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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 60 102 it is the complementary color RGB 77 195 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 60 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 178 60 102 shade: RGB 183 60 97, RGB 200 78 116, RGB 217 96 135, RGB 234 114 154 and RGB 251 132 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 60 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 178 60 102 shade: RGB 178 60 102, RGB 161 42 83, RGB 144 24 64, RGB 127 6 45 and RGB 110 0 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 178 60 102 shade: RGB 179 59 102, RGB 179 59 70 and RGB 179 59 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 178 60 102 shade: RGB 179 59 102, RGB 179 59 134, RGB 179 59 167, RGB 159 59 179 and RGB 127 59 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 178 60 102 shade matches the following richer shades: RGB 179 59 102, RGB 199 40 97, RGB 218 21 91 and RGB 237 1 85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 178 60 102 shade: RGB 179 59 102, RGB 160 79 108, RGB 140 98 113, RGB 121 118 119 and RGB 102 137 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 178 60 102 shade: RGB 179 59 167, RGB 179 59 135, RGB 179 59 103, RGB 179 59 71 and RGB 179 79 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 178 60 102 shade: RGB 117 39 67, RGB 148 49 84, RGB 179 59 102, RGB 197 83 123 and RGB 208 114 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 178 60 102 shade: RGB 178 60 102, RGB 179 159 59 and RGB 59 151 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 178 60 102 shade: RGB 178 60 102, RGB 103 179 59 and RGB 59 103 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 178 60 102 shade: RGB 178 60 102, RGB 179 159 59, RGB 59 179 135 and RGB 59 79 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 178 60 102 shade: RGB 178 60 102, RGB 163 179 59, RGB 59 179 135 and RGB 75 59 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 43 / 30

HEX #B23C66

RGB 178 60 102

HSL 338.64, 0.5%, 0.47%

LAB 43.74, 51.25, 1.98

 

Complementary color

CMYK 61 / 0 / 22 / 24

HEX #4DC399

RGB 77 195 153

HSL 158.64, 0.5%, 0.53%

LAB 71.49, -43.15, 11.38

 

CMYK 0 / 67 / 47 / 28

HEX #B73C61

RGB 183 60 97

HSL 341.95, 0.51%, 0.48%

LAB 44.46, 52.31, 6.24

 

CMYK 0 / 61 / 42 / 22

HEX #C84E74

RGB 200 78 116

HSL 341.31, 0.53%, 0.55%

LAB 50.67, 51.89, 3.94

 

CMYK 0 / 56 / 38 / 15

HEX #D96087

RGB 217 96 135

HSL 340.66, 0.61%, 0.61%

LAB 56.95, 51.23, 2.07

 

CMYK 0 / 51 / 34 / 8

HEX #EA729A

RGB 234 114 154

HSL 340, 0.74%, 0.68%

LAB 63.23, 50.45, 0.5

 

CMYK 0 / 47 / 31 / 2

HEX #FB84AD

RGB 251 132 173

HSL 339.33, 0.94%, 0.75%

LAB 69.49, 49.62, -0.84

 

CMYK 0 / 66 / 43 / 30

HEX #B23C66

RGB 178 60 102

HSL 338.64, 0.5%, 0.47%

LAB 43.74, 51.25, 1.98

 

CMYK 0 / 74 / 48 / 37

HEX #A12A53

RGB 161 42 83

HSL 339.33, 0.59%, 0.4%

LAB 37.59, 51.22, 4.67

 

CMYK 0 / 83 / 56 / 44

HEX #901840

RGB 144 24 64

HSL 340, 0.71%, 0.33%

LAB 31.7, 50.38, 8.22

 

CMYK 0 / 95 / 65 / 50

HEX #7F062D

RGB 127 6 45

HSL 340.66, 0.91%, 0.26%

LAB 26.25, 48.22, 12.94

 

CMYK 0 / 100 / 76 / 57

HEX #6E001A

RGB 110 0 26

HSL 345.82, 1%, 0.22%

LAB 21.54, 43.87, 19.22

 

CMYK 0 / 67 / 43 / 30

HEX #B33B66

RGB 179 59 102

HSL 338.5, 0.5%, 0.47%

LAB 43.76, 51.97, 2.04

 

CMYK 0 / 67 / 61 / 30

HEX #B33B46

RGB 179 59 70

HSL 354.5, 0.5%, 0.47%

LAB 42.99, 49.23, 20.79

 

CMYK 0 / 67 / 67 / 30

HEX #B33B3B

RGB 179 59 59

HSL 0, 0.5%, 0.47%

LAB 42.8, 48.53, 27.24

 

CMYK 0 / 67 / 43 / 30

HEX #B33B66

RGB 179 59 102

HSL 338.5, 0.5%, 0.47%

LAB 43.76, 51.97, 2.04

 

CMYK 0 / 67 / 25 / 30

HEX #B33B86

RGB 179 59 134

HSL 322.5, 0.5%, 0.47%

LAB 44.85, 55.75, -15.99

 

CMYK 0 / 67 / 7 / 30

HEX #B33BA7

RGB 179 59 167

HSL 306, 0.5%, 0.47%

LAB 46.31, 60.61, -33.52

 

CMYK 11 / 67 / 0 / 30

HEX #9F3BB3

RGB 159 59 179

HSL 290, 0.5%, 0.47%

LAB 43.88, 57.93, -44.67

 

CMYK 29 / 67 / 0 / 30

HEX #7F3BB3

RGB 127 59 179

HSL 274, 0.5%, 0.47%

LAB 39.4, 50.72, -52.09

 

CMYK 0 / 67 / 43 / 30

HEX #B33B66

RGB 179 59 102

HSL 338.5, 0.5%, 0.47%

LAB 43.76, 51.97, 2.04

 

CMYK 0 / 80 / 51 / 22

HEX #C72861

RGB 199 40 97

HSL 338.49, 0.67%, 0.47%

LAB 44.97, 63.7, 7.36

 

CMYK 0 / 90 / 58 / 15

HEX #DA155B

RGB 218 21 91

HSL 338.68, 0.82%, 0.47%

LAB 47.23, 71.88, 14.79

 

CMYK 0 / 100 / 64 / 7

HEX #ED0155

RGB 237 1 85

HSL 338.64, 0.99%, 0.47%

LAB 50.31, 77.85, 23.29

 

CMYK 0 / 67 / 43 / 30

HEX #B33B66

RGB 179 59 102

HSL 338.5, 0.5%, 0.47%

LAB 43.76, 51.97, 2.04

 

CMYK 0 / 51 / 33 / 37

HEX #A04F6C

RGB 160 79 108

HSL 338.52, 0.34%, 0.47%

LAB 44.44, 36.86, -1.03

 

CMYK 0 / 30 / 19 / 45

HEX #8C6271

RGB 140 98 113

HSL 338.57, 0.18%, 0.47%

LAB 46.32, 19.4, -1.63

 

CMYK 0 / 2 / 2 / 53

HEX #797677

RGB 121 118 119

HSL 340, 0.01%, 0.47%

LAB 49.92, 1.34, -0.15

 

CMYK 26 / 0 / 9 / 46

HEX #66897C

RGB 102 137 124

HSL 157.71, 0.15%, 0.47%

LAB 54.21, -15.15, 2.99

 

CMYK 0 / 67 / 7 / 30

HEX #B33BA7

RGB 179 59 167

HSL 306, 0.5%, 0.47%

LAB 46.31, 60.61, -33.52

 

CMYK 0 / 67 / 25 / 30

HEX #B33B87

RGB 179 59 135

HSL 322, 0.5%, 0.47%

LAB 44.89, 55.89, -16.54

 

CMYK 0 / 67 / 42 / 30

HEX #B33B67

RGB 179 59 103

HSL 338, 0.5%, 0.47%

LAB 43.79, 52.07, 1.46

 

CMYK 0 / 67 / 60 / 30

HEX #B33B47

RGB 179 59 71

HSL 354, 0.5%, 0.47%

LAB 43.01, 49.3, 20.2

 

CMYK 0 / 56 / 67 / 30

HEX #B34F3B

RGB 179 79 59

HSL 10, 0.5%, 0.47%

LAB 46.3, 39.28, 31.48

 

CMYK 0 / 67 / 43 / 54

HEX #752743

RGB 117 39 67

HSL 338.46, 0.5%, 0.31%

LAB 28.48, 36.8, 0.92

 

CMYK 0 / 67 / 43 / 42

HEX #943154

RGB 148 49 84

HSL 338.79, 0.5%, 0.39%

LAB 36.24, 44.5, 1.78

 

CMYK 0 / 67 / 43 / 30

HEX #B33B66

RGB 179 59 102

HSL 338.5, 0.5%, 0.47%

LAB 43.76, 51.97, 2.04

 

CMYK 0 / 58 / 38 / 23

HEX #C5537B

RGB 197 83 123

HSL 338.95, 0.5%, 0.55%

LAB 51.25, 49.39, 0.52

 

CMYK 0 / 45 / 29 / 18

HEX #D07293

RGB 208 114 147

HSL 338.94, 0.5%, 0.63%

LAB 59.48, 40.71, -1.37

 

CMYK 0 / 66 / 43 / 30

HEX #B23C66

RGB 178 60 102

HSL 338.64, 0.5%, 0.47%

LAB 43.74, 51.25, 1.98

 

CMYK 0 / 11 / 67 / 30

HEX #B39F3B

RGB 179 159 59

HSL 50, 0.5%, 0.47%

LAB 65.51, -4.31, 52.9

 

CMYK 67 / 16 / 0 / 30

HEX #3B97B3

RGB 59 151 179

HSL 194, 0.5%, 0.47%

LAB 58.34, -18.12, -22.57

 

CMYK 0 / 66 / 43 / 30

HEX #B23C66

RGB 178 60 102

HSL 338.64, 0.5%, 0.47%

LAB 43.74, 51.25, 1.98

 

CMYK 42 / 0 / 67 / 30

HEX #67B33B

RGB 103 179 59

HSL 98, 0.5%, 0.47%

LAB 66.09, -44.52, 51.93

 

CMYK 67 / 42 / 0 / 30

HEX #3B67B3

RGB 59 103 179

HSL 218, 0.5%, 0.47%

LAB 44.07, 10.03, -44.91

 

CMYK 0 / 66 / 43 / 30

HEX #B23C66

RGB 178 60 102

HSL 338.64, 0.5%, 0.47%

LAB 43.74, 51.25, 1.98

 

CMYK 0 / 11 / 67 / 30

HEX #B39F3B

RGB 179 159 59

HSL 50, 0.5%, 0.47%

LAB 65.51, -4.31, 52.9

 

CMYK 67 / 0 / 25 / 30

HEX #3BB387

RGB 59 179 135

HSL 158, 0.5%, 0.47%

LAB 65.69, -43.72, 12.92

 

CMYK 67 / 56 / 0 / 30

HEX #3B4FB3

RGB 59 79 179

HSL 230, 0.5%, 0.47%

LAB 37.44, 25.52, -55.58

 

CMYK 0 / 66 / 43 / 30

HEX #B23C66

RGB 178 60 102

HSL 338.64, 0.5%, 0.47%

LAB 43.74, 51.25, 1.98

 

CMYK 9 / 0 / 67 / 30

HEX #A3B33B

RGB 163 179 59

HSL 68, 0.5%, 0.47%

LAB 69.71, -21.57, 56.84

 

CMYK 67 / 0 / 25 / 30

HEX #3BB387

RGB 59 179 135

HSL 158, 0.5%, 0.47%

LAB 65.69, -43.72, 12.92

 

CMYK 58 / 67 / 0 / 30

HEX #4B3BB3

RGB 75 59 179

HSL 248, 0.5%, 0.47%

LAB 33.73, 40.61, -61.57

 

Description

Color code: RGB 178 60 102 | qconv.com Color code: RGB 178 60 102 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 60 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 60 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 43 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 43% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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