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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 126 150 it is the complementary color RGB 78 129 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 126 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 177 126 150 shade: RGB 182 126 145, RGB 199 144 164, RGB 216 162 183, RGB 233 180 202 and RGB 250 198 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 126 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 177 126 150 shade: RGB 177 126 150, RGB 160 108 131, RGB 143 90 112, RGB 126 72 93 and RGB 109 54 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 177 126 150 shade: RGB 176 124 148, RGB 176 124 134 and RGB 176 124 124

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 177 126 150 shade: RGB 176 124 148, RGB 176 124 163, RGB 176 124 176, RGB 161 124 176 and RGB 147 124 176

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 177 126 150 shade matches the following richer shades: RGB 176 124 148, RGB 193 107 147, RGB 210 90 146, RGB 227 73 145 and RGB 244 56 144

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 177 126 150 shade: RGB 176 124 148, RGB 159 141 149, RGB 142 158 150, RGB 125 175 151 and RGB 108 191 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 177 126 150 shade: RGB 175 124 176, RGB 176 124 163, RGB 176 124 149, RGB 176 124 135 and RGB 176 126 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 177 126 150 shade: RGB 136 81 107, RGB 161 98 127, RGB 176 124 148, RGB 192 150 169 and RGB 207 175 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 177 126 150 shade: RGB 177 126 150, RGB 176 161 124 and RGB 124 170 176

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 177 126 150 shade: RGB 177 126 150, RGB 149 176 124 and RGB 124 149 176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 177 126 150 shade: RGB 177 126 150, RGB 176 161 124, RGB 124 176 151 and RGB 124 139 176

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 177 126 150 shade: RGB 177 126 150, RGB 175 176 124, RGB 124 176 151 and RGB 125 124 176

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 15 / 31

HEX #B17E96

RGB 177 126 150

HSL 331.76, 0.25%, 0.59%

LAB 58.48, 23.49, -5

 

Complementary color

CMYK 40 / 0 / 19 / 49

HEX #4E8169

RGB 78 129 105

HSL 151.76, 0.25%, 0.41%

LAB 49.91, -22.93, 7.67

 

CMYK 0 / 31 / 20 / 29

HEX #B67E91

RGB 182 126 145

HSL 339.64, 0.28%, 0.6%

LAB 58.89, 24.53, -1.45

 

CMYK 0 / 28 / 18 / 22

HEX #C790A4

RGB 199 144 164

HSL 338.18, 0.33%, 0.67%

LAB 65.57, 23.81, -2.26

 

CMYK 0 / 25 / 15 / 15

HEX #D8A2B7

RGB 216 162 183

HSL 336.67, 0.41%, 0.74%

LAB 72.13, 23.16, -3

 

CMYK 0 / 23 / 13 / 9

HEX #E9B4CA

RGB 233 180 202

HSL 335.09, 0.55%, 0.81%

LAB 78.6, 22.57, -3.69

 

CMYK 0 / 21 / 12 / 2

HEX #FAC6DD

RGB 250 198 221

HSL 333.46, 0.84%, 0.88%

LAB 84.96, 22.02, -4.35

 

CMYK 0 / 29 / 15 / 31

HEX #B17E96

RGB 177 126 150

HSL 331.76, 0.25%, 0.59%

LAB 58.48, 23.49, -5

 

CMYK 0 / 33 / 18 / 37

HEX #A06C83

RGB 160 108 131

HSL 333.46, 0.21%, 0.53%

LAB 51.65, 24.23, -4.24

 

CMYK 0 / 37 / 22 / 44

HEX #8F5A70

RGB 143 90 112

HSL 335.09, 0.23%, 0.46%

LAB 44.69, 25.05, -3.37

 

CMYK 0 / 43 / 26 / 51

HEX #7E485D

RGB 126 72 93

HSL 336.67, 0.27%, 0.39%

LAB 37.59, 25.94, -2.36

 

CMYK 0 / 50 / 32 / 57

HEX #6D364A

RGB 109 54 74

HSL 338.18, 0.34%, 0.32%

LAB 30.36, 26.89, -1.11

 

CMYK 0 / 30 / 16 / 31

HEX #B07C94

RGB 176 124 148

HSL 332.31, 0.25%, 0.59%

LAB 57.83, 23.92, -4.82

 

CMYK 0 / 30 / 24 / 31

HEX #B07C86

RGB 176 124 134

HSL 348.46, 0.25%, 0.59%

LAB 57.43, 21.69, 2.68

 

CMYK 0 / 30 / 30 / 31

HEX #B07C7C

RGB 176 124 124

HSL 0, 0.25%, 0.59%

LAB 57.17, 20.24, 8.1

 

CMYK 0 / 30 / 16 / 31

HEX #B07C94

RGB 176 124 148

HSL 332.31, 0.25%, 0.59%

LAB 57.83, 23.92, -4.82

 

CMYK 0 / 30 / 7 / 31

HEX #B07CA3

RGB 176 124 163

HSL 315, 0.25%, 0.59%

LAB 58.31, 26.52, -12.75

 

CMYK 0 / 30 / 0 / 31

HEX #B07CB0

RGB 176 124 176

HSL 300, 0.25%, 0.59%

LAB 58.77, 28.95, -19.51

 

CMYK 9 / 30 / 0 / 31

HEX #A17CB0

RGB 161 124 176

HSL 282.69, 0.25%, 0.59%

LAB 57.2, 23.94, -22.06

 

CMYK 16 / 30 / 0 / 31

HEX #937CB0

RGB 147 124 176

HSL 266.54, 0.25%, 0.59%

LAB 55.84, 19.34, -24.26

 

CMYK 0 / 30 / 16 / 31

HEX #B07C94

RGB 176 124 148

HSL 332.31, 0.25%, 0.59%

LAB 57.83, 23.92, -4.82

 

CMYK 0 / 45 / 24 / 24

HEX #C16B93

RGB 193 107 147

HSL 332.09, 0.41%, 0.59%

LAB 56.05, 39.15, -6.66

 

CMYK 0 / 57 / 30 / 18

HEX #D25A92

RGB 210 90 146

HSL 332, 0.57%, 0.59%

LAB 55.16, 53.08, -7.13

 

CMYK 0 / 68 / 36 / 11

HEX #E34991

RGB 227 73 145

HSL 331.95, 0.73%, 0.59%

LAB 55.22, 65.12, -6.17

 

CMYK 0 / 77 / 41 / 4

HEX #F43890

RGB 244 56 144

HSL 331.91, 0.9%, 0.59%

LAB 56.16, 75.03, -3.85

 

CMYK 0 / 30 / 16 / 31

HEX #B07C94

RGB 176 124 148

HSL 332.31, 0.25%, 0.59%

LAB 57.83, 23.92, -4.82

 

CMYK 0 / 11 / 6 / 38

HEX #9F8D95

RGB 159 141 149

HSL 333.33, 0.09%, 0.59%

LAB 60.42, 8.17, -1.78

 

CMYK 10 / 0 / 5 / 38

HEX #8E9E96

RGB 142 158 150

HSL 150, 0.08%, 0.59%

LAB 63.68, -7.27, 2.24

 

CMYK 29 / 0 / 14 / 31

HEX #7DAF97

RGB 125 175 151

HSL 151.2, 0.24%, 0.59%

LAB 67.47, -21.73, 7.01

 

CMYK 43 / 0 / 20 / 25

HEX #6CBF98

RGB 108 191 152

HSL 151.81, 0.39%, 0.59%

LAB 71.36, -34.31, 11.89

 

CMYK 1 / 30 / 0 / 31

HEX #AF7CB0

RGB 175 124 176

HSL 298.85, 0.25%, 0.59%

LAB 58.66, 28.62, -19.69

 

CMYK 0 / 30 / 7 / 31

HEX #B07CA3

RGB 176 124 163

HSL 315, 0.25%, 0.59%

LAB 58.31, 26.52, -12.75

 

CMYK 0 / 30 / 15 / 31

HEX #B07C95

RGB 176 124 149

HSL 331.15, 0.25%, 0.59%

LAB 57.86, 24.08, -5.36

 

CMYK 0 / 30 / 23 / 31

HEX #B07C87

RGB 176 124 135

HSL 347.31, 0.25%, 0.59%

LAB 57.46, 21.85, 2.14

 

CMYK 0 / 28 / 30 / 31

HEX #B07E7C

RGB 176 126 124

HSL 2.31, 0.25%, 0.59%

LAB 57.66, 19.11, 8.79

 

CMYK 0 / 40 / 21 / 47

HEX #88516B

RGB 136 81 107

HSL 331.64, 0.25%, 0.43%

LAB 41.5, 26.78, -5.13

 

CMYK 0 / 39 / 21 / 37

HEX #A1627F

RGB 161 98 127

HSL 332.38, 0.25%, 0.51%

LAB 49.31, 29.61, -5.32

 

CMYK 0 / 30 / 16 / 31

HEX #B07C94

RGB 176 124 148

HSL 332.31, 0.25%, 0.59%

LAB 57.83, 23.92, -4.82

 

CMYK 0 / 22 / 12 / 25

HEX #C096A9

RGB 192 150 169

HSL 332.86, 0.25%, 0.67%

LAB 66.43, 18.78, -3.89

 

CMYK 0 / 15 / 8 / 19

HEX #CFAFBE

RGB 207 175 190

HSL 331.88, 0.25%, 0.75%

LAB 74.6, 14.07, -3.32

 

CMYK 0 / 29 / 15 / 31

HEX #B17E96

RGB 177 126 150

HSL 331.76, 0.25%, 0.59%

LAB 58.48, 23.49, -5

 

CMYK 0 / 9 / 30 / 31

HEX #B0A17C

RGB 176 161 124

HSL 42.69, 0.25%, 0.59%

LAB 66.65, -0.33, 21.28

 

CMYK 30 / 3 / 0 / 31

HEX #7CAAB0

RGB 124 170 176

HSL 186.92, 0.25%, 0.59%

LAB 66.65, -13.84, -8.06

 

CMYK 0 / 29 / 15 / 31

HEX #B17E96

RGB 177 126 150

HSL 331.76, 0.25%, 0.59%

LAB 58.48, 23.49, -5

 

CMYK 15 / 0 / 30 / 31

HEX #95B07C

RGB 149 176 124

HSL 91.15, 0.25%, 0.59%

LAB 68.68, -18.75, 23.67

 

CMYK 30 / 15 / 0 / 31

HEX #7C95B0

RGB 124 149 176

HSL 211.15, 0.25%, 0.59%

LAB 60.71, -2.37, -16.99

 

CMYK 0 / 29 / 15 / 31

HEX #B17E96

RGB 177 126 150

HSL 331.76, 0.25%, 0.59%

LAB 58.48, 23.49, -5

 

CMYK 0 / 9 / 30 / 31

HEX #B0A17C

RGB 176 161 124

HSL 42.69, 0.25%, 0.59%

LAB 66.65, -0.33, 21.28

 

CMYK 30 / 0 / 14 / 31

HEX #7CB097

RGB 124 176 151

HSL 151.15, 0.25%, 0.59%

LAB 67.7, -22.55, 7.34

 

CMYK 30 / 21 / 0 / 31

HEX #7C8BB0

RGB 124 139 176

HSL 222.69, 0.25%, 0.59%

LAB 57.93, 3.33, -21.22

 

CMYK 0 / 29 / 15 / 31

HEX #B17E96

RGB 177 126 150

HSL 331.76, 0.25%, 0.59%

LAB 58.48, 23.49, -5

 

CMYK 1 / 0 / 30 / 31

HEX #AFB07C

RGB 175 176 124

HSL 61.15, 0.25%, 0.59%

LAB 70.61, -8.75, 26.59

 

CMYK 30 / 0 / 14 / 31

HEX #7CB097

RGB 124 176 151

HSL 151.15, 0.25%, 0.59%

LAB 67.7, -22.55, 7.34

 

CMYK 29 / 30 / 0 / 31

HEX #7D7CB0

RGB 125 124 176

HSL 241.15, 0.25%, 0.59%

LAB 53.93, 12.4, -27.36

 

Description

Color code: RGB 177 126 150 | qconv.com Color code: RGB 177 126 150 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 126 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 126 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 15 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 15% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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