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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 84 42 it is the complementary color RGB 80 171 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 84 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 175 84 42 shade: RGB 180 84 37, RGB 197 102 56, RGB 214 120 75, RGB 231 138 94 and RGB 248 156 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 84 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 175 84 42 shade: RGB 175 84 42, RGB 158 66 23, RGB 141 48 4, RGB 124 30 0 and RGB 107 12 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 175 84 42 shade: RGB 176 85 42, RGB 176 48 42 and RGB 176 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 175 84 42 shade: RGB 176 85 42, RGB 176 121 42, RGB 176 157 42, RGB 159 176 42 and RGB 123 176 42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 175 84 42 shade matches the following richer shades: RGB 176 85 42, RGB 194 78 25 and RGB 212 71 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 175 84 42 shade: RGB 176 85 42, RGB 158 91 60, RGB 141 98 78, RGB 123 104 95 and RGB 105 111 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 175 84 42 shade: RGB 176 42 73, RGB 176 47 42, RGB 176 82 42, RGB 176 118 42 and RGB 176 154 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 175 84 42 shade: RGB 110 53 26, RGB 143 69 34, RGB 176 85 42, RGB 206 102 54 and RGB 214 127 87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 175 84 42 shade: RGB 175 84 42, RGB 109 176 42 and RGB 42 56 176

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 175 84 42 shade: RGB 175 84 42, RGB 42 176 82 and RGB 82 42 176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 175 84 42 shade: RGB 175 84 42, RGB 109 176 42, RGB 42 136 176 and RGB 109 42 176

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 175 84 42 shade: RGB 175 84 42, RGB 69 176 42, RGB 42 136 176 and RGB 149 42 176

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 76 / 31

HEX #AF542A

RGB 175 84 42

HSL 18.95, 0.61%, 0.43%

LAB 46.47, 34.26, 40.76

 

Complementary color

CMYK 62 / 20 / 0 / 16

HEX #50ABD5

RGB 80 171 213

HSL 198.95, 0.61%, 0.57%

LAB 66.24, -14.5, -29.37

 

CMYK 0 / 53 / 79 / 29

HEX #B45425

RGB 180 84 37

HSL 19.72, 0.66%, 0.43%

LAB 47.21, 36.07, 44.22

 

CMYK 0 / 48 / 72 / 23

HEX #C56638

RGB 197 102 56

HSL 19.57, 0.56%, 0.5%

LAB 53.66, 34.36, 42.26

 

CMYK 0 / 44 / 65 / 16

HEX #D6784B

RGB 214 120 75

HSL 19.42, 0.63%, 0.57%

LAB 60.1, 32.79, 40.31

 

CMYK 0 / 40 / 59 / 9

HEX #E78A5E

RGB 231 138 94

HSL 19.27, 0.74%, 0.64%

LAB 66.5, 31.37, 38.47

 

CMYK 0 / 37 / 54 / 3

HEX #F89C71

RGB 248 156 113

HSL 19.11, 0.91%, 0.71%

LAB 72.84, 30.1, 36.77

 

CMYK 0 / 52 / 76 / 31

HEX #AF542A

RGB 175 84 42

HSL 18.95, 0.61%, 0.43%

LAB 46.47, 34.26, 40.76

 

CMYK 0 / 58 / 85 / 38

HEX #9E4217

RGB 158 66 23

HSL 19.11, 0.75%, 0.35%

LAB 39.96, 36.03, 42.65

 

CMYK 0 / 66 / 97 / 45

HEX #8D3004

RGB 141 48 4

HSL 19.27, 0.94%, 0.28%

LAB 33.53, 37.77, 43.77

 

CMYK 0 / 76 / 100 / 51

HEX #7C1E00

RGB 124 30 0

HSL 14.52, 1%, 0.24%

LAB 27.33, 39.21, 39.35

 

CMYK 0 / 89 / 100 / 58

HEX #6B0C00

RGB 107 12 0

HSL 6.73, 1%, 0.21%

LAB 21.54, 39.42, 32.45

 

CMYK 0 / 52 / 76 / 31

HEX #B0552A

RGB 176 85 42

HSL 19.25, 0.61%, 0.43%

LAB 46.84, 34.14, 41.18

 

CMYK 0 / 73 / 76 / 31

HEX #B0302A

RGB 176 48 42

HSL 2.69, 0.61%, 0.43%

LAB 40.43, 51.06, 34.37

 

CMYK 0 / 76 / 76 / 31

HEX #B02A2A

RGB 176 42 42

HSL 0, 0.61%, 0.43%

LAB 39.67, 53.17, 33.53

 

CMYK 0 / 52 / 76 / 31

HEX #B0552A

RGB 176 85 42

HSL 19.25, 0.61%, 0.43%

LAB 46.84, 34.14, 41.18

 

CMYK 0 / 31 / 76 / 31

HEX #B0792A

RGB 176 121 42

HSL 35.37, 0.61%, 0.43%

LAB 55.15, 14.37, 49.56

 

CMYK 0 / 11 / 76 / 31

HEX #B09D2A

RGB 176 157 42

HSL 51.49, 0.61%, 0.43%

LAB 64.57, -5.43, 58.58

 

CMYK 10 / 0 / 76 / 31

HEX #9FB02A

RGB 159 176 42

HSL 67.61, 0.61%, 0.43%

LAB 68.45, -22.68, 61.68

 

CMYK 30 / 0 / 76 / 31

HEX #7BB02A

RGB 123 176 42

HSL 83.73, 0.61%, 0.43%

LAB 66.08, -37.28, 58.61

 

CMYK 0 / 52 / 76 / 31

HEX #B0552A

RGB 176 85 42

HSL 19.25, 0.61%, 0.43%

LAB 46.84, 34.14, 41.18

 

CMYK 0 / 60 / 87 / 24

HEX #C24E19

RGB 194 78 25

HSL 18.82, 0.77%, 0.43%

LAB 48.25, 44.07, 51.22

 

CMYK 0 / 67 / 97 / 17

HEX #D44707

RGB 212 71 7

HSL 18.73, 0.94%, 0.43%

LAB 50.12, 53.31, 59.33

 

CMYK 0 / 52 / 76 / 31

HEX #B0552A

RGB 176 85 42

HSL 19.25, 0.61%, 0.43%

LAB 46.84, 34.14, 41.18

 

CMYK 0 / 42 / 62 / 38

HEX #9E5B3C

RGB 158 91 60

HSL 18.98, 0.45%, 0.43%

LAB 45.74, 24.46, 29.5

 

CMYK 0 / 30 / 45 / 45

HEX #8D624E

RGB 141 98 78

HSL 19.05, 0.29%, 0.43%

LAB 45.56, 14.84, 18.35

 

CMYK 0 / 15 / 23 / 52

HEX #7B685F

RGB 123 104 95

HSL 19.29, 0.13%, 0.43%

LAB 45.55, 6.01, 7.87

 

CMYK 7 / 2 / 0 / 56

HEX #696F71

RGB 105 111 113

HSL 195, 0.04%, 0.43%

LAB 46.4, -1.85, -1.9

 

CMYK 0 / 76 / 59 / 31

HEX #B02A49

RGB 176 42 73

HSL 346.12, 0.61%, 0.43%

LAB 40.19, 54.87, 15.09

 

CMYK 0 / 73 / 76 / 31

HEX #B02F2A

RGB 176 47 42

HSL 2.24, 0.61%, 0.43%

LAB 40.3, 51.43, 34.22

 

CMYK 0 / 53 / 76 / 31

HEX #B0522A

RGB 176 82 42

HSL 17.91, 0.61%, 0.43%

LAB 46.22, 35.7, 40.54

 

CMYK 0 / 33 / 76 / 31

HEX #B0762A

RGB 176 118 42

HSL 34.03, 0.61%, 0.43%

LAB 54.4, 16.05, 48.83

 

CMYK 0 / 13 / 76 / 31

HEX #B09A2A

RGB 176 154 42

HSL 50.15, 0.61%, 0.43%

LAB 63.76, -3.83, 57.82

 

CMYK 0 / 52 / 76 / 57

HEX #6E351A

RGB 110 53 26

HSL 19.29, 0.62%, 0.27%

LAB 29.25, 23.07, 27.96

 

CMYK 0 / 52 / 76 / 44

HEX #8F4522

RGB 143 69 34

HSL 19.27, 0.62%, 0.35%

LAB 38.22, 28.74, 34.73

 

CMYK 0 / 52 / 76 / 31

HEX #B0552A

RGB 176 85 42

HSL 19.25, 0.61%, 0.43%

LAB 46.84, 34.14, 41.18

 

CMYK 0 / 50 / 74 / 19

HEX #CE6636

RGB 206 102 54

HSL 18.95, 0.61%, 0.51%

LAB 54.96, 37.83, 45.07

 

CMYK 0 / 41 / 59 / 16

HEX #D67F57

RGB 214 127 87

HSL 18.9, 0.61%, 0.59%

LAB 61.79, 29.9, 35.93

 

CMYK 0 / 52 / 76 / 31

HEX #AF542A

RGB 175 84 42

HSL 18.95, 0.61%, 0.43%

LAB 46.47, 34.26, 40.76

 

CMYK 38 / 0 / 76 / 31

HEX #6DB02A

RGB 109 176 42

HSL 90, 0.61%, 0.43%

LAB 65.33, -42.42, 57.63

 

CMYK 76 / 68 / 0 / 31

HEX #2A38B0

RGB 42 56 176

HSL 233.73, 0.61%, 0.43%

LAB 30.53, 37.08, -65.11

 

CMYK 0 / 52 / 76 / 31

HEX #AF542A

RGB 175 84 42

HSL 18.95, 0.61%, 0.43%

LAB 46.47, 34.26, 40.76

 

CMYK 76 / 0 / 53 / 31

HEX #2AB052

RGB 42 176 82

HSL 137.91, 0.61%, 0.43%

LAB 63.47, -55.39, 37.93

 

CMYK 53 / 76 / 0 / 31

HEX #522AB0

RGB 82 42 176

HSL 257.91, 0.61%, 0.43%

LAB 30.84, 49.93, -64.49

 

CMYK 0 / 52 / 76 / 31

HEX #AF542A

RGB 175 84 42

HSL 18.95, 0.61%, 0.43%

LAB 46.47, 34.26, 40.76

 

CMYK 38 / 0 / 76 / 31

HEX #6DB02A

RGB 109 176 42

HSL 90, 0.61%, 0.43%

LAB 65.33, -42.42, 57.63

 

CMYK 76 / 23 / 0 / 31

HEX #2A88B0

RGB 42 136 176

HSL 197.91, 0.61%, 0.43%

LAB 53.21, -13.34, -28.82

 

CMYK 38 / 76 / 0 / 31

HEX #6D2AB0

RGB 109 42 176

HSL 270, 0.61%, 0.43%

LAB 34.07, 54.21, -59.07

 

CMYK 0 / 52 / 76 / 31

HEX #AF542A

RGB 175 84 42

HSL 18.95, 0.61%, 0.43%

LAB 46.47, 34.26, 40.76

 

CMYK 61 / 0 / 76 / 31

HEX #45B02A

RGB 69 176 42

HSL 107.91, 0.61%, 0.43%

LAB 63.74, -54.48, 55.53

 

CMYK 76 / 23 / 0 / 31

HEX #2A88B0

RGB 42 136 176

HSL 197.91, 0.61%, 0.43%

LAB 53.21, -13.34, -28.82

 

CMYK 15 / 76 / 0 / 31

HEX #952AB0

RGB 149 42 176

HSL 287.91, 0.61%, 0.43%

LAB 39.88, 61.68, -49.38

 

Description

Color code: RGB 175 84 42 | qconv.com Color code: RGB 175 84 42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 84 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 84 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 76 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 76% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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