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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 152 160 it is the complementary color RGB 77 103 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 152 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 178 152 160 shade: RGB 183 152 155, RGB 200 170 174, RGB 217 188 193, RGB 234 206 212 and RGB 251 224 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 152 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 178 152 160 shade: RGB 178 152 160, RGB 161 134 141, RGB 144 116 122, RGB 127 98 103 and RGB 110 80 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 178 152 160 shade: RGB 178 153 160, RGB 178 153 154 and RGB 178 153 153

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 178 152 160 shade: RGB 178 153 160, RGB 178 153 167, RGB 178 153 174, RGB 175 153 178 and RGB 168 153 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 178 152 160 shade matches the following richer shades: RGB 178 153 160, RGB 192 138 155, RGB 207 124 149, RGB 221 109 144 and RGB 236 95 138

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 178 152 160 shade: RGB 178 153 160, RGB 163 167 166, RGB 149 182 172, RGB 134 196 177 and RGB 120 211 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 178 152 160 shade: RGB 178 153 174, RGB 178 153 167, RGB 178 153 161, RGB 178 153 154 and RGB 178 158 153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 178 152 160 shade: RGB 141 107 117, RGB 160 129 139, RGB 178 153 160, RGB 195 176 182 and RGB 213 200 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 178 152 160 shade: RGB 178 152 160, RGB 178 175 153 and RGB 153 171 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 178 152 160 shade: RGB 178 152 160, RGB 161 178 153 and RGB 153 161 178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 178 152 160 shade: RGB 178 152 160, RGB 178 175 153, RGB 153 178 170 and RGB 153 156 178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 178 152 160 shade: RGB 178 152 160, RGB 173 178 153, RGB 153 178 170 and RGB 157 153 178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 10 / 30

HEX #B298A0

RGB 178 152 160

HSL 341.54, 0.14%, 0.65%

LAB 65.33, 11, -0.61

 

Complementary color

CMYK 25 / 0 / 8 / 60

HEX #4D675F

RGB 77 103 95

HSL 161.54, 0.14%, 0.35%

LAB 41.38, -11.48, 1.38

 

CMYK 0 / 17 / 15 / 28

HEX #B7989B

RGB 183 152 155

HSL 354.19, 0.18%, 0.66%

LAB 65.66, 12.01, 2.74

 

CMYK 0 / 15 / 13 / 22

HEX #C8AAAE

RGB 200 170 174

HSL 352, 0.21%, 0.73%

LAB 72.29, 11.55, 2

 

CMYK 0 / 13 / 11 / 15

HEX #D9BCC1

RGB 217 188 193

HSL 349.66, 0.28%, 0.79%

LAB 78.79, 11.14, 1.29

 

CMYK 0 / 12 / 9 / 8

HEX #EACED4

RGB 234 206 212

HSL 347.14, 0.4%, 0.86%

LAB 85.19, 10.76, 0.62

 

CMYK 0 / 11 / 8 / 2

HEX #FBE0E7

RGB 251 224 231

HSL 344.44, 0.77%, 0.93%

LAB 91.5, 10.41, -0.03

 

CMYK 0 / 15 / 10 / 30

HEX #B298A0

RGB 178 152 160

HSL 341.54, 0.14%, 0.65%

LAB 65.33, 11, -0.61

 

CMYK 0 / 17 / 12 / 37

HEX #A1868D

RGB 161 134 141

HSL 344.44, 0.13%, 0.58%

LAB 58.56, 11.45, 0.09

 

CMYK 0 / 19 / 15 / 44

HEX #90747A

RGB 144 116 122

HSL 347.14, 0.11%, 0.51%

LAB 51.64, 11.97, 0.85

 

CMYK 0 / 23 / 19 / 50

HEX #7F6267

RGB 127 98 103

HSL 349.66, 0.13%, 0.44%

LAB 44.56, 12.55, 1.67

 

CMYK 0 / 27 / 24 / 57

HEX #6E5054

RGB 110 80 84

HSL 352, 0.16%, 0.37%

LAB 37.28, 13.24, 2.6

 

CMYK 0 / 14 / 10 / 30

HEX #B299A0

RGB 178 153 160

HSL 343.2, 0.14%, 0.65%

LAB 65.58, 10.44, -0.24

 

CMYK 0 / 14 / 13 / 30

HEX #B2999A

RGB 178 153 154

HSL 357.6, 0.14%, 0.65%

LAB 65.42, 9.41, 2.89

 

CMYK 0 / 14 / 14 / 30

HEX #B29999

RGB 178 153 153

HSL 0, 0.14%, 0.65%

LAB 65.39, 9.25, 3.42

 

CMYK 0 / 14 / 10 / 30

HEX #B299A0

RGB 178 153 160

HSL 343.2, 0.14%, 0.65%

LAB 65.58, 10.44, -0.24

 

CMYK 0 / 14 / 6 / 30

HEX #B299A7

RGB 178 153 167

HSL 326.4, 0.14%, 0.65%

LAB 65.78, 11.69, -3.88

 

CMYK 0 / 14 / 2 / 30

HEX #B299AE

RGB 178 153 174

HSL 309.6, 0.14%, 0.65%

LAB 65.98, 12.98, -7.5

 

CMYK 2 / 14 / 0 / 30

HEX #AF99B2

RGB 175 153 178

HSL 292.8, 0.14%, 0.65%

LAB 65.83, 12.7, -9.99

 

CMYK 6 / 14 / 0 / 30

HEX #A899B2

RGB 168 153 178

HSL 276, 0.14%, 0.65%

LAB 65.22, 10.26, -10.98

 

CMYK 0 / 14 / 10 / 30

HEX #B299A0

RGB 178 153 160

HSL 343.2, 0.14%, 0.65%

LAB 65.58, 10.44, -0.24

 

CMYK 0 / 28 / 19 / 25

HEX #C08A9B

RGB 192 138 155

HSL 341.11, 0.3%, 0.65%

LAB 63.14, 23.13, -0.83

 

CMYK 0 / 40 / 28 / 19

HEX #CF7C95

RGB 207 124 149

HSL 341.93, 0.46%, 0.65%

LAB 61.53, 35.36, 0.45

 

CMYK 0 / 51 / 35 / 13

HEX #DD6D90

RGB 221 109 144

HSL 341.25, 0.62%, 0.65%

LAB 60.18, 47.34, 1.6

 

CMYK 0 / 60 / 42 / 7

HEX #EC5F8A

RGB 236 95 138

HSL 341.7, 0.79%, 0.65%

LAB 59.76, 58.11, 4.74

 

CMYK 0 / 14 / 10 / 30

HEX #B299A0

RGB 178 153 160

HSL 343.2, 0.14%, 0.65%

LAB 65.58, 10.44, -0.24

 

CMYK 2 / 0 / 1 / 35

HEX #A3A7A6

RGB 163 167 166

HSL 165, 0.02%, 0.65%

LAB 68.15, -1.61, 0.01

 

CMYK 18 / 0 / 5 / 29

HEX #95B6AC

RGB 149 182 172

HSL 161.82, 0.18%, 0.65%

LAB 71.44, -13.22, 1.37

 

CMYK 32 / 0 / 10 / 23

HEX #86C4B1

RGB 134 196 177

HSL 161.61, 0.34%, 0.65%

LAB 74.65, -23.99, 3.21

 

CMYK 43 / 0 / 13 / 17

HEX #78D3B7

RGB 120 211 183

HSL 161.54, 0.51%, 0.65%

LAB 78.46, -33.76, 5.4

 

CMYK 0 / 14 / 2 / 30

HEX #B299AE

RGB 178 153 174

HSL 309.6, 0.14%, 0.65%

LAB 65.98, 12.98, -7.5

 

CMYK 0 / 14 / 6 / 30

HEX #B299A7

RGB 178 153 167

HSL 326.4, 0.14%, 0.65%

LAB 65.78, 11.69, -3.88

 

CMYK 0 / 14 / 10 / 30

HEX #B299A1

RGB 178 153 161

HSL 340.8, 0.14%, 0.65%

LAB 65.61, 10.62, -0.76

 

CMYK 0 / 14 / 13 / 30

HEX #B2999A

RGB 178 153 154

HSL 357.6, 0.14%, 0.65%

LAB 65.42, 9.41, 2.89

 

CMYK 0 / 11 / 14 / 30

HEX #B29E99

RGB 178 158 153

HSL 12, 0.14%, 0.65%

LAB 66.69, 6.48, 5.28

 

CMYK 0 / 24 / 17 / 45

HEX #8D6B75

RGB 141 107 117

HSL 342.35, 0.14%, 0.49%

LAB 48.84, 15.19, -0.32

 

CMYK 0 / 19 / 13 / 37

HEX #A0818B

RGB 160 129 139

HSL 340.65, 0.14%, 0.57%

LAB 57.11, 13.57, -0.88

 

CMYK 0 / 14 / 10 / 30

HEX #B299A0

RGB 178 153 160

HSL 343.2, 0.14%, 0.65%

LAB 65.58, 10.44, -0.24

 

CMYK 0 / 10 / 7 / 24

HEX #C3B0B6

RGB 195 176 182

HSL 341.05, 0.14%, 0.73%

LAB 73.57, 7.85, -0.59

 

CMYK 0 / 6 / 4 / 16

HEX #D5C8CC

RGB 213 200 204

HSL 341.54, 0.13%, 0.81%

LAB 81.74, 5.23, -0.37

 

CMYK 0 / 15 / 10 / 30

HEX #B298A0

RGB 178 152 160

HSL 341.54, 0.14%, 0.65%

LAB 65.33, 11, -0.61

 

CMYK 0 / 2 / 14 / 30

HEX #B2AF99

RGB 178 175 153

HSL 52.8, 0.14%, 0.65%

LAB 71.16, -2.76, 11.67

 

CMYK 14 / 4 / 0 / 30

HEX #99ABB2

RGB 153 171 178

HSL 196.8, 0.14%, 0.65%

LAB 68.83, -4.78, -5.72

 

CMYK 0 / 15 / 10 / 30

HEX #B298A0

RGB 178 152 160

HSL 341.54, 0.14%, 0.65%

LAB 65.33, 11, -0.61

 

CMYK 10 / 0 / 14 / 30

HEX #A1B299

RGB 161 178 153

HSL 100.8, 0.14%, 0.65%

LAB 70.68, -10.61, 10.8

 

CMYK 14 / 10 / 0 / 30

HEX #99A1B2

RGB 153 161 178

HSL 220.8, 0.14%, 0.65%

LAB 66.12, 0.69, -9.76

 

CMYK 0 / 15 / 10 / 30

HEX #B298A0

RGB 178 152 160

HSL 341.54, 0.14%, 0.65%

LAB 65.33, 11, -0.61

 

CMYK 0 / 2 / 14 / 30

HEX #B2AF99

RGB 178 175 153

HSL 52.8, 0.14%, 0.65%

LAB 71.16, -2.76, 11.67

 

CMYK 14 / 0 / 4 / 30

HEX #99B2AA

RGB 153 178 170

HSL 160.8, 0.14%, 0.65%

LAB 70.54, -10.19, 1.19

 

CMYK 14 / 12 / 0 / 30

HEX #999CB2

RGB 153 156 178

HSL 232.8, 0.14%, 0.65%

LAB 64.77, 3.47, -11.77

 

CMYK 0 / 15 / 10 / 30

HEX #B298A0

RGB 178 152 160

HSL 341.54, 0.14%, 0.65%

LAB 65.33, 11, -0.61

 

CMYK 3 / 0 / 14 / 30

HEX #ADB299

RGB 173 178 153

HSL 72, 0.14%, 0.65%

LAB 71.57, -6.23, 12.19

 

CMYK 14 / 0 / 4 / 30

HEX #99B2AA

RGB 153 178 170

HSL 160.8, 0.14%, 0.65%

LAB 70.54, -10.19, 1.19

 

CMYK 12 / 14 / 0 / 30

HEX #9D99B2

RGB 157 153 178

HSL 249.6, 0.14%, 0.65%

LAB 64.29, 6.5, -12.46

 

Description

Color code: RGB 178 152 160 | qconv.com Color code: RGB 178 152 160 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 152 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 152 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 10 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 10% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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