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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 101 129 it is the complementary color RGB 78 154 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 101 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 177 101 129 shade: RGB 182 101 124, RGB 199 119 143, RGB 216 137 162, RGB 233 155 181 and RGB 250 173 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 101 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 177 101 129 shade: RGB 177 101 129, RGB 160 83 110, RGB 143 65 91, RGB 126 47 72 and RGB 109 29 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 177 101 129 shade: RGB 178 102 130, RGB 178 102 109 and RGB 178 102 102

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 177 101 129 shade: RGB 178 102 130, RGB 178 102 150, RGB 178 102 171, RGB 164 102 178 and RGB 144 102 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 177 101 129 shade matches the following richer shades: RGB 178 102 130, RGB 196 83 125, RGB 215 65 120, RGB 233 46 115 and RGB 252 28 110

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 177 101 129 shade: RGB 178 102 130, RGB 159 120 135, RGB 140 139 140, RGB 122 158 144 and RGB 103 176 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 177 101 129 shade: RGB 178 102 171, RGB 178 102 151, RGB 178 102 131, RGB 178 102 111 and RGB 178 113 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 177 101 129 shade: RGB 131 66 90, RGB 159 80 109, RGB 178 102 130, RGB 191 129 152 and RGB 205 157 175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 177 101 129 shade: RGB 177 101 129, RGB 178 164 102 and RGB 102 161 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 177 101 129 shade: RGB 177 101 129, RGB 131 178 102 and RGB 102 131 178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 177 101 129 shade: RGB 177 101 129, RGB 178 164 102, RGB 102 178 149 and RGB 102 116 178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 177 101 129 shade: RGB 177 101 129, RGB 169 178 102, RGB 102 178 149 and RGB 111 102 178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 27 / 31

HEX #B16581

RGB 177 101 129

HSL 337.89, 0.33%, 0.55%

LAB 52.11, 34.09, -2.14

 

Complementary color

CMYK 49 / 0 / 18 / 40

HEX #4E9A7E

RGB 78 154 126

HSL 157.89, 0.33%, 0.45%

LAB 58.26, -30.52, 7.51

 

CMYK 0 / 45 / 32 / 29

HEX #B6657C

RGB 182 101 124

HSL 342.96, 0.36%, 0.55%

LAB 52.63, 35.22, 1.66

 

CMYK 0 / 40 / 28 / 22

HEX #C7778F

RGB 199 119 143

HSL 342, 0.42%, 0.62%

LAB 59.27, 34.32, 0.49

 

CMYK 0 / 37 / 25 / 15

HEX #D889A2

RGB 216 137 162

HSL 341.01, 0.5%, 0.69%

LAB 65.83, 33.47, -0.53

 

CMYK 0 / 33 / 22 / 9

HEX #E99BB5

RGB 233 155 181

HSL 340, 0.64%, 0.76%

LAB 72.3, 32.67, -1.44

 

CMYK 0 / 31 / 20 / 2

HEX #FAADC8

RGB 250 173 200

HSL 338.96, 0.89%, 0.83%

LAB 78.68, 31.93, -2.28

 

CMYK 0 / 43 / 27 / 31

HEX #B16581

RGB 177 101 129

HSL 337.89, 0.33%, 0.55%

LAB 52.11, 34.09, -2.14

 

CMYK 0 / 48 / 31 / 37

HEX #A0536E

RGB 160 83 110

HSL 338.96, 0.32%, 0.48%

LAB 45.34, 34.99, -0.94

 

CMYK 0 / 55 / 36 / 44

HEX #8F415B

RGB 143 65 91

HSL 340, 0.38%, 0.41%

LAB 38.51, 35.89, 0.54

 

CMYK 0 / 63 / 43 / 51

HEX #7E2F48

RGB 126 47 72

HSL 341.01, 0.46%, 0.34%

LAB 31.66, 36.67, 2.43

 

CMYK 0 / 73 / 51 / 57

HEX #6D1D35

RGB 109 29 53

HSL 342, 0.58%, 0.27%

LAB 24.91, 37.05, 5.03

 

CMYK 0 / 43 / 27 / 30

HEX #B26682

RGB 178 102 130

HSL 337.89, 0.33%, 0.55%

LAB 52.49, 34.06, -2.16

 

CMYK 0 / 43 / 39 / 30

HEX #B2666D

RGB 178 102 109

HSL 354.47, 0.33%, 0.55%

LAB 51.92, 31.29, 9.45

 

CMYK 0 / 43 / 43 / 30

HEX #B26666

RGB 178 102 102

HSL 0, 0.33%, 0.55%

LAB 51.75, 30.48, 13.36

 

CMYK 0 / 43 / 27 / 30

HEX #B26682

RGB 178 102 130

HSL 337.89, 0.33%, 0.55%

LAB 52.49, 34.06, -2.16

 

CMYK 0 / 43 / 16 / 30

HEX #B26696

RGB 178 102 150

HSL 322.11, 0.33%, 0.55%

LAB 53.13, 37.12, -12.98

 

CMYK 0 / 43 / 4 / 30

HEX #B266AB

RGB 178 102 171

HSL 305.53, 0.33%, 0.55%

LAB 53.93, 40.75, -24.03

 

CMYK 8 / 43 / 0 / 30

HEX #A466B2

RGB 164 102 178

HSL 288.95, 0.33%, 0.55%

LAB 52.52, 37.73, -30.41

 

CMYK 19 / 43 / 0 / 30

HEX #9066B2

RGB 144 102 178

HSL 273.16, 0.33%, 0.55%

LAB 50.27, 31.64, -34.09

 

CMYK 0 / 43 / 27 / 30

HEX #B26682

RGB 178 102 130

HSL 337.89, 0.33%, 0.55%

LAB 52.49, 34.06, -2.16

 

CMYK 0 / 58 / 36 / 23

HEX #C4537D

RGB 196 83 125

HSL 337.7, 0.49%, 0.55%

LAB 51.16, 49.3, -0.84

 

CMYK 0 / 70 / 44 / 16

HEX #D74178

RGB 215 65 120

HSL 338, 0.65%, 0.55%

LAB 51.36, 62.14, 2.85

 

CMYK 0 / 80 / 51 / 9

HEX #E92E73

RGB 233 46 115

HSL 337.86, 0.81%, 0.55%

LAB 52.42, 72.4, 7.8

 

CMYK 0 / 89 / 56 / 1

HEX #FC1C6E

RGB 252 28 110

HSL 338.04, 0.97%, 0.55%

LAB 54.71, 80.16, 14.57

 

CMYK 0 / 43 / 27 / 30

HEX #B26682

RGB 178 102 130

HSL 337.89, 0.33%, 0.55%

LAB 52.49, 34.06, -2.16

 

CMYK 0 / 25 / 15 / 38

HEX #9F7887

RGB 159 120 135

HSL 336.92, 0.17%, 0.55%

LAB 54.61, 17.66, -2.24

 

CMYK 0 / 1 / 0 / 45

HEX #8C8B8C

RGB 140 139 140

HSL 300, 0%, 0.55%

LAB 57.97, 0.57, -0.41

 

CMYK 23 / 0 / 9 / 38

HEX #7A9E90

RGB 122 158 144

HSL 156.67, 0.16%, 0.55%

LAB 62.17, -15.37, 3.26

 

CMYK 41 / 0 / 15 / 31

HEX #67B095

RGB 103 176 149

HSL 157.81, 0.32%, 0.55%

LAB 66.6, -29.21, 6.72

 

CMYK 0 / 43 / 4 / 30

HEX #B266AB

RGB 178 102 171

HSL 305.53, 0.33%, 0.55%

LAB 53.93, 40.75, -24.03

 

CMYK 0 / 43 / 15 / 30

HEX #B26697

RGB 178 102 151

HSL 321.32, 0.33%, 0.55%

LAB 53.17, 37.29, -13.52

 

CMYK 0 / 43 / 26 / 30

HEX #B26683

RGB 178 102 131

HSL 337.11, 0.33%, 0.55%

LAB 52.52, 34.2, -2.71

 

CMYK 0 / 43 / 38 / 30

HEX #B2666F

RGB 178 102 111

HSL 352.89, 0.33%, 0.55%

LAB 51.97, 31.53, 8.34

 

CMYK 0 / 37 / 43 / 30

HEX #B27166

RGB 178 113 102

HSL 8.68, 0.33%, 0.55%

LAB 54.27, 24.4, 16.83

 

CMYK 0 / 50 / 31 / 49

HEX #83425A

RGB 131 66 90

HSL 337.85, 0.33%, 0.39%

LAB 36.86, 30.8, -1.47

 

CMYK 0 / 50 / 31 / 38

HEX #9F506D

RGB 159 80 109

HSL 337.97, 0.33%, 0.47%

LAB 44.54, 36.1, -1.52

 

CMYK 0 / 43 / 27 / 30

HEX #B26682

RGB 178 102 130

HSL 337.89, 0.33%, 0.55%

LAB 52.49, 34.06, -2.16

 

CMYK 0 / 32 / 20 / 25

HEX #BF8198

RGB 191 129 152

HSL 337.74, 0.33%, 0.63%

LAB 60.82, 27.27, -2.52

 

CMYK 0 / 23 / 15 / 20

HEX #CD9DAF

RGB 205 157 175

HSL 337.5, 0.32%, 0.71%

LAB 69.6, 20.64, -2.42

 

CMYK 0 / 43 / 27 / 31

HEX #B16581

RGB 177 101 129

HSL 337.89, 0.33%, 0.55%

LAB 52.11, 34.09, -2.14

 

CMYK 0 / 8 / 43 / 30

HEX #B2A466

RGB 178 164 102

HSL 48.95, 0.33%, 0.55%

LAB 67.26, -3.82, 33.96

 

CMYK 43 / 10 / 0 / 30

HEX #66A1B2

RGB 102 161 178

HSL 193.42, 0.33%, 0.55%

LAB 62.95, -14.65, -14.83

 

CMYK 0 / 43 / 27 / 31

HEX #B16581

RGB 177 101 129

HSL 337.89, 0.33%, 0.55%

LAB 52.11, 34.09, -2.14

 

CMYK 26 / 0 / 43 / 30

HEX #83B266

RGB 131 178 102

HSL 97.11, 0.33%, 0.55%

LAB 67.74, -29.55, 33.86

 

CMYK 43 / 26 / 0 / 30

HEX #6683B2

RGB 102 131 178

HSL 217.11, 0.33%, 0.55%

LAB 54.31, 2.19, -28.05

 

CMYK 0 / 43 / 27 / 31

HEX #B16581

RGB 177 101 129

HSL 337.89, 0.33%, 0.55%

LAB 52.11, 34.09, -2.14

 

CMYK 0 / 8 / 43 / 30

HEX #B2A466

RGB 178 164 102

HSL 48.95, 0.33%, 0.55%

LAB 67.26, -3.82, 33.96

 

CMYK 43 / 0 / 16 / 30

HEX #66B295

RGB 102 178 149

HSL 157.11, 0.33%, 0.55%

LAB 67.15, -30.45, 7.51

 

CMYK 43 / 35 / 0 / 30

HEX #6674B2

RGB 102 116 178

HSL 228.95, 0.33%, 0.55%

LAB 50.13, 11.15, -34.57

 

CMYK 0 / 43 / 27 / 31

HEX #B16581

RGB 177 101 129

HSL 337.89, 0.33%, 0.55%

LAB 52.11, 34.09, -2.14

 

CMYK 5 / 0 / 43 / 30

HEX #A9B266

RGB 169 178 102

HSL 67.11, 0.33%, 0.55%

LAB 70.34, -14.87, 37.69

 

CMYK 43 / 0 / 16 / 30

HEX #66B295

RGB 102 178 149

HSL 157.11, 0.33%, 0.55%

LAB 67.15, -30.45, 7.51

 

CMYK 38 / 43 / 0 / 30

HEX #6F66B2

RGB 111 102 178

HSL 247.11, 0.33%, 0.55%

LAB 47.1, 22.11, -39.3

 

Description

Color code: RGB 177 101 129 | qconv.com Color code: RGB 177 101 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 101 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 101 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 27 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 27% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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