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Color name
RGB 176 32 166

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 176 32 166 it is the complementary color RGB 79 223 89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 176 32 166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 176 32 166 shade: RGB 181 32 161, RGB 198 50 180, RGB 215 68 199, RGB 232 86 218 and RGB 249 104 237

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 176 32 166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 176 32 166 shade: RGB 176 32 166, RGB 159 14 147, RGB 142 0 128, RGB 125 0 109 and RGB 108 0 90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 176 32 166 shade: RGB 176 32 166, RGB 176 32 127, RGB 176 32 88, RGB 176 32 49 and RGB 176 32 32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 176 32 166 shade: RGB 176 32 166, RGB 147 32 176, RGB 108 32 176, RGB 69 32 176 and RGB 32 32 176

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 176 32 166 shade matches the following richer shades: RGB 176 32 166 and RGB 193 15 181

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 176 32 166 shade: RGB 176 32 166, RGB 159 49 152, RGB 142 66 137, RGB 125 83 122 and RGB 109 100 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 176 32 166 shade: RGB 109 32 176, RGB 147 32 176, RGB 176 32 167, RGB 176 32 128 and RGB 176 32 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 176 32 166 shade: RGB 106 19 100, RGB 141 26 133, RGB 176 32 166, RGB 211 38 199 and RGB 221 70 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 176 32 166 shade: RGB 176 32 166, RGB 176 70 32 and RGB 32 176 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 176 32 166 shade: RGB 176 32 166, RGB 167 176 32 and RGB 32 167 176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 176 32 166 shade: RGB 176 32 166, RGB 176 70 32, RGB 32 176 42 and RGB 32 138 176

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 176 32 166 shade: RGB 176 32 166, RGB 176 114 32, RGB 32 176 42 and RGB 32 94 176

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 6 / 31

HEX #B020A6

RGB 176 32 166

HSL 304.17, 0.69%, 0.41%

LAB 42.79, 68.26, -38.53

 

Complementary color

CMYK 65 / 0 / 60 / 13

HEX #4FDF59

RGB 79 223 89

HSL 124.17, 0.69%, 0.59%

LAB 79.13, -64.35, 53.36

 

CMYK 0 / 82 / 11 / 29

HEX #B520A1

RGB 181 32 161

HSL 308.05, 0.7%, 0.42%

LAB 43.4, 68.55, -34.5

 

CMYK 0 / 75 / 9 / 22

HEX #C632B4

RGB 198 50 180

HSL 307.3, 0.6%, 0.49%

LAB 48.99, 70.13, -36.77

 

CMYK 0 / 68 / 7 / 16

HEX #D744C7

RGB 215 68 199

HSL 306.53, 0.65%, 0.55%

LAB 54.77, 70.91, -38.5

 

CMYK 0 / 63 / 6 / 9

HEX #E856DA

RGB 232 86 218

HSL 305.75, 0.76%, 0.62%

LAB 60.67, 71.16, -39.85

 

CMYK 0 / 58 / 5 / 2

HEX #F968ED

RGB 249 104 237

HSL 304.97, 0.92%, 0.69%

LAB 66.64, 71.05, -40.93

 

CMYK 0 / 82 / 6 / 31

HEX #B020A6

RGB 176 32 166

HSL 304.17, 0.69%, 0.41%

LAB 42.79, 68.26, -38.53

 

CMYK 0 / 91 / 8 / 38

HEX #9F0E93

RGB 159 14 147

HSL 304.97, 0.84%, 0.34%

LAB 37.47, 65.55, -35.68

 

CMYK 0 / 100 / 10 / 44

HEX #8E0080

RGB 142 0 128

HSL 305.92, 1%, 0.28%

LAB 32.5, 61.46, -32

 

CMYK 0 / 100 / 13 / 51

HEX #7D006D

RGB 125 0 109

HSL 307.68, 1%, 0.25%

LAB 28.02, 55.53, -27.24

 

CMYK 0 / 100 / 17 / 58

HEX #6C005A

RGB 108 0 90

HSL 310, 1%, 0.21%

LAB 23.43, 49.45, -22.28

 

CMYK 0 / 82 / 6 / 31

HEX #B020A6

RGB 176 32 166

HSL 304.17, 0.69%, 0.41%

LAB 42.79, 68.26, -38.53

 

CMYK 0 / 82 / 28 / 31

HEX #B0207F

RGB 176 32 127

HSL 320.42, 0.69%, 0.41%

LAB 40.89, 62.95, -17.8

 

CMYK 0 / 82 / 50 / 31

HEX #B02058

RGB 176 32 88

HSL 336.67, 0.69%, 0.41%

LAB 39.53, 58.96, 4.65

 

CMYK 0 / 82 / 72 / 31

HEX #B02031

RGB 176 32 49

HSL 352.92, 0.69%, 0.41%

LAB 38.7, 56.46, 28.22

 

CMYK 0 / 82 / 82 / 31

HEX #B02020

RGB 176 32 32

HSL 0, 0.69%, 0.41%

LAB 38.49, 55.82, 38.01

 

CMYK 0 / 82 / 6 / 31

HEX #B020A6

RGB 176 32 166

HSL 304.17, 0.69%, 0.41%

LAB 42.79, 68.26, -38.53

 

CMYK 16 / 82 / 0 / 31

HEX #9320B0

RGB 147 32 176

HSL 287.92, 0.69%, 0.41%

LAB 38.5, 64.38, -51.63

 

CMYK 39 / 82 / 0 / 31

HEX #6C20B0

RGB 108 32 176

HSL 271.67, 0.69%, 0.41%

LAB 32.6, 57.9, -61.47

 

CMYK 61 / 82 / 0 / 31

HEX #4520B0

RGB 69 32 176

HSL 255.42, 0.69%, 0.41%

LAB 27.93, 52.86, -69.32

 

CMYK 82 / 82 / 0 / 31

HEX #2020B0

RGB 32 32 176

HSL 240, 0.69%, 0.41%

LAB 25.18, 49.95, -73.96

 

CMYK 0 / 82 / 6 / 31

HEX #B020A6

RGB 176 32 166

HSL 304.17, 0.69%, 0.41%

LAB 42.79, 68.26, -38.53

 

CMYK 0 / 92 / 6 / 24

HEX #C10FB5

RGB 193 15 181

HSL 304.04, 0.86%, 0.41%

LAB 45.66, 76.57, -42.68

 

CMYK 0 / 82 / 6 / 31

HEX #B020A6

RGB 176 32 166

HSL 304.17, 0.69%, 0.41%

LAB 42.79, 68.26, -38.53

 

CMYK 0 / 69 / 4 / 38

HEX #9F3198

RGB 159 49 152

HSL 303.82, 0.53%, 0.41%

LAB 40.95, 57.09, -33.21

 

CMYK 0 / 54 / 4 / 44

HEX #8E4289

RGB 142 66 137

HSL 303.95, 0.37%, 0.41%

LAB 40.33, 42.27, -25.26

 

CMYK 0 / 34 / 2 / 51

HEX #7D537A

RGB 125 83 122

HSL 304.29, 0.2%, 0.41%

LAB 41.14, 24.29, -15.03

 

CMYK 0 / 8 / 1 / 57

HEX #6D646C

RGB 109 100 108

HSL 306.67, 0.04%, 0.41%

LAB 43.43, 5.16, -3.22

 

CMYK 38 / 82 / 0 / 31

HEX #6D20B0

RGB 109 32 176

HSL 272.08, 0.69%, 0.41%

LAB 32.74, 58.05, -61.24

 

CMYK 16 / 82 / 0 / 31

HEX #9320B0

RGB 147 32 176

HSL 287.92, 0.69%, 0.41%

LAB 38.5, 64.38, -51.63

 

CMYK 0 / 82 / 5 / 31

HEX #B020A7

RGB 176 32 167

HSL 303.75, 0.69%, 0.41%

LAB 42.84, 68.41, -39.04

 

CMYK 0 / 82 / 27 / 31

HEX #B02080

RGB 176 32 128

HSL 320, 0.69%, 0.41%

LAB 40.93, 63.07, -18.36

 

CMYK 0 / 82 / 49 / 31

HEX #B0205A

RGB 176 32 90

HSL 335.83, 0.69%, 0.41%

LAB 39.58, 59.13, 3.46

 

CMYK 0 / 82 / 6 / 58

HEX #6A1364

RGB 106 19 100

HSL 304.14, 0.7%, 0.25%

LAB 25.11, 46.21, -26.25

 

CMYK 0 / 82 / 6 / 45

HEX #8D1A85

RGB 141 26 133

HSL 304.17, 0.69%, 0.33%

LAB 34.18, 57.39, -32.48

 

CMYK 0 / 82 / 6 / 31

HEX #B020A6

RGB 176 32 166

HSL 304.17, 0.69%, 0.41%

LAB 42.79, 68.26, -38.53

 

CMYK 0 / 82 / 6 / 17

HEX #D326C7

RGB 211 38 199

HSL 304.16, 0.69%, 0.49%

LAB 51.1, 78.67, -44.33

 

CMYK 0 / 68 / 5 / 13

HEX #DD46D2

RGB 221 70 210

HSL 304.37, 0.69%, 0.57%

LAB 56.49, 73.27, -42.01

 

CMYK 0 / 82 / 6 / 31

HEX #B020A6

RGB 176 32 166

HSL 304.17, 0.69%, 0.41%

LAB 42.79, 68.26, -38.53

 

CMYK 0 / 60 / 82 / 31

HEX #B04620

RGB 176 70 32

HSL 15.83, 0.69%, 0.41%

LAB 43.82, 41.3, 43.13

 

CMYK 82 / 0 / 27 / 31

HEX #20B080

RGB 32 176 128

HSL 160, 0.69%, 0.41%

LAB 64.09, -47.75, 14.46

 

CMYK 0 / 82 / 6 / 31

HEX #B020A6

RGB 176 32 166

HSL 304.17, 0.69%, 0.41%

LAB 42.79, 68.26, -38.53

 

CMYK 5 / 0 / 82 / 31

HEX #A7B020

RGB 167 176 32

HSL 63.75, 0.69%, 0.41%

LAB 69.02, -19.63, 65.36

 

CMYK 82 / 5 / 0 / 31

HEX #20A7B0

RGB 32 167 176

HSL 183.75, 0.69%, 0.41%

LAB 62.57, -30.53, -14.49

 

CMYK 0 / 82 / 6 / 31

HEX #B020A6

RGB 176 32 166

HSL 304.17, 0.69%, 0.41%

LAB 42.79, 68.26, -38.53

 

CMYK 0 / 60 / 82 / 31

HEX #B04620

RGB 176 70 32

HSL 15.83, 0.69%, 0.41%

LAB 43.82, 41.3, 43.13

 

CMYK 82 / 0 / 76 / 31

HEX #20B02A

RGB 32 176 42

HSL 124.17, 0.69%, 0.41%

LAB 62.95, -61.15, 54.49

 

CMYK 82 / 22 / 0 / 31

HEX #208AB0

RGB 32 138 176

HSL 195.83, 0.69%, 0.41%

LAB 53.62, -15.53, -28.19

 

CMYK 0 / 82 / 6 / 31

HEX #B020A6

RGB 176 32 166

HSL 304.17, 0.69%, 0.41%

LAB 42.79, 68.26, -38.53

 

CMYK 0 / 35 / 82 / 31

HEX #B07220

RGB 176 114 32

HSL 34.17, 0.69%, 0.41%

LAB 53.35, 17.9, 51.91

 

CMYK 82 / 0 / 76 / 31

HEX #20B02A

RGB 32 176 42

HSL 124.17, 0.69%, 0.41%

LAB 62.95, -61.15, 54.49

 

CMYK 82 / 47 / 0 / 31

HEX #205EB0

RGB 32 94 176

HSL 214.17, 0.69%, 0.41%

LAB 40.32, 11.05, -49.2

 

Description

Color code: RGB 176 32 166 | qconv.com Color code: RGB 176 32 166 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 32 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 32 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 6 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 6% 31% C M Y K

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Provide designers and agencies with accurate color values.

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