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Color name
RGB 178 110 170

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 110 170 it is the complementary color RGB 77 145 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 110 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 178 110 170 shade: RGB 183 110 165, RGB 200 128 184, RGB 217 146 203, RGB 234 164 222 and RGB 251 182 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 110 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 178 110 170 shade: RGB 178 110 170, RGB 161 92 151, RGB 144 74 132, RGB 127 56 113 and RGB 110 38 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 178 110 170 shade: RGB 177 108 169, RGB 177 108 150, RGB 177 108 131, RGB 177 108 113 and RGB 177 108 108

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 178 110 170 shade: RGB 177 108 169, RGB 167 108 177, RGB 148 108 177, RGB 129 108 177 and RGB 110 108 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 178 110 170 shade matches the following richer shades: RGB 177 108 169, RGB 195 89 183, RGB 213 71 197, RGB 232 53 211 and RGB 250 35 224

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 178 110 170 shade: RGB 177 108 169, RGB 159 126 155, RGB 141 144 141, RGB 123 162 127 and RGB 104 180 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 178 110 170 shade: RGB 148 108 177, RGB 167 108 177, RGB 177 108 169, RGB 177 108 150 and RGB 177 108 132

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 178 110 170 shade: RGB 133 70 125, RGB 160 84 151, RGB 177 108 169, RGB 191 135 185 and RGB 206 162 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 178 110 170 shade: RGB 178 110 170, RGB 177 130 108 and RGB 108 177 157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 178 110 170 shade: RGB 178 110 170, RGB 169 177 108 and RGB 108 169 177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 178 110 170 shade: RGB 178 110 170, RGB 177 130 108, RGB 108 177 116 and RGB 108 155 177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 178 110 170 shade: RGB 178 110 170, RGB 177 150 108, RGB 108 177 116 and RGB 108 134 177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 4 / 30

HEX #B26EAA

RGB 178 110 170

HSL 307.06, 0.31%, 0.56%

LAB 55.6, 36.25, -20.88

 

Complementary color

CMYK 47 / 0 / 41 / 43

HEX #4D9155

RGB 77 145 85

HSL 127.06, 0.31%, 0.44%

LAB 54.54, -34.89, 25.32

 

CMYK 0 / 40 / 10 / 28

HEX #B76EA5

RGB 183 110 165

HSL 314.79, 0.34%, 0.57%

LAB 56.02, 37.01, -17.29

 

CMYK 0 / 36 / 8 / 22

HEX #C880B8

RGB 200 128 184

HSL 313.33, 0.4%, 0.64%

LAB 62.66, 36.24, -17.9

 

CMYK 0 / 33 / 6 / 15

HEX #D992CB

RGB 217 146 203

HSL 311.83, 0.48%, 0.71%

LAB 69.2, 35.51, -18.46

 

CMYK 0 / 30 / 5 / 8

HEX #EAA4DE

RGB 234 164 222

HSL 310.29, 0.63%, 0.78%

LAB 75.65, 34.81, -18.96

 

CMYK 0 / 27 / 4 / 2

HEX #FBB6F1

RGB 251 182 241

HSL 308.7, 0.9%, 0.85%

LAB 82.01, 34.16, -19.44

 

CMYK 0 / 38 / 4 / 30

HEX #B26EAA

RGB 178 110 170

HSL 307.06, 0.31%, 0.56%

LAB 55.6, 36.25, -20.88

 

CMYK 0 / 43 / 6 / 37

HEX #A15C97

RGB 161 92 151

HSL 308.7, 0.27%, 0.5%

LAB 48.84, 37.03, -20.31

 

CMYK 0 / 49 / 8 / 44

HEX #904A84

RGB 144 74 132

HSL 310.29, 0.32%, 0.43%

LAB 41.99, 37.79, -19.62

 

CMYK 0 / 56 / 11 / 50

HEX #7F3871

RGB 127 56 113

HSL 311.83, 0.39%, 0.36%

LAB 35.07, 38.46, -18.74

 

CMYK 0 / 65 / 15 / 57

HEX #6E265E

RGB 110 38 94

HSL 313.33, 0.49%, 0.29%

LAB 28.14, 38.85, -17.53

 

CMYK 0 / 39 / 5 / 31

HEX #B16CA9

RGB 177 108 169

HSL 306.96, 0.31%, 0.56%

LAB 55.01, 36.83, -21.23

 

CMYK 0 / 39 / 15 / 31

HEX #B16C96

RGB 177 108 150

HSL 323.48, 0.31%, 0.56%

LAB 54.32, 33.51, -11.21

 

CMYK 0 / 39 / 26 / 31

HEX #B16C83

RGB 177 108 131

HSL 340, 0.31%, 0.56%

LAB 53.72, 30.55, -0.96

 

CMYK 0 / 39 / 36 / 31

HEX #B16C71

RGB 177 108 113

HSL 355.65, 0.31%, 0.56%

LAB 53.24, 28.1, 8.94

 

CMYK 0 / 39 / 39 / 31

HEX #B16C6C

RGB 177 108 108

HSL 0, 0.31%, 0.56%

LAB 53.12, 27.48, 11.71

 

CMYK 0 / 39 / 5 / 31

HEX #B16CA9

RGB 177 108 169

HSL 306.96, 0.31%, 0.56%

LAB 55.01, 36.83, -21.23

 

CMYK 6 / 39 / 0 / 31

HEX #A76CB1

RGB 167 108 177

HSL 291.3, 0.31%, 0.56%

LAB 54.15, 35.15, -27.28

 

CMYK 16 / 39 / 0 / 31

HEX #946CB1

RGB 148 108 177

HSL 274.78, 0.31%, 0.56%

LAB 52.06, 29.18, -30.69

 

CMYK 27 / 39 / 0 / 31

HEX #816CB1

RGB 129 108 177

HSL 258.26, 0.31%, 0.56%

LAB 50.18, 23.38, -33.77

 

CMYK 38 / 39 / 0 / 31

HEX #6E6CB1

RGB 110 108 177

HSL 241.74, 0.31%, 0.56%

LAB 48.53, 17.9, -36.47

 

CMYK 0 / 39 / 5 / 31

HEX #B16CA9

RGB 177 108 169

HSL 306.96, 0.31%, 0.56%

LAB 55.01, 36.83, -21.23

 

CMYK 0 / 54 / 6 / 24

HEX #C359B7

RGB 195 89 183

HSL 306.79, 0.47%, 0.56%

LAB 54.2, 54.5, -30.38

 

CMYK 0 / 67 / 8 / 16

HEX #D547C5

RGB 213 71 197

HSL 306.76, 0.63%, 0.56%

LAB 54.75, 69.04, -37.41

 

CMYK 0 / 77 / 9 / 9

HEX #E835D3

RGB 232 53 211

HSL 307.04, 0.8%, 0.56%

LAB 56.49, 80.98, -42.46

 

CMYK 0 / 86 / 10 / 2

HEX #FA23E0

RGB 250 35 224

HSL 307.26, 0.96%, 0.56%

LAB 58.89, 89.98, -45.84

 

CMYK 0 / 39 / 5 / 31

HEX #B16CA9

RGB 177 108 169

HSL 306.96, 0.31%, 0.56%

LAB 55.01, 36.83, -21.23

 

CMYK 0 / 21 / 3 / 38

HEX #9F7E9B

RGB 159 126 155

HSL 307.27, 0.15%, 0.56%

LAB 56.74, 17.86, -10.68

 

CMYK 2 / 0 / 2 / 44

HEX #8D908D

RGB 141 144 141

HSL 120, 0.01%, 0.56%

LAB 59.46, -1.68, 1.2

 

CMYK 24 / 0 / 22 / 36

HEX #7BA27F

RGB 123 162 127

HSL 126.15, 0.17%, 0.56%

LAB 63, -20.49, 13.96

 

CMYK 42 / 0 / 37 / 29

HEX #68B471

RGB 104 180 113

HSL 127.11, 0.34%, 0.56%

LAB 67.11, -37.83, 27

 

CMYK 16 / 39 / 0 / 31

HEX #946CB1

RGB 148 108 177

HSL 274.78, 0.31%, 0.56%

LAB 52.06, 29.18, -30.69

 

CMYK 6 / 39 / 0 / 31

HEX #A76CB1

RGB 167 108 177

HSL 291.3, 0.31%, 0.56%

LAB 54.15, 35.15, -27.28

 

CMYK 0 / 39 / 5 / 31

HEX #B16CA9

RGB 177 108 169

HSL 306.96, 0.31%, 0.56%

LAB 55.01, 36.83, -21.23

 

CMYK 0 / 39 / 15 / 31

HEX #B16C96

RGB 177 108 150

HSL 323.48, 0.31%, 0.56%

LAB 54.32, 33.51, -11.21

 

CMYK 0 / 39 / 25 / 31

HEX #B16C84

RGB 177 108 132

HSL 339.13, 0.31%, 0.56%

LAB 53.75, 30.7, -1.5

 

CMYK 0 / 47 / 6 / 48

HEX #85467D

RGB 133 70 125

HSL 307.62, 0.31%, 0.4%

LAB 39.32, 35.09, -19.57

 

CMYK 0 / 48 / 6 / 37

HEX #A05497

RGB 160 84 151

HSL 307.11, 0.31%, 0.48%

LAB 47.04, 41, -23.1

 

CMYK 0 / 39 / 5 / 31

HEX #B16CA9

RGB 177 108 169

HSL 306.96, 0.31%, 0.56%

LAB 55.01, 36.83, -21.23

 

CMYK 0 / 29 / 3 / 25

HEX #BF87B9

RGB 191 135 185

HSL 306.43, 0.3%, 0.64%

LAB 63.27, 29.59, -17.64

 

CMYK 0 / 21 / 3 / 19

HEX #CEA2C8

RGB 206 162 200

HSL 308.18, 0.31%, 0.72%

LAB 71.64, 22.59, -13.22

 

CMYK 0 / 38 / 4 / 30

HEX #B26EAA

RGB 178 110 170

HSL 307.06, 0.31%, 0.56%

LAB 55.6, 36.25, -20.88

 

CMYK 0 / 27 / 39 / 31

HEX #B1826C

RGB 177 130 108

HSL 19.13, 0.31%, 0.56%

LAB 58.41, 15.18, 19.01

 

CMYK 39 / 0 / 11 / 31

HEX #6CB19D

RGB 108 177 157

HSL 162.61, 0.31%, 0.56%

LAB 67.33, -26.51, 3.38

 

CMYK 0 / 38 / 4 / 30

HEX #B26EAA

RGB 178 110 170

HSL 307.06, 0.31%, 0.56%

LAB 55.6, 36.25, -20.88

 

CMYK 5 / 0 / 39 / 31

HEX #A9B16C

RGB 169 177 108

HSL 66.96, 0.31%, 0.56%

LAB 70.15, -13.67, 34.35

 

CMYK 39 / 5 / 0 / 31

HEX #6CA9B1

RGB 108 169 177

HSL 186.96, 0.31%, 0.56%

LAB 65.54, -17.58, -10.35

 

CMYK 0 / 38 / 4 / 30

HEX #B26EAA

RGB 178 110 170

HSL 307.06, 0.31%, 0.56%

LAB 55.6, 36.25, -20.88

 

CMYK 0 / 27 / 39 / 31

HEX #B1826C

RGB 177 130 108

HSL 19.13, 0.31%, 0.56%

LAB 58.41, 15.18, 19.01

 

CMYK 39 / 0 / 34 / 31

HEX #6CB174

RGB 108 177 116

HSL 126.96, 0.31%, 0.56%

LAB 66.44, -34.73, 24.54

 

CMYK 39 / 12 / 0 / 31

HEX #6C9BB1

RGB 108 155 177

HSL 199.13, 0.31%, 0.56%

LAB 61.49, -10.08, -16.46

 

CMYK 0 / 38 / 4 / 30

HEX #B26EAA

RGB 178 110 170

HSL 307.06, 0.31%, 0.56%

LAB 55.6, 36.25, -20.88

 

CMYK 0 / 15 / 39 / 31

HEX #B1966C

RGB 177 150 108

HSL 36.52, 0.31%, 0.56%

LAB 63.54, 4.05, 25.9

 

CMYK 39 / 0 / 34 / 31

HEX #6CB174

RGB 108 177 116

HSL 126.96, 0.31%, 0.56%

LAB 66.44, -34.73, 24.54

 

CMYK 39 / 24 / 0 / 31

HEX #6C86B1

RGB 108 134 177

HSL 217.39, 0.31%, 0.56%

LAB 55.49, 1.8, -25.62

 

Description

Color code: RGB 178 110 170 | qconv.com Color code: RGB 178 110 170 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 110 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 110 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 4 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 4% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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