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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 176 12 131 it is the complementary color RGB 79 243 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 176 12 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 176 12 131 shade: RGB 181 12 126, RGB 198 30 145, RGB 215 48 164, RGB 232 66 183 and RGB 249 84 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 176 12 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 176 12 131 shade: RGB 176 12 131, RGB 159 0 112, RGB 142 0 93, RGB 125 0 74 and RGB 108 0 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 176 12 131 shade: RGB 176 12 131, RGB 176 12 87, RGB 176 12 42 and RGB 176 12 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 176 12 131 shade: RGB 176 12 131, RGB 176 12 175, RGB 132 12 176, RGB 88 12 176 and RGB 44 12 176

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 176 12 131 shade matches the following richer shades: RGB 176 12 131

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 176 12 131 shade: RGB 176 12 131, RGB 161 27 124, RGB 145 42 117, RGB 130 58 110 and RGB 115 73 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 176 12 131 shade: RGB 132 12 176, RGB 176 12 176, RGB 176 12 132, RGB 176 12 88 and RGB 176 12 45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 176 12 131 shade: RGB 99 6 73, RGB 137 9 102, RGB 176 12 131, RGB 215 14 160 and RGB 239 31 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 176 12 131 shade: RGB 176 12 131, RGB 176 88 12 and RGB 12 176 154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 176 12 131 shade: RGB 176 12 131, RGB 132 176 12 and RGB 12 132 176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 176 12 131 shade: RGB 176 12 131, RGB 176 88 12, RGB 12 176 56 and RGB 12 99 176

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 176 12 131 shade: RGB 176 12 131, RGB 176 138 12, RGB 12 176 56 and RGB 12 50 176

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 26 / 31

HEX #B00C83

RGB 176 12 131

HSL 316.46, 0.87%, 0.37%

LAB 39.8, 67.09, -21.95

 

Complementary color

CMYK 67 / 0 / 49 / 5

HEX #4FF37C

RGB 79 243 124

HSL 136.46, 0.87%, 0.63%

LAB 85.61, -66.72, 45.07

 

CMYK 0 / 93 / 30 / 29

HEX #B50C7E

RGB 181 12 126

HSL 319.53, 0.88%, 0.38%

LAB 40.56, 67.57, -17.6

 

CMYK 0 / 85 / 27 / 22

HEX #C61E91

RGB 198 30 145

HSL 318.93, 0.74%, 0.45%

LAB 45.6, 70.54, -21.21

 

CMYK 0 / 78 / 24 / 16

HEX #D730A4

RGB 215 48 164

HSL 318.32, 0.68%, 0.52%

LAB 50.97, 72.38, -24.04

 

CMYK 0 / 72 / 21 / 9

HEX #E842B7

RGB 232 66 183

HSL 317.71, 0.78%, 0.58%

LAB 56.56, 73.38, -26.28

 

CMYK 0 / 66 / 19 / 2

HEX #F954CA

RGB 249 84 202

HSL 317.09, 0.93%, 0.65%

LAB 62.29, 73.82, -28.09

 

CMYK 0 / 93 / 26 / 31

HEX #B00C83

RGB 176 12 131

HSL 316.46, 0.87%, 0.37%

LAB 39.8, 67.09, -21.95

 

CMYK 0 / 100 / 30 / 38

HEX #9F0070

RGB 159 0 112

HSL 317.74, 1%, 0.31%

LAB 35.08, 62.75, -17.62

 

CMYK 0 / 100 / 35 / 44

HEX #8E005D

RGB 142 0 93

HSL 320.7, 1%, 0.28%

LAB 30.74, 57.02, -12.36

 

CMYK 0 / 100 / 41 / 51

HEX #7D004A

RGB 125 0 74

HSL 324.48, 1%, 0.25%

LAB 26.32, 51.21, -6.8

 

CMYK 0 / 100 / 49 / 58

HEX #6C0037

RGB 108 0 55

HSL 329.44, 1%, 0.21%

LAB 21.81, 45.33, -0.85

 

CMYK 0 / 93 / 26 / 31

HEX #B00C83

RGB 176 12 131

HSL 316.46, 0.87%, 0.37%

LAB 39.8, 67.09, -21.95

 

CMYK 0 / 93 / 51 / 31

HEX #B00C57

RGB 176 12 87

HSL 332.56, 0.87%, 0.37%

LAB 38.17, 62.71, 3.33

 

CMYK 0 / 93 / 76 / 31

HEX #B00C2A

RGB 176 12 42

HSL 349.02, 0.87%, 0.37%

LAB 37.23, 60.1, 30.81

 

CMYK 0 / 93 / 93 / 31

HEX #B00C0C

RGB 176 12 12

HSL 0, 0.87%, 0.37%

LAB 36.97, 59.37, 46.43

 

CMYK 0 / 93 / 26 / 31

HEX #B00C83

RGB 176 12 131

HSL 316.46, 0.87%, 0.37%

LAB 39.8, 67.09, -21.95

 

CMYK 0 / 93 / 1 / 31

HEX #B00CAF

RGB 176 12 175

HSL 300.37, 0.87%, 0.37%

LAB 42.14, 73.04, -44.92

 

CMYK 25 / 93 / 0 / 31

HEX #840CB0

RGB 132 12 176

HSL 283.9, 0.87%, 0.37%

LAB 34.61, 66.23, -58.05

 

CMYK 50 / 93 / 0 / 31

HEX #580CB0

RGB 88 12 176

HSL 267.8, 0.87%, 0.37%

LAB 28.04, 60.95, -69.08

 

CMYK 75 / 93 / 0 / 31

HEX #2C0CB0

RGB 44 12 176

HSL 251.71, 0.87%, 0.37%

LAB 23.45, 57.92, -76.83

 

CMYK 0 / 93 / 26 / 31

HEX #B00C83

RGB 176 12 131

HSL 316.46, 0.87%, 0.37%

LAB 39.8, 67.09, -21.95

 

CMYK 0 / 93 / 26 / 31

HEX #B00C83

RGB 176 12 131

HSL 316.46, 0.87%, 0.37%

LAB 39.8, 67.09, -21.95

 

CMYK 0 / 83 / 23 / 37

HEX #A11B7C

RGB 161 27 124

HSL 316.57, 0.71%, 0.37%

LAB 37.51, 60.3, -21.39

 

CMYK 0 / 71 / 19 / 43

HEX #912A75

RGB 145 42 117

HSL 316.31, 0.55%, 0.37%

LAB 35.91, 50.7, -19.72

 

CMYK 0 / 55 / 15 / 49

HEX #823A6E

RGB 130 58 110

HSL 316.67, 0.38%, 0.37%

LAB 35.79, 37.87, -15.71

 

CMYK 0 / 37 / 10 / 55

HEX #734967

RGB 115 73 103

HSL 317.14, 0.22%, 0.37%

LAB 36.72, 22.89, -10.08

 

CMYK 25 / 93 / 0 / 31

HEX #840CB0

RGB 132 12 176

HSL 283.9, 0.87%, 0.37%

LAB 34.61, 66.23, -58.05

 

CMYK 0 / 93 / 0 / 31

HEX #B00CB0

RGB 176 12 176

HSL 300, 0.87%, 0.37%

LAB 42.2, 73.2, -45.42

 

CMYK 0 / 93 / 25 / 31

HEX #B00C84

RGB 176 12 132

HSL 316.1, 0.87%, 0.37%

LAB 39.85, 67.21, -22.5

 

CMYK 0 / 93 / 50 / 31

HEX #B00C58

RGB 176 12 88

HSL 332.2, 0.87%, 0.37%

LAB 38.19, 62.79, 2.73

 

CMYK 0 / 93 / 74 / 31

HEX #B00C2D

RGB 176 12 45

HSL 347.93, 0.87%, 0.37%

LAB 37.27, 60.22, 29.01

 

CMYK 0 / 94 / 26 / 61

HEX #630649

RGB 99 6 73

HSL 316.77, 0.89%, 0.21%

LAB 21.07, 43.77, -14.63

 

CMYK 0 / 93 / 26 / 46

HEX #890966

RGB 137 9 102

HSL 316.41, 0.88%, 0.29%

LAB 30.58, 55.61, -18.54

 

CMYK 0 / 93 / 26 / 31

HEX #B00C83

RGB 176 12 131

HSL 316.46, 0.87%, 0.37%

LAB 39.8, 67.09, -21.95

 

CMYK 0 / 93 / 26 / 16

HEX #D70EA0

RGB 215 14 160

HSL 316.42, 0.88%, 0.45%

LAB 48.63, 78.16, -25.27

 

CMYK 0 / 87 / 24 / 6

HEX #EF1FB6

RGB 239 31 182

HSL 316.44, 0.87%, 0.53%

LAB 54.77, 83.29, -28.37

 

CMYK 0 / 93 / 26 / 31

HEX #B00C83

RGB 176 12 131

HSL 316.46, 0.87%, 0.37%

LAB 39.8, 67.09, -21.95

 

CMYK 0 / 50 / 93 / 31

HEX #B0580C

RGB 176 88 12

HSL 27.8, 0.87%, 0.37%

LAB 47.28, 31.69, 53.42

 

CMYK 93 / 0 / 13 / 31

HEX #0CB09A

RGB 12 176 154

HSL 171.95, 0.87%, 0.37%

LAB 64.53, -42.43, 0.69

 

CMYK 0 / 93 / 26 / 31

HEX #B00C83

RGB 176 12 131

HSL 316.46, 0.87%, 0.37%

LAB 39.8, 67.09, -21.95

 

CMYK 25 / 0 / 93 / 31

HEX #84B00C

RGB 132 176 12

HSL 76.1, 0.87%, 0.37%

LAB 66.51, -34.82, 66.27

 

CMYK 93 / 25 / 0 / 31

HEX #0C84B0

RGB 12 132 176

HSL 196.1, 0.87%, 0.37%

LAB 51.51, -13.56, -31.49

 

CMYK 0 / 93 / 26 / 31

HEX #B00C83

RGB 176 12 131

HSL 316.46, 0.87%, 0.37%

LAB 39.8, 67.09, -21.95

 

CMYK 0 / 50 / 93 / 31

HEX #B0580C

RGB 176 88 12

HSL 27.8, 0.87%, 0.37%

LAB 47.28, 31.69, 53.42

 

CMYK 93 / 0 / 68 / 31

HEX #0CB038

RGB 12 176 56

HSL 136.1, 0.87%, 0.37%

LAB 62.86, -61.59, 49.03

 

CMYK 93 / 44 / 0 / 31

HEX #0C63B0

RGB 12 99 176

HSL 208.17, 0.87%, 0.37%

LAB 41.43, 6.38, -47.44

 

CMYK 0 / 93 / 26 / 31

HEX #B00C83

RGB 176 12 131

HSL 316.46, 0.87%, 0.37%

LAB 39.8, 67.09, -21.95

 

CMYK 0 / 22 / 93 / 31

HEX #B08A0C

RGB 176 138 12

HSL 46.1, 0.87%, 0.37%

LAB 59.37, 4.04, 62.29

 

CMYK 93 / 0 / 68 / 31

HEX #0CB038

RGB 12 176 56

HSL 136.1, 0.87%, 0.37%

LAB 62.86, -61.59, 49.03

 

CMYK 93 / 72 / 0 / 31

HEX #0C32B0

RGB 12 50 176

HSL 226.1, 0.87%, 0.37%

LAB 28.1, 38.9, -69.16

 

Description

Color code: RGB 176 12 131 | qconv.com Color code: RGB 176 12 131 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 12 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 12 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 26 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 26% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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