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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 186 165 it is the complementary color RGB 76 69 90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 186 165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 186 165 shade: RGB 184 186 160, RGB 201 204 179, RGB 218 222 198, RGB 235 240 217 and RGB 252 255 236

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 186 165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 186 165 shade: RGB 179 186 165, RGB 162 168 146, RGB 145 150 127, RGB 128 132 108 and RGB 111 114 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 186 165 shade: RGB 179 186 165, RGB 184 186 165, RGB 186 181 165, RGB 186 176 165 and RGB 186 170 165

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 186 165 shade: RGB 179 186 165, RGB 173 186 165, RGB 168 186 165, RGB 165 186 168 and RGB 165 186 174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 186 165 shade matches the following richer shades: RGB 179 186 165, RGB 183 199 152, RGB 187 211 140, RGB 192 224 127 and RGB 196 237 114

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 186 165 shade: RGB 179 186 165, RGB 175 173 178, RGB 170 160 191, RGB 166 147 204 and RGB 162 135 216

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 186 165 shade: RGB 186 182 165, RGB 184 186 165, RGB 179 186 165, RGB 173 186 165 and RGB 168 186 165

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 186 165 shade: RGB 139 150 119, RGB 159 168 142, RGB 179 186 165, RGB 199 204 188 and RGB 218 222 212

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 186 165 shade: RGB 179 186 165, RGB 165 186 176 and RGB 184 165 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 186 165 shade: RGB 179 186 165, RGB 165 179 186 and RGB 186 165 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 186 165 shade: RGB 179 186 165, RGB 165 186 176, RGB 172 165 186 and RGB 186 165 175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 186 165 shade: RGB 179 186 165, RGB 165 186 182, RGB 172 165 186 and RGB 186 165 169

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 11 / 27

HEX #B3BAA5

RGB 179 186 165

HSL 80, 0.13%, 0.69%

LAB 74.46, -6.24, 9.81

 

Complementary color

CMYK 16 / 23 / 0 / 65

HEX #4C455A

RGB 76 69 90

HSL 260, 0.13%, 0.31%

LAB 30.71, 7.77, -11.37

 

CMYK 1 / 0 / 14 / 27

HEX #B8BAA0

RGB 184 186 160

HSL 64.62, 0.16%, 0.68%

LAB 74.73, -5.24, 12.96

 

CMYK 1 / 0 / 12 / 20

HEX #C9CCB3

RGB 201 204 179

HSL 67.2, 0.2%, 0.75%

LAB 81.21, -5.38, 12.11

 

CMYK 2 / 0 / 11 / 13

HEX #DADEC6

RGB 218 222 198

HSL 70, 0.27%, 0.82%

LAB 87.59, -5.5, 11.31

 

CMYK 2 / 0 / 10 / 6

HEX #EBF0D9

RGB 235 240 217

HSL 73.04, 0.43%, 0.9%

LAB 93.88, -5.61, 10.54

 

CMYK 1 / 0 / 7 / 0

HEX #FCFFEC

RGB 252 255 236

HSL 69.47, 1%, 0.96%

LAB 99.33, -4.22, 8.72

 

CMYK 4 / 0 / 11 / 27

HEX #B3BAA5

RGB 179 186 165

HSL 80, 0.13%, 0.69%

LAB 74.46, -6.24, 9.81

 

CMYK 4 / 0 / 13 / 34

HEX #A2A892

RGB 162 168 146

HSL 76.36, 0.11%, 0.62%

LAB 67.84, -6.15, 10.64

 

CMYK 3 / 0 / 15 / 41

HEX #91967F

RGB 145 150 127

HSL 73.04, 0.1%, 0.54%

LAB 61.1, -6.05, 11.53

 

CMYK 3 / 0 / 18 / 48

HEX #80846C

RGB 128 132 108

HSL 70, 0.1%, 0.47%

LAB 54.21, -5.94, 12.48

 

CMYK 3 / 0 / 22 / 55

HEX #6F7259

RGB 111 114 89

HSL 67.2, 0.12%, 0.4%

LAB 47.15, -5.8, 13.51

 

CMYK 4 / 0 / 11 / 27

HEX #B3BAA5

RGB 179 186 165

HSL 80, 0.13%, 0.69%

LAB 74.46, -6.24, 9.81

 

CMYK 1 / 0 / 11 / 27

HEX #B8BAA5

RGB 184 186 165

HSL 65.71, 0.13%, 0.69%

LAB 74.84, -4.42, 10.41

 

CMYK 0 / 3 / 11 / 27

HEX #BAB5A5

RGB 186 181 165

HSL 45.71, 0.13%, 0.69%

LAB 73.68, -1.03, 8.77

 

CMYK 0 / 5 / 11 / 27

HEX #BAB0A5

RGB 186 176 165

HSL 31.43, 0.13%, 0.69%

LAB 72.37, 1.65, 6.9

 

CMYK 0 / 9 / 11 / 27

HEX #BAAAA5

RGB 186 170 165

HSL 14.29, 0.13%, 0.69%

LAB 70.81, 4.9, 4.65

 

CMYK 4 / 0 / 11 / 27

HEX #B3BAA5

RGB 179 186 165

HSL 80, 0.13%, 0.69%

LAB 74.46, -6.24, 9.81

 

CMYK 7 / 0 / 11 / 27

HEX #ADBAA5

RGB 173 186 165

HSL 97.14, 0.13%, 0.69%

LAB 74.01, -8.4, 9.11

 

CMYK 10 / 0 / 11 / 27

HEX #A8BAA5

RGB 168 186 165

HSL 111.43, 0.13%, 0.69%

LAB 73.65, -10.17, 8.55

 

CMYK 11 / 0 / 10 / 27

HEX #A5BAA8

RGB 165 186 168

HSL 128.57, 0.13%, 0.69%

LAB 73.51, -10.67, 6.69

 

CMYK 11 / 0 / 6 / 27

HEX #A5BAAE

RGB 165 186 174

HSL 145.71, 0.13%, 0.69%

LAB 73.66, -9.54, 3.64

 

CMYK 4 / 0 / 11 / 27

HEX #B3BAA5

RGB 179 186 165

HSL 80, 0.13%, 0.69%

LAB 74.46, -6.24, 9.81

 

CMYK 8 / 0 / 24 / 22

HEX #B7C798

RGB 183 199 152

HSL 80.43, 0.3%, 0.69%

LAB 77.98, -13.62, 21.76

 

CMYK 11 / 0 / 34 / 17

HEX #BBD38C

RGB 187 211 140

HSL 80.28, 0.45%, 0.69%

LAB 81.32, -19.86, 32.57

 

CMYK 14 / 0 / 43 / 12

HEX #C0E07F

RGB 192 224 127

HSL 79.79, 0.61%, 0.69%

LAB 85.02, -25.91, 43.93

 

CMYK 17 / 0 / 52 / 7

HEX #C4ED72

RGB 196 237 114

HSL 80, 0.77%, 0.69%

LAB 88.69, -31.89, 54.62

 

CMYK 4 / 0 / 11 / 27

HEX #B3BAA5

RGB 179 186 165

HSL 80, 0.13%, 0.69%

LAB 74.46, -6.24, 9.81

 

CMYK 2 / 3 / 0 / 30

HEX #AFADB2

RGB 175 173 178

HSL 264, 0.03%, 0.69%

LAB 71.02, 1.66, -2.31

 

CMYK 11 / 16 / 0 / 25

HEX #AAA0BF

RGB 170 160 191

HSL 259.35, 0.19%, 0.69%

LAB 67.61, 9.72, -14.62

 

CMYK 19 / 28 / 0 / 20

HEX #A693CC

RGB 166 147 204

HSL 260, 0.36%, 0.69%

LAB 64.43, 18.59, -26.75

 

CMYK 25 / 38 / 0 / 15

HEX #A287D8

RGB 162 135 216

HSL 260, 0.51%, 0.69%

LAB 61.63, 27.03, -37.83

 

CMYK 0 / 2 / 11 / 27

HEX #BAB6A5

RGB 186 182 165

HSL 48.57, 0.13%, 0.69%

LAB 73.94, -1.56, 9.15

 

CMYK 1 / 0 / 11 / 27

HEX #B8BAA5

RGB 184 186 165

HSL 65.71, 0.13%, 0.69%

LAB 74.84, -4.42, 10.41

 

CMYK 4 / 0 / 11 / 27

HEX #B3BAA5

RGB 179 186 165

HSL 80, 0.13%, 0.69%

LAB 74.46, -6.24, 9.81

 

CMYK 7 / 0 / 11 / 27

HEX #ADBAA5

RGB 173 186 165

HSL 97.14, 0.13%, 0.69%

LAB 74.01, -8.4, 9.11

 

CMYK 10 / 0 / 11 / 27

HEX #A8BAA5

RGB 168 186 165

HSL 111.43, 0.13%, 0.69%

LAB 73.65, -10.17, 8.55

 

CMYK 7 / 0 / 21 / 41

HEX #8B9677

RGB 139 150 119

HSL 81.29, 0.13%, 0.53%

LAB 60.46, -9.69, 15.06

 

CMYK 5 / 0 / 15 / 34

HEX #9FA88E

RGB 159 168 142

HSL 80.77, 0.13%, 0.61%

LAB 67.52, -7.94, 12.37

 

CMYK 4 / 0 / 11 / 27

HEX #B3BAA5

RGB 179 186 165

HSL 80, 0.13%, 0.69%

LAB 74.46, -6.24, 9.81

 

CMYK 2 / 0 / 8 / 20

HEX #C7CCBC

RGB 199 204 188

HSL 78.75, 0.14%, 0.77%

LAB 81.27, -4.58, 7.37

 

CMYK 2 / 0 / 5 / 13

HEX #DADED4

RGB 218 222 212

HSL 84, 0.13%, 0.85%

LAB 87.92, -3.13, 4.42

 

CMYK 4 / 0 / 11 / 27

HEX #B3BAA5

RGB 179 186 165

HSL 80, 0.13%, 0.69%

LAB 74.46, -6.24, 9.81

 

CMYK 11 / 0 / 5 / 27

HEX #A5BAB0

RGB 165 186 176

HSL 151.43, 0.13%, 0.69%

LAB 73.71, -9.15, 2.62

 

CMYK 1 / 11 / 0 / 27

HEX #B8A5BA

RGB 184 165 186

HSL 294.29, 0.13%, 0.69%

LAB 69.93, 10.72, -8.26

 

CMYK 4 / 0 / 11 / 27

HEX #B3BAA5

RGB 179 186 165

HSL 80, 0.13%, 0.69%

LAB 74.46, -6.24, 9.81

 

CMYK 11 / 4 / 0 / 27

HEX #A5B3BA

RGB 165 179 186

HSL 200, 0.13%, 0.69%

LAB 72.08, -3.42, -5.23

 

CMYK 0 / 11 / 4 / 27

HEX #BAA5B3

RGB 186 165 179

HSL 320, 0.13%, 0.69%

LAB 69.9, 10.11, -4.41

 

CMYK 4 / 0 / 11 / 27

HEX #B3BAA5

RGB 179 186 165

HSL 80, 0.13%, 0.69%

LAB 74.46, -6.24, 9.81

 

CMYK 11 / 0 / 5 / 27

HEX #A5BAB0

RGB 165 186 176

HSL 151.43, 0.13%, 0.69%

LAB 73.71, -9.15, 2.62

 

CMYK 8 / 11 / 0 / 27

HEX #ACA5BA

RGB 172 165 186

HSL 260, 0.13%, 0.69%

LAB 68.91, 6.58, -9.88

 

CMYK 0 / 11 / 6 / 27

HEX #BAA5AF

RGB 186 165 175

HSL 331.43, 0.13%, 0.69%

LAB 69.78, 9.38, -2.36

 

CMYK 4 / 0 / 11 / 27

HEX #B3BAA5

RGB 179 186 165

HSL 80, 0.13%, 0.69%

LAB 74.46, -6.24, 9.81

 

CMYK 11 / 0 / 2 / 27

HEX #A5BAB6

RGB 165 186 182

HSL 168.57, 0.13%, 0.69%

LAB 73.87, -7.97, -0.42

 

CMYK 8 / 11 / 0 / 27

HEX #ACA5BA

RGB 172 165 186

HSL 260, 0.13%, 0.69%

LAB 68.91, 6.58, -9.88

 

CMYK 0 / 11 / 9 / 27

HEX #BAA5A9

RGB 186 165 169

HSL 348.57, 0.13%, 0.69%

LAB 69.62, 8.32, 0.72

 

Description

Color code: RGB 179 186 165 | qconv.com Color code: RGB 179 186 165 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 186 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 186 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 11 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 11% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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