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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 157 80 it is the complementary color RGB 77 98 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 157 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 178 157 80 shade: RGB 183 157 75, RGB 200 175 94, RGB 217 193 113, RGB 234 211 132 and RGB 251 229 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 157 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 178 157 80 shade: RGB 178 157 80, RGB 161 139 61, RGB 144 121 42, RGB 127 103 23 and RGB 110 85 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 178 157 80 shade: RGB 178 157 81, RGB 178 131 81, RGB 178 105 81 and RGB 178 81 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 178 157 80 shade: RGB 178 157 81, RGB 173 178 81, RGB 147 178 81, RGB 120 178 81 and RGB 94 178 81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 178 157 80 shade matches the following richer shades: RGB 178 157 81, RGB 198 169 61, RGB 219 180 40 and RGB 239 192 20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 178 157 80 shade: RGB 178 157 81, RGB 158 146 101, RGB 138 134 121, RGB 118 123 141 and RGB 97 111 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 178 157 80 shade: RGB 178 105 81, RGB 178 131 81, RGB 178 157 81, RGB 173 178 81 and RGB 147 178 81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 178 157 80 shade: RGB 123 108 54, RGB 152 133 66, RGB 178 157 81, RGB 191 173 109 and RGB 203 189 138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 178 157 80 shade: RGB 178 157 80, RGB 82 178 81 and RGB 118 81 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 178 157 80 shade: RGB 178 157 80, RGB 81 178 157 and RGB 157 81 178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 178 157 80 shade: RGB 178 157 80, RGB 82 178 81, RGB 81 102 178 and RGB 177 81 178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 178 157 80 shade: RGB 178 157 80, RGB 81 178 108, RGB 81 102 178 and RGB 178 81 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 55 / 30

HEX #B29D50

RGB 178 157 80

HSL 47.14, 0.39%, 0.51%

LAB 65.09, -2.17, 42.6

 

Complementary color

CMYK 56 / 44 / 0 / 31

HEX #4D62AF

RGB 77 98 175

HSL 227.14, 0.39%, 0.49%

LAB 43.37, 15.28, -43.62

 

CMYK 0 / 14 / 59 / 28

HEX #B79D4B

RGB 183 157 75

HSL 45.56, 0.43%, 0.51%

LAB 65.51, -0.41, 45.66

 

CMYK 0 / 13 / 53 / 22

HEX #C8AF5E

RGB 200 175 94

HSL 45.85, 0.49%, 0.58%

LAB 72.06, -1.25, 44.42

 

CMYK 0 / 11 / 48 / 15

HEX #D9C171

RGB 217 193 113

HSL 46.15, 0.58%, 0.65%

LAB 78.51, -1.96, 43.17

 

CMYK 0 / 10 / 44 / 8

HEX #EAD384

RGB 234 211 132

HSL 46.47, 0.71%, 0.72%

LAB 84.87, -2.57, 41.94

 

CMYK 0 / 9 / 40 / 2

HEX #FBE597

RGB 251 229 151

HSL 46.8, 0.93%, 0.79%

LAB 91.14, -3.09, 40.74

 

CMYK 0 / 12 / 55 / 30

HEX #B29D50

RGB 178 157 80

HSL 47.14, 0.39%, 0.51%

LAB 65.09, -2.17, 42.6

 

CMYK 0 / 14 / 62 / 37

HEX #A18B3D

RGB 161 139 61

HSL 46.8, 0.45%, 0.44%

LAB 58.4, -1.28, 43.81

 

CMYK 0 / 16 / 71 / 44

HEX #90792A

RGB 144 121 42

HSL 46.47, 0.55%, 0.36%

LAB 51.58, -0.18, 44.81

 

CMYK 0 / 19 / 82 / 50

HEX #7F6717

RGB 127 103 23

HSL 46.15, 0.69%, 0.29%

LAB 44.62, 1.21, 45.21

 

CMYK 0 / 23 / 96 / 57

HEX #6E5504

RGB 110 85 4

HSL 45.85, 0.93%, 0.22%

LAB 37.52, 2.98, 44.34

 

CMYK 0 / 12 / 54 / 30

HEX #B29D51

RGB 178 157 81

HSL 47.01, 0.39%, 0.51%

LAB 65.1, -2.09, 42.11

 

CMYK 0 / 26 / 54 / 30

HEX #B28351

RGB 178 131 81

HSL 30.93, 0.39%, 0.51%

LAB 58.31, 12.23, 33.9

 

CMYK 0 / 41 / 54 / 30

HEX #B26951

RGB 178 105 81

HSL 14.85, 0.39%, 0.51%

LAB 52.02, 26.73, 25.96

 

CMYK 0 / 54 / 54 / 30

HEX #B25151

RGB 178 81 81

HSL 0, 0.39%, 0.51%

LAB 46.9, 39.49, 19.25

 

CMYK 0 / 12 / 54 / 30

HEX #B29D51

RGB 178 157 81

HSL 47.01, 0.39%, 0.51%

LAB 65.1, -2.09, 42.11

 

CMYK 3 / 0 / 54 / 30

HEX #ADB251

RGB 173 178 81

HSL 63.09, 0.39%, 0.51%

LAB 70.4, -15.26, 48.18

 

CMYK 17 / 0 / 54 / 30

HEX #93B251

RGB 147 178 81

HSL 79.18, 0.39%, 0.51%

LAB 68.49, -25.88, 45.47

 

CMYK 33 / 0 / 54 / 30

HEX #78B251

RGB 120 178 81

HSL 95.88, 0.39%, 0.51%

LAB 66.85, -36.09, 43.13

 

CMYK 47 / 0 / 54 / 30

HEX #5EB251

RGB 94 178 81

HSL 111.96, 0.39%, 0.51%

LAB 65.6, -44.65, 41.35

 

CMYK 0 / 12 / 54 / 30

HEX #B29D51

RGB 178 157 81

HSL 47.01, 0.39%, 0.51%

LAB 65.1, -2.09, 42.11

 

CMYK 0 / 15 / 69 / 22

HEX #C6A93D

RGB 198 169 61

HSL 47.3, 0.55%, 0.51%

LAB 69.98, -1.23, 57.24

 

CMYK 0 / 18 / 82 / 14

HEX #DBB428

RGB 219 180 40

HSL 46.93, 0.71%, 0.51%

LAB 74.73, 1.23, 69.89

 

CMYK 0 / 20 / 92 / 6

HEX #EFC014

RGB 239 192 20

HSL 47.12, 0.87%, 0.51%

LAB 79.67, 3.2, 79.09

 

CMYK 0 / 12 / 54 / 30

HEX #B29D51

RGB 178 157 81

HSL 47.01, 0.39%, 0.51%

LAB 65.1, -2.09, 42.11

 

CMYK 0 / 8 / 36 / 38

HEX #9E9265

RGB 158 146 101

HSL 47.37, 0.23%, 0.51%

LAB 60.57, -2.49, 25.49

 

CMYK 0 / 3 / 12 / 46

HEX #8A8679

RGB 138 134 121

HSL 45.88, 0.07%, 0.51%

LAB 55.92, -0.9, 7.53

 

CMYK 16 / 13 / 0 / 45

HEX #767B8D

RGB 118 123 141

HSL 226.96, 0.09%, 0.51%

LAB 51.77, 2.09, -10.38

 

CMYK 40 / 31 / 0 / 36

HEX #616FA2

RGB 97 111 162

HSL 227.08, 0.26%, 0.51%

LAB 47.65, 8.12, -29.15

 

CMYK 0 / 41 / 54 / 30

HEX #B26951

RGB 178 105 81

HSL 14.85, 0.39%, 0.51%

LAB 52.02, 26.73, 25.96

 

CMYK 0 / 26 / 54 / 30

HEX #B28351

RGB 178 131 81

HSL 30.93, 0.39%, 0.51%

LAB 58.31, 12.23, 33.9

 

CMYK 0 / 12 / 54 / 30

HEX #B29D51

RGB 178 157 81

HSL 47.01, 0.39%, 0.51%

LAB 65.1, -2.09, 42.11

 

CMYK 3 / 0 / 54 / 30

HEX #ADB251

RGB 173 178 81

HSL 63.09, 0.39%, 0.51%

LAB 70.4, -15.26, 48.18

 

CMYK 17 / 0 / 54 / 30

HEX #93B251

RGB 147 178 81

HSL 79.18, 0.39%, 0.51%

LAB 68.49, -25.88, 45.47

 

CMYK 0 / 12 / 56 / 52

HEX #7B6C36

RGB 123 108 54

HSL 46.96, 0.39%, 0.35%

LAB 45.91, -1.56, 32.03

 

CMYK 0 / 13 / 57 / 40

HEX #988542

RGB 152 133 66

HSL 46.74, 0.39%, 0.43%

LAB 55.93, -1.57, 38.27

 

CMYK 0 / 12 / 54 / 30

HEX #B29D51

RGB 178 157 81

HSL 47.01, 0.39%, 0.51%

LAB 65.1, -2.09, 42.11

 

CMYK 0 / 9 / 43 / 25

HEX #BFAD6D

RGB 191 173 109

HSL 46.83, 0.39%, 0.59%

LAB 70.92, -2.5, 35.19

 

CMYK 0 / 7 / 32 / 20

HEX #CBBD8A

RGB 203 189 138

HSL 47.08, 0.38%, 0.67%

LAB 76.63, -2.74, 27.61

 

CMYK 0 / 12 / 55 / 30

HEX #B29D50

RGB 178 157 80

HSL 47.14, 0.39%, 0.51%

LAB 65.09, -2.17, 42.6

 

CMYK 54 / 0 / 54 / 30

HEX #52B251

RGB 82 178 81

HSL 119.38, 0.39%, 0.51%

LAB 65.14, -48.04, 40.69

 

CMYK 34 / 54 / 0 / 30

HEX #7651B2

RGB 118 81 178

HSL 262.89, 0.39%, 0.51%

LAB 42.69, 36.53, -46.28

 

CMYK 0 / 12 / 55 / 30

HEX #B29D50

RGB 178 157 80

HSL 47.14, 0.39%, 0.51%

LAB 65.09, -2.17, 42.6

 

CMYK 54 / 0 / 12 / 30

HEX #51B29D

RGB 81 178 157

HSL 167.01, 0.39%, 0.51%

LAB 66.54, -33.71, 2.1

 

CMYK 12 / 54 / 0 / 30

HEX #9D51B2

RGB 157 81 178

HSL 287.01, 0.39%, 0.51%

LAB 47.32, 46.91, -38.63

 

CMYK 0 / 12 / 55 / 30

HEX #B29D50

RGB 178 157 80

HSL 47.14, 0.39%, 0.51%

LAB 65.09, -2.17, 42.6

 

CMYK 54 / 0 / 54 / 30

HEX #52B251

RGB 82 178 81

HSL 119.38, 0.39%, 0.51%

LAB 65.14, -48.04, 40.69

 

CMYK 54 / 43 / 0 / 30

HEX #5166B2

RGB 81 102 178

HSL 227.01, 0.39%, 0.51%

LAB 44.89, 14.64, -42.94

 

CMYK 1 / 54 / 0 / 30

HEX #B151B2

RGB 177 81 178

HSL 299.38, 0.39%, 0.51%

LAB 50.03, 52.41, -34.18

 

CMYK 0 / 12 / 55 / 30

HEX #B29D50

RGB 178 157 80

HSL 47.14, 0.39%, 0.51%

LAB 65.09, -2.17, 42.6

 

CMYK 54 / 0 / 39 / 30

HEX #51B26C

RGB 81 178 108

HSL 136.7, 0.39%, 0.51%

LAB 65.49, -44.17, 27.35

 

CMYK 54 / 43 / 0 / 30

HEX #5166B2

RGB 81 102 178

HSL 227.01, 0.39%, 0.51%

LAB 44.89, 14.64, -42.94

 

CMYK 0 / 54 / 15 / 30

HEX #B25197

RGB 178 81 151

HSL 316.7, 0.39%, 0.51%

LAB 48.99, 48.11, -19.88

 

Description

Color code: RGB 178 157 80 | qconv.com Color code: RGB 178 157 80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 157 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 157 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 55 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 55% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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