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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 139 78 it is the complementary color RGB 80 116 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 139 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 175 139 78 shade: RGB 180 139 73, RGB 197 157 92, RGB 214 175 111, RGB 231 193 130 and RGB 248 211 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 139 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 175 139 78 shade: RGB 175 139 78, RGB 158 121 59, RGB 141 103 40, RGB 124 85 21 and RGB 107 67 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 175 139 78 shade: RGB 175 139 79, RGB 175 113 79, RGB 175 87 79 and RGB 175 79 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 175 139 78 shade: RGB 175 139 79, RGB 175 166 79, RGB 159 175 79, RGB 133 175 79 and RGB 107 175 79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 175 139 78 shade matches the following richer shades: RGB 175 139 79, RGB 196 145 58, RGB 217 150 37 and RGB 237 155 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 175 139 78 shade: RGB 175 139 79, RGB 155 134 99, RGB 134 129 120, RGB 114 124 140 and RGB 93 118 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 175 139 78 shade: RGB 175 87 79, RGB 175 112 79, RGB 175 138 79, RGB 175 164 79 and RGB 161 175 79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 175 139 78 shade: RGB 119 94 53, RGB 147 117 66, RGB 175 139 79, RGB 188 158 107 and RGB 201 177 135

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 175 139 78 shade: RGB 175 139 78, RGB 96 175 79 and RGB 100 79 175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 175 139 78 shade: RGB 175 139 78, RGB 79 175 138 and RGB 138 79 175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 175 139 78 shade: RGB 175 139 78, RGB 96 175 79, RGB 79 116 175 and RGB 158 79 175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 175 139 78 shade: RGB 175 139 78, RGB 79 175 90, RGB 79 116 175 and RGB 175 79 164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 55 / 31

HEX #AF8B4E

RGB 175 139 78

HSL 37.73, 0.38%, 0.5%

LAB 60.01, 6.22, 37.48

 

Complementary color

CMYK 55 / 34 / 0 / 31

HEX #5074B1

RGB 80 116 177

HSL 217.73, 0.38%, 0.5%

LAB 48.72, 5.41, -36.3

 

CMYK 0 / 23 / 59 / 29

HEX #B48B49

RGB 180 139 73

HSL 37.01, 0.42%, 0.5%

LAB 60.47, 7.98, 40.74

 

CMYK 0 / 20 / 53 / 23

HEX #C59D5C

RGB 197 157 92

HSL 37.14, 0.48%, 0.57%

LAB 67.09, 6.97, 39.36

 

CMYK 0 / 18 / 48 / 16

HEX #D6AF6F

RGB 214 175 111

HSL 37.28, 0.56%, 0.64%

LAB 73.61, 6.1, 38.01

 

CMYK 0 / 16 / 44 / 9

HEX #E7C182

RGB 231 193 130

HSL 37.43, 0.68%, 0.71%

LAB 80.03, 5.36, 36.72

 

CMYK 0 / 15 / 40 / 3

HEX #F8D395

RGB 248 211 149

HSL 37.58, 0.88%, 0.78%

LAB 86.36, 4.72, 35.5

 

CMYK 0 / 21 / 55 / 31

HEX #AF8B4E

RGB 175 139 78

HSL 37.73, 0.38%, 0.5%

LAB 60.01, 6.22, 37.48

 

CMYK 0 / 23 / 63 / 38

HEX #9E793B

RGB 158 121 59

HSL 37.58, 0.46%, 0.43%

LAB 53.23, 7.31, 38.88

 

CMYK 0 / 27 / 72 / 45

HEX #8D6728

RGB 141 103 40

HSL 37.43, 0.56%, 0.35%

LAB 46.33, 8.64, 40.18

 

CMYK 0 / 31 / 83 / 51

HEX #7C5515

RGB 124 85 21

HSL 37.28, 0.71%, 0.28%

LAB 39.3, 10.32, 41

 

CMYK 0 / 37 / 98 / 58

HEX #6B4302

RGB 107 67 2

HSL 37.14, 0.96%, 0.21%

LAB 32.13, 12.39, 40.96

 

CMYK 0 / 21 / 55 / 31

HEX #AF8B4F

RGB 175 139 79

HSL 37.5, 0.38%, 0.5%

LAB 60.02, 6.3, 36.98

 

CMYK 0 / 35 / 55 / 31

HEX #AF714F

RGB 175 113 79

HSL 21.25, 0.38%, 0.5%

LAB 53.48, 20.86, 28.88

 

CMYK 0 / 50 / 55 / 31

HEX #AF574F

RGB 175 87 79

HSL 5, 0.38%, 0.5%

LAB 47.62, 35.09, 21.31

 

CMYK 0 / 55 / 55 / 31

HEX #AF4F4F

RGB 175 79 79

HSL 0, 0.38%, 0.5%

LAB 46, 39.21, 19.17

 

CMYK 0 / 21 / 55 / 31

HEX #AF8B4F

RGB 175 139 79

HSL 37.5, 0.38%, 0.5%

LAB 60.02, 6.3, 36.98

 

CMYK 0 / 5 / 55 / 31

HEX #AFA64F

RGB 175 166 79

HSL 54.38, 0.38%, 0.5%

LAB 67.24, -8.35, 45.53

 

CMYK 9 / 0 / 55 / 31

HEX #9FAF4F

RGB 159 175 79

HSL 70, 0.38%, 0.5%

LAB 68.46, -19.72, 46.6

 

CMYK 24 / 0 / 55 / 31

HEX #85AF4F

RGB 133 175 79

HSL 86.25, 0.38%, 0.5%

LAB 66.68, -30.09, 44.09

 

CMYK 39 / 0 / 55 / 31

HEX #6BAF4F

RGB 107 175 79

HSL 102.5, 0.38%, 0.5%

LAB 65.24, -39.48, 42.03

 

CMYK 0 / 21 / 55 / 31

HEX #AF8B4F

RGB 175 139 79

HSL 37.5, 0.38%, 0.5%

LAB 60.02, 6.3, 36.98

 

CMYK 0 / 26 / 70 / 23

HEX #C4913A

RGB 196 145 58

HSL 37.83, 0.54%, 0.5%

LAB 63.58, 10.7, 51.86

 

CMYK 0 / 31 / 83 / 15

HEX #D99625

RGB 217 150 37

HSL 37.67, 0.71%, 0.5%

LAB 67.05, 16.27, 64.1

 

CMYK 0 / 35 / 93 / 7

HEX #ED9B11

RGB 237 155 17

HSL 37.64, 0.87%, 0.5%

LAB 70.52, 21.76, 72.75

 

CMYK 0 / 21 / 55 / 31

HEX #AF8B4F

RGB 175 139 79

HSL 37.5, 0.38%, 0.5%

LAB 60.02, 6.3, 36.98

 

CMYK 0 / 14 / 36 / 39

HEX #9B8663

RGB 155 134 99

HSL 37.5, 0.22%, 0.5%

LAB 57, 2.68, 21.8

 

CMYK 0 / 4 / 10 / 47

HEX #868178

RGB 134 129 120

HSL 38.57, 0.06%, 0.5%

LAB 54.16, 0.21, 5.54

 

CMYK 19 / 11 / 0 / 45

HEX #727C8C

RGB 114 124 140

HSL 216.92, 0.1%, 0.5%

LAB 51.71, -0.11, -9.92

 

CMYK 42 / 27 / 0 / 37

HEX #5D76A1

RGB 93 118 161

HSL 217.94, 0.27%, 0.5%

LAB 49.32, 2.48, -25.99

 

CMYK 0 / 50 / 55 / 31

HEX #AF574F

RGB 175 87 79

HSL 5, 0.38%, 0.5%

LAB 47.62, 35.09, 21.31

 

CMYK 0 / 36 / 55 / 31

HEX #AF704F

RGB 175 112 79

HSL 20.63, 0.38%, 0.5%

LAB 53.24, 21.42, 28.58

 

CMYK 0 / 21 / 55 / 31

HEX #AF8A4F

RGB 175 138 79

HSL 36.88, 0.38%, 0.5%

LAB 59.76, 6.86, 36.66

 

CMYK 0 / 6 / 55 / 31

HEX #AFA44F

RGB 175 164 79

HSL 53.13, 0.38%, 0.5%

LAB 66.69, -7.29, 44.9

 

CMYK 8 / 0 / 55 / 31

HEX #A1AF4F

RGB 161 175 79

HSL 68.75, 0.38%, 0.5%

LAB 68.61, -18.89, 46.82

 

CMYK 0 / 21 / 55 / 53

HEX #775E35

RGB 119 94 53

HSL 37.27, 0.38%, 0.34%

LAB 41.51, 4.71, 27.18

 

CMYK 0 / 20 / 55 / 42

HEX #937542

RGB 147 117 66

HSL 37.78, 0.38%, 0.42%

LAB 51.06, 5.23, 32.34

 

CMYK 0 / 21 / 55 / 31

HEX #AF8B4F

RGB 175 139 79

HSL 37.5, 0.38%, 0.5%

LAB 60.02, 6.3, 36.98

 

CMYK 0 / 16 / 43 / 26

HEX #BC9E6B

RGB 188 158 107

HSL 37.78, 0.38%, 0.58%

LAB 66.68, 4.12, 30.74

 

CMYK 0 / 12 / 33 / 21

HEX #C9B187

RGB 201 177 135

HSL 38.18, 0.38%, 0.66%

LAB 73.29, 2.44, 24.69

 

CMYK 0 / 21 / 55 / 31

HEX #AF8B4E

RGB 175 139 78

HSL 37.73, 0.38%, 0.5%

LAB 60.01, 6.22, 37.48

 

CMYK 45 / 0 / 55 / 31

HEX #60AF4F

RGB 96 175 79

HSL 109.38, 0.38%, 0.5%

LAB 64.73, -43.03, 41.3

 

CMYK 43 / 55 / 0 / 31

HEX #644FAF

RGB 100 79 175

HSL 253.13, 0.38%, 0.5%

LAB 40.24, 32.45, -48.54

 

CMYK 0 / 21 / 55 / 31

HEX #AF8B4E

RGB 175 139 78

HSL 37.73, 0.38%, 0.5%

LAB 60.01, 6.22, 37.48

 

CMYK 55 / 0 / 21 / 31

HEX #4FAF8A

RGB 79 175 138

HSL 156.88, 0.38%, 0.5%

LAB 65.09, -37.3, 10.51

 

CMYK 21 / 55 / 0 / 31

HEX #8A4FAF

RGB 138 79 175

HSL 276.88, 0.38%, 0.5%

LAB 44.36, 42.16, -41.71

 

CMYK 0 / 21 / 55 / 31

HEX #AF8B4E

RGB 175 139 78

HSL 37.73, 0.38%, 0.5%

LAB 60.01, 6.22, 37.48

 

CMYK 45 / 0 / 55 / 31

HEX #60AF4F

RGB 96 175 79

HSL 109.38, 0.38%, 0.5%

LAB 64.73, -43.03, 41.3

 

CMYK 55 / 34 / 0 / 31

HEX #4F74AF

RGB 79 116 175

HSL 216.88, 0.38%, 0.5%

LAB 48.57, 4.53, -35.38

 

CMYK 10 / 55 / 0 / 31

HEX #9E4FAF

RGB 158 79 175

HSL 289.38, 0.38%, 0.5%

LAB 46.92, 47.6, -37.5

 

CMYK 0 / 21 / 55 / 31

HEX #AF8B4E

RGB 175 139 78

HSL 37.73, 0.38%, 0.5%

LAB 60.01, 6.22, 37.48

 

CMYK 55 / 0 / 49 / 31

HEX #4FAF5A

RGB 79 175 90

HSL 126.88, 0.38%, 0.5%

LAB 64.21, -46.37, 35.05

 

CMYK 55 / 34 / 0 / 31

HEX #4F74AF

RGB 79 116 175

HSL 216.88, 0.38%, 0.5%

LAB 48.57, 4.53, -35.38

 

CMYK 0 / 55 / 6 / 31

HEX #AF4FA4

RGB 175 79 164

HSL 306.88, 0.38%, 0.5%

LAB 48.74, 50.33, -28

 

Description

Color code: RGB 175 139 78 | qconv.com Color code: RGB 175 139 78 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 139 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 139 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 55 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 55% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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