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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 176 123 59 it is the complementary color RGB 79 132 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 176 123 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 176 123 59 shade: RGB 181 123 54, RGB 198 141 73, RGB 215 159 92, RGB 232 177 111 and RGB 249 195 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 176 123 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 176 123 59 shade: RGB 176 123 59, RGB 159 105 40, RGB 142 87 21, RGB 125 69 2 and RGB 108 51 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 176 123 59 shade: RGB 175 122 58, RGB 175 91 58, RGB 175 59 58 and RGB 175 58 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 176 123 59 shade: RGB 175 122 58, RGB 175 154 58, RGB 165 175 58, RGB 134 175 58 and RGB 102 175 58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 176 123 59 shade matches the following richer shades: RGB 175 122 58, RGB 194 124 39, RGB 213 126 20 and RGB 232 128 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 176 123 59 shade: RGB 175 122 58, RGB 156 121 77, RGB 137 119 96, RGB 119 117 115 and RGB 100 115 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 176 123 59 shade: RGB 175 58 58, RGB 175 89 58, RGB 175 121 58, RGB 175 152 58 and RGB 168 175 58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 176 123 59 shade: RGB 114 79 38, RGB 145 101 48, RGB 175 122 58, RGB 196 143 79 and RGB 206 163 110

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 176 123 59 shade: RGB 176 123 59, RGB 89 175 58 and RGB 74 58 175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 176 123 59 shade: RGB 176 123 59, RGB 58 175 121 and RGB 121 58 175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 176 123 59 shade: RGB 176 123 59, RGB 89 175 58, RGB 58 113 175 and RGB 144 58 175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 176 123 59 shade: RGB 176 123 59, RGB 58 175 62, RGB 58 113 175 and RGB 175 58 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 66 / 31

HEX #B07B3B

RGB 176 123 59

HSL 32.82, 0.5%, 0.46%

LAB 55.8, 14.17, 42.33

 

Complementary color

CMYK 60 / 33 / 0 / 23

HEX #4F84C4

RGB 79 132 196

HSL 212.82, 0.5%, 0.54%

LAB 54.19, 1.84, -38.63

 

CMYK 0 / 32 / 70 / 29

HEX #B57B36

RGB 181 123 54

HSL 32.6, 0.54%, 0.46%

LAB 56.34, 16.07, 45.54

 

CMYK 0 / 29 / 63 / 22

HEX #C68D49

RGB 198 141 73

HSL 32.64, 0.52%, 0.53%

LAB 62.96, 14.66, 44.14

 

CMYK 0 / 26 / 57 / 16

HEX #D79F5C

RGB 215 159 92

HSL 32.68, 0.61%, 0.6%

LAB 69.48, 13.45, 42.69

 

CMYK 0 / 24 / 52 / 9

HEX #E8B16F

RGB 232 177 111

HSL 32.73, 0.72%, 0.67%

LAB 75.91, 12.42, 41.28

 

CMYK 0 / 22 / 48 / 2

HEX #F9C382

RGB 249 195 130

HSL 32.77, 0.91%, 0.74%

LAB 82.26, 11.51, 39.93

 

CMYK 0 / 30 / 66 / 31

HEX #B07B3B

RGB 176 123 59

HSL 32.82, 0.5%, 0.46%

LAB 55.8, 14.17, 42.33

 

CMYK 0 / 34 / 75 / 38

HEX #9F6928

RGB 159 105 40

HSL 32.77, 0.6%, 0.39%

LAB 49.04, 15.72, 43.66

 

CMYK 0 / 39 / 85 / 44

HEX #8E5715

RGB 142 87 21

HSL 32.73, 0.74%, 0.32%

LAB 42.19, 17.57, 44.47

 

CMYK 0 / 45 / 98 / 51

HEX #7D4502

RGB 125 69 2

HSL 32.68, 0.97%, 0.25%

LAB 35.24, 19.77, 44.31

 

CMYK 0 / 53 / 100 / 58

HEX #6C3300

RGB 108 51 0

HSL 28.33, 1%, 0.21%

LAB 28.26, 22.41, 38.95

 

CMYK 0 / 30 / 67 / 31

HEX #AF7A3A

RGB 175 122 58

HSL 32.82, 0.5%, 0.46%

LAB 55.42, 14.23, 42.38

 

CMYK 0 / 48 / 67 / 31

HEX #AF5B3A

RGB 175 91 58

HSL 16.92, 0.5%, 0.46%

LAB 48.14, 31.4, 34.07

 

CMYK 0 / 66 / 67 / 31

HEX #AF3B3A

RGB 175 59 58

HSL 0.51, 0.5%, 0.46%

LAB 42.07, 47.11, 26.78

 

CMYK 0 / 67 / 67 / 31

HEX #AF3A3A

RGB 175 58 58

HSL 0, 0.5%, 0.46%

LAB 41.92, 47.54, 26.59

 

CMYK 0 / 30 / 67 / 31

HEX #AF7A3A

RGB 175 122 58

HSL 32.82, 0.5%, 0.46%

LAB 55.42, 14.23, 42.38

 

CMYK 0 / 12 / 67 / 31

HEX #AF9A3A

RGB 175 154 58

HSL 49.23, 0.5%, 0.46%

LAB 63.78, -3.45, 51.4

 

CMYK 6 / 0 / 67 / 31

HEX #A5AF3A

RGB 165 175 58

HSL 65.13, 0.5%, 0.46%

LAB 68.73, -18.78, 56.27

 

CMYK 23 / 0 / 67 / 31

HEX #86AF3A

RGB 134 175 58

HSL 81.03, 0.5%, 0.46%

LAB 66.55, -31.54, 53.33

 

CMYK 42 / 0 / 67 / 31

HEX #66AF3A

RGB 102 175 58

HSL 97.44, 0.5%, 0.46%

LAB 64.8, -43.26, 50.95

 

CMYK 0 / 30 / 67 / 31

HEX #AF7A3A

RGB 175 122 58

HSL 32.82, 0.5%, 0.46%

LAB 55.42, 14.23, 42.38

 

CMYK 0 / 36 / 80 / 24

HEX #C27C27

RGB 194 124 39

HSL 32.9, 0.67%, 0.46%

LAB 58.07, 20.51, 54.35

 

CMYK 0 / 41 / 91 / 16

HEX #D57E14

RGB 213 126 20

HSL 32.95, 0.83%, 0.46%

LAB 60.89, 27.07, 63.74

 

CMYK 0 / 45 / 100 / 9

HEX #E88001

RGB 232 128 1

HSL 32.99, 0.99%, 0.46%

LAB 63.83, 33.69, 70.29

 

CMYK 0 / 30 / 67 / 31

HEX #AF7A3A

RGB 175 122 58

HSL 32.82, 0.5%, 0.46%

LAB 55.42, 14.23, 42.38

 

CMYK 0 / 22 / 51 / 39

HEX #9C794D

RGB 156 121 77

HSL 33.42, 0.34%, 0.46%

LAB 53.25, 7.97, 29.24

 

CMYK 0 / 13 / 30 / 46

HEX #897760

RGB 137 119 96

HSL 33.66, 0.18%, 0.46%

LAB 51.1, 3.25, 15.23

 

CMYK 0 / 2 / 3 / 53

HEX #777573

RGB 119 117 115

HSL 30, 0.02%, 0.46%

LAB 49.35, 0.37, 1.36

 

CMYK 25 / 14 / 0 / 47

HEX #647386

RGB 100 115 134

HSL 213.53, 0.15%, 0.46%

LAB 47.87, -1.02, -12.27

 

CMYK 0 / 67 / 67 / 31

HEX #AF3A3A

RGB 175 58 58

HSL 0, 0.5%, 0.46%

LAB 41.92, 47.54, 26.59

 

CMYK 0 / 49 / 67 / 31

HEX #AF593A

RGB 175 89 58

HSL 15.9, 0.5%, 0.46%

LAB 47.71, 32.47, 33.56

 

CMYK 0 / 31 / 67 / 31

HEX #AF793A

RGB 175 121 58

HSL 32.31, 0.5%, 0.46%

LAB 55.17, 14.79, 42.1

 

CMYK 0 / 13 / 67 / 31

HEX #AF983A

RGB 175 152 58

HSL 48.21, 0.5%, 0.46%

LAB 63.24, -2.37, 50.84

 

CMYK 4 / 0 / 67 / 31

HEX #A8AF3A

RGB 168 175 58

HSL 63.59, 0.5%, 0.46%

LAB 68.96, -17.5, 56.59

 

CMYK 0 / 31 / 67 / 55

HEX #724F26

RGB 114 79 38

HSL 32.37, 0.5%, 0.3%

LAB 36.57, 10.1, 29.58

 

CMYK 0 / 30 / 67 / 43

HEX #916530

RGB 145 101 48

HSL 32.78, 0.5%, 0.38%

LAB 46.37, 12.14, 36.35

 

CMYK 0 / 30 / 67 / 31

HEX #AF7A3A

RGB 175 122 58

HSL 32.82, 0.5%, 0.46%

LAB 55.42, 14.23, 42.38

 

CMYK 0 / 27 / 60 / 23

HEX #C48F4F

RGB 196 143 79

HSL 32.82, 0.5%, 0.54%

LAB 63.3, 13.13, 41.44

 

CMYK 0 / 21 / 47 / 19

HEX #CEA36E

RGB 206 163 110

HSL 33.13, 0.49%, 0.62%

LAB 69.78, 9.15, 33.5

 

CMYK 0 / 30 / 66 / 31

HEX #B07B3B

RGB 176 123 59

HSL 32.82, 0.5%, 0.46%

LAB 55.8, 14.17, 42.33

 

CMYK 49 / 0 / 67 / 31

HEX #59AF3A

RGB 89 175 58

HSL 104.1, 0.5%, 0.46%

LAB 64.23, -47.38, 50.18

 

CMYK 58 / 67 / 0 / 31

HEX #4A3AAF

RGB 74 58 175

HSL 248.21, 0.5%, 0.46%

LAB 33.09, 39.78, -60.24

 

CMYK 0 / 30 / 66 / 31

HEX #B07B3B

RGB 176 123 59

HSL 32.82, 0.5%, 0.46%

LAB 55.8, 14.17, 42.33

 

CMYK 67 / 0 / 31 / 31

HEX #3AAF79

RGB 58 175 121

HSL 152.31, 0.5%, 0.46%

LAB 64.11, -45.33, 18.39

 

CMYK 31 / 67 / 0 / 31

HEX #793AAF

RGB 121 58 175

HSL 272.31, 0.5%, 0.46%

LAB 38.17, 48.95, -51.74

 

CMYK 0 / 30 / 66 / 31

HEX #B07B3B

RGB 176 123 59

HSL 32.82, 0.5%, 0.46%

LAB 55.8, 14.17, 42.33

 

CMYK 49 / 0 / 67 / 31

HEX #59AF3A

RGB 89 175 58

HSL 104.1, 0.5%, 0.46%

LAB 64.23, -47.38, 50.18

 

CMYK 67 / 35 / 0 / 31

HEX #3A71AF

RGB 58 113 175

HSL 211.79, 0.5%, 0.46%

LAB 46.72, 2.18, -38.37

 

CMYK 18 / 67 / 0 / 31

HEX #903AAF

RGB 144 58 175

HSL 284.1, 0.5%, 0.46%

LAB 41.3, 54.11, -46.56

 

CMYK 0 / 30 / 66 / 31

HEX #B07B3B

RGB 176 123 59

HSL 32.82, 0.5%, 0.46%

LAB 55.8, 14.17, 42.33

 

CMYK 67 / 0 / 65 / 31

HEX #3AAF3E

RGB 58 175 62

HSL 122.05, 0.5%, 0.46%

LAB 63.27, -54.83, 47.13

 

CMYK 67 / 35 / 0 / 31

HEX #3A71AF

RGB 58 113 175

HSL 211.79, 0.5%, 0.46%

LAB 46.72, 2.18, -38.37

 

CMYK 0 / 67 / 2 / 31

HEX #AF3AAC

RGB 175 58 172

HSL 301.54, 0.5%, 0.46%

LAB 45.8, 60.85, -37.34

 

Description

Color code: RGB 176 123 59 | qconv.com Color code: RGB 176 123 59 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 123 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 123 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 66 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 66% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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