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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 176 176 205 it is the complementary color RGB 79 79 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 176 176 205. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 176 176 205 shade: RGB 181 176 200, RGB 198 194 219, RGB 215 212 238, RGB 232 230 255 and RGB 249 248 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 176 176 205. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 176 176 205 shade: RGB 176 176 205, RGB 159 158 186, RGB 142 140 167, RGB 125 122 148 and RGB 108 104 129

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 176 176 205 shade: RGB 177 177 205, RGB 184 177 205, RGB 192 177 205, RGB 199 177 205 and RGB 205 177 203

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 176 176 205 shade: RGB 177 177 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 176 176 205 shade matches the following richer shades: RGB 177 177 205, RGB 166 166 215, RGB 156 156 225, RGB 146 146 236 and RGB 135 135 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 176 176 205 shade: RGB 177 177 205, RGB 187 187 194, RGB 197 197 184, RGB 208 208 174 and RGB 218 218 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 176 176 205 shade: RGB 177 192 205, RGB 177 184 205, RGB 177 177 205, RGB 184 177 205 and RGB 192 177 205

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 176 176 205 shade: RGB 126 126 173, RGB 152 152 189, RGB 177 177 205, RGB 202 202 221 and RGB 227 227 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 176 176 205 shade: RGB 176 176 205, RGB 205 177 199 and RGB 188 205 177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 176 176 205 shade: RGB 176 176 205, RGB 205 177 177 and RGB 177 205 177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 176 176 205 shade: RGB 176 176 205, RGB 205 177 199, RGB 205 205 177 and RGB 177 205 182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 176 176 205 shade: RGB 176 176 205, RGB 205 177 191, RGB 205 205 177 and RGB 177 205 191

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 14 / 0 / 20

HEX #B0B0CD

RGB 176 176 205

HSL 240, 0.22%, 0.75%

LAB 72.69, 5.83, -14.66

 

Complementary color

CMYK 0 / 0 / 37 / 69

HEX #4F4F32

RGB 79 79 50

HSL 60, 0.22%, 0.25%

LAB 32.89, -5.24, 17.17

 

CMYK 10 / 12 / 0 / 22

HEX #B5B0C8

RGB 181 176 200

HSL 252.5, 0.18%, 0.74%

LAB 72.92, 6.44, -11.53

 

CMYK 10 / 11 / 0 / 14

HEX #C6C2DB

RGB 198 194 219

HSL 249.6, 0.26%, 0.81%

LAB 79.44, 6.18, -11.95

 

CMYK 10 / 11 / 0 / 7

HEX #D7D4EE

RGB 215 212 238

HSL 246.92, 0.43%, 0.88%

LAB 85.86, 5.94, -12.37

 

CMYK 9 / 10 / 0 / 0

HEX #E8E6FF

RGB 232 230 255

HSL 244.8, 1%, 0.95%

LAB 92.12, 5.32, -11.83

 

CMYK 2 / 3 / 0 / 0

HEX #F9F8FF

RGB 249 248 255

HSL 248.57, 1%, 0.99%

LAB 97.83, 1.58, -3.24

 

CMYK 14 / 14 / 0 / 20

HEX #B0B0CD

RGB 176 176 205

HSL 240, 0.22%, 0.75%

LAB 72.69, 5.83, -14.66

 

CMYK 15 / 15 / 0 / 27

HEX #9F9EBA

RGB 159 158 186

HSL 242.14, 0.17%, 0.67%

LAB 66.04, 6.1, -14.3

 

CMYK 15 / 16 / 0 / 35

HEX #8E8CA7

RGB 142 140 167

HSL 244.44, 0.13%, 0.6%

LAB 59.25, 6.39, -13.95

 

CMYK 16 / 18 / 0 / 42

HEX #7D7A94

RGB 125 122 148

HSL 246.92, 0.11%, 0.53%

LAB 52.31, 6.71, -13.61

 

CMYK 16 / 19 / 0 / 49

HEX #6C6881

RGB 108 104 129

HSL 249.6, 0.11%, 0.46%

LAB 45.18, 7.06, -13.28

RGB 108 104 129

CMYK 14 / 14 / 0 / 20

HEX #B1B1CD

RGB 177 177 205

HSL 240, 0.22%, 0.75%

LAB 73.02, 5.61, -14.15

 

CMYK 10 / 14 / 0 / 20

HEX #B8B1CD

RGB 184 177 205

HSL 255, 0.22%, 0.75%

LAB 73.57, 7.91, -13.27

 

CMYK 6 / 14 / 0 / 20

HEX #C0B1CD

RGB 192 177 205

HSL 272.14, 0.22%, 0.75%

LAB 74.23, 10.58, -12.22

 

CMYK 3 / 14 / 0 / 20

HEX #C7B1CD

RGB 199 177 205

HSL 287.14, 0.22%, 0.75%

LAB 74.82, 12.95, -11.27

 

CMYK 0 / 14 / 1 / 20

HEX #CDB1CB

RGB 205 177 203

HSL 304.29, 0.22%, 0.75%

LAB 75.29, 14.62, -9.43

 

CMYK 14 / 14 / 0 / 20

HEX #B1B1CD

RGB 177 177 205

HSL 240, 0.22%, 0.75%

LAB 73.02, 5.61, -14.15

 

CMYK 14 / 14 / 0 / 20

HEX #B1B1CD

RGB 177 177 205

HSL 240, 0.22%, 0.75%

LAB 73.02, 5.61, -14.15

 

CMYK 23 / 23 / 0 / 16

HEX #A6A6D7

RGB 166 166 215

HSL 240, 0.38%, 0.75%

LAB 69.67, 10.43, -24.8

 

CMYK 31 / 31 / 0 / 12

HEX #9C9CE1

RGB 156 156 225

HSL 240, 0.53%, 0.75%

LAB 66.73, 15.53, -34.9

 

CMYK 38 / 38 / 0 / 7

HEX #9292EC

RGB 146 146 236

HSL 240, 0.7%, 0.75%

LAB 63.94, 21.42, -45.39

 

CMYK 45 / 45 / 0 / 4

HEX #8787F6

RGB 135 135 246

HSL 240, 0.86%, 0.75%

LAB 60.9, 27.91, -55.77

 

CMYK 14 / 14 / 0 / 20

HEX #B1B1CD

RGB 177 177 205

HSL 240, 0.22%, 0.75%

LAB 73.02, 5.61, -14.15

 

CMYK 4 / 4 / 0 / 24

HEX #BBBBC2

RGB 187 187 194

HSL 240, 0.05%, 0.75%

LAB 76.07, 1.32, -3.53

 

CMYK 0 / 0 / 7 / 23

HEX #C5C5B8

RGB 197 197 184

HSL 60, 0.1%, 0.75%

LAB 79.19, -2.31, 6.51

 

CMYK 0 / 0 / 16 / 18

HEX #D0D0AE

RGB 208 208 174

HSL 60, 0.27%, 0.75%

LAB 82.69, -5.7, 16.92

 

CMYK 0 / 0 / 25 / 15

HEX #DADAA4

RGB 218 218 164

HSL 60, 0.42%, 0.75%

LAB 85.87, -8.55, 26.67

 

CMYK 14 / 6 / 0 / 20

HEX #B1C0CD

RGB 177 192 205

HSL 207.86, 0.22%, 0.75%

LAB 76.95, -2.49, -8.28

 

CMYK 14 / 10 / 0 / 20

HEX #B1B8CD

RGB 177 184 205

HSL 225, 0.22%, 0.75%

LAB 74.85, 1.81, -11.41

 

CMYK 14 / 14 / 0 / 20

HEX #B1B1CD

RGB 177 177 205

HSL 240, 0.22%, 0.75%

LAB 73.02, 5.61, -14.15

 

CMYK 10 / 14 / 0 / 20

HEX #B8B1CD

RGB 184 177 205

HSL 255, 0.22%, 0.75%

LAB 73.57, 7.91, -13.27

 

CMYK 6 / 14 / 0 / 20

HEX #C0B1CD

RGB 192 177 205

HSL 272.14, 0.22%, 0.75%

LAB 74.23, 10.58, -12.22

 

CMYK 27 / 27 / 0 / 32

HEX #7E7EAD

RGB 126 126 173

HSL 240, 0.22%, 0.59%

LAB 54.42, 10.76, -24.87

 

CMYK 20 / 20 / 0 / 26

HEX #9898BD

RGB 152 152 189

HSL 240, 0.22%, 0.67%

LAB 64, 7.86, -19.11

 

CMYK 14 / 14 / 0 / 20

HEX #B1B1CD

RGB 177 177 205

HSL 240, 0.22%, 0.75%

LAB 73.02, 5.61, -14.15

 

CMYK 9 / 9 / 0 / 13

HEX #CACADD

RGB 202 202 221

HSL 240, 0.22%, 0.83%

LAB 81.85, 3.62, -9.41

 

CMYK 4 / 4 / 0 / 7

HEX #E3E3ED

RGB 227 227 237

HSL 240, 0.22%, 0.91%

LAB 90.5, 1.83, -4.87

 

CMYK 14 / 14 / 0 / 20

HEX #B0B0CD

RGB 176 176 205

HSL 240, 0.22%, 0.75%

LAB 72.69, 5.83, -14.66

 

CMYK 0 / 14 / 3 / 20

HEX #CDB1C7

RGB 205 177 199

HSL 312.86, 0.22%, 0.75%

LAB 75.17, 13.88, -7.42

 

CMYK 8 / 0 / 14 / 20

HEX #BCCDB1

RGB 188 205 177

HSL 96.43, 0.22%, 0.75%

LAB 80.48, -10.86, 12

 

CMYK 14 / 14 / 0 / 20

HEX #B0B0CD

RGB 176 176 205

HSL 240, 0.22%, 0.75%

LAB 72.69, 5.83, -14.66

 

CMYK 0 / 14 / 14 / 20

HEX #CDB1B1

RGB 205 177 177

HSL 0, 0.22%, 0.75%

LAB 74.57, 10.08, 3.72

 

CMYK 14 / 0 / 14 / 20

HEX #B1CDB1

RGB 177 205 177

HSL 120, 0.22%, 0.75%

LAB 79.72, -14.69, 10.82

 

CMYK 14 / 14 / 0 / 20

HEX #B0B0CD

RGB 176 176 205

HSL 240, 0.22%, 0.75%

LAB 72.69, 5.83, -14.66

 

CMYK 0 / 14 / 3 / 20

HEX #CDB1C7

RGB 205 177 199

HSL 312.86, 0.22%, 0.75%

LAB 75.17, 13.88, -7.42

 

CMYK 0 / 0 / 14 / 20

HEX #CDCDB1

RGB 205 205 177

HSL 60, 0.22%, 0.75%

LAB 81.74, -4.77, 13.96

 

CMYK 14 / 0 / 11 / 20

HEX #B1CDB6

RGB 177 205 182

HSL 130.71, 0.22%, 0.75%

LAB 79.83, -13.78, 8.31

 

CMYK 14 / 14 / 0 / 20

HEX #B0B0CD

RGB 176 176 205

HSL 240, 0.22%, 0.75%

LAB 72.69, 5.83, -14.66

 

CMYK 0 / 14 / 7 / 20

HEX #CDB1BF

RGB 205 177 191

HSL 330, 0.22%, 0.75%

LAB 74.94, 12.45, -3.39

 

CMYK 0 / 0 / 14 / 20

HEX #CDCDB1

RGB 205 205 177

HSL 60, 0.22%, 0.75%

LAB 81.74, -4.77, 13.96

 

CMYK 14 / 0 / 7 / 20

HEX #B1CDBF

RGB 177 205 191

HSL 150, 0.22%, 0.75%

LAB 80.05, -12.1, 3.81

 

Description

Color code: RGB 176 176 205 | qconv.com Color code: RGB 176 176 205 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 176 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 176 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 14 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 14% 0% 20% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

29% - Welcome | Immortals
Link: http://immortals.gg

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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