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Color name
RGB 179 111 78

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 111 78 it is the complementary color RGB 76 144 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 111 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 111 78 shade: RGB 184 111 73, RGB 201 129 92, RGB 218 147 111, RGB 235 165 130 and RGB 252 183 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 111 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 111 78 shade: RGB 179 111 78, RGB 162 93 59, RGB 145 75 40, RGB 128 57 21 and RGB 111 39 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 111 78 shade: RGB 178 109 76, RGB 178 82 76 and RGB 178 76 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 111 78 shade: RGB 178 109 76, RGB 178 137 76, RGB 178 164 76, RGB 164 178 76 and RGB 137 178 76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 111 78 shade matches the following richer shades: RGB 178 109 76, RGB 199 102 55, RGB 219 95 35 and RGB 240 88 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 111 78 shade: RGB 178 109 76, RGB 157 116 97, RGB 137 124 117, RGB 116 131 138 and RGB 95 138 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 111 78 shade: RGB 178 76 98, RGB 178 81 76, RGB 178 108 76, RGB 178 136 76 and RGB 178 163 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 111 78 shade: RGB 120 74 51, RGB 149 92 64, RGB 178 109 76, RGB 190 133 105 and RGB 203 156 134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 111 78 shade: RGB 179 111 78, RGB 125 178 76 and RGB 76 85 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 111 78 shade: RGB 179 111 78, RGB 76 178 108 and RGB 108 76 178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 111 78 shade: RGB 179 111 78, RGB 125 178 76, RGB 76 146 178 and RGB 129 76 178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 111 78 shade: RGB 179 111 78, RGB 95 178 76, RGB 76 146 178 and RGB 159 76 178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 56 / 30

HEX #B36F4E

RGB 179 111 78

HSL 19.6, 0.4%, 0.5%

LAB 53.5, 23.56, 29.57

 

Complementary color

CMYK 57 / 19 / 0 / 31

HEX #4C90B1

RGB 76 144 177

HSL 199.6, 0.4%, 0.5%

LAB 56.74, -11.79, -23.84

 

CMYK 0 / 40 / 60 / 28

HEX #B86F49

RGB 184 111 73

HSL 20.54, 0.44%, 0.5%

LAB 54.07, 25.25, 33.2

 

CMYK 0 / 36 / 54 / 21

HEX #C9815C

RGB 201 129 92

HSL 20.37, 0.5%, 0.57%

LAB 60.69, 23.94, 31.47

 

CMYK 0 / 33 / 49 / 15

HEX #DA936F

RGB 218 147 111

HSL 20.19, 0.59%, 0.65%

LAB 67.22, 22.8, 29.9

 

CMYK 0 / 30 / 45 / 8

HEX #EBA582

RGB 235 165 130

HSL 20, 0.72%, 0.72%

LAB 73.66, 21.78, 28.47

 

CMYK 0 / 27 / 41 / 1

HEX #FCB795

RGB 252 183 149

HSL 19.81, 0.94%, 0.79%

LAB 80.03, 20.88, 27.16

 

CMYK 0 / 38 / 56 / 30

HEX #B36F4E

RGB 179 111 78

HSL 19.6, 0.4%, 0.5%

LAB 53.5, 23.56, 29.57

 

CMYK 0 / 43 / 64 / 36

HEX #A25D3B

RGB 162 93 59

HSL 19.81, 0.47%, 0.43%

LAB 46.75, 24.97, 31.41

 

CMYK 0 / 48 / 72 / 43

HEX #914B28

RGB 145 75 40

HSL 20, 0.57%, 0.36%

LAB 39.92, 26.58, 33.43

 

CMYK 0 / 55 / 84 / 50

HEX #803915

RGB 128 57 21

HSL 20.19, 0.72%, 0.29%

LAB 33.07, 28.41, 35.44

 

CMYK 0 / 65 / 98 / 56

HEX #6F2702

RGB 111 39 2

HSL 20.37, 0.96%, 0.22%

LAB 26.26, 30.31, 36.6

 

CMYK 0 / 39 / 57 / 30

HEX #B26D4C

RGB 178 109 76

HSL 19.41, 0.4%, 0.5%

LAB 52.87, 24.09, 29.87

 

CMYK 0 / 54 / 57 / 30

HEX #B2524C

RGB 178 82 76

HSL 3.53, 0.4%, 0.5%

LAB 47, 38.57, 22.37

 

CMYK 0 / 57 / 57 / 30

HEX #B24C4C

RGB 178 76 76

HSL 0, 0.4%, 0.5%

LAB 45.85, 41.57, 20.85

 

CMYK 0 / 39 / 57 / 30

HEX #B26D4C

RGB 178 109 76

HSL 19.41, 0.4%, 0.5%

LAB 52.87, 24.09, 29.87

 

CMYK 0 / 23 / 57 / 30

HEX #B2894C

RGB 178 137 76

HSL 35.88, 0.4%, 0.5%

LAB 59.78, 8.46, 38.33

 

CMYK 0 / 8 / 57 / 30

HEX #B2A44C

RGB 178 164 76

HSL 51.76, 0.4%, 0.5%

LAB 66.93, -6.24, 46.68

 

CMYK 8 / 0 / 57 / 30

HEX #A4B24C

RGB 164 178 76

HSL 68.24, 0.4%, 0.5%

LAB 69.65, -19.42, 49.46

 

CMYK 23 / 0 / 57 / 30

HEX #89B24C

RGB 137 178 76

HSL 84.12, 0.4%, 0.5%

LAB 67.78, -30.28, 46.84

 

CMYK 0 / 39 / 57 / 30

HEX #B26D4C

RGB 178 109 76

HSL 19.41, 0.4%, 0.5%

LAB 52.87, 24.09, 29.87

 

CMYK 0 / 49 / 72 / 22

HEX #C76637

RGB 199 102 55

HSL 19.58, 0.57%, 0.5%

LAB 53.94, 35.11, 43.16

 

CMYK 0 / 57 / 84 / 14

HEX #DB5F23

RGB 219 95 35

HSL 19.57, 0.72%, 0.5%

LAB 55.45, 45.61, 54.92

 

CMYK 0 / 63 / 94 / 6

HEX #F0580E

RGB 240 88 14

HSL 19.65, 0.89%, 0.5%

LAB 57.59, 55.92, 64.77

 

CMYK 0 / 39 / 57 / 30

HEX #B26D4C

RGB 178 109 76

HSL 19.41, 0.4%, 0.5%

LAB 52.87, 24.09, 29.87

 

CMYK 0 / 26 / 38 / 38

HEX #9D7461

RGB 157 116 97

HSL 19, 0.24%, 0.5%

LAB 52.42, 13.5, 16.8

 

CMYK 0 / 9 / 15 / 46

HEX #897C75

RGB 137 124 117

HSL 21, 0.08%, 0.5%

LAB 52.97, 3.71, 5.62

 

CMYK 16 / 5 / 0 / 46

HEX #74838A

RGB 116 131 138

HSL 199.09, 0.09%, 0.5%

LAB 53.79, -3.9, -5.63

 

CMYK 40 / 13 / 0 / 38

HEX #5F8A9F

RGB 95 138 159

HSL 199.69, 0.25%, 0.5%

LAB 55.19, -9.13, -15.82

 

CMYK 0 / 57 / 45 / 30

HEX #B24C62

RGB 178 76 98

HSL 347.06, 0.4%, 0.5%

LAB 46.33, 43.57, 8.16

 

CMYK 0 / 54 / 57 / 30

HEX #B2514C

RGB 178 81 76

HSL 2.94, 0.4%, 0.5%

LAB 46.81, 39.08, 22.11

 

CMYK 0 / 39 / 57 / 30

HEX #B26C4C

RGB 178 108 76

HSL 18.82, 0.4%, 0.5%

LAB 52.63, 24.64, 29.58

 

CMYK 0 / 24 / 57 / 30

HEX #B2884C

RGB 178 136 76

HSL 35.29, 0.4%, 0.5%

LAB 59.52, 9.02, 38.02

 

CMYK 0 / 8 / 57 / 30

HEX #B2A34C

RGB 178 163 76

HSL 51.18, 0.4%, 0.5%

LAB 66.66, -5.71, 46.37

 

CMYK 0 / 38 / 58 / 53

HEX #784A33

RGB 120 74 51

HSL 20, 0.4%, 0.34%

LAB 36.23, 16.98, 21.81

 

CMYK 0 / 38 / 57 / 42

HEX #955C40

RGB 149 92 64

HSL 19.76, 0.4%, 0.42%

LAB 44.82, 20.36, 25.79

 

CMYK 0 / 39 / 57 / 30

HEX #B26D4C

RGB 178 109 76

HSL 19.41, 0.4%, 0.5%

LAB 52.87, 24.09, 29.87

 

CMYK 0 / 30 / 45 / 25

HEX #BE8569

RGB 190 133 105

HSL 19.76, 0.4%, 0.58%

LAB 60.55, 18.49, 23.84

 

CMYK 0 / 23 / 34 / 20

HEX #CB9C86

RGB 203 156 134

HSL 19.13, 0.4%, 0.66%

LAB 68.16, 14.46, 18.27

 

CMYK 0 / 38 / 56 / 30

HEX #B36F4E

RGB 179 111 78

HSL 19.6, 0.4%, 0.5%

LAB 53.5, 23.56, 29.57

 

CMYK 30 / 0 / 57 / 30

HEX #7DB24C

RGB 125 178 76

HSL 91.18, 0.4%, 0.5%

LAB 67.07, -34.81, 45.83

 

CMYK 57 / 52 / 0 / 30

HEX #4C55B2

RGB 76 85 178

HSL 234.71, 0.4%, 0.5%

LAB 39.99, 24.36, -50.8

 

CMYK 0 / 38 / 56 / 30

HEX #B36F4E

RGB 179 111 78

HSL 19.6, 0.4%, 0.5%

LAB 53.5, 23.56, 29.57

 

CMYK 57 / 0 / 39 / 30

HEX #4CB26C

RGB 76 178 108

HSL 138.82, 0.4%, 0.5%

LAB 65.33, -45.38, 27.1

 

CMYK 39 / 57 / 0 / 30

HEX #6C4CB2

RGB 108 76 178

HSL 258.82, 0.4%, 0.5%

LAB 40.53, 36.98, -49.8

 

CMYK 0 / 38 / 56 / 30

HEX #B36F4E

RGB 179 111 78

HSL 19.6, 0.4%, 0.5%

LAB 53.5, 23.56, 29.57

 

CMYK 30 / 0 / 57 / 30

HEX #7DB24C

RGB 125 178 76

HSL 91.18, 0.4%, 0.5%

LAB 67.07, -34.81, 45.83

 

CMYK 57 / 18 / 0 / 30

HEX #4C92B2

RGB 76 146 178

HSL 198.82, 0.4%, 0.5%

LAB 57.37, -12.59, -23.43

 

CMYK 28 / 57 / 0 / 30

HEX #814CB2

RGB 129 76 178

HSL 271.18, 0.4%, 0.5%

LAB 42.84, 42.15, -45.97

 

CMYK 0 / 38 / 56 / 30

HEX #B36F4E

RGB 179 111 78

HSL 19.6, 0.4%, 0.5%

LAB 53.5, 23.56, 29.57

 

CMYK 47 / 0 / 57 / 30

HEX #5FB24C

RGB 95 178 76

HSL 108.82, 0.4%, 0.5%

LAB 65.59, -44.94, 43.74

 

CMYK 57 / 18 / 0 / 30

HEX #4C92B2

RGB 76 146 178

HSL 198.82, 0.4%, 0.5%

LAB 57.37, -12.59, -23.43

 

CMYK 11 / 57 / 0 / 30

HEX #9F4CB2

RGB 159 76 178

HSL 288.82, 0.4%, 0.5%

LAB 46.65, 49.97, -39.67

 

Description

Color code: RGB 179 111 78 | qconv.com Color code: RGB 179 111 78 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 111 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 111 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 56 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 56% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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