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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 148 77 it is the complementary color RGB 78 107 178. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 148 77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 177 148 77 shade: RGB 182 148 72, RGB 199 166 91, RGB 216 184 110, RGB 233 202 129 and RGB 250 220 148

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 148 77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 177 148 77 shade: RGB 177 148 77, RGB 160 130 58, RGB 143 112 39, RGB 126 94 20 and RGB 109 76 1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 177 148 77 shade: RGB 177 148 77, RGB 177 121 77, RGB 177 94 77 and RGB 177 77 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 177 148 77 shade: RGB 177 148 77, RGB 177 175 77, RGB 152 177 77, RGB 125 177 77 and RGB 98 177 77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 177 148 77 shade matches the following richer shades: RGB 177 148 77, RGB 197 157 57, RGB 218 165 36 and RGB 239 174 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 177 148 77 shade: RGB 177 148 77, RGB 156 139 98, RGB 135 131 119, RGB 115 122 139 and RGB 94 113 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 177 148 77 shade: RGB 177 94 77, RGB 177 120 77, RGB 177 147 77, RGB 177 173 77 and RGB 154 177 77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 177 148 77 shade: RGB 119 100 52, RGB 148 124 65, RGB 177 148 77, RGB 189 165 106 and RGB 202 182 135

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 177 148 77 shade: RGB 177 148 77, RGB 87 177 77 and RGB 107 77 177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 177 148 77 shade: RGB 177 148 77, RGB 77 177 147 and RGB 147 77 177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 177 148 77 shade: RGB 177 148 77, RGB 87 177 77, RGB 77 107 177 and RGB 167 77 177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 177 148 77 shade: RGB 177 148 77, RGB 77 177 97, RGB 77 107 177 and RGB 177 77 157

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 56 / 31

HEX #B1944D

RGB 177 148 77

HSL 42.6, 0.39%, 0.5%

LAB 62.56, 2.04, 41.1

 

Complementary color

CMYK 56 / 40 / 0 / 30

HEX #4E6BB2

RGB 78 107 178

HSL 222.6, 0.39%, 0.5%

LAB 46.11, 10.85, -41.02

 

CMYK 0 / 19 / 60 / 29

HEX #B69448

RGB 182 148 72

HSL 41.45, 0.43%, 0.5%

LAB 63, 3.82, 44.23

 

CMYK 0 / 17 / 54 / 22

HEX #C7A65B

RGB 199 166 91

HSL 41.67, 0.49%, 0.57%

LAB 69.59, 2.87, 42.94

 

CMYK 0 / 15 / 49 / 15

HEX #D8B86E

RGB 216 184 110

HSL 41.89, 0.58%, 0.64%

LAB 76.07, 2.06, 41.64

 

CMYK 0 / 13 / 45 / 9

HEX #E9CA81

RGB 233 202 129

HSL 42.12, 0.7%, 0.71%

LAB 82.46, 1.37, 40.37

 

CMYK 0 / 12 / 41 / 2

HEX #FADC94

RGB 250 220 148

HSL 42.35, 0.91%, 0.78%

LAB 88.76, 0.78, 39.16

 

CMYK 0 / 16 / 56 / 31

HEX #B1944D

RGB 177 148 77

HSL 42.6, 0.39%, 0.5%

LAB 62.56, 2.04, 41.1

 

CMYK 0 / 19 / 64 / 37

HEX #A0823A

RGB 160 130 58

HSL 42.35, 0.47%, 0.43%

LAB 55.83, 3.06, 42.37

 

CMYK 0 / 22 / 73 / 44

HEX #8F7027

RGB 143 112 39

HSL 42.12, 0.57%, 0.36%

LAB 48.98, 4.32, 43.45

 

CMYK 0 / 25 / 84 / 51

HEX #7E5E14

RGB 126 94 20

HSL 41.89, 0.73%, 0.29%

LAB 41.99, 5.9, 43.89

 

CMYK 0 / 30 / 99 / 57

HEX #6D4C01

RGB 109 76 1

HSL 41.67, 0.98%, 0.22%

LAB 34.85, 7.85, 43.34

 

CMYK 0 / 16 / 56 / 31

HEX #B1944D

RGB 177 148 77

HSL 42.6, 0.39%, 0.5%

LAB 62.56, 2.04, 41.1

 

CMYK 0 / 32 / 56 / 31

HEX #B1794D

RGB 177 121 77

HSL 26.4, 0.39%, 0.5%

LAB 55.64, 17.05, 32.74

 

CMYK 0 / 47 / 56 / 31

HEX #B15E4D

RGB 177 94 77

HSL 10.2, 0.39%, 0.5%

LAB 49.36, 31.98, 24.81

 

CMYK 0 / 56 / 56 / 31

HEX #B14D4D

RGB 177 77 77

HSL 0, 0.39%, 0.5%

LAB 45.89, 40.79, 20.29

 

CMYK 0 / 16 / 56 / 31

HEX #B1944D

RGB 177 148 77

HSL 42.6, 0.39%, 0.5%

LAB 62.56, 2.04, 41.1

 

CMYK 0 / 1 / 56 / 31

HEX #B1AF4D

RGB 177 175 77

HSL 58.8, 0.39%, 0.5%

LAB 69.85, -12.36, 49.51

 

CMYK 14 / 0 / 56 / 31

HEX #98B14D

RGB 152 177 77

HSL 75, 0.39%, 0.5%

LAB 68.5, -23.76, 47.46

 

CMYK 29 / 0 / 56 / 31

HEX #7DB14D

RGB 125 177 77

HSL 91.2, 0.39%, 0.5%

LAB 66.78, -34.24, 45.03

 

CMYK 45 / 0 / 56 / 31

HEX #62B14D

RGB 98 177 77

HSL 107.4, 0.39%, 0.5%

LAB 65.42, -43.49, 43.09

 

CMYK 0 / 16 / 56 / 31

HEX #B1944D

RGB 177 148 77

HSL 42.6, 0.39%, 0.5%

LAB 62.56, 2.04, 41.1

 

CMYK 0 / 20 / 71 / 23

HEX #C59D39

RGB 197 157 57

HSL 42.86, 0.55%, 0.5%

LAB 66.73, 4.56, 55.57

 

CMYK 0 / 24 / 83 / 15

HEX #DAA524

RGB 218 165 36

HSL 42.53, 0.72%, 0.5%

LAB 70.83, 8.63, 67.67

 

CMYK 0 / 27 / 94 / 6

HEX #EFAE0F

RGB 239 174 15

HSL 42.59, 0.88%, 0.5%

LAB 75.24, 12.55, 76.56

 

CMYK 0 / 16 / 56 / 31

HEX #B1944D

RGB 177 148 77

HSL 42.6, 0.39%, 0.5%

LAB 62.56, 2.04, 41.1

 

CMYK 0 / 11 / 37 / 39

HEX #9C8B62

RGB 156 139 98

HSL 42.41, 0.23%, 0.5%

LAB 58.43, 0.17, 24.28

 

CMYK 0 / 3 / 12 / 47

HEX #878377

RGB 135 131 119

HSL 45, 0.06%, 0.5%

LAB 54.78, -0.72, 7.02

 

CMYK 17 / 12 / 0 / 45

HEX #737A8B

RGB 115 122 139

HSL 222.5, 0.09%, 0.5%

LAB 51.18, 1.17, -10.11

 

CMYK 41 / 29 / 0 / 37

HEX #5E71A0

RGB 94 113 160

HSL 222.73, 0.26%, 0.5%

LAB 47.92, 5.48, -27.58

 

CMYK 0 / 47 / 56 / 31

HEX #B15E4D

RGB 177 94 77

HSL 10.2, 0.39%, 0.5%

LAB 49.36, 31.98, 24.81

 

CMYK 0 / 32 / 56 / 31

HEX #B1784D

RGB 177 120 77

HSL 25.8, 0.39%, 0.5%

LAB 55.4, 17.61, 32.44

 

CMYK 0 / 17 / 56 / 31

HEX #B1934D

RGB 177 147 77

HSL 42, 0.39%, 0.5%

LAB 62.3, 2.59, 40.78

 

CMYK 0 / 2 / 56 / 31

HEX #B1AD4D

RGB 177 173 77

HSL 57.6, 0.39%, 0.5%

LAB 69.31, -11.32, 48.89

 

CMYK 13 / 0 / 56 / 31

HEX #9AB14D

RGB 154 177 77

HSL 73.8, 0.39%, 0.5%

LAB 68.64, -22.94, 47.66

 

CMYK 0 / 16 / 56 / 53

HEX #776434

RGB 119 100 52

HSL 42.99, 0.39%, 0.34%

LAB 43.19, 1.06, 29.77

 

CMYK 0 / 16 / 56 / 42

HEX #947C41

RGB 148 124 65

HSL 42.65, 0.39%, 0.42%

LAB 53.05, 1.61, 35.29

 

CMYK 0 / 16 / 56 / 31

HEX #B1944D

RGB 177 148 77

HSL 42.6, 0.39%, 0.5%

LAB 62.56, 2.04, 41.1

 

CMYK 0 / 13 / 44 / 26

HEX #BDA56A

RGB 189 165 106

HSL 42.65, 0.39%, 0.58%

LAB 68.58, 0.64, 33.75

 

CMYK 0 / 10 / 33 / 21

HEX #CAB687

RGB 202 182 135

HSL 42.09, 0.39%, 0.66%

LAB 74.67, 0.18, 26.56

 

CMYK 0 / 16 / 56 / 31

HEX #B1944D

RGB 177 148 77

HSL 42.6, 0.39%, 0.5%

LAB 62.56, 2.04, 41.1

 

CMYK 51 / 0 / 56 / 31

HEX #57B14D

RGB 87 177 77

HSL 114, 0.39%, 0.5%

LAB 64.97, -46.76, 42.45

 

CMYK 40 / 56 / 0 / 31

HEX #6B4DB1

RGB 107 77 177

HSL 258, 0.39%, 0.5%

LAB 40.59, 35.88, -49.12

 

CMYK 0 / 16 / 56 / 31

HEX #B1944D

RGB 177 148 77

HSL 42.6, 0.39%, 0.5%

LAB 62.56, 2.04, 41.1

 

CMYK 56 / 0 / 17 / 31

HEX #4DB193

RGB 77 177 147

HSL 162, 0.39%, 0.5%

LAB 65.85, -36.55, 6.62

 

CMYK 17 / 56 / 0 / 31

HEX #934DB1

RGB 147 77 177

HSL 282, 0.39%, 0.5%

LAB 45.2, 46.07, -41.49

 

CMYK 0 / 16 / 56 / 31

HEX #B1944D

RGB 177 148 77

HSL 42.6, 0.39%, 0.5%

LAB 62.56, 2.04, 41.1

 

CMYK 51 / 0 / 56 / 31

HEX #57B14D

RGB 87 177 77

HSL 114, 0.39%, 0.5%

LAB 64.97, -46.76, 42.45

 

CMYK 56 / 40 / 0 / 31

HEX #4D6BB1

RGB 77 107 177

HSL 222, 0.39%, 0.5%

LAB 46, 10.3, -40.62

 

CMYK 6 / 56 / 0 / 31

HEX #A74DB1

RGB 167 77 177

HSL 294, 0.39%, 0.5%

LAB 47.88, 51.42, -37.08

 

CMYK 0 / 16 / 56 / 31

HEX #B1944D

RGB 177 148 77

HSL 42.6, 0.39%, 0.5%

LAB 62.56, 2.04, 41.1

 

CMYK 56 / 0 / 45 / 31

HEX #4DB161

RGB 77 177 97

HSL 132, 0.39%, 0.5%

LAB 64.87, -46.6, 32.28

 

CMYK 56 / 40 / 0 / 31

HEX #4D6BB1

RGB 77 107 177

HSL 222, 0.39%, 0.5%

LAB 46, 10.3, -40.62

 

CMYK 0 / 56 / 11 / 31

HEX #B14D9D

RGB 177 77 157

HSL 312, 0.39%, 0.5%

LAB 48.37, 50.69, -24.41

 

Description

Color code: RGB 177 148 77 | qconv.com Color code: RGB 177 148 77 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 148 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 148 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 56 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 56% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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