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Color name
RGB 175 89 144

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 89 144 it is the complementary color RGB 80 166 111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 89 144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 175 89 144 shade: RGB 180 89 139, RGB 197 107 158, RGB 214 125 177, RGB 231 143 196 and RGB 248 161 215

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 89 144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 175 89 144 shade: RGB 175 89 144, RGB 158 71 125, RGB 141 53 106, RGB 124 35 87 and RGB 107 17 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 175 89 144 shade: RGB 175 89 144, RGB 175 89 121, RGB 175 89 98 and RGB 175 89 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 175 89 144 shade: RGB 175 89 144, RGB 175 89 167, RGB 160 89 175, RGB 137 89 175 and RGB 113 89 175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 175 89 144 shade matches the following richer shades: RGB 175 89 144, RGB 195 69 150, RGB 215 50 155, RGB 234 30 161 and RGB 254 10 166

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 175 89 144 shade: RGB 175 89 144, RGB 155 109 139, RGB 135 129 133, RGB 116 149 127 and RGB 96 168 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 175 89 144 shade: RGB 159 89 175, RGB 175 89 168, RGB 175 89 145, RGB 175 89 122 and RGB 175 89 99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 175 89 144 shade: RGB 123 59 100, RGB 151 72 122, RGB 175 89 144, RGB 188 117 163 and RGB 202 145 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 175 89 144 shade: RGB 175 89 144, RGB 175 136 89 and RGB 89 175 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 175 89 144 shade: RGB 175 89 144, RGB 145 175 89 and RGB 89 145 175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 175 89 144 shade: RGB 175 89 144, RGB 175 136 89, RGB 89 175 119 and RGB 89 128 175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 175 89 144 shade: RGB 175 89 144, RGB 175 162 89, RGB 89 175 119 and RGB 89 102 175

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 18 / 31

HEX #AF5990

RGB 175 89 144

HSL 321.63, 0.35%, 0.52%

LAB 49.82, 42.03, -14.49

 

Complementary color

CMYK 52 / 0 / 33 / 35

HEX #50A66F

RGB 80 166 111

HSL 141.63, 0.35%, 0.48%

LAB 61.76, -38.71, 20.75

 

CMYK 0 / 51 / 23 / 29

HEX #B4598B

RGB 180 89 139

HSL 327.03, 0.38%, 0.53%

LAB 50.35, 42.92, -10.65

 

CMYK 0 / 46 / 20 / 23

HEX #C56B9E

RGB 197 107 158

HSL 326, 0.44%, 0.6%

LAB 56.93, 42.15, -11.69

 

CMYK 0 / 42 / 17 / 16

HEX #D67DB1

RGB 214 125 177

HSL 324.94, 0.52%, 0.66%

LAB 63.46, 41.35, -12.57

 

CMYK 0 / 38 / 15 / 9

HEX #E78FC4

RGB 231 143 196

HSL 323.86, 0.65%, 0.73%

LAB 69.91, 40.58, -13.34

 

CMYK 0 / 35 / 13 / 3

HEX #F8A1D7

RGB 248 161 215

HSL 322.76, 0.86%, 0.8%

LAB 76.29, 39.83, -14.03

 

CMYK 0 / 49 / 18 / 31

HEX #AF5990

RGB 175 89 144

HSL 321.63, 0.35%, 0.52%

LAB 49.82, 42.03, -14.49

 

CMYK 0 / 55 / 21 / 38

HEX #9E477D

RGB 158 71 125

HSL 322.76, 0.38%, 0.45%

LAB 43.15, 42.73, -13.4

 

CMYK 0 / 62 / 25 / 45

HEX #8D356A

RGB 141 53 106

HSL 323.86, 0.45%, 0.38%

LAB 36.46, 43.23, -12.01

 

CMYK 0 / 72 / 30 / 51

HEX #7C2357

RGB 124 35 87

HSL 324.94, 0.56%, 0.31%

LAB 29.85, 43.29, -10.11

 

CMYK 0 / 84 / 36 / 58

HEX #6B1144

RGB 107 17 68

HSL 326, 0.73%, 0.24%

LAB 23.49, 42.41, -7.37

 

CMYK 0 / 49 / 18 / 31

HEX #AF5990

RGB 175 89 144

HSL 321.63, 0.35%, 0.52%

LAB 49.82, 42.03, -14.49

 

CMYK 0 / 49 / 31 / 31

HEX #AF5979

RGB 175 89 121

HSL 337.67, 0.35%, 0.52%

LAB 49.06, 38.67, -1.89

 

CMYK 0 / 49 / 44 / 31

HEX #AF5962

RGB 175 89 98

HSL 353.72, 0.35%, 0.52%

LAB 48.44, 35.88, 11.06

 

CMYK 0 / 49 / 49 / 31

HEX #AF5959

RGB 175 89 89

HSL 0, 0.35%, 0.52%

LAB 48.23, 34.95, 16.17

 

CMYK 0 / 49 / 18 / 31

HEX #AF5990

RGB 175 89 144

HSL 321.63, 0.35%, 0.52%

LAB 49.82, 42.03, -14.49

 

CMYK 0 / 49 / 5 / 31

HEX #AF59A7

RGB 175 89 167

HSL 305.58, 0.35%, 0.52%

LAB 50.74, 45.9, -26.65

 

CMYK 9 / 49 / 0 / 31

HEX #A059AF

RGB 160 89 175

HSL 289.53, 0.35%, 0.52%

LAB 49.15, 42.97, -33.97

 

CMYK 22 / 49 / 0 / 31

HEX #8959AF

RGB 137 89 175

HSL 273.49, 0.35%, 0.52%

LAB 46.39, 36.33, -38.5

 

CMYK 35 / 49 / 0 / 31

HEX #7159AF

RGB 113 89 175

HSL 256.74, 0.35%, 0.52%

LAB 43.87, 29.7, -42.65

 

CMYK 0 / 49 / 18 / 31

HEX #AF5990

RGB 175 89 144

HSL 321.63, 0.35%, 0.52%

LAB 49.82, 42.03, -14.49

 

CMYK 0 / 65 / 23 / 24

HEX #C34596

RGB 195 69 150

HSL 321.43, 0.51%, 0.52%

LAB 49.57, 58.33, -18.17

 

CMYK 0 / 77 / 28 / 16

HEX #D7329B

RGB 215 50 155

HSL 321.82, 0.67%, 0.52%

LAB 50.8, 70.74, -18.97

 

CMYK 0 / 87 / 31 / 8

HEX #EA1EA1

RGB 234 30 161

HSL 321.47, 0.83%, 0.52%

LAB 52.94, 80.1, -18.94

 

CMYK 0 / 96 / 35 / 0

HEX #FE0AA6

RGB 254 10 166

HSL 321.64, 0.99%, 0.52%

LAB 56.13, 86.9, -16.69

 

CMYK 0 / 49 / 18 / 31

HEX #AF5990

RGB 175 89 144

HSL 321.63, 0.35%, 0.52%

LAB 49.82, 42.03, -14.49

 

CMYK 0 / 30 / 10 / 39

HEX #9B6D8B

RGB 155 109 139

HSL 320.87, 0.19%, 0.52%

LAB 51.58, 23.19, -9.13

 

CMYK 0 / 4 / 1 / 47

HEX #878185

RGB 135 129 133

HSL 320, 0.02%, 0.52%

LAB 54.6, 3.03, -1.36

 

CMYK 22 / 0 / 15 / 42

HEX #74957F

RGB 116 149 127

HSL 140, 0.13%, 0.52%

LAB 58.73, -16.15, 7.88

 

CMYK 43 / 0 / 27 / 34

HEX #60A87A

RGB 96 168 122

HSL 141.67, 0.29%, 0.52%

LAB 63.26, -33.06, 16.87

 

CMYK 9 / 49 / 0 / 31

HEX #9F59AF

RGB 159 89 175

HSL 288.84, 0.35%, 0.52%

LAB 49.02, 42.68, -34.18

 

CMYK 0 / 49 / 4 / 31

HEX #AF59A8

RGB 175 89 168

HSL 304.88, 0.35%, 0.52%

LAB 50.79, 46.08, -27.17

 

CMYK 0 / 49 / 17 / 31

HEX #AF5991

RGB 175 89 145

HSL 320.93, 0.35%, 0.52%

LAB 49.86, 42.19, -15.02

 

CMYK 0 / 49 / 30 / 31

HEX #AF597A

RGB 175 89 122

HSL 336.98, 0.35%, 0.52%

LAB 49.09, 38.81, -2.44

 

CMYK 0 / 49 / 43 / 31

HEX #AF5963

RGB 175 89 99

HSL 353.02, 0.35%, 0.52%

LAB 48.46, 35.99, 10.49

 

CMYK 0 / 52 / 19 / 52

HEX #7B3B64

RGB 123 59 100

HSL 321.56, 0.35%, 0.36%

LAB 34.52, 33.32, -11.43

 

CMYK 0 / 52 / 19 / 41

HEX #97487A

RGB 151 72 122

HSL 322.03, 0.35%, 0.44%

LAB 42.18, 39.46, -13.12

 

CMYK 0 / 49 / 18 / 31

HEX #AF5990

RGB 175 89 144

HSL 321.63, 0.35%, 0.52%

LAB 49.82, 42.03, -14.49

 

CMYK 0 / 38 / 13 / 26

HEX #BC75A3

RGB 188 117 163

HSL 321.13, 0.35%, 0.6%

LAB 58.09, 34.56, -12.95

 

CMYK 0 / 28 / 10 / 21

HEX #CA91B5

RGB 202 145 181

HSL 322.11, 0.35%, 0.68%

LAB 66.63, 27.15, -10.21

 

CMYK 0 / 49 / 18 / 31

HEX #AF5990

RGB 175 89 144

HSL 321.63, 0.35%, 0.52%

LAB 49.82, 42.03, -14.49

 

CMYK 0 / 22 / 49 / 31

HEX #AF8859

RGB 175 136 89

HSL 32.79, 0.35%, 0.52%

LAB 59.38, 8.9, 30.84

 

CMYK 49 / 0 / 2 / 31

HEX #59AFAB

RGB 89 175 171

HSL 177.21, 0.35%, 0.52%

LAB 66.31, -26.91, -5.96

 

CMYK 0 / 49 / 18 / 31

HEX #AF5990

RGB 175 89 144

HSL 321.63, 0.35%, 0.52%

LAB 49.82, 42.03, -14.49

 

CMYK 17 / 0 / 49 / 31

HEX #91AF59

RGB 145 175 89

HSL 80.93, 0.35%, 0.52%

LAB 67.58, -24.37, 40.46

 

CMYK 49 / 17 / 0 / 31

HEX #5991AF

RGB 89 145 175

HSL 200.93, 0.35%, 0.52%

LAB 57.53, -10.02, -21.44

 

CMYK 0 / 49 / 18 / 31

HEX #AF5990

RGB 175 89 144

HSL 321.63, 0.35%, 0.52%

LAB 49.82, 42.03, -14.49

 

CMYK 0 / 22 / 49 / 31

HEX #AF8859

RGB 175 136 89

HSL 32.79, 0.35%, 0.52%

LAB 59.38, 8.9, 30.84

 

CMYK 49 / 0 / 32 / 31

HEX #59AF77

RGB 89 175 119

HSL 140.93, 0.35%, 0.52%

LAB 65.05, -38.79, 20.92

 

CMYK 49 / 27 / 0 / 31

HEX #5980AF

RGB 89 128 175

HSL 212.79, 0.35%, 0.52%

LAB 52.57, -0.29, -29.09

 

CMYK 0 / 49 / 18 / 31

HEX #AF5990

RGB 175 89 144

HSL 321.63, 0.35%, 0.52%

LAB 49.82, 42.03, -14.49

 

CMYK 0 / 7 / 49 / 31

HEX #AFA259

RGB 175 162 89

HSL 50.93, 0.35%, 0.52%

LAB 66.27, -5.33, 39.41

 

CMYK 49 / 0 / 32 / 31

HEX #59AF77

RGB 89 175 119

HSL 140.93, 0.35%, 0.52%

LAB 65.05, -38.79, 20.92

 

CMYK 49 / 42 / 0 / 31

HEX #5966AF

RGB 89 102 175

HSL 230.93, 0.35%, 0.52%

LAB 45.25, 15.53, -40.59

 

Description

Color code: RGB 175 89 144 | qconv.com Color code: RGB 175 89 144 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 89 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 89 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 18 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 18% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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