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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 112 208 it is the complementary color RGB 76 143 47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 112 208. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 112 208 shade: RGB 184 112 203, RGB 201 130 222, RGB 218 148 241, RGB 235 166 255 and RGB 252 184 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 112 208. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 112 208 shade: RGB 179 112 208, RGB 162 94 189, RGB 145 76 170, RGB 128 58 151 and RGB 111 40 132

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 112 208 shade: RGB 179 112 208, RGB 205 112 208, RGB 208 112 185, RGB 208 112 159 and RGB 208 112 134

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 112 208 shade: RGB 179 112 208, RGB 153 112 208, RGB 127 112 208 and RGB 112 112 208

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 112 208 shade matches the following richer shades: RGB 179 112 208, RGB 185 97 224, RGB 191 81 239 and RGB 197 66 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 112 208 shade: RGB 179 112 208, RGB 173 127 193, RGB 167 143 178, RGB 161 158 162 and RGB 155 173 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 112 208 shade: RGB 126 112 208, RGB 152 112 208, RGB 178 112 208, RGB 203 112 208 and RGB 208 112 187

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 112 208 shade: RGB 143 58 180, RGB 163 81 198, RGB 179 112 208, RGB 196 143 218 and RGB 212 174 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 112 208 shade: RGB 179 112 208, RGB 208 112 123 and RGB 112 208 139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 112 208 shade: RGB 179 112 208, RGB 208 178 112 and RGB 112 208 178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 112 208 shade: RGB 179 112 208, RGB 208 112 123, RGB 143 208 112 and RGB 112 208 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 112 208 shade: RGB 179 112 208, RGB 208 130 112, RGB 143 208 112 and RGB 112 191 208

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 46 / 0 / 18

HEX #B370D0

RGB 179 112 208

HSL 281.88, 0.51%, 0.63%

LAB 57.78, 42.99, -39.24

 

Complementary color

CMYK 47 / 0 / 67 / 44

HEX #4C8F2F

RGB 76 143 47

HSL 101.88, 0.51%, 0.37%

LAB 53.37, -39.32, 43.01

 

CMYK 9 / 45 / 0 / 20

HEX #B870CB

RGB 184 112 203

HSL 287.47, 0.47%, 0.62%

LAB 58.12, 43.41, -35.82

 

CMYK 9 / 41 / 0 / 13

HEX #C982DE

RGB 201 130 222

HSL 286.3, 0.58%, 0.69%

LAB 64.69, 42.63, -36.1

 

CMYK 10 / 39 / 0 / 5

HEX #DA94F1

RGB 218 148 241

HSL 285.16, 0.77%, 0.76%

LAB 71.17, 41.88, -36.35

 

CMYK 8 / 35 / 0 / 0

HEX #EBA6FF

RGB 235 166 255

HSL 286.52, 1%, 0.83%

LAB 77.37, 40.17, -34.19

 

CMYK 1 / 28 / 0 / 0

HEX #FCB8FF

RGB 252 184 255

HSL 297.46, 1%, 0.86%

LAB 83.02, 35.92, -25.38

 

CMYK 14 / 46 / 0 / 18

HEX #B370D0

RGB 179 112 208

HSL 281.88, 0.51%, 0.63%

LAB 57.78, 42.99, -39.24

 

CMYK 14 / 50 / 0 / 26

HEX #A25EBD

RGB 162 94 189

HSL 282.95, 0.42%, 0.55%

LAB 51.11, 43.79, -39.01

 

CMYK 15 / 55 / 0 / 33

HEX #914CAA

RGB 145 76 170

HSL 284.04, 0.38%, 0.48%

LAB 44.36, 44.55, -38.71

 

CMYK 15 / 62 / 0 / 41

HEX #803A97

RGB 128 58 151

HSL 285.16, 0.44%, 0.41%

LAB 37.57, 45.17, -38.26

 

CMYK 16 / 70 / 0 / 48

HEX #6F2884

RGB 111 40 132

HSL 286.3, 0.53%, 0.34%

LAB 30.79, 45.47, -37.55

 

CMYK 14 / 46 / 0 / 18

HEX #B370D0

RGB 179 112 208

HSL 281.88, 0.51%, 0.63%

LAB 57.78, 42.99, -39.24

 

CMYK 1 / 46 / 0 / 18

HEX #CD70D0

RGB 205 112 208

HSL 298.13, 0.51%, 0.63%

LAB 60.89, 50.49, -34.15

 

CMYK 0 / 46 / 11 / 18

HEX #D070B9

RGB 208 112 185

HSL 314.38, 0.51%, 0.63%

LAB 60.34, 47.4, -21.92

 

CMYK 0 / 46 / 24 / 18

HEX #D0709F

RGB 208 112 159

HSL 330.63, 0.51%, 0.63%

LAB 59.44, 43.4, -8.37

 

CMYK 0 / 46 / 36 / 18

HEX #D07086

RGB 208 112 134

HSL 346.25, 0.51%, 0.63%

LAB 58.71, 40.09, 5.04

 

CMYK 14 / 46 / 0 / 18

HEX #B370D0

RGB 179 112 208

HSL 281.88, 0.51%, 0.63%

LAB 57.78, 42.99, -39.24

 

CMYK 26 / 46 / 0 / 18

HEX #9970D0

RGB 153 112 208

HSL 265.63, 0.51%, 0.63%

LAB 54.98, 35.66, -43.83

 

CMYK 39 / 46 / 0 / 18

HEX #7F70D0

RGB 127 112 208

HSL 249.38, 0.51%, 0.63%

LAB 52.57, 28.73, -47.81

 

CMYK 46 / 46 / 0 / 18

HEX #7070D0

RGB 112 112 208

HSL 240, 0.51%, 0.63%

LAB 51.37, 25.04, -49.8

 

CMYK 14 / 46 / 0 / 18

HEX #B370D0

RGB 179 112 208

HSL 281.88, 0.51%, 0.63%

LAB 57.78, 42.99, -39.24

 

CMYK 17 / 57 / 0 / 12

HEX #B961E0

RGB 185 97 224

HSL 281.57, 0.67%, 0.63%

LAB 56.33, 55.71, -50.5

 

CMYK 20 / 66 / 0 / 6

HEX #BF51EF

RGB 191 81 239

HSL 281.77, 0.83%, 0.63%

LAB 55.27, 67.52, -60.57

 

CMYK 22 / 74 / 0 / 0

HEX #C542FE

RGB 197 66 254

HSL 281.81, 0.99%, 0.63%

LAB 54.99, 77.43, -69.33

 

CMYK 14 / 46 / 0 / 18

HEX #B370D0

RGB 179 112 208

HSL 281.88, 0.51%, 0.63%

LAB 57.78, 42.99, -39.24

 

CMYK 10 / 34 / 0 / 24

HEX #AD7FC1

RGB 173 127 193

HSL 281.82, 0.35%, 0.63%

LAB 59.81, 29.72, -27.63

 

CMYK 6 / 20 / 0 / 30

HEX #A78FB2

RGB 167 143 178

HSL 281.14, 0.19%, 0.63%

LAB 62.57, 15.55, -14.97

 

CMYK 1 / 2 / 0 / 36

HEX #A19EA2

RGB 161 158 162

HSL 285, 0.02%, 0.63%

LAB 65.47, 1.85, -1.7

 

CMYK 10 / 0 / 15 / 32

HEX #9BAD93

RGB 155 173 147

HSL 101.54, 0.14%, 0.63%

LAB 68.72, -11.2, 11.26

 

CMYK 39 / 46 / 0 / 18

HEX #7E70D0

RGB 126 112 208

HSL 248.75, 0.51%, 0.63%

LAB 52.48, 28.48, -47.95

 

CMYK 27 / 46 / 0 / 18

HEX #9870D0

RGB 152 112 208

HSL 265, 0.51%, 0.63%

LAB 54.88, 35.38, -43.99

 

CMYK 14 / 46 / 0 / 18

HEX #B270D0

RGB 178 112 208

HSL 281.25, 0.51%, 0.63%

LAB 57.66, 42.7, -39.43

 

CMYK 2 / 46 / 0 / 18

HEX #CB70D0

RGB 203 112 208

HSL 296.88, 0.51%, 0.63%

LAB 60.64, 49.92, -34.55

 

CMYK 0 / 46 / 10 / 18

HEX #D070BB

RGB 208 112 187

HSL 313.13, 0.51%, 0.63%

LAB 60.41, 47.73, -22.94

 

CMYK 21 / 68 / 0 / 29

HEX #8F3AB4

RGB 143 58 180

HSL 281.8, 0.51%, 0.47%

LAB 41.47, 54.93, -49.24

 

CMYK 18 / 59 / 0 / 22

HEX #A351C6

RGB 163 81 198

HSL 282.05, 0.51%, 0.55%

LAB 49.19, 52.65, -47.24

 

CMYK 14 / 46 / 0 / 18

HEX #B370D0

RGB 179 112 208

HSL 281.88, 0.51%, 0.63%

LAB 57.78, 42.99, -39.24

 

CMYK 10 / 34 / 0 / 15

HEX #C48FDA

RGB 196 143 218

HSL 282.4, 0.5%, 0.71%

LAB 66.86, 33.25, -30.56

 

CMYK 7 / 24 / 0 / 11

HEX #D4AEE4

RGB 212 174 228

HSL 282.22, 0.5%, 0.79%

LAB 75.99, 23.38, -21.91

 

CMYK 14 / 46 / 0 / 18

HEX #B370D0

RGB 179 112 208

HSL 281.88, 0.51%, 0.63%

LAB 57.78, 42.99, -39.24

 

CMYK 0 / 46 / 41 / 18

HEX #D0707B

RGB 208 112 123

HSL 353.13, 0.51%, 0.63%

LAB 58.44, 38.81, 11.03

 

CMYK 46 / 0 / 33 / 18

HEX #70D08B

RGB 112 208 139

HSL 136.88, 0.51%, 0.63%

LAB 76.33, -43.38, 25.7

 

CMYK 14 / 46 / 0 / 18

HEX #B370D0

RGB 179 112 208

HSL 281.88, 0.51%, 0.63%

LAB 57.78, 42.99, -39.24

 

CMYK 0 / 14 / 46 / 18

HEX #D0B270

RGB 208 178 112

HSL 41.25, 0.51%, 0.63%

LAB 73.82, 2.14, 37.63

 

CMYK 46 / 0 / 14 / 18

HEX #70D0B2

RGB 112 208 178

HSL 161.25, 0.51%, 0.63%

LAB 77.14, -35.5, 6.14

 

CMYK 14 / 46 / 0 / 18

HEX #B370D0

RGB 179 112 208

HSL 281.88, 0.51%, 0.63%

LAB 57.78, 42.99, -39.24

 

CMYK 0 / 46 / 41 / 18

HEX #D0707B

RGB 208 112 123

HSL 353.13, 0.51%, 0.63%

LAB 58.44, 38.81, 11.03

 

CMYK 31 / 0 / 46 / 18

HEX #8FD070

RGB 143 208 112

HSL 100.63, 0.51%, 0.63%

LAB 77.35, -37.93, 41.07

 

CMYK 46 / 0 / 5 / 18

HEX #70D0C5

RGB 112 208 197

HSL 173.13, 0.51%, 0.63%

LAB 77.63, -31.04, -3.35

 

CMYK 14 / 46 / 0 / 18

HEX #B370D0

RGB 179 112 208

HSL 281.88, 0.51%, 0.63%

LAB 57.78, 42.99, -39.24

 

CMYK 0 / 38 / 46 / 18

HEX #D08270

RGB 208 130 112

HSL 11.25, 0.51%, 0.63%

LAB 62.12, 28.09, 22.39

 

CMYK 31 / 0 / 46 / 18

HEX #8FD070

RGB 143 208 112

HSL 100.63, 0.51%, 0.63%

LAB 77.35, -37.93, 41.07

 

CMYK 46 / 8 / 0 / 18

HEX #70BFD0

RGB 112 191 208

HSL 190.63, 0.51%, 0.63%

LAB 73.06, -19.81, -16.11

 

Description

Color code: RGB 179 112 208 | qconv.com Color code: RGB 179 112 208 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 112 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 112 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 46 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 46% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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