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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 93 139 it is the complementary color RGB 78 162 116. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 93 139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 177 93 139 shade: RGB 182 93 134, RGB 199 111 153, RGB 216 129 172, RGB 233 147 191 and RGB 250 165 210

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 93 139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 177 93 139 shade: RGB 177 93 139, RGB 160 75 120, RGB 143 57 101, RGB 126 39 82 and RGB 109 21 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 177 93 139 shade: RGB 177 93 139, RGB 177 93 116, RGB 177 93 93 and RGB 177 93 93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 177 93 139 shade: RGB 177 93 139, RGB 177 93 161, RGB 169 93 177, RGB 147 93 177 and RGB 124 93 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 177 93 139 shade matches the following richer shades: RGB 177 93 139, RGB 196 73 140, RGB 215 54 142, RGB 235 35 144 and RGB 254 15 146

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 177 93 139 shade: RGB 177 93 139, RGB 157 112 137, RGB 138 131 135, RGB 118 151 133 and RGB 99 170 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 177 93 139 shade: RGB 170 93 177, RGB 177 93 161, RGB 177 93 139, RGB 177 93 116 and RGB 177 93 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 177 93 139 shade: RGB 126 61 97, RGB 154 74 118, RGB 177 93 139, RGB 190 121 159 and RGB 203 148 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 177 93 139 shade: RGB 177 93 139, RGB 177 147 93 and RGB 93 172 177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 177 93 139 shade: RGB 177 93 139, RGB 139 177 93 and RGB 93 139 177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 177 93 139 shade: RGB 177 93 139, RGB 177 147 93, RGB 93 177 130 and RGB 93 122 177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 177 93 139 shade: RGB 177 93 139, RGB 177 172 93, RGB 93 177 130 and RGB 93 97 177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 21 / 31

HEX #B15D8B

RGB 177 93 139

HSL 327.14, 0.35%, 0.53%

LAB 50.73, 39.84, -10.12

 

Complementary color

CMYK 52 / 0 / 28 / 36

HEX #4EA274

RGB 78 162 116

HSL 147.14, 0.35%, 0.47%

LAB 60.53, -36.44, 16.3

 

CMYK 0 / 49 / 26 / 29

HEX #B65D86

RGB 182 93 134

HSL 332.36, 0.38%, 0.54%

LAB 51.26, 40.82, -6.28

 

CMYK 0 / 44 / 23 / 22

HEX #C76F99

RGB 199 111 153

HSL 331.36, 0.44%, 0.61%

LAB 57.86, 39.99, -7.38

 

CMYK 0 / 40 / 20 / 15

HEX #D881AC

RGB 216 129 172

HSL 330.34, 0.53%, 0.68%

LAB 64.39, 39.17, -8.31

 

CMYK 0 / 37 / 18 / 9

HEX #E993BF

RGB 233 147 191

HSL 329.3, 0.66%, 0.75%

LAB 70.84, 38.38, -9.14

 

CMYK 0 / 34 / 16 / 2

HEX #FAA5D2

RGB 250 165 210

HSL 328.24, 0.89%, 0.81%

LAB 77.21, 37.63, -9.9

 

CMYK 0 / 47 / 21 / 31

HEX #B15D8B

RGB 177 93 139

HSL 327.14, 0.35%, 0.53%

LAB 50.73, 39.84, -10.12

 

CMYK 0 / 53 / 25 / 37

HEX #A04B78

RGB 160 75 120

HSL 328.24, 0.36%, 0.46%

LAB 44.03, 40.61, -8.97

 

CMYK 0 / 60 / 29 / 44

HEX #8F3965

RGB 143 57 101

HSL 329.3, 0.43%, 0.39%

LAB 37.31, 41.26, -7.54

 

CMYK 0 / 69 / 35 / 51

HEX #7E2752

RGB 126 39 82

HSL 330.34, 0.53%, 0.32%

LAB 30.63, 41.58, -5.63

 

CMYK 0 / 81 / 42 / 57

HEX #6D153F

RGB 109 21 63

HSL 331.36, 0.68%, 0.25%

LAB 24.15, 41.13, -2.91

 

CMYK 0 / 47 / 21 / 31

HEX #B15D8B

RGB 177 93 139

HSL 327.14, 0.35%, 0.53%

LAB 50.73, 39.84, -10.12

 

CMYK 0 / 47 / 34 / 31

HEX #B15D74

RGB 177 93 116

HSL 343.57, 0.35%, 0.53%

LAB 50.02, 36.63, 2.55

 

CMYK 0 / 47 / 47 / 31

HEX #B15D5D

RGB 177 93 93

HSL 0, 0.35%, 0.53%

LAB 49.45, 33.99, 15.5

 

CMYK 0 / 47 / 47 / 31

HEX #B15D5D

RGB 177 93 93

HSL 0, 0.35%, 0.53%

LAB 49.45, 33.99, 15.5

 

CMYK 0 / 47 / 21 / 31

HEX #B15D8B

RGB 177 93 139

HSL 327.14, 0.35%, 0.53%

LAB 50.73, 39.84, -10.12

 

CMYK 0 / 47 / 9 / 31

HEX #B15DA1

RGB 177 93 161

HSL 311.43, 0.35%, 0.53%

LAB 51.55, 43.4, -21.86

 

CMYK 5 / 47 / 0 / 31

HEX #A95DB1

RGB 169 93 177

HSL 294.29, 0.35%, 0.53%

LAB 51.2, 43.89, -31.85

 

CMYK 17 / 47 / 0 / 31

HEX #935DB1

RGB 147 93 177

HSL 278.57, 0.35%, 0.53%

LAB 48.52, 37.42, -36.24

 

CMYK 30 / 47 / 0 / 31

HEX #7C5DB1

RGB 124 93 177

HSL 262.14, 0.35%, 0.53%

LAB 46.03, 30.84, -40.34

 

CMYK 0 / 47 / 21 / 31

HEX #B15D8B

RGB 177 93 139

HSL 327.14, 0.35%, 0.53%

LAB 50.73, 39.84, -10.12

 

CMYK 0 / 63 / 29 / 23

HEX #C4498C

RGB 196 73 140

HSL 327.32, 0.51%, 0.53%

LAB 49.97, 55.62, -11.58

 

CMYK 0 / 75 / 34 / 16

HEX #D7368E

RGB 215 54 142

HSL 327.2, 0.67%, 0.53%

LAB 50.73, 68.08, -11.31

 

CMYK 0 / 85 / 39 / 8

HEX #EB2390

RGB 235 35 144

HSL 327.3, 0.83%, 0.53%

LAB 52.82, 77.75, -9.01

 

CMYK 0 / 94 / 43 / 0

HEX #FE0F92

RGB 254 15 146

HSL 327.11, 0.99%, 0.53%

LAB 55.57, 84.73, -5.71

 

CMYK 0 / 47 / 21 / 31

HEX #B15D8B

RGB 177 93 139

HSL 327.14, 0.35%, 0.53%

LAB 50.73, 39.84, -10.12

 

CMYK 0 / 29 / 13 / 38

HEX #9D7089

RGB 157 112 137

HSL 326.67, 0.19%, 0.53%

LAB 52.47, 21.85, -6.6

 

CMYK 0 / 5 / 2 / 46

HEX #8A8387

RGB 138 131 135

HSL 325.71, 0.03%, 0.53%

LAB 55.47, 3.4, -1.22

 

CMYK 22 / 0 / 12 / 41

HEX #769785

RGB 118 151 133

HSL 147.27, 0.14%, 0.53%

LAB 59.6, -15.31, 5.73

 

CMYK 42 / 0 / 23 / 33

HEX #63AA83

RGB 99 170 131

HSL 147.04, 0.29%, 0.53%

LAB 64.19, -31.32, 13.23

 

CMYK 4 / 47 / 0 / 31

HEX #AA5DB1

RGB 170 93 177

HSL 295, 0.35%, 0.53%

LAB 51.32, 44.19, -31.64

 

CMYK 0 / 47 / 9 / 31

HEX #B15DA1

RGB 177 93 161

HSL 311.43, 0.35%, 0.53%

LAB 51.55, 43.4, -21.86

 

CMYK 0 / 47 / 21 / 31

HEX #B15D8B

RGB 177 93 139

HSL 327.14, 0.35%, 0.53%

LAB 50.73, 39.84, -10.12

 

CMYK 0 / 47 / 34 / 31

HEX #B15D74

RGB 177 93 116

HSL 343.57, 0.35%, 0.53%

LAB 50.02, 36.63, 2.55

 

CMYK 0 / 47 / 47 / 31

HEX #B15D5E

RGB 177 93 94

HSL 359.29, 0.35%, 0.53%

LAB 49.48, 34.09, 14.94

 

CMYK 0 / 52 / 23 / 51

HEX #7E3D61

RGB 126 61 97

HSL 326.77, 0.35%, 0.37%

LAB 35.27, 32.79, -8.33

 

CMYK 0 / 52 / 23 / 40

HEX #9A4A76

RGB 154 74 118

HSL 327, 0.35%, 0.45%

LAB 42.88, 38.81, -9.58

 

CMYK 0 / 47 / 21 / 31

HEX #B15D8B

RGB 177 93 139

HSL 327.14, 0.35%, 0.53%

LAB 50.73, 39.84, -10.12

 

CMYK 0 / 36 / 16 / 25

HEX #BE799F

RGB 190 121 159

HSL 326.96, 0.35%, 0.61%

LAB 59.09, 32.42, -9.12

 

CMYK 0 / 27 / 12 / 20

HEX #CB94B3

RGB 203 148 179

HSL 326.18, 0.35%, 0.69%

LAB 67.38, 25.52, -7.97

 

CMYK 0 / 47 / 21 / 31

HEX #B15D8B

RGB 177 93 139

HSL 327.14, 0.35%, 0.53%

LAB 50.73, 39.84, -10.12

 

CMYK 0 / 17 / 47 / 31

HEX #B1935D

RGB 177 147 93

HSL 38.57, 0.35%, 0.53%

LAB 62.51, 4.05, 32.69

 

CMYK 47 / 3 / 0 / 31

HEX #5DACB1

RGB 93 172 177

HSL 183.57, 0.35%, 0.53%

LAB 65.75, -22.88, -10.11

 

CMYK 0 / 47 / 21 / 31

HEX #B15D8B

RGB 177 93 139

HSL 327.14, 0.35%, 0.53%

LAB 50.73, 39.84, -10.12

 

CMYK 21 / 0 / 47 / 31

HEX #8BB15D

RGB 139 177 93

HSL 87.14, 0.35%, 0.53%

LAB 67.82, -27.22, 38.66

 

CMYK 47 / 21 / 0 / 31

HEX #5D8BB1

RGB 93 139 177

HSL 207.14, 0.35%, 0.53%

LAB 56.05, -5.07, -24.83

 

CMYK 0 / 47 / 21 / 31

HEX #B15D8B

RGB 177 93 139

HSL 327.14, 0.35%, 0.53%

LAB 50.73, 39.84, -10.12

 

CMYK 0 / 17 / 47 / 31

HEX #B1935D

RGB 177 147 93

HSL 38.57, 0.35%, 0.53%

LAB 62.51, 4.05, 32.69

 

CMYK 47 / 0 / 27 / 31

HEX #5DB182

RGB 93 177 130

HSL 146.43, 0.35%, 0.53%

LAB 66.05, -36.46, 16.32

 

CMYK 47 / 31 / 0 / 31

HEX #5D7AB1

RGB 93 122 177

HSL 219.29, 0.35%, 0.53%

LAB 51.18, 4.89, -32.4

 

CMYK 0 / 47 / 21 / 31

HEX #B15D8B

RGB 177 93 139

HSL 327.14, 0.35%, 0.53%

LAB 50.73, 39.84, -10.12

 

CMYK 0 / 3 / 47 / 31

HEX #B1AC5D

RGB 177 172 93

HSL 56.43, 0.35%, 0.53%

LAB 69.21, -9.4, 41.01

 

CMYK 47 / 0 / 27 / 31

HEX #5DB182

RGB 93 177 130

HSL 146.43, 0.35%, 0.53%

LAB 66.05, -36.46, 16.32

 

CMYK 47 / 45 / 0 / 31

HEX #5D61B1

RGB 93 97 177

HSL 237.14, 0.35%, 0.53%

LAB 44.31, 20.25, -43.24

 

Description

Color code: RGB 177 93 139 | qconv.com Color code: RGB 177 93 139 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 93 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 93 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 21 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 21% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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