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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 111 41 it is the complementary color RGB 78 144 214. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 111 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 177 111 41 shade: RGB 182 111 36, RGB 199 129 55, RGB 216 147 74, RGB 233 165 93 and RGB 250 183 112

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 111 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 177 111 41 shade: RGB 177 111 41, RGB 160 93 22, RGB 143 75 3, RGB 126 57 0 and RGB 109 39 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 177 111 41 shade: RGB 177 111 41, RGB 177 74 41 and RGB 177 41 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 177 111 41 shade: RGB 177 111 41, RGB 177 148 41, RGB 170 177 41, RGB 133 177 41 and RGB 96 177 41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 177 111 41 shade matches the following richer shades: RGB 177 111 41, RGB 195 112 23 and RGB 213 112 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 177 111 41 shade: RGB 177 111 41, RGB 159 111 59, RGB 142 110 77, RGB 124 110 94 and RGB 106 109 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 177 111 41 shade: RGB 177 41 46, RGB 177 73 41, RGB 177 109 41, RGB 177 145 41 and RGB 173 177 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 177 111 41 shade: RGB 110 69 25, RGB 144 90 33, RGB 177 111 41, RGB 207 132 52 and RGB 215 152 86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 177 111 41 shade: RGB 177 111 41, RGB 82 177 41 and RGB 55 41 177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 177 111 41 shade: RGB 177 111 41, RGB 41 177 109 and RGB 109 41 177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 177 111 41 shade: RGB 177 111 41, RGB 82 177 41, RGB 41 109 177 and RGB 136 41 177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 177 111 41 shade: RGB 177 111 41, RGB 41 177 41, RGB 41 109 177 and RGB 177 41 177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 77 / 31

HEX #B16F29

RGB 177 111 41

HSL 30.88, 0.62%, 0.43%

LAB 52.81, 20.36, 47.74

 

Complementary color

CMYK 64 / 33 / 0 / 16

HEX #4E90D6

RGB 78 144 214

HSL 210.88, 0.62%, 0.57%

LAB 58.43, 0.6, -42.1

 

CMYK 0 / 39 / 80 / 29

HEX #B66F24

RGB 182 111 36

HSL 30.82, 0.67%, 0.43%

LAB 53.43, 22.35, 50.69

 

CMYK 0 / 35 / 72 / 22

HEX #C78137

RGB 199 129 55

HSL 30.83, 0.57%, 0.5%

LAB 60, 20.6, 49.59

 

CMYK 0 / 32 / 66 / 15

HEX #D8934A

RGB 216 147 74

HSL 30.85, 0.65%, 0.57%

LAB 66.49, 19.1, 48.2

 

CMYK 0 / 29 / 60 / 9

HEX #E9A55D

RGB 233 165 93

HSL 30.86, 0.76%, 0.64%

LAB 72.91, 17.79, 46.74

 

CMYK 0 / 27 / 55 / 2

HEX #FAB770

RGB 250 183 112

HSL 30.87, 0.93%, 0.71%

LAB 79.25, 16.65, 45.3

 

CMYK 0 / 37 / 77 / 31

HEX #B16F29

RGB 177 111 41

HSL 30.88, 0.62%, 0.43%

LAB 52.81, 20.36, 47.74

 

CMYK 0 / 42 / 86 / 37

HEX #A05D16

RGB 160 93 22

HSL 30.87, 0.76%, 0.36%

LAB 46.12, 22.29, 48.46

 

CMYK 0 / 48 / 98 / 44

HEX #8F4B03

RGB 143 75 3

HSL 30.86, 0.96%, 0.29%

LAB 39.37, 24.49, 48.01

 

CMYK 0 / 55 / 100 / 51

HEX #7E3900

RGB 126 57 0

HSL 27.14, 1%, 0.25%

LAB 32.62, 27.02, 43.5

 

CMYK 0 / 64 / 100 / 57

HEX #6D2700

RGB 109 39 0

HSL 21.47, 1%, 0.21%

LAB 25.87, 29.43, 36.92

 

CMYK 0 / 37 / 77 / 31

HEX #B16F29

RGB 177 111 41

HSL 30.88, 0.62%, 0.43%

LAB 52.81, 20.36, 47.74

 

CMYK 0 / 58 / 77 / 31

HEX #B14A29

RGB 177 74 41

HSL 14.56, 0.62%, 0.43%

LAB 44.81, 40.07, 39.64

 

CMYK 0 / 77 / 77 / 31

HEX #B12929

RGB 177 41 41

HSL 0, 0.62%, 0.43%

LAB 39.74, 53.76, 34.25

 

CMYK 0 / 37 / 77 / 31

HEX #B16F29

RGB 177 111 41

HSL 30.88, 0.62%, 0.43%

LAB 52.81, 20.36, 47.74

 

CMYK 0 / 16 / 77 / 31

HEX #B19429

RGB 177 148 41

HSL 47.21, 0.62%, 0.43%

LAB 62.24, -0.18, 56.79

 

CMYK 4 / 0 / 77 / 31

HEX #AAB129

RGB 170 177 41

HSL 63.09, 0.62%, 0.43%

LAB 69.58, -18.51, 63.35

 

CMYK 25 / 0 / 77 / 31

HEX #85B129

RGB 133 177 41

HSL 79.41, 0.62%, 0.43%

LAB 66.97, -33.9, 59.98

 

CMYK 46 / 0 / 77 / 31

HEX #60B129

RGB 96 177 41

HSL 95.74, 0.62%, 0.43%

LAB 65.03, -47.28, 57.46

 

CMYK 0 / 37 / 77 / 31

HEX #B16F29

RGB 177 111 41

HSL 30.88, 0.62%, 0.43%

LAB 52.81, 20.36, 47.74

 

CMYK 0 / 43 / 88 / 24

HEX #C37017

RGB 195 112 23

HSL 31.05, 0.79%, 0.43%

LAB 55.33, 27.02, 57.63

 

CMYK 0 / 47 / 97 / 16

HEX #D57006

RGB 213 112 6

HSL 30.72, 0.95%, 0.43%

LAB 57.8, 34.28, 64.33

 

CMYK 0 / 37 / 77 / 31

HEX #B16F29

RGB 177 111 41

HSL 30.88, 0.62%, 0.43%

LAB 52.81, 20.36, 47.74

 

CMYK 0 / 30 / 63 / 38

HEX #9F6F3B

RGB 159 111 59

HSL 31.2, 0.46%, 0.43%

LAB 50.75, 13.45, 36.05

 

CMYK 0 / 23 / 46 / 44

HEX #8E6E4D

RGB 142 110 77

HSL 30.46, 0.3%, 0.43%

LAB 48.81, 8.16, 23.24

 

CMYK 0 / 11 / 24 / 51

HEX #7C6E5E

RGB 124 110 94

HSL 32, 0.14%, 0.43%

LAB 47.29, 2.73, 10.93

 

CMYK 5 / 3 / 0 / 56

HEX #6A6D70

RGB 106 109 112

HSL 210, 0.03%, 0.43%

LAB 45.87, -0.51, -2.08

 

CMYK 0 / 77 / 74 / 31

HEX #B1292E

RGB 177 41 46

HSL 357.79, 0.62%, 0.43%

LAB 39.8, 53.97, 31.37

 

CMYK 0 / 59 / 77 / 31

HEX #B14929

RGB 177 73 41

HSL 14.12, 0.62%, 0.43%

LAB 44.62, 40.56, 39.45

 

CMYK 0 / 38 / 77 / 31

HEX #B16D29

RGB 177 109 41

HSL 30, 0.62%, 0.43%

LAB 52.34, 21.48, 47.27

 

CMYK 0 / 18 / 77 / 31

HEX #B19129

RGB 177 145 41

HSL 45.88, 0.62%, 0.43%

LAB 61.44, 1.46, 56.04

 

CMYK 2 / 0 / 77 / 31

HEX #ADB129

RGB 173 177 41

HSL 61.76, 0.62%, 0.43%

LAB 69.82, -17.22, 63.65

 

CMYK 0 / 37 / 77 / 57

HEX #6E4519

RGB 110 69 25

HSL 31.06, 0.63%, 0.26%

LAB 33.22, 13.45, 32.68

 

CMYK 0 / 38 / 77 / 44

HEX #905A21

RGB 144 90 33

HSL 30.81, 0.63%, 0.35%

LAB 43.29, 17.22, 40.48

 

CMYK 0 / 37 / 77 / 31

HEX #B16F29

RGB 177 111 41

HSL 30.88, 0.62%, 0.43%

LAB 52.81, 20.36, 47.74

 

CMYK 0 / 36 / 75 / 19

HEX #CF8434

RGB 207 132 52

HSL 30.97, 0.62%, 0.51%

LAB 61.67, 22.25, 52.96

 

CMYK 0 / 29 / 60 / 16

HEX #D79856

RGB 215 152 86

HSL 30.7, 0.62%, 0.59%

LAB 67.71, 16.78, 43.62

 

CMYK 0 / 37 / 77 / 31

HEX #B16F29

RGB 177 111 41

HSL 30.88, 0.62%, 0.43%

LAB 52.81, 20.36, 47.74

 

CMYK 54 / 0 / 77 / 31

HEX #52B129

RGB 82 177 41

HSL 101.91, 0.62%, 0.43%

LAB 64.48, -51.5, 56.74

 

CMYK 69 / 77 / 0 / 31

HEX #3729B1

RGB 55 41 177

HSL 246.18, 0.62%, 0.43%

LAB 28.31, 47.43, -69.34

 

CMYK 0 / 37 / 77 / 31

HEX #B16F29

RGB 177 111 41

HSL 30.88, 0.62%, 0.43%

LAB 52.81, 20.36, 47.74

 

CMYK 77 / 0 / 38 / 31

HEX #29B16D

RGB 41 177 109

HSL 150, 0.62%, 0.43%

LAB 64.18, -51.22, 24.89

 

CMYK 38 / 77 / 0 / 31

HEX #6D29B1

RGB 109 41 177

HSL 270, 0.62%, 0.43%

LAB 34.01, 54.87, -59.77

 

CMYK 0 / 37 / 77 / 31

HEX #B16F29

RGB 177 111 41

HSL 30.88, 0.62%, 0.43%

LAB 52.81, 20.36, 47.74

 

CMYK 54 / 0 / 77 / 31

HEX #52B129

RGB 82 177 41

HSL 101.91, 0.62%, 0.43%

LAB 64.48, -51.5, 56.74

 

CMYK 77 / 38 / 0 / 31

HEX #296DB1

RGB 41 109 177

HSL 210, 0.62%, 0.43%

LAB 45.06, 2.87, -42.2

 

CMYK 23 / 77 / 0 / 31

HEX #8829B1

RGB 136 41 177

HSL 281.91, 0.62%, 0.43%

LAB 37.83, 59.71, -53.38

 

CMYK 0 / 37 / 77 / 31

HEX #B16F29

RGB 177 111 41

HSL 30.88, 0.62%, 0.43%

LAB 52.81, 20.36, 47.74

 

CMYK 77 / 0 / 77 / 31

HEX #29B129

RGB 41 177 41

HSL 120, 0.62%, 0.43%

LAB 63.41, -60.35, 55.32

 

CMYK 77 / 38 / 0 / 31

HEX #296DB1

RGB 41 109 177

HSL 210, 0.62%, 0.43%

LAB 45.06, 2.87, -42.2

 

CMYK 0 / 77 / 0 / 31

HEX #B129B1

RGB 177 41 177

HSL 300, 0.62%, 0.43%

LAB 44.39, 67.83, -42.51

 

Description

Color code: RGB 177 111 41 | qconv.com Color code: RGB 177 111 41 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 111 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 111 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 77 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 77% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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