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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 174 164 it is the complementary color RGB 77 81 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 174 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 178 174 164 shade: RGB 183 174 159, RGB 200 192 178, RGB 217 210 197, RGB 234 228 216 and RGB 251 246 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 174 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 178 174 164 shade: RGB 178 174 164, RGB 161 156 145, RGB 144 138 126, RGB 127 120 107 and RGB 110 102 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 178 174 164 shade: RGB 177 173 164, RGB 177 170 164, RGB 177 166 164 and RGB 177 164 164

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 178 174 164 shade: RGB 177 173 164, RGB 177 177 164, RGB 174 177 164, RGB 170 177 164 and RGB 166 177 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 178 174 164 shade matches the following richer shades: RGB 177 173 164, RGB 191 179 150, RGB 204 185 136, RGB 218 191 123 and RGB 232 197 109

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 178 174 164 shade: RGB 177 173 164, RGB 163 167 177, RGB 150 162 191, RGB 136 156 204 and RGB 123 150 218

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 178 174 164 shade: RGB 177 166 164, RGB 177 169 164, RGB 177 173 164, RGB 177 177 164 and RGB 174 177 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 178 174 164 shade: RGB 139 133 119, RGB 158 153 141, RGB 177 173 164, RGB 196 193 186 and RGB 215 213 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 178 174 164 shade: RGB 178 174 164, RGB 165 177 164 and RGB 168 164 177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 178 174 164 shade: RGB 178 174 164, RGB 164 177 173 and RGB 173 164 177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 178 174 164 shade: RGB 178 174 164, RGB 165 177 164, RGB 164 168 177 and RGB 176 164 177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 178 174 164 shade: RGB 178 174 164, RGB 164 177 166, RGB 164 168 177 and RGB 177 164 174

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 8 / 30

HEX #B2AEA4

RGB 178 174 164

HSL 42.86, 0.08%, 0.67%

LAB 71.16, -0.37, 5.62

 

Complementary color

CMYK 15 / 11 / 0 / 64

HEX #4D515B

RGB 77 81 91

HSL 222.86, 0.08%, 0.33%

LAB 34.43, 0.74, -6.39

 

CMYK 0 / 5 / 13 / 28

HEX #B7AE9F

RGB 183 174 159

HSL 37.5, 0.14%, 0.67%

LAB 71.45, 0.62, 8.84

 

CMYK 0 / 4 / 11 / 22

HEX #C8C0B2

RGB 200 192 178

HSL 38.18, 0.17%, 0.74%

LAB 77.99, 0.39, 8.04

 

CMYK 0 / 3 / 9 / 15

HEX #D9D2C5

RGB 217 210 197

HSL 39, 0.21%, 0.81%

LAB 84.42, 0.18, 7.29

 

CMYK 0 / 3 / 8 / 8

HEX #EAE4D8

RGB 234 228 216

HSL 40, 0.3%, 0.88%

LAB 90.75, -0.01, 6.56

 

CMYK 0 / 2 / 6 / 2

HEX #FBF6EB

RGB 251 246 235

HSL 41.25, 0.67%, 0.95%

LAB 96.99, -0.2, 5.86

 

CMYK 0 / 2 / 8 / 30

HEX #B2AEA4

RGB 178 174 164

HSL 42.86, 0.08%, 0.67%

LAB 71.16, -0.37, 5.62

 

CMYK 0 / 3 / 10 / 37

HEX #A19C91

RGB 161 156 145

HSL 41.25, 0.08%, 0.6%

LAB 64.48, -0.17, 6.4

 

CMYK 0 / 4 / 13 / 44

HEX #908A7E

RGB 144 138 126

HSL 40, 0.08%, 0.53%

LAB 57.67, 0.05, 7.22

 

CMYK 0 / 6 / 16 / 50

HEX #7F786B

RGB 127 120 107

HSL 39, 0.09%, 0.46%

LAB 50.69, 0.31, 8.1

 

CMYK 0 / 7 / 20 / 57

HEX #6E6658

RGB 110 102 88

HSL 38.18, 0.11%, 0.39%

LAB 43.54, 0.6, 9.06

 

CMYK 0 / 2 / 7 / 31

HEX #B1ADA4

RGB 177 173 164

HSL 41.54, 0.08%, 0.67%

LAB 70.81, -0.2, 5.12

 

CMYK 0 / 4 / 7 / 31

HEX #B1AAA4

RGB 177 170 164

HSL 27.69, 0.08%, 0.67%

LAB 70.02, 1.43, 3.97

 

CMYK 0 / 6 / 7 / 31

HEX #B1A6A4

RGB 177 166 164

HSL 9.23, 0.08%, 0.67%

LAB 68.97, 3.61, 2.45

 

CMYK 0 / 7 / 7 / 31

HEX #B1A4A4

RGB 177 164 164

HSL 0, 0.08%, 0.67%

LAB 68.44, 4.7, 1.69

 

CMYK 0 / 2 / 7 / 31

HEX #B1ADA4

RGB 177 173 164

HSL 41.54, 0.08%, 0.67%

LAB 70.81, -0.2, 5.12

 

CMYK 0 / 0 / 7 / 31

HEX #B1B1A4

RGB 177 177 164

HSL 60, 0.08%, 0.67%

LAB 71.87, -2.35, 6.64

 

CMYK 2 / 0 / 7 / 31

HEX #AEB1A4

RGB 174 177 164

HSL 73.85, 0.08%, 0.67%

LAB 71.64, -3.44, 6.27

 

CMYK 4 / 0 / 7 / 31

HEX #AAB1A4

RGB 170 177 164

HSL 92.31, 0.08%, 0.67%

LAB 71.33, -4.88, 5.79

 

CMYK 6 / 0 / 7 / 31

HEX #A6B1A4

RGB 166 177 164

HSL 110.77, 0.08%, 0.67%

LAB 71.03, -6.31, 5.32

 

CMYK 0 / 2 / 7 / 31

HEX #B1ADA4

RGB 177 173 164

HSL 41.54, 0.08%, 0.67%

LAB 70.81, -0.2, 5.12

 

CMYK 0 / 6 / 21 / 25

HEX #BFB396

RGB 191 179 150

HSL 42.44, 0.24%, 0.67%

LAB 73.23, -0.45, 16.37

 

CMYK 0 / 9 / 33 / 20

HEX #CCB988

RGB 204 185 136

HSL 43.24, 0.4%, 0.67%

LAB 75.65, -0.49, 27.36

 

CMYK 0 / 12 / 44 / 15

HEX #DABF7B

RGB 218 191 123

HSL 42.95, 0.56%, 0.67%

LAB 78.23, 0.47, 37.76

 

CMYK 0 / 15 / 53 / 9

HEX #E8C56D

RGB 232 197 109

HSL 42.93, 0.73%, 0.67%

LAB 80.85, 1.74, 48.3

 

CMYK 0 / 2 / 7 / 31

HEX #B1ADA4

RGB 177 173 164

HSL 41.54, 0.08%, 0.67%

LAB 70.81, -0.2, 5.12

 

CMYK 8 / 6 / 0 / 31

HEX #A3A7B1

RGB 163 167 177

HSL 222.86, 0.08%, 0.67%

LAB 68.46, 0.57, -5.64

 

CMYK 21 / 15 / 0 / 25

HEX #96A2BF

RGB 150 162 191

HSL 222.44, 0.24%, 0.67%

LAB 66.59, 2.07, -16.33

 

CMYK 33 / 24 / 0 / 20

HEX #889CCC

RGB 136 156 204

HSL 222.35, 0.4%, 0.67%

LAB 64.46, 4.4, -26.9

 

CMYK 44 / 31 / 0 / 15

HEX #7B96DA

RGB 123 150 218

HSL 222.95, 0.56%, 0.67%

LAB 62.58, 8.15, -37.67

 

CMYK 0 / 6 / 7 / 31

HEX #B1A6A4

RGB 177 166 164

HSL 9.23, 0.08%, 0.67%

LAB 68.97, 3.61, 2.45

 

CMYK 0 / 5 / 7 / 31

HEX #B1A9A4

RGB 177 169 164

HSL 23.08, 0.08%, 0.67%

LAB 69.76, 1.97, 3.59

 

CMYK 0 / 2 / 7 / 31

HEX #B1ADA4

RGB 177 173 164

HSL 41.54, 0.08%, 0.67%

LAB 70.81, -0.2, 5.12

 

CMYK 0 / 0 / 7 / 31

HEX #B1B1A4

RGB 177 177 164

HSL 60, 0.08%, 0.67%

LAB 71.87, -2.35, 6.64

 

CMYK 2 / 0 / 7 / 31

HEX #AEB1A4

RGB 174 177 164

HSL 73.85, 0.08%, 0.67%

LAB 71.64, -3.44, 6.27

 

CMYK 0 / 4 / 14 / 45

HEX #8B8577

RGB 139 133 119

HSL 42, 0.08%, 0.51%

LAB 55.68, -0.29, 8.35

 

CMYK 0 / 3 / 11 / 38

HEX #9E998D

RGB 158 153 141

HSL 42.35, 0.08%, 0.59%

LAB 63.32, -0.34, 6.95

 

CMYK 0 / 2 / 7 / 31

HEX #B1ADA4

RGB 177 173 164

HSL 41.54, 0.08%, 0.67%

LAB 70.81, -0.2, 5.12

 

CMYK 0 / 2 / 5 / 23

HEX #C4C1BA

RGB 196 193 186

HSL 42, 0.08%, 0.75%

LAB 78.12, -0.21, 3.88

 

CMYK 0 / 1 / 3 / 16

HEX #D7D5D0

RGB 215 213 208

HSL 42.86, 0.08%, 0.83%

LAB 85.3, -0.2, 2.7

 

CMYK 0 / 2 / 8 / 30

HEX #B2AEA4

RGB 178 174 164

HSL 42.86, 0.08%, 0.67%

LAB 71.16, -0.37, 5.62

 

CMYK 7 / 0 / 7 / 31

HEX #A5B1A4

RGB 165 177 164

HSL 115.38, 0.08%, 0.67%

LAB 70.96, -6.66, 5.2

 

CMYK 5 / 7 / 0 / 31

HEX #A8A4B1

RGB 168 164 177

HSL 258.46, 0.08%, 0.67%

LAB 68.06, 3.95, -6.19

 

CMYK 0 / 2 / 8 / 30

HEX #B2AEA4

RGB 178 174 164

HSL 42.86, 0.08%, 0.67%

LAB 71.16, -0.37, 5.62

 

CMYK 7 / 0 / 2 / 31

HEX #A4B1AD

RGB 164 177 173

HSL 161.54, 0.08%, 0.67%

LAB 71.11, -5.3, 0.48

 

CMYK 2 / 7 / 0 / 31

HEX #ADA4B1

RGB 173 164 177

HSL 281.54, 0.08%, 0.67%

LAB 68.47, 5.69, -5.54

 

CMYK 0 / 2 / 8 / 30

HEX #B2AEA4

RGB 178 174 164

HSL 42.86, 0.08%, 0.67%

LAB 71.16, -0.37, 5.62

 

CMYK 7 / 0 / 7 / 31

HEX #A5B1A4

RGB 165 177 164

HSL 115.38, 0.08%, 0.67%

LAB 70.96, -6.66, 5.2

 

CMYK 7 / 5 / 0 / 31

HEX #A4A8B1

RGB 164 168 177

HSL 221.54, 0.08%, 0.67%

LAB 68.8, 0.37, -5.12

 

CMYK 1 / 7 / 0 / 31

HEX #B0A4B1

RGB 176 164 177

HSL 295.38, 0.08%, 0.67%

LAB 68.72, 6.75, -5.14

 

CMYK 0 / 2 / 8 / 30

HEX #B2AEA4

RGB 178 174 164

HSL 42.86, 0.08%, 0.67%

LAB 71.16, -0.37, 5.62

 

CMYK 7 / 0 / 6 / 31

HEX #A4B1A6

RGB 164 177 166

HSL 129.23, 0.08%, 0.67%

LAB 70.93, -6.64, 4.06

 

CMYK 7 / 5 / 0 / 31

HEX #A4A8B1

RGB 164 168 177

HSL 221.54, 0.08%, 0.67%

LAB 68.8, 0.37, -5.12

 

CMYK 0 / 7 / 2 / 31

HEX #B1A4AE

RGB 177 164 174

HSL 313.85, 0.08%, 0.67%

LAB 68.72, 6.53, -3.47

 

Description

Color code: RGB 178 174 164 | qconv.com Color code: RGB 178 174 164 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 174 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 174 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 8 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 8% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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