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Color name
RGB 178 106 150

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 106 150 it is the complementary color RGB 77 149 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 106 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 178 106 150 shade: RGB 183 106 145, RGB 200 124 164, RGB 217 142 183, RGB 234 160 202 and RGB 251 178 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 106 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 178 106 150 shade: RGB 178 106 150, RGB 161 88 131, RGB 144 70 112, RGB 127 52 93 and RGB 110 34 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 178 106 150 shade: RGB 178 106 150, RGB 178 106 131, RGB 178 106 112 and RGB 178 106 106

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 178 106 150 shade: RGB 178 106 150, RGB 178 106 170, RGB 167 106 178, RGB 148 106 178 and RGB 129 106 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 178 106 150 shade matches the following richer shades: RGB 178 106 150, RGB 196 88 154, RGB 215 70 158, RGB 233 52 162 and RGB 251 34 166

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 178 106 150 shade: RGB 178 106 150, RGB 160 125 146, RGB 142 143 142, RGB 124 161 138 and RGB 106 179 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 178 106 150 shade: RGB 167 106 178, RGB 178 106 170, RGB 178 106 151, RGB 178 106 132 and RGB 178 106 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 178 106 150 shade: RGB 134 69 108, RGB 161 83 130, RGB 178 106 150, RGB 192 134 169 and RGB 206 161 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 178 106 150 shade: RGB 178 106 150, RGB 178 148 106 and RGB 106 178 177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 178 106 150 shade: RGB 178 106 150, RGB 151 178 106 and RGB 106 151 178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 178 106 150 shade: RGB 178 106 150, RGB 178 148 106, RGB 106 178 134 and RGB 106 136 178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 178 106 150 shade: RGB 178 106 150, RGB 178 170 106, RGB 106 178 134 and RGB 106 115 178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 16 / 30

HEX #B26A96

RGB 178 106 150

HSL 323.33, 0.32%, 0.56%

LAB 54, 34.95, -11.68

 

Complementary color

CMYK 48 / 0 / 30 / 42

HEX #4D9569

RGB 77 149 105

HSL 143.33, 0.32%, 0.44%

LAB 56.18, -33, 16.43

 

CMYK 0 / 42 / 21 / 28

HEX #B76A91

RGB 183 106 145

HSL 329.61, 0.35%, 0.57%

LAB 54.47, 35.9, -7.98

 

CMYK 0 / 38 / 18 / 22

HEX #C87CA4

RGB 200 124 164

HSL 328.42, 0.41%, 0.64%

LAB 61.11, 35.09, -8.85

 

CMYK 0 / 35 / 16 / 15

HEX #D98EB7

RGB 217 142 183

HSL 327.2, 0.5%, 0.7%

LAB 67.66, 34.31, -9.61

 

CMYK 0 / 32 / 14 / 8

HEX #EAA0CA

RGB 234 160 202

HSL 325.95, 0.64%, 0.77%

LAB 74.12, 33.58, -10.31

 

CMYK 0 / 29 / 12 / 2

HEX #FBB2DD

RGB 251 178 221

HSL 324.66, 0.9%, 0.84%

LAB 80.5, 32.9, -10.95

 

CMYK 0 / 40 / 16 / 30

HEX #B26A96

RGB 178 106 150

HSL 323.33, 0.32%, 0.56%

LAB 54, 34.95, -11.68

 

CMYK 0 / 45 / 19 / 37

HEX #A15883

RGB 161 88 131

HSL 324.66, 0.29%, 0.49%

LAB 47.23, 35.77, -10.82

 

CMYK 0 / 51 / 22 / 44

HEX #904670

RGB 144 70 112

HSL 325.95, 0.35%, 0.42%

LAB 40.38, 36.58, -9.79

 

CMYK 0 / 59 / 27 / 50

HEX #7F345D

RGB 127 52 93

HSL 327.2, 0.42%, 0.35%

LAB 33.47, 37.28, -8.47

 

CMYK 0 / 69 / 33 / 57

HEX #6E224A

RGB 110 34 74

HSL 328.42, 0.53%, 0.28%

LAB 26.6, 37.65, -6.67

 

CMYK 0 / 40 / 16 / 30

HEX #B26A96

RGB 178 106 150

HSL 323.33, 0.32%, 0.56%

LAB 54, 34.95, -11.68

 

CMYK 0 / 40 / 26 / 30

HEX #B26A83

RGB 178 106 131

HSL 339.17, 0.32%, 0.56%

LAB 53.4, 32.02, -1.41

 

CMYK 0 / 40 / 37 / 30

HEX #B26A70

RGB 178 106 112

HSL 355, 0.32%, 0.56%

LAB 52.89, 29.46, 9.05

 

CMYK 0 / 40 / 40 / 30

HEX #B26A6A

RGB 178 106 106

HSL 0, 0.32%, 0.56%

LAB 52.74, 28.74, 12.38

 

CMYK 0 / 40 / 16 / 30

HEX #B26A96

RGB 178 106 150

HSL 323.33, 0.32%, 0.56%

LAB 54, 34.95, -11.68

 

CMYK 0 / 40 / 4 / 30

HEX #B26AAA

RGB 178 106 170

HSL 306.67, 0.32%, 0.56%

LAB 54.74, 38.42, -22.21

 

CMYK 6 / 40 / 0 / 30

HEX #A76AB2

RGB 167 106 178

HSL 290.83, 0.32%, 0.56%

LAB 53.75, 36.46, -28.48

 

CMYK 17 / 40 / 0 / 30

HEX #946AB2

RGB 148 106 178

HSL 275, 0.32%, 0.56%

LAB 51.63, 30.56, -31.93

 

CMYK 28 / 40 / 0 / 30

HEX #816AB2

RGB 129 106 178

HSL 259.17, 0.32%, 0.56%

LAB 49.73, 24.82, -35.06

 

CMYK 0 / 40 / 16 / 30

HEX #B26A96

RGB 178 106 150

HSL 323.33, 0.32%, 0.56%

LAB 54, 34.95, -11.68

 

CMYK 0 / 55 / 21 / 23

HEX #C4589A

RGB 196 88 154

HSL 323.33, 0.48%, 0.56%

LAB 53, 50.73, -15.3

 

CMYK 0 / 67 / 27 / 16

HEX #D7469E

RGB 215 70 158

HSL 323.59, 0.64%, 0.56%

LAB 53.27, 64.47, -16.97

 

CMYK 0 / 78 / 30 / 9

HEX #E934A2

RGB 233 52 162

HSL 323.54, 0.8%, 0.56%

LAB 54.44, 75.27, -17.27

 

CMYK 0 / 86 / 34 / 2

HEX #FB22A6

RGB 251 34 166

HSL 323.5, 0.96%, 0.56%

LAB 56.49, 83.59, -16.19

 

CMYK 0 / 40 / 16 / 30

HEX #B26A96

RGB 178 106 150

HSL 323.33, 0.32%, 0.56%

LAB 54, 34.95, -11.68

 

CMYK 0 / 22 / 9 / 37

HEX #A07D92

RGB 160 125 146

HSL 324, 0.16%, 0.56%

LAB 56.3, 17.11, -6.12

 

CMYK 1 / 0 / 1 / 44

HEX #8E8F8E

RGB 142 143 142

HSL 120, 0%, 0.56%

LAB 59.3, -0.56, 0.4

 

CMYK 23 / 0 / 14 / 37

HEX #7CA18A

RGB 124 161 138

HSL 142.7, 0.16%, 0.56%

LAB 63.02, -17.51, 7.87

 

CMYK 41 / 0 / 25 / 30

HEX #6AB386

RGB 106 179 134

HSL 143.01, 0.32%, 0.56%

LAB 67.3, -32.94, 15.96

 

CMYK 6 / 40 / 0 / 30

HEX #A76AB2

RGB 167 106 178

HSL 290.83, 0.32%, 0.56%

LAB 53.75, 36.46, -28.48

 

CMYK 0 / 40 / 4 / 30

HEX #B26AAA

RGB 178 106 170

HSL 306.67, 0.32%, 0.56%

LAB 54.74, 38.42, -22.21

 

CMYK 0 / 40 / 15 / 30

HEX #B26A97

RGB 178 106 151

HSL 322.5, 0.32%, 0.56%

LAB 54.03, 35.12, -12.21

 

CMYK 0 / 40 / 26 / 30

HEX #B26A84

RGB 178 106 132

HSL 338.33, 0.32%, 0.56%

LAB 53.43, 32.16, -1.96

 

CMYK 0 / 40 / 37 / 30

HEX #B26A70

RGB 178 106 112

HSL 355, 0.32%, 0.56%

LAB 52.89, 29.46, 9.05

 

CMYK 0 / 49 / 19 / 47

HEX #86456C

RGB 134 69 108

HSL 324, 0.32%, 0.4%

LAB 38.56, 32.99, -10.18

 

CMYK 0 / 48 / 19 / 37

HEX #A15382

RGB 161 83 130

HSL 323.85, 0.32%, 0.48%

LAB 46.14, 38.3, -11.86

 

CMYK 0 / 40 / 16 / 30

HEX #B26A96

RGB 178 106 150

HSL 323.33, 0.32%, 0.56%

LAB 54, 34.95, -11.68

 

CMYK 0 / 30 / 12 / 25

HEX #C086A9

RGB 192 134 169

HSL 323.79, 0.32%, 0.64%

LAB 62.61, 27.64, -9.56

 

CMYK 0 / 22 / 8 / 19

HEX #CEA1BD

RGB 206 161 189

HSL 322.67, 0.31%, 0.72%

LAB 71.07, 21.17, -8.01

 

CMYK 0 / 40 / 16 / 30

HEX #B26A96

RGB 178 106 150

HSL 323.33, 0.32%, 0.56%

LAB 54, 34.95, -11.68

 

CMYK 0 / 17 / 40 / 30

HEX #B2946A

RGB 178 148 106

HSL 35, 0.32%, 0.56%

LAB 63.08, 5.33, 26.4

 

CMYK 40 / 0 / 1 / 30

HEX #6AB2B1

RGB 106 178 177

HSL 179.17, 0.32%, 0.56%

LAB 68.08, -22.74, -6.59

 

CMYK 0 / 40 / 16 / 30

HEX #B26A96

RGB 178 106 150

HSL 323.33, 0.32%, 0.56%

LAB 54, 34.95, -11.68

 

CMYK 15 / 0 / 40 / 30

HEX #97B26A

RGB 151 178 106

HSL 82.5, 0.32%, 0.56%

LAB 69.08, -21.52, 33.76

 

CMYK 40 / 15 / 0 / 30

HEX #6A97B2

RGB 106 151 178

HSL 202.5, 0.32%, 0.56%

LAB 60.26, -8.15, -18.9

 

CMYK 0 / 40 / 16 / 30

HEX #B26A96

RGB 178 106 150

HSL 323.33, 0.32%, 0.56%

LAB 54, 34.95, -11.68

 

CMYK 0 / 17 / 40 / 30

HEX #B2946A

RGB 178 148 106

HSL 35, 0.32%, 0.56%

LAB 63.08, 5.33, 26.4

 

CMYK 40 / 0 / 25 / 30

HEX #6AB286

RGB 106 178 134

HSL 143.33, 0.32%, 0.56%

LAB 67, -32.47, 15.54

 

CMYK 40 / 24 / 0 / 30

HEX #6A88B2

RGB 106 136 178

HSL 215, 0.32%, 0.56%

LAB 55.97, 0.36, -25.46

 

CMYK 0 / 40 / 16 / 30

HEX #B26A96

RGB 178 106 150

HSL 323.33, 0.32%, 0.56%

LAB 54, 34.95, -11.68

 

CMYK 0 / 4 / 40 / 30

HEX #B2AA6A

RGB 178 170 106

HSL 53.33, 0.32%, 0.56%

LAB 68.94, -6.58, 34

 

CMYK 40 / 0 / 25 / 30

HEX #6AB286

RGB 106 178 134

HSL 143.33, 0.32%, 0.56%

LAB 67, -32.47, 15.54

 

CMYK 40 / 35 / 0 / 30

HEX #6A73B2

RGB 106 115 178

HSL 232.5, 0.32%, 0.56%

LAB 50.14, 12.84, -34.53

 

Description

Color code: RGB 178 106 150 | qconv.com Color code: RGB 178 106 150 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 106 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 106 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 16 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 16% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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