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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 209 181 it is the complementary color RGB 77 46 74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 209 181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 178 209 181 shade: RGB 183 209 176, RGB 200 227 195, RGB 217 245 214, RGB 234 255 233 and RGB 251 255 252

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 209 181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 178 209 181 shade: RGB 178 209 181, RGB 161 191 162, RGB 144 173 143, RGB 127 155 124 and RGB 110 137 105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 178 209 181 shade: RGB 178 209 181, RGB 183 209 178, RGB 192 209 178, RGB 200 209 178 and RGB 208 209 178

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 178 209 181 shade: RGB 178 209 181, RGB 178 209 189, RGB 178 209 197, RGB 178 209 206 and RGB 178 203 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 178 209 181 shade matches the following richer shades: RGB 178 209 181, RGB 168 219 173, RGB 158 228 165, RGB 148 238 157 and RGB 138 248 149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 178 209 181 shade: RGB 178 209 181, RGB 188 199 189, RGB 198 189 197, RGB 208 179 205 and RGB 218 169 213

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 178 209 181 shade: RGB 192 209 178, RGB 184 209 178, RGB 178 209 181, RGB 178 209 189 and RGB 178 209 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 178 209 181 shade: RGB 126 178 131, RGB 152 193 156, RGB 178 209 181, RGB 204 224 206 and RGB 230 240 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 178 209 181 shade: RGB 178 209 181, RGB 178 200 209 and RGB 209 178 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 178 209 181 shade: RGB 178 209 181, RGB 181 178 209 and RGB 209 181 178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 178 209 181 shade: RGB 178 209 181, RGB 178 200 209, RGB 209 178 206 and RGB 209 187 178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 178 209 181 shade: RGB 178 209 181, RGB 178 191 209, RGB 209 178 206 and RGB 209 196 178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 13 / 18

HEX #B2D1B5

RGB 178 209 181

HSL 125.81, 0.25%, 0.76%

LAB 80.96, -15.66, 10.47

 

Complementary color

CMYK 0 / 40 / 4 / 70

HEX #4D2E4A

RGB 77 46 74

HSL 305.81, 0.25%, 0.24%

LAB 23.76, 19.33, -11.49

 

CMYK 12 / 0 / 16 / 18

HEX #B7D1B0

RGB 183 209 176

HSL 107.27, 0.26%, 0.75%

LAB 81.18, -14.82, 13.48

 

CMYK 12 / 0 / 14 / 11

HEX #C8E3C3

RGB 200 227 195

HSL 110.63, 0.36%, 0.83%

LAB 87.56, -14.77, 12.66

 

CMYK 11 / 0 / 13 / 4

HEX #D9F5D6

RGB 217 245 214

HSL 114.19, 0.61%, 0.9%

LAB 93.84, -14.73, 11.87

 

CMYK 8 / 0 / 9 / 0

HEX #EAFFE9

RGB 234 255 233

HSL 117.27, 1%, 0.96%

LAB 97.99, -10.76, 8.18

 

CMYK 2 / 0 / 1 / 0

HEX #FBFFFC

RGB 251 255 252

HSL 135, 1%, 0.99%

LAB 99.63, -1.84, 0.96

 

CMYK 15 / 0 / 13 / 18

HEX #B2D1B5

RGB 178 209 181

HSL 125.81, 0.25%, 0.76%

LAB 80.96, -15.66, 10.47

 

CMYK 16 / 0 / 15 / 25

HEX #A1BFA2

RGB 161 191 162

HSL 122, 0.19%, 0.69%

LAB 74.47, -15.75, 11.29

 

CMYK 17 / 0 / 17 / 32

HEX #90AD8F

RGB 144 173 143

HSL 118, 0.15%, 0.62%

LAB 67.87, -15.86, 12.15

 

CMYK 18 / 0 / 20 / 39

HEX #7F9B7C

RGB 127 155 124

HSL 114.19, 0.13%, 0.55%

LAB 61.14, -15.99, 13.08

 

CMYK 20 / 0 / 23 / 46

HEX #6E8969

RGB 110 137 105

HSL 110.63, 0.13%, 0.47%

LAB 54.27, -16.13, 14.07

 

CMYK 15 / 0 / 13 / 18

HEX #B2D1B5

RGB 178 209 181

HSL 125.81, 0.25%, 0.76%

LAB 80.96, -15.66, 10.47

 

CMYK 12 / 0 / 15 / 18

HEX #B7D1B2

RGB 183 209 178

HSL 110.32, 0.25%, 0.76%

LAB 81.23, -14.48, 12.48

 

CMYK 8 / 0 / 15 / 18

HEX #C0D1B2

RGB 192 209 178

HSL 92.9, 0.25%, 0.76%

LAB 81.85, -11.33, 13.45

 

CMYK 4 / 0 / 15 / 18

HEX #C8D1B2

RGB 200 209 178

HSL 77.42, 0.25%, 0.76%

LAB 82.43, -8.48, 14.35

 

CMYK 0 / 0 / 15 / 18

HEX #D0D1B2

RGB 208 209 178

HSL 61.94, 0.25%, 0.76%

LAB 83.03, -5.59, 15.29

 

CMYK 15 / 0 / 13 / 18

HEX #B2D1B5

RGB 178 209 181

HSL 125.81, 0.25%, 0.76%

LAB 80.96, -15.66, 10.47

 

CMYK 15 / 0 / 10 / 18

HEX #B2D1BD

RGB 178 209 189

HSL 141.29, 0.25%, 0.76%

LAB 81.15, -14.19, 6.47

 

CMYK 15 / 0 / 6 / 18

HEX #B2D1C5

RGB 178 209 197

HSL 156.77, 0.25%, 0.76%

LAB 81.34, -12.66, 2.49

 

CMYK 15 / 0 / 1 / 18

HEX #B2D1CE

RGB 178 209 206

HSL 174.19, 0.25%, 0.76%

LAB 81.58, -10.87, -1.98

 

CMYK 15 / 3 / 0 / 18

HEX #B2CBD1

RGB 178 203 209

HSL 191.61, 0.25%, 0.76%

LAB 80.06, -7.14, -5.83

 

CMYK 15 / 0 / 13 / 18

HEX #B2D1B5

RGB 178 209 181

HSL 125.81, 0.25%, 0.76%

LAB 80.96, -15.66, 10.47

 

CMYK 23 / 0 / 21 / 14

HEX #A8DBAD

RGB 168 219 173

HSL 125.88, 0.41%, 0.76%

LAB 82.92, -25.38, 17.36

 

CMYK 31 / 0 / 28 / 11

HEX #9EE4A5

RGB 158 228 165

HSL 126, 0.56%, 0.76%

LAB 84.73, -34.24, 23.95

 

CMYK 38 / 0 / 34 / 7

HEX #94EE9D

RGB 148 238 157

HSL 126, 0.73%, 0.76%

LAB 86.94, -43.12, 30.96

 

CMYK 44 / 0 / 40 / 3

HEX #8AF895

RGB 138 248 149

HSL 126, 0.89%, 0.76%

LAB 89.26, -51.48, 37.94

 

CMYK 15 / 0 / 13 / 18

HEX #B2D1B5

RGB 178 209 181

HSL 125.81, 0.25%, 0.76%

LAB 80.96, -15.66, 10.47

 

CMYK 6 / 0 / 5 / 22

HEX #BCC7BD

RGB 188 199 189

HSL 125.45, 0.09%, 0.76%

LAB 79.16, -5.63, 3.69

 

CMYK 0 / 5 / 1 / 22

HEX #C6BDC5

RGB 198 189 197

HSL 306.67, 0.07%, 0.76%

LAB 77.54, 4.61, -2.9

 

CMYK 0 / 14 / 1 / 18

HEX #D0B3CD

RGB 208 179 205

HSL 306.21, 0.24%, 0.76%

LAB 76.1, 14.93, -9.27

 

CMYK 0 / 22 / 2 / 15

HEX #DAA9D5

RGB 218 169 213

HSL 306.12, 0.4%, 0.76%

LAB 74.88, 25.22, -15.37

 

CMYK 8 / 0 / 15 / 18

HEX #C0D1B2

RGB 192 209 178

HSL 92.9, 0.25%, 0.76%

LAB 81.85, -11.33, 13.45

 

CMYK 12 / 0 / 15 / 18

HEX #B8D1B2

RGB 184 209 178

HSL 108.39, 0.25%, 0.76%

LAB 81.29, -14.13, 12.59

 

CMYK 15 / 0 / 13 / 18

HEX #B2D1B5

RGB 178 209 181

HSL 125.81, 0.25%, 0.76%

LAB 80.96, -15.66, 10.47

 

CMYK 15 / 0 / 10 / 18

HEX #B2D1BD

RGB 178 209 189

HSL 141.29, 0.25%, 0.76%

LAB 81.15, -14.19, 6.47

 

CMYK 15 / 0 / 6 / 18

HEX #B2D1C5

RGB 178 209 197

HSL 156.77, 0.25%, 0.76%

LAB 81.34, -12.66, 2.49

 

CMYK 29 / 0 / 26 / 30

HEX #7EB283

RGB 126 178 131

HSL 125.77, 0.25%, 0.6%

LAB 67.96, -26.75, 18.67

 

CMYK 21 / 0 / 19 / 24

HEX #98C19C

RGB 152 193 156

HSL 125.85, 0.25%, 0.68%

LAB 74.33, -20.94, 14.23

 

CMYK 15 / 0 / 13 / 18

HEX #B2D1B5

RGB 178 209 181

HSL 125.81, 0.25%, 0.76%

LAB 80.96, -15.66, 10.47

 

CMYK 9 / 0 / 8 / 12

HEX #CCE0CE

RGB 204 224 206

HSL 126, 0.24%, 0.84%

LAB 87.29, -9.97, 6.54

 

CMYK 4 / 0 / 4 / 6

HEX #E6F0E7

RGB 230 240 231

HSL 126, 0.25%, 0.92%

LAB 93.85, -4.92, 3.19

 

CMYK 15 / 0 / 13 / 18

HEX #B2D1B5

RGB 178 209 181

HSL 125.81, 0.25%, 0.76%

LAB 80.96, -15.66, 10.47

 

CMYK 15 / 4 / 0 / 18

HEX #B2C8D1

RGB 178 200 209

HSL 197.42, 0.25%, 0.76%

LAB 79.26, -5.56, -7.01

 

CMYK 0 / 15 / 10 / 18

HEX #D1B2BC

RGB 209 178 188

HSL 340.65, 0.25%, 0.76%

LAB 75.47, 12.82, -0.93

 

CMYK 15 / 0 / 13 / 18

HEX #B2D1B5

RGB 178 209 181

HSL 125.81, 0.25%, 0.76%

LAB 80.96, -15.66, 10.47

 

CMYK 13 / 15 / 0 / 18

HEX #B5B2D1

RGB 181 178 209

HSL 245.81, 0.25%, 0.76%

LAB 73.72, 7.22, -15.26

 

CMYK 0 / 13 / 15 / 18

HEX #D1B5B2

RGB 209 181 178

HSL 5.81, 0.25%, 0.76%

LAB 75.96, 9.55, 5.22

 

CMYK 15 / 0 / 13 / 18

HEX #B2D1B5

RGB 178 209 181

HSL 125.81, 0.25%, 0.76%

LAB 80.96, -15.66, 10.47

 

CMYK 15 / 4 / 0 / 18

HEX #B2C8D1

RGB 178 200 209

HSL 197.42, 0.25%, 0.76%

LAB 79.26, -5.56, -7.01

 

CMYK 0 / 15 / 1 / 18

HEX #D1B2CE

RGB 209 178 206

HSL 305.81, 0.25%, 0.76%

LAB 75.98, 16, -9.99

 

CMYK 0 / 11 / 15 / 18

HEX #D1BBB2

RGB 209 187 178

HSL 17.42, 0.25%, 0.76%

LAB 77.47, 6.33, 7.39

 

CMYK 15 / 0 / 13 / 18

HEX #B2D1B5

RGB 178 209 181

HSL 125.81, 0.25%, 0.76%

LAB 80.96, -15.66, 10.47

 

CMYK 15 / 9 / 0 / 18

HEX #B2BFD1

RGB 178 191 209

HSL 214.84, 0.25%, 0.76%

LAB 76.88, -0.79, -10.54

 

CMYK 0 / 15 / 1 / 18

HEX #D1B2CE

RGB 209 178 206

HSL 305.81, 0.25%, 0.76%

LAB 75.98, 16, -9.99

 

CMYK 0 / 6 / 15 / 18

HEX #D1C4B2

RGB 209 196 178

HSL 34.84, 0.25%, 0.76%

LAB 79.76, 1.56, 10.67

 

Description

Color code: RGB 178 209 181 | qconv.com Color code: RGB 178 209 181 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 209 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 209 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 13 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 13% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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