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Color name
RGB 175 123 245

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 123 245 it is the complementary color RGB 80 132 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 123 245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 175 123 245 shade: RGB 180 123 240, RGB 197 141 255, RGB 214 159 255, RGB 231 177 255 and RGB 248 195 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 123 245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 175 123 245 shade: RGB 175 123 245, RGB 158 105 226, RGB 141 87 207, RGB 124 69 188 and RGB 107 51 169

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 175 123 245 shade: RGB 174 122 245, RGB 207 122 245, RGB 240 122 245, RGB 245 122 216 and RGB 245 122 183

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 175 123 245 shade: RGB 174 122 245, RGB 141 122 245 and RGB 122 122 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 175 123 245 shade matches the following richer shades: RGB 174 122 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 175 123 245 shade: RGB 174 122 245, RGB 176 133 233, RGB 177 145 221, RGB 179 156 210 and RGB 181 168 198

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 175 123 245 shade: RGB 122 136 245, RGB 140 122 245, RGB 173 122 245, RGB 206 122 245 and RGB 238 122 245

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 175 123 245 shade: RGB 128 45 239, RGB 151 83 242, RGB 174 122 245, RGB 197 160 247 and RGB 221 198 250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 175 123 245 shade: RGB 175 123 245, RGB 245 122 169 and RGB 122 245 124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 175 123 245 shade: RGB 175 123 245, RGB 245 173 122 and RGB 122 245 173

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 175 123 245 shade: RGB 175 123 245, RGB 245 122 169, RGB 193 245 122 and RGB 122 245 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 175 123 245 shade: RGB 175 123 245, RGB 245 122 132, RGB 193 245 122 and RGB 122 245 234

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 50 / 0 / 4

HEX #AF7BF5

RGB 175 123 245

HSL 265.57, 0.86%, 0.72%

LAB 61.54, 44.3, -53.99

 

Complementary color

CMYK 39 / 0 / 92 / 48

HEX #50840A

RGB 80 132 10

HSL 85.57, 0.86%, 0.28%

LAB 49.77, -35.39, 51.72

 

CMYK 25 / 49 / 0 / 6

HEX #B47BF0

RGB 180 123 240

HSL 269.23, 0.8%, 0.71%

LAB 61.79, 44.41, -50.8

 

CMYK 23 / 45 / 0 / 0

HEX #C58DFF

RGB 197 141 255

HSL 269.47, 1%, 0.78%

LAB 68.12, 42.64, -48.91

 

CMYK 16 / 38 / 0 / 0

HEX #D69FFF

RGB 214 159 255

HSL 274.38, 1%, 0.81%

LAB 73.75, 37.69, -39.98

 

CMYK 9 / 31 / 0 / 0

HEX #E7B1FF

RGB 231 177 255

HSL 281.54, 1%, 0.85%

LAB 79.42, 33.11, -31.08

 

CMYK 3 / 24 / 0 / 0

HEX #F8C3FF

RGB 248 195 255

HSL 293, 1%, 0.88%

LAB 85.1, 28.86, -22.25

 

CMYK 29 / 50 / 0 / 4

HEX #AF7BF5

RGB 175 123 245

HSL 265.57, 0.86%, 0.72%

LAB 61.54, 44.3, -53.99

 

CMYK 30 / 54 / 0 / 11

HEX #9E69E2

RGB 158 105 226

HSL 266.28, 0.68%, 0.65%

LAB 54.93, 45.26, -54.04

 

CMYK 32 / 58 / 0 / 19

HEX #8D57CF

RGB 141 87 207

HSL 267, 0.56%, 0.58%

LAB 48.24, 46.24, -54.08

 

CMYK 34 / 63 / 0 / 26

HEX #7C45BC

RGB 124 69 188

HSL 267.73, 0.47%, 0.5%

LAB 41.49, 47.19, -54.04

 

CMYK 37 / 70 / 0 / 34

HEX #6B33A9

RGB 107 51 169

HSL 268.47, 0.54%, 0.43%

LAB 34.72, 47.99, -53.85

 

CMYK 29 / 50 / 0 / 4

HEX #AE7AF5

RGB 174 122 245

HSL 265.37, 0.86%, 0.72%

LAB 61.23, 44.59, -54.49

 

CMYK 16 / 50 / 0 / 4

HEX #CF7AF5

RGB 207 122 245

HSL 281.46, 0.86%, 0.72%

LAB 64.79, 53.18, -48.63

 

CMYK 2 / 50 / 0 / 4

HEX #F07AF5

RGB 240 122 245

HSL 297.56, 0.86%, 0.72%

LAB 68.78, 62, -42.08

 

CMYK 0 / 50 / 12 / 4

HEX #F57AD8

RGB 245 122 216

HSL 314.15, 0.86%, 0.72%

LAB 68.23, 58.6, -26.85

 

CMYK 0 / 50 / 25 / 4

HEX #F57AB7

RGB 245 122 183

HSL 330.24, 0.86%, 0.72%

LAB 67.09, 53.82, -10.1

 

CMYK 29 / 50 / 0 / 4

HEX #AE7AF5

RGB 174 122 245

HSL 265.37, 0.86%, 0.72%

LAB 61.23, 44.59, -54.49

 

CMYK 42 / 50 / 0 / 4

HEX #8D7AF5

RGB 141 122 245

HSL 249.27, 0.86%, 0.72%

LAB 58.2, 36.57, -59.5

 

CMYK 50 / 50 / 0 / 4

HEX #7A7AF5

RGB 122 122 245

HSL 240, 0.86%, 0.72%

LAB 56.73, 32.39, -61.94

 

CMYK 29 / 50 / 0 / 4

HEX #AE7AF5

RGB 174 122 245

HSL 265.37, 0.86%, 0.72%

LAB 61.23, 44.59, -54.49

 

CMYK 29 / 50 / 0 / 4

HEX #AE7AF5

RGB 174 122 245

HSL 265.37, 0.86%, 0.72%

LAB 61.23, 44.59, -54.49

 

CMYK 24 / 43 / 0 / 9

HEX #B085E9

RGB 176 133 233

HSL 265.8, 0.69%, 0.72%

LAB 63.25, 36.19, -44.64

 

CMYK 20 / 34 / 0 / 13

HEX #B191DD

RGB 177 145 221

HSL 265.26, 0.53%, 0.72%

LAB 65.61, 26.98, -34.3

 

CMYK 15 / 26 / 0 / 18

HEX #B39CD2

RGB 179 156 210

HSL 265.56, 0.38%, 0.72%

LAB 68.03, 18.97, -24.46

 

CMYK 9 / 15 / 0 / 22

HEX #B5A8C6

RGB 181 168 198

HSL 266, 0.21%, 0.72%

LAB 70.81, 10.42, -13.6

 

CMYK 50 / 44 / 0 / 4

HEX #7A88F5

RGB 122 136 245

HSL 233.17, 0.86%, 0.72%

LAB 60.19, 24.1, -56.4

 

CMYK 43 / 50 / 0 / 4

HEX #8C7AF5

RGB 140 122 245

HSL 248.78, 0.86%, 0.72%

LAB 58.12, 36.34, -59.64

 

CMYK 29 / 50 / 0 / 4

HEX #AD7AF5

RGB 173 122 245

HSL 264.88, 0.86%, 0.72%

LAB 61.13, 44.33, -54.66

 

CMYK 16 / 50 / 0 / 4

HEX #CE7AF5

RGB 206 122 245

HSL 280.98, 0.86%, 0.72%

LAB 64.67, 52.91, -48.82

 

CMYK 3 / 50 / 0 / 4

HEX #EE7AF5

RGB 238 122 245

HSL 296.59, 0.86%, 0.72%

LAB 68.53, 61.47, -42.49

 

CMYK 46 / 81 / 0 / 6

HEX #802DEF

RGB 128 45 239

HSL 265.67, 0.86%, 0.56%

LAB 42.3, 70.83, -82.01

 

CMYK 38 / 66 / 0 / 5

HEX #9753F2

RGB 151 83 242

HSL 265.66, 0.86%, 0.64%

LAB 50.89, 59.08, -69.56

 

CMYK 29 / 50 / 0 / 4

HEX #AE7AF5

RGB 174 122 245

HSL 265.37, 0.86%, 0.72%

LAB 61.23, 44.59, -54.49

 

CMYK 20 / 35 / 0 / 3

HEX #C5A0F7

RGB 197 160 247

HSL 265.52, 0.84%, 0.8%

LAB 72.05, 30.44, -38.41

 

CMYK 12 / 21 / 0 / 2

HEX #DDC6FA

RGB 221 198 250

HSL 266.54, 0.84%, 0.88%

LAB 83.26, 17.72, -22.61

 

CMYK 29 / 50 / 0 / 4

HEX #AF7BF5

RGB 175 123 245

HSL 265.57, 0.86%, 0.72%

LAB 61.54, 44.3, -53.99

 

CMYK 0 / 50 / 31 / 4

HEX #F57AA9

RGB 245 122 169

HSL 337.07, 0.86%, 0.72%

LAB 66.67, 52.02, -2.82

 

CMYK 50 / 0 / 49 / 4

HEX #7AF57C

RGB 122 245 124

HSL 120.98, 0.86%, 0.72%

LAB 87.44, -58.13, 47.59

 

CMYK 29 / 50 / 0 / 4

HEX #AF7BF5

RGB 175 123 245

HSL 265.57, 0.86%, 0.72%

LAB 61.54, 44.3, -53.99

 

CMYK 0 / 29 / 50 / 4

HEX #F5AD7A

RGB 245 173 122

HSL 24.88, 0.86%, 0.72%

LAB 76.5, 20.74, 36.62

 

CMYK 50 / 0 / 29 / 4

HEX #7AF5AD

RGB 122 245 173

HSL 144.88, 0.86%, 0.72%

LAB 88.19, -50.31, 24.34

 

CMYK 29 / 50 / 0 / 4

HEX #AF7BF5

RGB 175 123 245

HSL 265.57, 0.86%, 0.72%

LAB 61.54, 44.3, -53.99

 

CMYK 0 / 50 / 31 / 4

HEX #F57AA9

RGB 245 122 169

HSL 337.07, 0.86%, 0.72%

LAB 66.67, 52.02, -2.82

 

CMYK 21 / 0 / 50 / 4

HEX #C1F57A

RGB 193 245 122

HSL 85.37, 0.86%, 0.72%

LAB 90.8, -35.87, 53.41

 

CMYK 50 / 0 / 20 / 4

HEX #7AF5C5

RGB 122 245 197

HSL 156.59, 0.86%, 0.72%

LAB 88.67, -45.52, 12.65

 

CMYK 29 / 50 / 0 / 4

HEX #AF7BF5

RGB 175 123 245

HSL 265.57, 0.86%, 0.72%

LAB 61.54, 44.3, -53.99

 

CMYK 0 / 50 / 46 / 4

HEX #F57A84

RGB 245 122 132

HSL 355.12, 0.86%, 0.72%

LAB 65.75, 47.96, 16.84

 

CMYK 21 / 0 / 50 / 4

HEX #C1F57A

RGB 193 245 122

HSL 85.37, 0.86%, 0.72%

LAB 90.8, -35.87, 53.41

 

CMYK 50 / 0 / 4 / 4

HEX #7AF5EA

RGB 122 245 234

HSL 174.63, 0.86%, 0.72%

LAB 89.57, -37.06, -5.3

 

Description

Color code: RGB 175 123 245 | qconv.com Color code: RGB 175 123 245 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 123 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 123 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 50 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 50% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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