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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 145 65 it is the complementary color RGB 76 110 190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 145 65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 145 65 shade: RGB 184 145 60, RGB 201 163 79, RGB 218 181 98, RGB 235 199 117 and RGB 252 217 136

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 145 65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 145 65 shade: RGB 179 145 65, RGB 162 127 46, RGB 145 109 27, RGB 128 91 8 and RGB 111 73 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 145 65 shade: RGB 179 145 64, RGB 179 114 64, RGB 179 83 64 and RGB 179 64 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 145 65 shade: RGB 179 145 64, RGB 179 176 64, RGB 152 179 64, RGB 121 179 64 and RGB 90 179 64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 145 65 shade matches the following richer shades: RGB 179 145 64, RGB 199 153 45, RGB 219 161 25 and RGB 239 169 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 145 65 shade: RGB 179 145 64, RGB 160 137 84, RGB 140 129 104, RGB 120 121 124 and RGB 100 113 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 145 65 shade: RGB 179 84 64, RGB 179 114 64, RGB 179 145 64, RGB 179 176 64 and RGB 153 179 64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 145 65 shade: RGB 119 96 43, RGB 149 121 53, RGB 179 145 64, RGB 195 164 90 and RGB 206 180 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 145 65 shade: RGB 179 145 65, RGB 76 179 64 and RGB 99 64 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 145 65 shade: RGB 179 145 65, RGB 64 179 145 and RGB 145 64 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 145 65 shade: RGB 179 145 65, RGB 76 179 64, RGB 64 99 179 and RGB 168 64 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 145 65 shade: RGB 179 145 65, RGB 64 179 87, RGB 64 99 179 and RGB 179 64 156

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 64 / 30

HEX #B39141

RGB 179 145 65

HSL 42.11, 0.47%, 0.48%

LAB 61.84, 3.66, 46.22

 

Complementary color

CMYK 60 / 42 / 0 / 25

HEX #4C6EBE

RGB 76 110 190

HSL 222.11, 0.47%, 0.52%

LAB 47.5, 12.62, -45.77

 

CMYK 0 / 21 / 67 / 28

HEX #B8913C

RGB 184 145 60

HSL 41.13, 0.51%, 0.48%

LAB 62.31, 5.54, 49.22

 

CMYK 0 / 19 / 61 / 21

HEX #C9A34F

RGB 201 163 79

HSL 41.31, 0.53%, 0.55%

LAB 68.88, 4.4, 48.05

 

CMYK 0 / 17 / 55 / 15

HEX #DAB562

RGB 218 181 98

HSL 41.5, 0.62%, 0.62%

LAB 75.35, 3.44, 46.78

 

CMYK 0 / 15 / 50 / 8

HEX #EBC775

RGB 235 199 117

HSL 41.69, 0.75%, 0.69%

LAB 81.73, 2.61, 45.5

 

CMYK 0 / 14 / 46 / 1

HEX #FCD988

RGB 252 217 136

HSL 41.9, 0.95%, 0.76%

LAB 88.02, 1.9, 44.25

 

CMYK 0 / 19 / 64 / 30

HEX #B39141

RGB 179 145 65

HSL 42.11, 0.47%, 0.48%

LAB 61.84, 3.66, 46.22

 

CMYK 0 / 22 / 72 / 36

HEX #A27F2E

RGB 162 127 46

HSL 41.9, 0.56%, 0.41%

LAB 55.13, 4.9, 47.28

 

CMYK 0 / 25 / 81 / 43

HEX #916D1B

RGB 145 109 27

HSL 41.69, 0.69%, 0.34%

LAB 48.31, 6.42, 47.82

 

CMYK 0 / 29 / 94 / 50

HEX #805B08

RGB 128 91 8

HSL 41.5, 0.88%, 0.27%

LAB 41.36, 8.3, 47.07

 

CMYK 0 / 34 / 100 / 56

HEX #6F4900

RGB 111 73 0

HSL 39.46, 1%, 0.22%

LAB 34.28, 10.64, 43.45

 

CMYK 0 / 19 / 64 / 30

HEX #B39140

RGB 179 145 64

HSL 42.26, 0.47%, 0.48%

LAB 61.83, 3.59, 46.69

 

CMYK 0 / 36 / 64 / 30

HEX #B37240

RGB 179 114 64

HSL 26.09, 0.47%, 0.48%

LAB 54.01, 20.83, 37.83

 

CMYK 0 / 54 / 64 / 30

HEX #B35340

RGB 179 83 64

HSL 9.91, 0.47%, 0.48%

LAB 47.16, 37.57, 29.64

 

CMYK 0 / 64 / 64 / 30

HEX #B34040

RGB 179 64 64

HSL 0, 0.47%, 0.48%

LAB 43.68, 46.68, 25.33

 

CMYK 0 / 19 / 64 / 30

HEX #B39140

RGB 179 145 64

HSL 42.26, 0.47%, 0.48%

LAB 61.83, 3.59, 46.69

 

CMYK 0 / 2 / 64 / 30

HEX #B3B040

RGB 179 176 64

HSL 58.43, 0.47%, 0.48%

LAB 70.18, -12.94, 55.67

 

CMYK 15 / 0 / 64 / 30

HEX #98B340

RGB 152 179 64

HSL 74.09, 0.47%, 0.48%

LAB 68.96, -25.79, 53.75

 

CMYK 32 / 0 / 64 / 30

HEX #79B340

RGB 121 179 64

HSL 90.26, 0.47%, 0.48%

LAB 67.03, -37.84, 51.11

 

CMYK 50 / 0 / 64 / 30

HEX #5AB340

RGB 90 179 64

HSL 106.43, 0.47%, 0.48%

LAB 65.58, -48.12, 49.1

 

CMYK 0 / 19 / 64 / 30

HEX #B39140

RGB 179 145 64

HSL 42.26, 0.47%, 0.48%

LAB 61.83, 3.59, 46.69

 

CMYK 0 / 23 / 77 / 22

HEX #C7992D

RGB 199 153 45

HSL 42.08, 0.63%, 0.48%

LAB 65.84, 7.06, 59.5

 

CMYK 0 / 26 / 89 / 14

HEX #DBA119

RGB 219 161 25

HSL 42.06, 0.8%, 0.48%

LAB 69.91, 10.95, 69.8

 

CMYK 0 / 29 / 98 / 6

HEX #EFA905

RGB 239 169 5

HSL 42.05, 0.96%, 0.48%

LAB 74.02, 15.1, 76.89

 

CMYK 0 / 19 / 64 / 30

HEX #B39140

RGB 179 145 64

HSL 42.26, 0.47%, 0.48%

LAB 61.83, 3.59, 46.69

 

CMYK 0 / 14 / 48 / 37

HEX #A08954

RGB 160 137 84

HSL 41.84, 0.31%, 0.48%

LAB 58.04, 1.4, 31.54

 

CMYK 0 / 8 / 26 / 45

HEX #8C8168

RGB 140 129 104

HSL 41.67, 0.15%, 0.48%

LAB 54.32, -0.04, 15.08

 

CMYK 3 / 2 / 0 / 51

HEX #78797C

RGB 120 121 124

HSL 225, 0.02%, 0.48%

LAB 50.83, 0.24, -1.78

 

CMYK 31 / 22 / 0 / 44

HEX #647190

RGB 100 113 144

HSL 222.27, 0.18%, 0.48%

LAB 47.67, 2.77, -18.5

 

CMYK 0 / 53 / 64 / 30

HEX #B35440

RGB 179 84 64

HSL 10.43, 0.47%, 0.48%

LAB 47.36, 37.06, 29.89

 

CMYK 0 / 36 / 64 / 30

HEX #B37240

RGB 179 114 64

HSL 26.09, 0.47%, 0.48%

LAB 54.01, 20.83, 37.83

 

CMYK 0 / 19 / 64 / 30

HEX #B39140

RGB 179 145 64

HSL 42.26, 0.47%, 0.48%

LAB 61.83, 3.59, 46.69

 

CMYK 0 / 2 / 64 / 30

HEX #B3B040

RGB 179 176 64

HSL 58.43, 0.47%, 0.48%

LAB 70.18, -12.94, 55.67

 

CMYK 15 / 0 / 64 / 30

HEX #99B340

RGB 153 179 64

HSL 73.57, 0.47%, 0.48%

LAB 69.03, -25.38, 53.84

 

CMYK 0 / 19 / 64 / 53

HEX #77602B

RGB 119 96 43

HSL 41.84, 0.47%, 0.32%

LAB 41.94, 2.66, 33.16

 

CMYK 0 / 19 / 64 / 42

HEX #957935

RGB 149 121 53

HSL 42.5, 0.48%, 0.4%

LAB 52.2, 2.81, 40.46

 

CMYK 0 / 19 / 64 / 30

HEX #B39140

RGB 179 145 64

HSL 42.26, 0.47%, 0.48%

LAB 61.83, 3.59, 46.69

 

CMYK 0 / 16 / 54 / 24

HEX #C3A45A

RGB 195 164 90

HSL 42.29, 0.47%, 0.56%

LAB 68.67, 2.16, 42.24

 

CMYK 0 / 13 / 42 / 19

HEX #CEB478

RGB 206 180 120

HSL 41.86, 0.47%, 0.64%

LAB 74.27, 1.09, 34.01

 

CMYK 0 / 19 / 64 / 30

HEX #B39141

RGB 179 145 65

HSL 42.11, 0.47%, 0.48%

LAB 61.84, 3.66, 46.22

 

CMYK 58 / 0 / 64 / 30

HEX #4CB340

RGB 76 179 64

HSL 113.74, 0.47%, 0.48%

LAB 65.08, -51.95, 48.41

 

CMYK 45 / 64 / 0 / 30

HEX #6340B3

RGB 99 64 179

HSL 258.26, 0.47%, 0.48%

LAB 37.07, 42.16, -56.03

 

CMYK 0 / 19 / 64 / 30

HEX #B39141

RGB 179 145 65

HSL 42.11, 0.47%, 0.48%

LAB 61.84, 3.66, 46.22

 

CMYK 64 / 0 / 19 / 30

HEX #40B391

RGB 64 179 145

HSL 162.26, 0.47%, 0.48%

LAB 66.04, -40.49, 7.94

 

CMYK 19 / 64 / 0 / 30

HEX #9140B3

RGB 145 64 179

HSL 282.26, 0.47%, 0.48%

LAB 42.67, 52.44, -46.71

 

CMYK 0 / 19 / 64 / 30

HEX #B39141

RGB 179 145 65

HSL 42.11, 0.47%, 0.48%

LAB 61.84, 3.66, 46.22

 

CMYK 58 / 0 / 64 / 30

HEX #4CB340

RGB 76 179 64

HSL 113.74, 0.47%, 0.48%

LAB 65.08, -51.95, 48.41

 

CMYK 64 / 45 / 0 / 30

HEX #4063B3

RGB 64 99 179

HSL 221.74, 0.47%, 0.48%

LAB 43.16, 13.45, -46.34

 

CMYK 6 / 64 / 0 / 30

HEX #A840B3

RGB 168 64 179

HSL 294.26, 0.47%, 0.48%

LAB 45.97, 57.96, -41.26

 

CMYK 0 / 19 / 64 / 30

HEX #B39141

RGB 179 145 65

HSL 42.11, 0.47%, 0.48%

LAB 61.84, 3.66, 46.22

 

CMYK 64 / 0 / 51 / 30

HEX #40B357

RGB 64 179 87

HSL 132, 0.47%, 0.48%

LAB 64.98, -51.87, 37.41

 

CMYK 64 / 45 / 0 / 30

HEX #4063B3

RGB 64 99 179

HSL 221.74, 0.47%, 0.48%

LAB 43.16, 13.45, -46.34

 

CMYK 0 / 64 / 13 / 30

HEX #B3409C

RGB 179 64 156

HSL 312, 0.47%, 0.48%

LAB 46.51, 56.88, -26.67

 

Description

Color code: RGB 179 145 65 | qconv.com Color code: RGB 179 145 65 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 145 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 145 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 64 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 64% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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