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Color name
RGB 175 72 109

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 72 109 it is the complementary color RGB 80 183 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 72 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 175 72 109 shade: RGB 180 72 104, RGB 197 90 123, RGB 214 108 142, RGB 231 126 161 and RGB 248 144 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 72 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 175 72 109 shade: RGB 175 72 109, RGB 158 54 90, RGB 141 36 71, RGB 124 18 52 and RGB 107 0 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 175 72 109 shade: RGB 173 70 107, RGB 173 70 80 and RGB 173 70 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 175 72 109 shade: RGB 173 70 107, RGB 173 70 135, RGB 173 70 163, RGB 156 70 173 and RGB 128 70 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 175 72 109 shade matches the following richer shades: RGB 173 70 107, RGB 193 51 102, RGB 213 31 96 and RGB 233 11 91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 175 72 109 shade: RGB 173 70 107, RGB 154 90 113, RGB 134 110 119, RGB 114 130 124 and RGB 94 150 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 175 72 109 shade: RGB 173 70 163, RGB 173 70 136, RGB 173 70 108, RGB 173 70 81 and RGB 173 88 70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 175 72 109 shade: RGB 115 47 71, RGB 144 59 89, RGB 173 70 107, RGB 190 96 129 and RGB 202 125 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 175 72 109 shade: RGB 175 72 109, RGB 173 156 70 and RGB 70 149 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 175 72 109 shade: RGB 175 72 109, RGB 108 173 70 and RGB 70 108 173

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 175 72 109 shade: RGB 175 72 109, RGB 173 156 70, RGB 70 173 136 and RGB 70 88 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 175 72 109 shade: RGB 175 72 109, RGB 160 173 70, RGB 70 173 136 and RGB 84 70 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 38 / 31

HEX #AF486D

RGB 175 72 109

HSL 338.45, 0.42%, 0.48%

LAB 45.43, 45.68, 0.08

 

Complementary color

CMYK 56 / 0 / 20 / 28

HEX #50B792

RGB 80 183 146

HSL 158.45, 0.42%, 0.52%

LAB 67.76, -38.85, 9.91

 

CMYK 0 / 60 / 42 / 29

HEX #B44868

RGB 180 72 104

HSL 342.22, 0.43%, 0.49%

LAB 46.09, 46.79, 4.2

 

CMYK 0 / 54 / 38 / 23

HEX #C55A7B

RGB 197 90 123

HSL 341.5, 0.48%, 0.56%

LAB 52.52, 46.05, 2.36

 

CMYK 0 / 50 / 34 / 16

HEX #D66C8E

RGB 214 108 142

HSL 340.75, 0.56%, 0.63%

LAB 58.95, 45.2, 0.85

 

CMYK 0 / 45 / 30 / 9

HEX #E77EA1

RGB 231 126 161

HSL 340, 0.69%, 0.7%

LAB 65.34, 44.34, -0.44

 

CMYK 0 / 42 / 27 / 3

HEX #F890B4

RGB 248 144 180

HSL 339.23, 0.88%, 0.77%

LAB 71.69, 43.49, -1.57

 

CMYK 0 / 59 / 38 / 31

HEX #AF486D

RGB 175 72 109

HSL 338.45, 0.42%, 0.48%

LAB 45.43, 45.68, 0.08

 

CMYK 0 / 66 / 43 / 38

HEX #9E365A

RGB 158 54 90

HSL 339.23, 0.49%, 0.42%

LAB 38.98, 46.2, 2.16

 

CMYK 0 / 74 / 50 / 45

HEX #8D2447

RGB 141 36 71

HSL 340, 0.59%, 0.35%

LAB 32.66, 46.25, 4.88

 

CMYK 0 / 85 / 58 / 51

HEX #7C1234

RGB 124 18 52

HSL 340.75, 0.75%, 0.28%

LAB 26.64, 45.36, 8.58

 

CMYK 0 / 100 / 69 / 58

HEX #6B0021

RGB 107 0 33

HSL 341.5, 1%, 0.21%

LAB 20.96, 43.43, 13.46

 

CMYK 0 / 60 / 38 / 32

HEX #AD466B

RGB 173 70 107

HSL 338.45, 0.42%, 0.48%

LAB 44.7, 45.73, 0.2

 

CMYK 0 / 60 / 54 / 32

HEX #AD4650

RGB 173 70 80

HSL 354.17, 0.42%, 0.48%

LAB 44.01, 43, 15.82

 

CMYK 0 / 60 / 60 / 32

HEX #AD4646

RGB 173 70 70

HSL 0, 0.42%, 0.48%

LAB 43.81, 42.2, 21.66

 

CMYK 0 / 60 / 38 / 32

HEX #AD466B

RGB 173 70 107

HSL 338.45, 0.42%, 0.48%

LAB 44.7, 45.73, 0.2

 

CMYK 0 / 60 / 22 / 32

HEX #AD4687

RGB 173 70 135

HSL 322.14, 0.42%, 0.48%

LAB 45.65, 49.39, -15.46

 

CMYK 0 / 60 / 6 / 32

HEX #AD46A3

RGB 173 70 163

HSL 305.83, 0.42%, 0.48%

LAB 46.85, 53.79, -30.37

 

CMYK 10 / 60 / 0 / 32

HEX #9C46AD

RGB 156 70 173

HSL 290.1, 0.42%, 0.48%

LAB 44.89, 51.1, -39.54

 

CMYK 26 / 60 / 0 / 32

HEX #8046AD

RGB 128 70 173

HSL 273.79, 0.42%, 0.48%

LAB 41.19, 43.94, -45.65

 

CMYK 0 / 60 / 38 / 32

HEX #AD466B

RGB 173 70 107

HSL 338.45, 0.42%, 0.48%

LAB 44.7, 45.73, 0.2

 

CMYK 0 / 74 / 47 / 24

HEX #C13366

RGB 193 51 102

HSL 338.45, 0.58%, 0.48%

LAB 45.17, 59.13, 4.39

 

CMYK 0 / 85 / 55 / 16

HEX #D51F60

RGB 213 31 96

HSL 338.57, 0.75%, 0.48%

LAB 46.94, 69.32, 11.14

 

CMYK 0 / 95 / 61 / 9

HEX #E90B5B

RGB 233 11 91

HSL 338.38, 0.91%, 0.48%

LAB 49.88, 76.49, 18.89

 

CMYK 0 / 60 / 38 / 32

HEX #AD466B

RGB 173 70 107

HSL 338.45, 0.42%, 0.48%

LAB 44.7, 45.73, 0.2

 

CMYK 0 / 42 / 27 / 40

HEX #9A5A71

RGB 154 90 113

HSL 338.44, 0.26%, 0.48%

LAB 46.14, 29.35, -1.68

 

CMYK 0 / 18 / 11 / 47

HEX #866E77

RGB 134 110 119

HSL 337.5, 0.1%, 0.48%

LAB 48.95, 11.05, -1.43

 

CMYK 12 / 0 / 5 / 49

HEX #72827C

RGB 114 130 124

HSL 157.5, 0.07%, 0.48%

LAB 52.95, -7.11, 1.26

 

CMYK 37 / 0 / 13 / 41

HEX #5E9682

RGB 94 150 130

HSL 158.57, 0.23%, 0.48%

LAB 57.85, -23.17, 4.75

 

CMYK 0 / 60 / 6 / 32

HEX #AD46A3

RGB 173 70 163

HSL 305.83, 0.42%, 0.48%

LAB 46.85, 53.79, -30.37

 

CMYK 0 / 60 / 21 / 32

HEX #AD4688

RGB 173 70 136

HSL 321.55, 0.42%, 0.48%

LAB 45.69, 49.53, -16

 

CMYK 0 / 60 / 38 / 32

HEX #AD466C

RGB 173 70 108

HSL 337.86, 0.42%, 0.48%

LAB 44.73, 45.85, -0.38

 

CMYK 0 / 60 / 53 / 32

HEX #AD4651

RGB 173 70 81

HSL 353.59, 0.42%, 0.48%

LAB 44.03, 43.09, 15.24

 

CMYK 0 / 49 / 60 / 32

HEX #AD5846

RGB 173 88 70

HSL 10.49, 0.42%, 0.48%

LAB 47.37, 33.04, 26.23

 

CMYK 0 / 59 / 38 / 55

HEX #732F47

RGB 115 47 71

HSL 338.82, 0.42%, 0.32%

LAB 29.75, 32.6, 0.07

 

CMYK 0 / 59 / 38 / 44

HEX #903B59

RGB 144 59 89

HSL 338.82, 0.42%, 0.4%

LAB 37.44, 39.06, 0.27

 

CMYK 0 / 60 / 38 / 32

HEX #AD466B

RGB 173 70 107

HSL 338.45, 0.42%, 0.48%

LAB 44.7, 45.73, 0.2

 

CMYK 0 / 49 / 32 / 25

HEX #BE6081

RGB 190 96 129

HSL 338.94, 0.42%, 0.56%

LAB 52.84, 41.36, -0.86

 

CMYK 0 / 38 / 25 / 21

HEX #CA7D98

RGB 202 125 152

HSL 338.96, 0.42%, 0.64%

LAB 61.21, 33.45, -1.8

 

CMYK 0 / 59 / 38 / 31

HEX #AF486D

RGB 175 72 109

HSL 338.45, 0.42%, 0.48%

LAB 45.43, 45.68, 0.08

 

CMYK 0 / 10 / 60 / 32

HEX #AD9C46

RGB 173 156 70

HSL 50.1, 0.42%, 0.48%

LAB 64.24, -4.59, 46.37

 

CMYK 60 / 14 / 0 / 32

HEX #4695AD

RGB 70 149 173

HSL 193.98, 0.42%, 0.48%

LAB 57.86, -16.98, -19.87

 

CMYK 0 / 59 / 38 / 31

HEX #AF486D

RGB 175 72 109

HSL 338.45, 0.42%, 0.48%

LAB 45.43, 45.68, 0.08

 

CMYK 38 / 0 / 60 / 32

HEX #6CAD46

RGB 108 173 70

HSL 97.86, 0.42%, 0.48%

LAB 64.58, -39.24, 45.52

 

CMYK 60 / 38 / 0 / 32

HEX #466CAD

RGB 70 108 173

HSL 217.86, 0.42%, 0.48%

LAB 45.69, 6.84, -38.78

 

CMYK 0 / 59 / 38 / 31

HEX #AF486D

RGB 175 72 109

HSL 338.45, 0.42%, 0.48%

LAB 45.43, 45.68, 0.08

 

CMYK 0 / 10 / 60 / 32

HEX #AD9C46

RGB 173 156 70

HSL 50.1, 0.42%, 0.48%

LAB 64.24, -4.59, 46.37

 

CMYK 60 / 0 / 21 / 32

HEX #46AD88

RGB 70 173 136

HSL 158.45, 0.42%, 0.48%

LAB 64.13, -38.81, 10.23

 

CMYK 60 / 49 / 0 / 32

HEX #4658AD

RGB 70 88 173

HSL 229.51, 0.42%, 0.48%

LAB 40.08, 19.53, -47.74

 

CMYK 0 / 59 / 38 / 31

HEX #AF486D

RGB 175 72 109

HSL 338.45, 0.42%, 0.48%

LAB 45.43, 45.68, 0.08

 

CMYK 8 / 0 / 60 / 32

HEX #A0AD46

RGB 160 173 70

HSL 67.57, 0.42%, 0.48%

LAB 67.88, -19.04, 50.13

 

CMYK 60 / 0 / 21 / 32

HEX #46AD88

RGB 70 173 136

HSL 158.45, 0.42%, 0.48%

LAB 64.13, -38.81, 10.23

 

CMYK 51 / 60 / 0 / 32

HEX #5446AD

RGB 84 70 173

HSL 248.16, 0.42%, 0.48%

LAB 36.52, 33.77, -53.42

 

Description

Color code: RGB 175 72 109 | qconv.com Color code: RGB 175 72 109 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 72 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 72 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 38 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 38% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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