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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 198 173 it is the complementary color RGB 76 57 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 198 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 198 173 shade: RGB 184 198 168, RGB 201 216 187, RGB 218 234 206, RGB 235 252 225 and RGB 252 255 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 198 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 198 173 shade: RGB 179 198 173, RGB 162 180 154, RGB 145 162 135, RGB 128 144 116 and RGB 111 126 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 198 173 shade: RGB 179 198 173, RGB 186 198 173, RGB 193 198 173, RGB 198 197 173 and RGB 198 190 173

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 198 173 shade: RGB 179 198 173, RGB 173 198 174, RGB 173 198 181, RGB 173 198 187 and RGB 173 198 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 198 173 shade matches the following richer shades: RGB 179 198 173, RGB 173 209 162, RGB 168 220 151, RGB 162 231 140 and RGB 156 243 129

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 198 173 shade: RGB 179 198 173, RGB 185 187 184, RGB 191 176 196, RGB 197 165 207 and RGB 202 153 218

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 198 173 shade: RGB 193 198 173, RGB 186 198 173, RGB 179 198 173, RGB 173 198 174 and RGB 173 198 180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 198 173 shade: RGB 134 164 125, RGB 157 181 149, RGB 179 198 173, RGB 202 215 198 and RGB 224 232 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 198 173 shade: RGB 179 198 173, RGB 173 198 197 and RGB 198 173 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 198 173 shade: RGB 179 198 173, RGB 173 179 198 and RGB 198 173 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 198 173 shade: RGB 179 198 173, RGB 173 198 197, RGB 192 173 198 and RGB 198 173 174

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 198 173 shade: RGB 179 198 173, RGB 173 192 198, RGB 192 173 198 and RGB 198 179 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 13 / 22

HEX #B3C6AD

RGB 179 198 173

HSL 105.6, 0.18%, 0.73%

LAB 77.87, -11.11, 10.35

 

Complementary color

CMYK 7 / 30 / 0 / 68

HEX #4C3952

RGB 76 57 82

HSL 285.6, 0.18%, 0.27%

LAB 26.94, 13.64, -11.94

 

CMYK 7 / 0 / 15 / 22

HEX #B8C6A8

RGB 184 198 168

HSL 88, 0.21%, 0.72%

LAB 78.11, -10.19, 13.43

 

CMYK 7 / 0 / 13 / 15

HEX #C9D8BB

RGB 201 216 187

HSL 91.03, 0.27%, 0.79%

LAB 84.54, -10.23, 12.59

 

CMYK 7 / 0 / 12 / 8

HEX #DAEACE

RGB 218 234 206

HSL 94.29, 0.4%, 0.86%

LAB 90.87, -10.26, 11.8

 

CMYK 7 / 0 / 11 / 1

HEX #EBFCE1

RGB 235 252 225

HSL 97.78, 0.82%, 0.94%

LAB 97.11, -10.29, 11.03

 

CMYK 1 / 0 / 4 / 0

HEX #FCFFF4

RGB 252 255 244

HSL 76.36, 1%, 0.98%

LAB 99.51, -2.89, 4.89

 

CMYK 10 / 0 / 13 / 22

HEX #B3C6AD

RGB 179 198 173

HSL 105.6, 0.18%, 0.73%

LAB 77.87, -11.11, 10.35

 

CMYK 10 / 0 / 14 / 29

HEX #A2B49A

RGB 162 180 154

HSL 101.54, 0.15%, 0.65%

LAB 71.32, -11.12, 11.17

 

CMYK 10 / 0 / 17 / 36

HEX #91A287

RGB 145 162 135

HSL 97.78, 0.13%, 0.58%

LAB 64.65, -11.14, 12.05

 

CMYK 11 / 0 / 19 / 44

HEX #809074

RGB 128 144 116

HSL 94.29, 0.11%, 0.51%

LAB 57.84, -11.17, 12.98

 

CMYK 12 / 0 / 23 / 51

HEX #6F7E61

RGB 111 126 97

HSL 91.03, 0.13%, 0.44%

LAB 50.88, -11.2, 13.99

 

CMYK 10 / 0 / 13 / 22

HEX #B3C6AD

RGB 179 198 173

HSL 105.6, 0.18%, 0.73%

LAB 77.87, -11.11, 10.35

 

CMYK 6 / 0 / 13 / 22

HEX #BAC6AD

RGB 186 198 173

HSL 88.8, 0.18%, 0.73%

LAB 78.37, -8.64, 11.13

 

CMYK 3 / 0 / 13 / 22

HEX #C1C6AD

RGB 193 198 173

HSL 72, 0.18%, 0.73%

LAB 78.89, -6.12, 11.94

 

CMYK 0 / 1 / 13 / 22

HEX #C6C5AD

RGB 198 197 173

HSL 57.6, 0.18%, 0.73%

LAB 79.02, -3.79, 12.17

 

CMYK 0 / 4 / 13 / 22

HEX #C6BEAD

RGB 198 190 173

HSL 40.8, 0.18%, 0.73%

LAB 77.19, -0.1, 9.58

 

CMYK 10 / 0 / 13 / 22

HEX #B3C6AD

RGB 179 198 173

HSL 105.6, 0.18%, 0.73%

LAB 77.87, -11.11, 10.35

 

CMYK 13 / 0 / 12 / 22

HEX #ADC6AE

RGB 173 198 174

HSL 122.4, 0.18%, 0.73%

LAB 77.48, -13.02, 9.2

 

CMYK 13 / 0 / 9 / 22

HEX #ADC6B5

RGB 173 198 181

HSL 139.2, 0.18%, 0.73%

LAB 77.64, -11.73, 5.67

 

CMYK 13 / 0 / 6 / 22

HEX #ADC6BB

RGB 173 198 187

HSL 153.6, 0.18%, 0.73%

LAB 77.79, -10.59, 2.65

 

CMYK 13 / 0 / 2 / 22

HEX #ADC6C2

RGB 173 198 194

HSL 170.4, 0.18%, 0.73%

LAB 77.97, -9.21, -0.86

 

CMYK 10 / 0 / 13 / 22

HEX #B3C6AD

RGB 179 198 173

HSL 105.6, 0.18%, 0.73%

LAB 77.87, -11.11, 10.35

 

CMYK 17 / 0 / 22 / 18

HEX #ADD1A2

RGB 173 209 162

HSL 105.96, 0.34%, 0.73%

LAB 80.23, -20.66, 19.47

 

CMYK 24 / 0 / 31 / 14

HEX #A8DC97

RGB 168 220 151

HSL 105.22, 0.5%, 0.73%

LAB 82.78, -29.46, 28.63

 

CMYK 30 / 0 / 39 / 9

HEX #A2E78C

RGB 162 231 140

HSL 105.49, 0.65%, 0.73%

LAB 85.37, -38.17, 37.57

 

CMYK 36 / 0 / 47 / 5

HEX #9CF381

RGB 156 243 129

HSL 105.79, 0.83%, 0.73%

LAB 88.33, -46.82, 46.64

 

CMYK 10 / 0 / 13 / 22

HEX #B3C6AD

RGB 179 198 173

HSL 105.6, 0.18%, 0.73%

LAB 77.87, -11.11, 10.35

 

CMYK 1 / 0 / 2 / 27

HEX #B9BBB8

RGB 185 187 184

HSL 100, 0.02%, 0.73%

LAB 75.65, -1.25, 1.26

 

CMYK 3 / 10 / 0 / 23

HEX #BFB0C4

RGB 191 176 196

HSL 285, 0.14%, 0.73%

LAB 73.62, 9.03, -8.21

 

CMYK 5 / 20 / 0 / 19

HEX #C5A5CF

RGB 197 165 207

HSL 285.71, 0.3%, 0.73%

LAB 71.75, 19.24, -17

 

CMYK 7 / 30 / 0 / 15

HEX #CA99DA

RGB 202 153 218

HSL 285.23, 0.47%, 0.73%

LAB 69.75, 29.65, -26.05

 

CMYK 3 / 0 / 13 / 22

HEX #C1C6AD

RGB 193 198 173

HSL 72, 0.18%, 0.73%

LAB 78.89, -6.12, 11.94

 

CMYK 6 / 0 / 13 / 22

HEX #BAC6AD

RGB 186 198 173

HSL 88.8, 0.18%, 0.73%

LAB 78.37, -8.64, 11.13

 

CMYK 10 / 0 / 13 / 22

HEX #B3C6AD

RGB 179 198 173

HSL 105.6, 0.18%, 0.73%

LAB 77.87, -11.11, 10.35

 

CMYK 13 / 0 / 12 / 22

HEX #ADC6AE

RGB 173 198 174

HSL 122.4, 0.18%, 0.73%

LAB 77.48, -13.02, 9.2

 

CMYK 13 / 0 / 9 / 22

HEX #ADC6B4

RGB 173 198 180

HSL 136.8, 0.18%, 0.73%

LAB 77.62, -11.92, 6.17

 

CMYK 18 / 0 / 24 / 36

HEX #86A47D

RGB 134 164 125

HSL 106.15, 0.18%, 0.57%

LAB 64.24, -17.96, 16.9

 

CMYK 13 / 0 / 18 / 29

HEX #9DB595

RGB 157 181 149

HSL 105, 0.18%, 0.65%

LAB 71.14, -14.32, 13.59

 

CMYK 10 / 0 / 13 / 22

HEX #B3C6AD

RGB 179 198 173

HSL 105.6, 0.18%, 0.73%

LAB 77.87, -11.11, 10.35

 

CMYK 6 / 0 / 8 / 16

HEX #CAD7C6

RGB 202 215 198

HSL 105.88, 0.18%, 0.81%

LAB 84.6, -7.48, 6.87

 

CMYK 3 / 0 / 4 / 9

HEX #E0E8DE

RGB 224 232 222

HSL 108, 0.18%, 0.89%

LAB 91.16, -4.46, 3.92

 

CMYK 10 / 0 / 13 / 22

HEX #B3C6AD

RGB 179 198 173

HSL 105.6, 0.18%, 0.73%

LAB 77.87, -11.11, 10.35

 

CMYK 13 / 0 / 1 / 22

HEX #ADC6C5

RGB 173 198 197

HSL 177.6, 0.18%, 0.73%

LAB 78.05, -8.6, -2.36

 

CMYK 0 / 13 / 5 / 22

HEX #C6ADBD

RGB 198 173 189

HSL 321.6, 0.18%, 0.73%

LAB 73.26, 11.8, -4.84

 

CMYK 10 / 0 / 13 / 22

HEX #B3C6AD

RGB 179 198 173

HSL 105.6, 0.18%, 0.73%

LAB 77.87, -11.11, 10.35

 

CMYK 13 / 10 / 0 / 22

HEX #ADB3C6

RGB 173 179 198

HSL 225.6, 0.18%, 0.73%

LAB 73.02, 1.73, -10.35

 

CMYK 0 / 13 / 10 / 22

HEX #C6ADB3

RGB 198 173 179

HSL 345.6, 0.18%, 0.73%

LAB 72.99, 10.04, 0.25

 

CMYK 10 / 0 / 13 / 22

HEX #B3C6AD

RGB 179 198 173

HSL 105.6, 0.18%, 0.73%

LAB 77.87, -11.11, 10.35

 

CMYK 13 / 0 / 1 / 22

HEX #ADC6C5

RGB 173 198 197

HSL 177.6, 0.18%, 0.73%

LAB 78.05, -8.6, -2.36

 

CMYK 3 / 13 / 0 / 22

HEX #C0ADC6

RGB 192 173 198

HSL 285.6, 0.18%, 0.73%

LAB 73, 11.4, -10.22

 

CMYK 0 / 13 / 12 / 22

HEX #C6ADAE

RGB 198 173 174

HSL 357.6, 0.18%, 0.73%

LAB 72.86, 9.19, 2.8

 

CMYK 10 / 0 / 13 / 22

HEX #B3C6AD

RGB 179 198 173

HSL 105.6, 0.18%, 0.73%

LAB 77.87, -11.11, 10.35

 

CMYK 13 / 3 / 0 / 22

HEX #ADC0C6

RGB 173 192 198

HSL 194.4, 0.18%, 0.73%

LAB 76.47, -5.24, -5.23

 

CMYK 3 / 13 / 0 / 22

HEX #C0ADC6

RGB 192 173 198

HSL 285.6, 0.18%, 0.73%

LAB 73, 11.4, -10.22

 

CMYK 0 / 10 / 13 / 22

HEX #C6B3AD

RGB 198 179 173

HSL 14.4, 0.18%, 0.73%

LAB 74.36, 5.78, 5.52

 

Description

Color code: RGB 179 198 173 | qconv.com Color code: RGB 179 198 173 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 198 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 198 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 13 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 13% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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