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Color name
RGB 175 130 80

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 130 80 it is the complementary color RGB 80 125 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 130 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 175 130 80 shade: RGB 180 130 75, RGB 197 148 94, RGB 214 166 113, RGB 231 184 132 and RGB 248 202 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 130 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 175 130 80 shade: RGB 175 130 80, RGB 158 112 61, RGB 141 94 42, RGB 124 76 23 and RGB 107 58 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 175 130 80 shade: RGB 174 129 80, RGB 174 104 80 and RGB 174 80 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 175 130 80 shade: RGB 174 129 80, RGB 174 155 80, RGB 168 174 80, RGB 143 174 80 and RGB 117 174 80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 175 130 80 shade matches the following richer shades: RGB 174 129 80, RGB 195 131 59, RGB 215 132 39 and RGB 236 133 18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 175 130 80 shade: RGB 174 129 80, RGB 154 128 100, RGB 133 127 121, RGB 112 126 142 and RGB 92 125 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 175 130 80 shade: RGB 174 80 81, RGB 174 103 80, RGB 174 129 80, RGB 174 154 80 and RGB 169 174 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 175 130 80 shade: RGB 118 87 54, RGB 146 108 67, RGB 174 129 80, RGB 187 150 108 and RGB 200 170 136

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 175 130 80 shade: RGB 175 130 80, RGB 107 174 80 and RGB 91 80 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 175 130 80 shade: RGB 175 130 80, RGB 80 174 129 and RGB 129 80 174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 175 130 80 shade: RGB 175 130 80, RGB 107 174 80, RGB 80 125 174 and RGB 147 80 174

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 175 130 80 shade: RGB 175 130 80, RGB 80 174 81, RGB 80 125 174 and RGB 174 80 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 54 / 31

HEX #AF8250

RGB 175 130 80

HSL 31.58, 0.37%, 0.5%

LAB 57.71, 11.41, 33.62

 

Complementary color

CMYK 54 / 29 / 0 / 31

HEX #507DAF

RGB 80 125 175

HSL 211.58, 0.37%, 0.5%

LAB 51.23, -0.65, -31.21

 

CMYK 0 / 28 / 58 / 29

HEX #B4824B

RGB 180 130 75

HSL 31.43, 0.41%, 0.5%

LAB 58.2, 13.14, 37.02

 

CMYK 0 / 25 / 52 / 23

HEX #C5945E

RGB 197 148 94

HSL 31.46, 0.47%, 0.57%

LAB 64.85, 12.05, 35.54

 

CMYK 0 / 22 / 47 / 16

HEX #D6A671

RGB 214 166 113

HSL 31.49, 0.55%, 0.64%

LAB 71.39, 11.12, 34.14

 

CMYK 0 / 20 / 43 / 9

HEX #E7B884

RGB 231 184 132

HSL 31.52, 0.67%, 0.71%

LAB 77.84, 10.31, 32.83

 

CMYK 0 / 19 / 39 / 3

HEX #F8CA97

RGB 248 202 151

HSL 31.55, 0.87%, 0.78%

LAB 84.19, 9.6, 31.6

 

CMYK 0 / 26 / 54 / 31

HEX #AF8250

RGB 175 130 80

HSL 31.58, 0.37%, 0.5%

LAB 57.71, 11.41, 33.62

 

CMYK 0 / 29 / 61 / 38

HEX #9E703D

RGB 158 112 61

HSL 31.55, 0.44%, 0.43%

LAB 50.91, 12.58, 35.15

 

CMYK 0 / 33 / 70 / 45

HEX #8D5E2A

RGB 141 94 42

HSL 31.52, 0.54%, 0.36%

LAB 44, 14.01, 36.68

 

CMYK 0 / 39 / 81 / 51

HEX #7C4C17

RGB 124 76 23

HSL 31.49, 0.69%, 0.29%

LAB 36.96, 15.77, 37.97

 

CMYK 0 / 46 / 96 / 58

HEX #6B3A04

RGB 107 58 4

HSL 31.46, 0.93%, 0.22%

LAB 29.81, 17.92, 38.48

 

CMYK 0 / 26 / 54 / 32

HEX #AE8150

RGB 174 129 80

HSL 31.28, 0.37%, 0.5%

LAB 57.35, 11.54, 33.14

 

CMYK 0 / 40 / 54 / 32

HEX #AE6850

RGB 174 104 80

HSL 15.32, 0.37%, 0.5%

LAB 51.24, 25.55, 25.42

 

CMYK 0 / 54 / 54 / 32

HEX #AE5050

RGB 174 80 80

HSL 0, 0.37%, 0.5%

LAB 46.06, 38.42, 18.62

 

CMYK 0 / 26 / 54 / 32

HEX #AE8150

RGB 174 129 80

HSL 31.28, 0.37%, 0.5%

LAB 57.35, 11.54, 33.14

 

CMYK 0 / 11 / 54 / 32

HEX #AE9B50

RGB 174 155 80

HSL 47.87, 0.37%, 0.5%

LAB 64.18, -2.81, 41.43

 

CMYK 3 / 0 / 54 / 32

HEX #A8AE50

RGB 168 174 80

HSL 63.83, 0.37%, 0.5%

LAB 68.88, -15.39, 46.8

 

CMYK 18 / 0 / 54 / 32

HEX #8FAE50

RGB 143 174 80

HSL 79.79, 0.37%, 0.5%

LAB 67.04, -25.61, 44.19

 

CMYK 33 / 0 / 54 / 32

HEX #75AE50

RGB 117 174 80

HSL 96.38, 0.37%, 0.5%

LAB 65.46, -35.45, 41.94

 

CMYK 0 / 26 / 54 / 32

HEX #AE8150

RGB 174 129 80

HSL 31.28, 0.37%, 0.5%

LAB 57.35, 11.54, 33.14

 

CMYK 0 / 33 / 70 / 24

HEX #C3833B

RGB 195 131 59

HSL 31.76, 0.54%, 0.5%

LAB 60.02, 18, 47.6

 

CMYK 0 / 39 / 82 / 16

HEX #D78427

RGB 215 132 39

HSL 31.7, 0.69%, 0.5%

LAB 62.59, 25.16, 59.43

 

CMYK 0 / 44 / 92 / 7

HEX #EC8512

RGB 236 133 18

HSL 31.65, 0.86%, 0.5%

LAB 65.48, 32.91, 68.91

 

CMYK 0 / 26 / 54 / 32

HEX #AE8150

RGB 174 129 80

HSL 31.28, 0.37%, 0.5%

LAB 57.35, 11.54, 33.14

 

CMYK 0 / 17 / 35 / 40

HEX #9A8064

RGB 154 128 100

HSL 31.11, 0.21%, 0.5%

LAB 55.31, 5.77, 18.94

 

CMYK 0 / 5 / 9 / 48

HEX #857F79

RGB 133 127 121

HSL 30, 0.05%, 0.5%

LAB 53.54, 1.14, 4.06

 

CMYK 21 / 11 / 0 / 44

HEX #707E8E

RGB 112 126 142

HSL 212, 0.12%, 0.5%

LAB 52.2, -1.47, -10.37

 

CMYK 43 / 23 / 0 / 36

HEX #5C7DA2

RGB 92 125 162

HSL 211.71, 0.28%, 0.5%

LAB 51.33, -1.64, -23.48

 

CMYK 0 / 54 / 53 / 32

HEX #AE5051

RGB 174 80 81

HSL 359.36, 0.37%, 0.5%

LAB 46.08, 38.51, 18.04

 

CMYK 0 / 41 / 54 / 32

HEX #AE6750

RGB 174 103 80

HSL 14.68, 0.37%, 0.5%

LAB 51.01, 26.1, 25.13

 

CMYK 0 / 26 / 54 / 32

HEX #AE8150

RGB 174 129 80

HSL 31.28, 0.37%, 0.5%

LAB 57.35, 11.54, 33.14

 

CMYK 0 / 11 / 54 / 32

HEX #AE9A50

RGB 174 154 80

HSL 47.23, 0.37%, 0.5%

LAB 63.91, -2.27, 41.11

 

CMYK 3 / 0 / 54 / 32

HEX #A9AE50

RGB 169 174 80

HSL 63.19, 0.37%, 0.5%

LAB 68.96, -14.97, 46.91

 

CMYK 0 / 26 / 54 / 54

HEX #765736

RGB 118 87 54

HSL 30.94, 0.37%, 0.34%

LAB 39.47, 8.53, 24.06

 

CMYK 0 / 26 / 54 / 43

HEX #926C43

RGB 146 108 67

HSL 31.14, 0.37%, 0.42%

LAB 48.56, 10.06, 28.69

 

CMYK 0 / 26 / 54 / 32

HEX #AE8150

RGB 174 129 80

HSL 31.28, 0.37%, 0.5%

LAB 57.35, 11.54, 33.14

 

CMYK 0 / 20 / 42 / 27

HEX #BB966C

RGB 187 150 108

HSL 31.9, 0.37%, 0.58%

LAB 64.53, 8.19, 27.38

 

CMYK 0 / 15 / 32 / 22

HEX #C8AA88

RGB 200 170 136

HSL 31.88, 0.37%, 0.66%

LAB 71.42, 5.93, 21.6

 

CMYK 0 / 26 / 54 / 31

HEX #AF8250

RGB 175 130 80

HSL 31.58, 0.37%, 0.5%

LAB 57.71, 11.41, 33.62

 

CMYK 39 / 0 / 54 / 32

HEX #6BAE50

RGB 107 174 80

HSL 102.77, 0.37%, 0.5%

LAB 64.94, -38.92, 41.19

 

CMYK 48 / 54 / 0 / 32

HEX #5B50AE

RGB 91 80 174

HSL 247.02, 0.37%, 0.5%

LAB 39.61, 29.44, -49

 

CMYK 0 / 26 / 54 / 31

HEX #AF8250

RGB 175 130 80

HSL 31.58, 0.37%, 0.5%

LAB 57.71, 11.41, 33.62

 

CMYK 54 / 0 / 26 / 32

HEX #50AE81

RGB 80 174 129

HSL 151.28, 0.37%, 0.5%

LAB 64.61, -38.6, 14.8

 

CMYK 26 / 54 / 0 / 32

HEX #8150AE

RGB 129 80 174

HSL 271.28, 0.37%, 0.5%

LAB 43.45, 38.96, -42.64

 

CMYK 0 / 26 / 54 / 31

HEX #AF8250

RGB 175 130 80

HSL 31.58, 0.37%, 0.5%

LAB 57.71, 11.41, 33.62

 

CMYK 39 / 0 / 54 / 32

HEX #6BAE50

RGB 107 174 80

HSL 102.77, 0.37%, 0.5%

LAB 64.94, -38.92, 41.19

 

CMYK 54 / 28 / 0 / 32

HEX #507DAE

RGB 80 125 174

HSL 211.28, 0.37%, 0.5%

LAB 51.19, -0.97, -30.71

 

CMYK 16 / 54 / 0 / 32

HEX #9350AE

RGB 147 80 174

HSL 282.77, 0.37%, 0.5%

LAB 45.63, 43.85, -39.04

 

CMYK 0 / 26 / 54 / 31

HEX #AF8250

RGB 175 130 80

HSL 31.58, 0.37%, 0.5%

LAB 57.71, 11.41, 33.62

 

CMYK 54 / 0 / 53 / 32

HEX #50AE51

RGB 80 174 81

HSL 120.64, 0.37%, 0.5%

LAB 63.81, -46.97, 39.07

 

CMYK 54 / 28 / 0 / 32

HEX #507DAE

RGB 80 125 174

HSL 211.28, 0.37%, 0.5%

LAB 51.19, -0.97, -30.71

 

CMYK 0 / 54 / 1 / 32

HEX #AE50AD

RGB 174 80 173

HSL 300.64, 0.37%, 0.5%

LAB 49.2, 51.15, -32.59

 

Description

Color code: RGB 175 130 80 | qconv.com Color code: RGB 175 130 80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 130 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 130 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 54 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 54% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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