX #AF2B3F

RGB 175 43 63

HSL 350.91, 0.61%, 0.43%

LAB 39.92, 53.58, 20.98

 

CMYK 0 / 66 / 75 / 31

HEX #AF3B2B

RGB 175 59 43

HSL 7.27, 0.61%, 0.43%

LAB 41.87, 46.36, 35.32

 

CMYK 0 / 46 / 75 / 31

HEX #AF5E2B

RGB 175 94 43

HSL 23.18, 0.61%, 0.43%

LAB 48.63, 28.97, 42.5

 

CMYK 0 / 26 / 75 / 31

HEX #AF812B

RGB 175 129 43

HSL 39.09, 0.61%, 0.43%

LAB 57.06, 9.5, 50.98

 

CMYK 0 / 6 / 75 / 31

HEX #AFA42B

RGB 175 164 43

HSL 55, 0.61%, 0.43%

LAB 66.4, -9.55, 59.9

 

CMYK 0 / 46 / 75 / 57

HEX #6D3B1B

RGB 109 59 27

HSL 23.41, 0.6%, 0.27%

LAB 30.54, 19.14, 28.75

 

CMYK 0 / 45 / 75 / 44

HEX #8E4E23

RGB 142 78 35

HSL 24.11, 0.6%, 0.35%

LAB 40.12, 23.33, 36.16

 

CMYK 0 / 45 / 75 / 31

HEX #AF602B

RGB 175 96 43

HSL 24.09, 0.61%, 0.43%

LAB 49.07, 27.88, 42.96

 

CMYK 0 / 44 / 73 / 20

HEX #CD7237

RGB 205 114 55

HSL 23.6, 0.6%, 0.51%

LAB 57.36, 31.22, 47.07

 

CMYK 0 / 35 / 59 / 16

HEX #D58A58

RGB 213 138 88

HSL 24, 0.6%, 0.59%

LAB 64.18, 23.66, 38.3

 

CMYK 0 / 45 / 75 / 32

HEX #AE5F2B

RGB 174 95 43

HSL 23.82, 0.6%, 0.43%

LAB 48.71, 28.01, 42.53

 

CMYK 44 / 0 / 75 / 31

HEX #62AF2B

RGB 98 175 43

HSL 95, 0.61%, 0.43%

LAB 64.51, -45.7, 56.31

 

CMYK 75 / 74 / 0 / 31

HEX #2B2EAF

RGB 43 46 175

HSL 238.64, 0.61%, 0.43%

LAB 28.28, 42.88, -68.22

 

CMYK 0 / 45 / 75 / 32

HEX #AE5F2B

RGB 174 95 43

HSL 23.82, 0.6%, 0.43%

LAB 48.71, 28.01, 42.53

 

CMYK 75 / 0 / 46 / 31

HEX #2BAF5E

RGB 43 175 94

HSL 143.18, 0.61%, 0.43%

LAB 63.33, -52.97, 31.68

 

CMYK 46 / 75 / 0 / 31

HEX #5E2BAF

RGB 94 43 175

HSL 263.18, 0.61%, 0.43%

LAB 32.26, 51.01, -61.5

 

CMYK 0 / 45 / 75 / 32

HEX #AE5F2B

RGB 174 95 43

HSL 23.82, 0.6%, 0.43%

LAB 48.71, 28.01, 42.53

 

CMYK 44 / 0 / 75 / 31

HEX #62AF2B

RGB 98 175 43

HSL 95, 0.61%, 0.43%

LAB 64.51, -45.7, 56.31

 

CMYK 75 / 29 / 0 / 31

HEX #2B7DAF

RGB 43 125 175

HSL 202.73, 0.61%, 0.43%

LAB 49.83, -7.28, -33.51

 

CMYK 31 / 75 / 0 / 31

HEX #782BAF

RGB 120 43 175

HSL 275, 0.61%, 0.43%

LAB 35.63, 55.53, -55.88

 

CMYK 0 / 45 / 75 / 32

HEX #AE5F2B

RGB 174 95 43

HSL 23.82, 0.6%, 0.43%

LAB 48.71, 28.01, 42.53

 

CMYK 66 / 0 / 75 / 31

HEX #3BAF2B

RGB 59 175 43

HSL 112.73, 0.61%, 0.43%

LAB 63.15, -56.33, 54.51

 

CMYK 75 / 29 / 0 / 31

HEX #2B7DAF

RGB 43 125 175

HSL 202.73, 0.61%, 0.43%

LAB 49.83, -7.28, -33.51

 

CMYK 9 / 75 / 0 / 31

HEX #A02BAF

RGB 160 43 175

HSL 293.18, 0.61%, 0.43%

LAB 41.68, 63.39, -45.8

 

Description

Color code: RGB 174 95 43 | qconv.com Color code: RGB 174 95 43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 95 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 95 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 75 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 75% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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