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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 25 189 it is the complementary color RGB 78 230 66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 25 189. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 177 25 189 shade: RGB 182 25 184, RGB 199 43 203, RGB 216 61 222, RGB 233 79 241 and RGB 250 97 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 25 189. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 177 25 189 shade: RGB 177 25 189, RGB 160 7 170, RGB 143 0 151, RGB 126 0 132 and RGB 109 0 113

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 177 25 189 shade: RGB 177 24 189, RGB 189 24 157, RGB 189 24 112, RGB 189 24 68 and RGB 189 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 177 25 189 shade: RGB 177 24 189, RGB 133 24 189, RGB 88 24 189, RGB 44 24 189 and RGB 24 24 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 177 25 189 shade matches the following richer shades: RGB 177 24 189 and RGB 192 7 206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 177 25 189 shade: RGB 177 24 189, RGB 162 41 172, RGB 147 59 154, RGB 133 76 137 and RGB 118 93 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 177 25 189 shade: RGB 87 24 189, RGB 131 24 189, RGB 175 24 189, RGB 189 24 159 and RGB 189 24 115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 177 25 189 shade: RGB 109 15 116, RGB 143 19 153, RGB 177 24 189, RGB 211 29 225 and RGB 218 66 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 177 25 189 shade: RGB 177 25 189, RGB 189 43 24 and RGB 24 189 109

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 177 25 189 shade: RGB 177 25 189, RGB 189 175 24 and RGB 24 189 175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 177 25 189 shade: RGB 177 25 189, RGB 189 43 24, RGB 38 189 24 and RGB 24 170 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 177 25 189 shade: RGB 177 25 189, RGB 189 93 24, RGB 38 189 24 and RGB 24 120 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 87 / 0 / 26

HEX #B119BD

RGB 177 25 189

HSL 295.61, 0.77%, 0.42%

LAB 43.82, 73.5, -50.47

 

Complementary color

CMYK 66 / 0 / 71 / 10

HEX #4EE642

RGB 78 230 66

HSL 115.61, 0.77%, 0.58%

LAB 81.07, -69.07, 64.64

 

CMYK 1 / 86 / 0 / 28

HEX #B619B8

RGB 182 25 184

HSL 299.25, 0.76%, 0.41%

LAB 44.38, 73.59, -46.6

 

CMYK 2 / 79 / 0 / 20

HEX #C72BCB

RGB 199 43 203

HSL 298.5, 0.65%, 0.48%

LAB 49.72, 75.79, -48.97

 

CMYK 3 / 73 / 0 / 13

HEX #D83DDE

RGB 216 61 222

HSL 297.76, 0.71%, 0.55%

LAB 55.29, 77.07, -50.77

 

CMYK 3 / 67 / 0 / 5

HEX #E94FF1

RGB 233 79 241

HSL 297.04, 0.85%, 0.63%

LAB 61.02, 77.7, -52.17

 

CMYK 2 / 62 / 0 / 0

HEX #FA61FF

RGB 250 97 255

HSL 298.1, 1%, 0.69%

LAB 66.59, 77.05, -50.91

 

CMYK 6 / 87 / 0 / 26

HEX #B119BD

RGB 177 25 189

HSL 295.61, 0.77%, 0.42%

LAB 43.82, 73.5, -50.47

 

CMYK 6 / 96 / 0 / 33

HEX #A007AA

RGB 160 7 170

HSL 296.32, 0.92%, 0.35%

LAB 38.77, 70.1, -47.49

 

CMYK 5 / 100 / 0 / 41

HEX #8F0097

RGB 143 0 151

HSL 296.82, 1%, 0.3%

LAB 34.14, 65.13, -43.62

 

CMYK 5 / 100 / 0 / 48

HEX #7E0084

RGB 126 0 132

HSL 297.27, 1%, 0.26%

LAB 29.67, 59.24, -39.21

 

CMYK 4 / 100 / 0 / 56

HEX #6D0071

RGB 109 0 113

HSL 297.88, 1%, 0.22%

LAB 25.09, 53.2, -34.68

 

CMYK 6 / 87 / 0 / 26

HEX #B118BD

RGB 177 24 189

HSL 295.64, 0.77%, 0.42%

LAB 43.76, 73.68, -50.57

 

CMYK 0 / 87 / 17 / 26

HEX #BD189D

RGB 189 24 157

HSL 311.64, 0.77%, 0.42%

LAB 44.1, 71.25, -30.91

 

CMYK 0 / 87 / 41 / 26

HEX #BD1870

RGB 189 24 112

HSL 328, 0.77%, 0.42%

LAB 42.22, 66.13, -6.23

 

CMYK 0 / 87 / 64 / 26

HEX #BD1844

RGB 189 24 68

HSL 344, 0.77%, 0.42%

LAB 41.04, 62.78, 19.84

 

CMYK 0 / 87 / 87 / 26

HEX #BD1818

RGB 189 24 24

HSL 0, 0.77%, 0.42%

LAB 40.47, 61.13, 44.96

 

CMYK 6 / 87 / 0 / 26

HEX #B118BD

RGB 177 24 189

HSL 295.64, 0.77%, 0.42%

LAB 43.76, 73.68, -50.57

 

CMYK 30 / 87 / 0 / 26

HEX #8518BD

RGB 133 24 189

HSL 279.64, 0.77%, 0.42%

LAB 36.58, 66.65, -62.53

 

CMYK 53 / 87 / 0 / 26

HEX #5818BD

RGB 88 24 189

HSL 263.27, 0.77%, 0.42%

LAB 30.41, 61.09, -72.91

 

CMYK 77 / 87 / 0 / 26

HEX #2C18BD

RGB 44 24 189

HSL 247.27, 0.77%, 0.42%

LAB 26.34, 57.8, -79.77

 

CMYK 87 / 87 / 0 / 26

HEX #1818BD

RGB 24 24 189

HSL 240, 0.77%, 0.42%

LAB 25.33, 57.03, -81.49

 

CMYK 6 / 87 / 0 / 26

HEX #B118BD

RGB 177 24 189

HSL 295.64, 0.77%, 0.42%

LAB 43.76, 73.68, -50.57

 

CMYK 7 / 97 / 0 / 19

HEX #C007CE

RGB 192 7 206

HSL 295.78, 0.93%, 0.42%

LAB 46.73, 80.87, -55.55

 

CMYK 6 / 87 / 0 / 26

HEX #B118BD

RGB 177 24 189

HSL 295.64, 0.77%, 0.42%

LAB 43.76, 73.68, -50.57

 

CMYK 6 / 76 / 0 / 33

HEX #A229AC

RGB 162 41 172

HSL 295.42, 0.62%, 0.42%

LAB 41.6, 63.91, -44.13

 

CMYK 5 / 62 / 0 / 40

HEX #933B9A

RGB 147 59 154

HSL 295.58, 0.45%, 0.42%

LAB 40.68, 50.24, -34.97

 

CMYK 3 / 45 / 0 / 46

HEX #854C89

RGB 133 76 137

HSL 296.07, 0.29%, 0.42%

LAB 41.15, 34.09, -24.07

 

CMYK 2 / 23 / 0 / 53

HEX #765D78

RGB 118 93 120

HSL 295.56, 0.13%, 0.42%

LAB 42.82, 15.32, -11.34

 

CMYK 54 / 87 / 0 / 26

HEX #5718BD

RGB 87 24 189

HSL 262.91, 0.77%, 0.42%

LAB 30.29, 60.99, -73.11

 

CMYK 31 / 87 / 0 / 26

HEX #8318BD

RGB 131 24 189

HSL 278.91, 0.77%, 0.42%

LAB 36.28, 66.37, -63.05

 

CMYK 7 / 87 / 0 / 26

HEX #AF18BD

RGB 175 24 189

HSL 294.91, 0.77%, 0.42%

LAB 43.42, 73.33, -51.13

 

CMYK 0 / 87 / 16 / 26

HEX #BD189F

RGB 189 24 159

HSL 310.91, 0.77%, 0.42%

LAB 44.2, 71.51, -31.96

 

CMYK 0 / 87 / 39 / 26

HEX #BD1873

RGB 189 24 115

HSL 326.91, 0.77%, 0.42%

LAB 42.32, 66.42, -7.95

 

CMYK 6 / 87 / 0 / 55

HEX #6D0F74

RGB 109 15 116

HSL 295.84, 0.77%, 0.26%

LAB 26.31, 50.71, -34.64

 

CMYK 7 / 88 / 0 / 40

HEX #8F1399

RGB 143 19 153

HSL 295.52, 0.78%, 0.34%

LAB 35.21, 62.67, -43.11

 

CMYK 6 / 87 / 0 / 26

HEX #B118BD

RGB 177 24 189

HSL 295.64, 0.77%, 0.42%

LAB 43.76, 73.68, -50.57

 

CMYK 6 / 87 / 0 / 12

HEX #D31DE1

RGB 211 29 225

HSL 295.71, 0.77%, 0.5%

LAB 52.02, 84.27, -57.74

 

CMYK 5 / 71 / 0 / 10

HEX #DA42E6

RGB 218 66 230

HSL 295.61, 0.77%, 0.58%

LAB 56.6, 77.18, -53.18

 

CMYK 6 / 87 / 0 / 26

HEX #B119BD

RGB 177 25 189

HSL 295.61, 0.77%, 0.42%

LAB 43.82, 73.5, -50.47

 

CMYK 0 / 77 / 87 / 26

HEX #BD2B18

RGB 189 43 24

HSL 6.91, 0.77%, 0.42%

LAB 42.17, 56.32, 46.34

 

CMYK 87 / 0 / 42 / 26

HEX #18BD6D

RGB 24 189 109

HSL 150.91, 0.77%, 0.42%

LAB 67.79, -57.31, 29.62

 

CMYK 6 / 87 / 0 / 26

HEX #B119BD

RGB 177 25 189

HSL 295.61, 0.77%, 0.42%

LAB 43.82, 73.5, -50.47

 

CMYK 0 / 7 / 87 / 26

HEX #BDAF18

RGB 189 175 24

HSL 54.91, 0.77%, 0.42%

LAB 70.56, -9.72, 69.27

 

CMYK 87 / 0 / 7 / 26

HEX #18BDAF

RGB 24 189 175

HSL 174.91, 0.77%, 0.42%

LAB 69.24, -41.56, -4

 

CMYK 6 / 87 / 0 / 26

HEX #B119BD

RGB 177 25 189

HSL 295.61, 0.77%, 0.42%

LAB 43.82, 73.5, -50.47

 

CMYK 0 / 77 / 87 / 26

HEX #BD2B18

RGB 189 43 24

HSL 6.91, 0.77%, 0.42%

LAB 42.17, 56.32, 46.34

 

CMYK 80 / 0 / 87 / 26

HEX #26BD18

RGB 38 189 24

HSL 114.91, 0.77%, 0.42%

LAB 67.18, -65.36, 63.41

 

CMYK 87 / 10 / 0 / 26

HEX #18AABD

RGB 24 170 189

HSL 186.91, 0.77%, 0.42%

LAB 63.85, -28.43, -19.83

 

CMYK 6 / 87 / 0 / 26

HEX #B119BD

RGB 177 25 189

HSL 295.61, 0.77%, 0.42%

LAB 43.82, 73.5, -50.47

 

CMYK 0 / 51 / 87 / 26

HEX #BD5D18

RGB 189 93 24

HSL 25.09, 0.77%, 0.42%

LAB 50.35, 34.65, 52.97

 

CMYK 80 / 0 / 87 / 26

HEX #26BD18

RGB 38 189 24

HSL 114.91, 0.77%, 0.42%

LAB 67.18, -65.36, 63.41

 

CMYK 87 / 37 / 0 / 26

HEX #1878BD

RGB 24 120 189

HSL 205.09, 0.77%, 0.42%

LAB 48.64, -0.94, -43.5

 

Description

Color code: RGB 177 25 189 | qconv.com Color code: RGB 177 25 189 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 25 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 25 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 87 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 87% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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