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Color name
RGB 178 253 143

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 253 143 it is the complementary color RGB 77 2 112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 253 143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 178 253 143 shade: RGB 183 253 138, RGB 200 255 157, RGB 217 255 176, RGB 234 255 195 and RGB 251 255 214

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 253 143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 178 253 143 shade: RGB 178 253 143, RGB 161 235 124, RGB 144 217 105, RGB 127 199 86 and RGB 110 181 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 178 253 143 shade: RGB 179 252 145, RGB 208 252 145, RGB 237 252 145, RGB 252 239 145 and RGB 252 210 145

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 178 253 143 shade: RGB 179 252 145, RGB 150 252 145, RGB 145 252 168, RGB 145 252 197 and RGB 145 252 226

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 178 253 143 shade matches the following richer shades: RGB 179 252 145

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 178 253 143 shade: RGB 179 252 145, RGB 182 243 154, RGB 185 234 163, RGB 189 225 172 and RGB 192 216 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 178 253 143 shade: RGB 238 252 145, RGB 209 252 145, RGB 180 252 145, RGB 152 252 145 and RGB 145 252 166

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 178 253 143 shade: RGB 123 251 64, RGB 151 251 104, RGB 179 252 145, RGB 207 253 185 and RGB 234 254 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 178 253 143 shade: RGB 178 253 143, RGB 145 252 238 and RGB 252 145 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 178 253 143 shade: RGB 178 253 143, RGB 145 180 252 and RGB 252 145 180

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 178 253 143 shade: RGB 178 253 143, RGB 145 252 238, RGB 216 145 252 and RGB 252 145 159

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 178 253 143 shade: RGB 178 253 143, RGB 145 234 252, RGB 216 145 252 and RGB 252 162 145

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 43 / 1

HEX #B2FD8F

RGB 178 253 143

HSL 100.91, 0.96%, 0.78%

LAB 92.44, -42.25, 45.33

 

Complementary color

CMYK 31 / 98 / 0 / 56

HEX #4D0270

RGB 77 2 112

HSL 280.91, 0.96%, 0.22%

LAB 19.19, 47.49, -43.88

 

CMYK 28 / 0 / 45 / 1

HEX #B7FD8A

RGB 183 253 138

HSL 96.52, 0.97%, 0.77%

LAB 92.64, -41.18, 48.03

 

CMYK 22 / 0 / 38 / 0

HEX #C8FF9D

RGB 200 255 157

HSL 93.67, 1%, 0.81%

LAB 94.41, -33.9, 41.3

 

CMYK 15 / 0 / 31 / 0

HEX #D9FFB0

RGB 217 255 176

HSL 88.86, 1%, 0.85%

LAB 95.75, -25.44, 33.85

 

CMYK 8 / 0 / 24 / 0

HEX #EAFFC3

RGB 234 255 195

HSL 81, 1%, 0.88%

LAB 97.21, -16.78, 26.46

 

CMYK 2 / 0 / 16 / 0

HEX #FBFFD6

RGB 251 255 214

HSL 65.85, 1%, 0.92%

LAB 98.78, -8.02, 19.18

 

CMYK 30 / 0 / 43 / 1

HEX #B2FD8F

RGB 178 253 143

HSL 100.91, 0.96%, 0.78%

LAB 92.44, -42.25, 45.33

 

CMYK 31 / 0 / 47 / 8

HEX #A1EB7C

RGB 161 235 124

HSL 100, 0.74%, 0.7%

LAB 86.23, -42.35, 46.48

 

CMYK 34 / 0 / 52 / 15

HEX #90D969

RGB 144 217 105

HSL 99.11, 0.6%, 0.63%

LAB 79.94, -42.42, 47.64

 

CMYK 36 / 0 / 57 / 22

HEX #7FC756

RGB 127 199 86

HSL 98.23, 0.5%, 0.56%

LAB 73.57, -42.42, 48.75

 

CMYK 39 / 0 / 63 / 29

HEX #6EB543

RGB 110 181 67

HSL 97.37, 0.46%, 0.49%

LAB 67.1, -42.31, 49.73

 

CMYK 29 / 0 / 42 / 1

HEX #B3FC91

RGB 179 252 145

HSL 100.93, 0.95%, 0.78%

LAB 92.24, -41.22, 44.12

 

CMYK 17 / 0 / 42 / 1

HEX #D0FC91

RGB 208 252 145

HSL 84.67, 0.95%, 0.78%

LAB 93.92, -31.16, 46.59

 

CMYK 6 / 0 / 42 / 1

HEX #EDFC91

RGB 237 252 145

HSL 68.41, 0.95%, 0.78%

LAB 95.86, -20.43, 49.44

 

CMYK 0 / 5 / 42 / 1

HEX #FCEF91

RGB 252 239 145

HSL 52.71, 0.95%, 0.78%

LAB 93.66, -8.32, 46.93

 

CMYK 0 / 17 / 42 / 1

HEX #FCD291

RGB 252 210 145

HSL 36.45, 0.95%, 0.78%

LAB 86.42, 6.38, 37.69

 

CMYK 29 / 0 / 42 / 1

HEX #B3FC91

RGB 179 252 145

HSL 100.93, 0.95%, 0.78%

LAB 92.24, -41.22, 44.12

 

CMYK 40 / 0 / 42 / 1

HEX #96FC91

RGB 150 252 145

HSL 117.2, 0.95%, 0.78%

LAB 90.85, -50.31, 42.06

 

CMYK 42 / 0 / 33 / 1

HEX #91FCA8

RGB 145 252 168

HSL 132.9, 0.95%, 0.78%

LAB 90.99, -48.2, 30.82

 

CMYK 42 / 0 / 22 / 1

HEX #91FCC5

RGB 145 252 197

HSL 149.16, 0.95%, 0.78%

LAB 91.54, -42.95, 16.82

 

CMYK 42 / 0 / 10 / 1

HEX #91FCE2

RGB 145 252 226

HSL 165.42, 0.95%, 0.78%

LAB 92.19, -36.91, 2.79

 

CMYK 29 / 0 / 42 / 1

HEX #B3FC91

RGB 179 252 145

HSL 100.93, 0.95%, 0.78%

LAB 92.24, -41.22, 44.12

 

CMYK 29 / 0 / 42 / 1

HEX #B3FC91

RGB 179 252 145

HSL 100.93, 0.95%, 0.78%

LAB 92.24, -41.22, 44.12

 

CMYK 25 / 0 / 37 / 5

HEX #B6F39A

RGB 182 243 154

HSL 101.12, 0.79%, 0.78%

LAB 90.04, -34.97, 36.88

 

CMYK 21 / 0 / 30 / 8

HEX #B9EAA3

RGB 185 234 163

HSL 101.41, 0.63%, 0.78%

LAB 87.87, -28.46, 29.51

 

CMYK 16 / 0 / 24 / 12

HEX #BDE1AC

RGB 189 225 172

HSL 100.75, 0.47%, 0.78%

LAB 85.83, -21.36, 22.13

 

CMYK 11 / 0 / 16 / 15

HEX #C0D8B5

RGB 192 216 181

HSL 101.14, 0.31%, 0.78%

LAB 83.79, -14.38, 14.6

 

CMYK 6 / 0 / 42 / 1

HEX #EEFC91

RGB 238 252 145

HSL 67.85, 0.95%, 0.78%

LAB 95.93, -20.05, 49.55

 

CMYK 17 / 0 / 42 / 1

HEX #D1FC91

RGB 209 252 145

HSL 84.11, 0.95%, 0.78%

LAB 93.98, -30.8, 46.68

 

CMYK 29 / 0 / 42 / 1

HEX #B4FC91

RGB 180 252 145

HSL 100.37, 0.95%, 0.78%

LAB 92.3, -40.89, 44.2

 

CMYK 40 / 0 / 42 / 1

HEX #98FC91

RGB 152 252 145

HSL 116.07, 0.95%, 0.78%

LAB 90.94, -49.72, 42.19

 

CMYK 42 / 0 / 34 / 1

HEX #91FCA6

RGB 145 252 166

HSL 131.78, 0.95%, 0.78%

LAB 90.96, -48.53, 31.78

 

CMYK 51 / 0 / 75 / 2

HEX #7BFB40

RGB 123 251 64

HSL 101.07, 0.96%, 0.62%

LAB 88.72, -65.8, 73.38

 

CMYK 40 / 0 / 59 / 2

HEX #97FB68

RGB 151 251 104

HSL 100.82, 0.95%, 0.7%

LAB 90.12, -54.46, 60.09

 

CMYK 29 / 0 / 42 / 1

HEX #B3FC91

RGB 179 252 145

HSL 100.93, 0.95%, 0.78%

LAB 92.24, -41.22, 44.12

 

CMYK 18 / 0 / 27 / 1

HEX #CFFDB9

RGB 207 253 185

HSL 100.59, 0.94%, 0.86%

LAB 94.75, -26.65, 27.87

 

CMYK 8 / 0 / 11 / 0

HEX #EAFEE1

RGB 234 254 225

HSL 101.38, 0.94%, 0.94%

LAB 97.56, -11.62, 11.65

 

CMYK 30 / 0 / 43 / 1

HEX #B2FD8F

RGB 178 253 143

HSL 100.91, 0.96%, 0.78%

LAB 92.44, -42.25, 45.33

 

CMYK 42 / 0 / 6 / 1

HEX #91FCEE

RGB 145 252 238

HSL 172.15, 0.95%, 0.78%

LAB 92.49, -34.19, -2.99

 

CMYK 0 / 42 / 11 / 1

HEX #FC91E0

RGB 252 145 224

HSL 315.7, 0.95%, 0.78%

LAB 73.76, 50.73, -22.74

 

CMYK 30 / 0 / 43 / 1

HEX #B2FD8F

RGB 178 253 143

HSL 100.91, 0.96%, 0.78%

LAB 92.44, -42.25, 45.33

 

CMYK 42 / 29 / 0 / 1

HEX #91B4FC

RGB 145 180 252

HSL 220.37, 0.95%, 0.78%

LAB 73.34, 6.23, -39.4

 

CMYK 0 / 42 / 29 / 1

HEX #FC91B4

RGB 252 145 180

HSL 340.37, 0.95%, 0.78%

LAB 72.39, 44.34, -0.49

 

CMYK 30 / 0 / 43 / 1

HEX #B2FD8F

RGB 178 253 143

HSL 100.91, 0.96%, 0.78%

LAB 92.44, -42.25, 45.33

 

CMYK 42 / 0 / 6 / 1

HEX #91FCEE

RGB 145 252 238

HSL 172.15, 0.95%, 0.78%

LAB 92.49, -34.19, -2.99

 

CMYK 14 / 42 / 0 / 1

HEX #D891FC

RGB 216 145 252

HSL 279.81, 0.95%, 0.78%

LAB 70.79, 45.12, -42.96

 

CMYK 0 / 42 / 37 / 1

HEX #FC919F

RGB 252 145 159

HSL 352.15, 0.95%, 0.78%

LAB 71.86, 41.78, 10.41

 

CMYK 30 / 0 / 43 / 1

HEX #B2FD8F

RGB 178 253 143

HSL 100.91, 0.96%, 0.78%

LAB 92.44, -42.25, 45.33

 

CMYK 42 / 7 / 0 / 1

HEX #91EAFC

RGB 145 234 252

HSL 190.09, 0.95%, 0.78%

LAB 87.92, -22.19, -17.09

 

CMYK 14 / 42 / 0 / 1

HEX #D891FC

RGB 216 145 252

HSL 279.81, 0.95%, 0.78%

LAB 70.79, 45.12, -42.96

 

CMYK 0 / 36 / 42 / 1

HEX #FCA291

RGB 252 162 145

HSL 9.53, 0.95%, 0.78%

LAB 75.19, 31.47, 22.75

 

Description

Color code: RGB 178 253 143 | qconv.com Color code: RGB 178 253 143 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 253 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 253 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 43 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 43% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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