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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 22 127 it is the complementary color RGB 76 233 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 22 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 22 127 shade: RGB 184 22 122, RGB 201 40 141, RGB 218 58 160, RGB 235 76 179 and RGB 252 94 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 22 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 22 127 shade: RGB 179 22 127, RGB 162 4 108, RGB 145 0 89, RGB 128 0 70 and RGB 111 0 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 22 127 shade: RGB 177 21 125, RGB 177 21 83, RGB 177 21 41 and RGB 177 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 22 127 shade: RGB 177 21 125, RGB 177 21 167, RGB 144 21 177, RGB 102 21 177 and RGB 61 21 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 22 127 shade matches the following richer shades: RGB 177 21 125 and RGB 193 5 131

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 22 127 shade: RGB 177 21 125, RGB 160 37 120, RGB 144 54 114, RGB 128 70 109 and RGB 112 86 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 22 127 shade: RGB 143 21 177, RGB 177 21 169, RGB 177 21 127, RGB 177 21 86 and RGB 177 21 45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 22 127 shade: RGB 103 12 73, RGB 140 17 99, RGB 177 21 125, RGB 213 26 151 and RGB 229 51 170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 22 127 shade: RGB 179 22 127, RGB 177 102 21 and RGB 21 177 164

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 22 127 shade: RGB 179 22 127, RGB 127 177 21 and RGB 21 127 177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 22 127 shade: RGB 179 22 127, RGB 177 102 21, RGB 21 177 71 and RGB 21 96 177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 22 127 shade: RGB 179 22 127, RGB 177 148 21, RGB 21 177 71 and RGB 21 50 177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 29 / 30

HEX #B3167F

RGB 179 22 127

HSL 319.87, 0.78%, 0.39%

LAB 40.72, 65.78, -18.02

 

Complementary color

CMYK 67 / 0 / 45 / 9

HEX #4CE980

RGB 76 233 128

HSL 139.87, 0.78%, 0.61%

LAB 82.58, -63.09, 39.29

 

CMYK 0 / 88 / 34 / 28

HEX #B8167A

RGB 184 22 122

HSL 322.96, 0.79%, 0.4%

LAB 41.48, 66.34, -13.66

 

CMYK 0 / 80 / 30 / 21

HEX #C9288D

RGB 201 40 141

HSL 322.36, 0.67%, 0.47%

LAB 46.79, 68.48, -16.92

 

CMYK 0 / 73 / 27 / 15

HEX #DA3AA0

RGB 218 58 160

HSL 321.75, 0.68%, 0.54%

LAB 52.36, 69.66, -19.49

 

CMYK 0 / 68 / 24 / 8

HEX #EB4CB3

RGB 235 76 179

HSL 321.13, 0.8%, 0.61%

LAB 58.12, 70.17, -21.53

 

CMYK 0 / 63 / 21 / 1

HEX #FC5EC6

RGB 252 94 198

HSL 320.51, 0.96%, 0.68%

LAB 63.98, 70.24, -23.19

 

CMYK 0 / 88 / 29 / 30

HEX #B3167F

RGB 179 22 127

HSL 319.87, 0.78%, 0.39%

LAB 40.72, 65.78, -18.02

 

CMYK 0 / 98 / 33 / 36

HEX #A2046C

RGB 162 4 108

HSL 320.51, 0.95%, 0.33%

LAB 35.7, 62.44, -14.08

 

CMYK 0 / 100 / 39 / 43

HEX #910059

RGB 145 0 89

HSL 323.17, 1%, 0.28%

LAB 31.21, 57.26, -8.96

 

CMYK 0 / 100 / 45 / 50

HEX #800046

RGB 128 0 70

HSL 327.19, 1%, 0.25%

LAB 26.82, 51.52, -3.27

 

CMYK 0 / 100 / 54 / 56

HEX #6F0033

RGB 111 0 51

HSL 332.43, 1%, 0.22%

LAB 22.37, 45.72, 2.84

 

CMYK 0 / 88 / 29 / 31

HEX #B1157D

RGB 177 21 125

HSL 320, 0.79%, 0.39%

LAB 40.19, 65.28, -17.63

 

CMYK 0 / 88 / 53 / 31

HEX #B11553

RGB 177 21 83

HSL 336.15, 0.79%, 0.39%

LAB 38.74, 61.26, 6.74

 

CMYK 0 / 88 / 77 / 31

HEX #B11529

RGB 177 21 41

HSL 352.31, 0.79%, 0.39%

LAB 37.92, 58.91, 32.26

 

CMYK 0 / 88 / 88 / 31

HEX #B11515

RGB 177 21 21

HSL 0, 0.79%, 0.39%

LAB 37.73, 58.35, 43.14

 

CMYK 0 / 88 / 29 / 31

HEX #B1157D

RGB 177 21 125

HSL 320, 0.79%, 0.39%

LAB 40.19, 65.28, -17.63

 

CMYK 0 / 88 / 6 / 31

HEX #B115A7

RGB 177 21 167

HSL 303.85, 0.79%, 0.39%

LAB 42.27, 70.8, -39.94

 

CMYK 19 / 88 / 0 / 31

HEX #9015B1

RGB 144 21 177

HSL 287.31, 0.79%, 0.39%

LAB 37.19, 66.67, -54.36

 

CMYK 42 / 88 / 0 / 31

HEX #6615B1

RGB 102 21 177

HSL 271.15, 0.79%, 0.39%

LAB 30.73, 60.65, -65.18

 

CMYK 66 / 88 / 0 / 31

HEX #3D15B1

RGB 61 21 177

HSL 255.38, 0.79%, 0.39%

LAB 25.87, 56.57, -73.36

 

CMYK 0 / 88 / 29 / 31

HEX #B1157D

RGB 177 21 125

HSL 320, 0.79%, 0.39%

LAB 40.19, 65.28, -17.63

 

CMYK 0 / 97 / 32 / 24

HEX #C10583

RGB 193 5 131

HSL 319.79, 0.95%, 0.39%

LAB 42.89, 71.33, -16.92

 

CMYK 0 / 88 / 29 / 31

HEX #B1157D

RGB 177 21 125

HSL 320, 0.79%, 0.39%

LAB 40.19, 65.28, -17.63

 

CMYK 0 / 77 / 25 / 37

HEX #A02578

RGB 160 37 120

HSL 319.51, 0.62%, 0.39%

LAB 38.12, 56.77, -17.97

 

CMYK 0 / 63 / 21 / 44

HEX #903672

RGB 144 54 114

HSL 320, 0.45%, 0.39%

LAB 37.45, 44.87, -15.48

 

CMYK 0 / 45 / 15 / 50

HEX #80466D

RGB 128 70 109

HSL 319.66, 0.29%, 0.39%

LAB 37.97, 30.48, -11.78

 

CMYK 0 / 23 / 8 / 56

HEX #705667

RGB 112 86 103

HSL 320.77, 0.13%, 0.39%

LAB 39.71, 13.84, -5.64

 

CMYK 19 / 88 / 0 / 31

HEX #8F15B1

RGB 143 21 177

HSL 286.92, 0.79%, 0.39%

LAB 37.02, 66.51, -54.64

 

CMYK 0 / 88 / 5 / 31

HEX #B115A9

RGB 177 21 169

HSL 303.08, 0.79%, 0.39%

LAB 42.38, 71.1, -40.95

 

CMYK 0 / 88 / 28 / 31

HEX #B1157F

RGB 177 21 127

HSL 319.23, 0.79%, 0.39%

LAB 40.27, 65.51, -18.73

 

CMYK 0 / 88 / 51 / 31

HEX #B11556

RGB 177 21 86

HSL 335, 0.79%, 0.39%

LAB 38.82, 61.49, 4.94

 

CMYK 0 / 88 / 75 / 31

HEX #B1152D

RGB 177 21 45

HSL 350.77, 0.79%, 0.39%

LAB 37.97, 59.06, 29.88

 

CMYK 0 / 88 / 29 / 60

HEX #670C49

RGB 103 12 73

HSL 319.78, 0.79%, 0.23%

LAB 22.4, 43.34, -12.51

 

CMYK 0 / 88 / 29 / 45

HEX #8C1163

RGB 140 17 99

HSL 320, 0.78%, 0.31%

LAB 31.53, 54.52, -15.09

 

CMYK 0 / 88 / 29 / 31

HEX #B1157D

RGB 177 21 125

HSL 320, 0.79%, 0.39%

LAB 40.19, 65.28, -17.63

 

CMYK 0 / 88 / 29 / 16

HEX #D51A97

RGB 213 26 151

HSL 319.89, 0.78%, 0.47%

LAB 48.41, 75.19, -20.27

 

CMYK 0 / 78 / 26 / 10

HEX #E533AA

RGB 229 51 170

HSL 319.89, 0.77%, 0.55%

LAB 53.95, 75.52, -22.77

 

CMYK 0 / 88 / 29 / 30

HEX #B3167F

RGB 179 22 127

HSL 319.87, 0.78%, 0.39%

LAB 40.72, 65.78, -18.02

 

CMYK 0 / 42 / 88 / 31

HEX #B16615

RGB 177 102 21

HSL 31.15, 0.79%, 0.39%

LAB 50.57, 24.7, 53.42

 

CMYK 88 / 0 / 7 / 31

HEX #15B1A4

RGB 21 177 164

HSL 175, 0.79%, 0.39%

LAB 65.19, -39.58, -3.9

 

CMYK 0 / 88 / 29 / 30

HEX #B3167F

RGB 179 22 127

HSL 319.87, 0.78%, 0.39%

LAB 40.72, 65.78, -18.02

 

CMYK 28 / 0 / 88 / 31

HEX #7FB115

RGB 127 177 21

HSL 79.23, 0.79%, 0.39%

LAB 66.53, -37.04, 64.68

 

CMYK 88 / 28 / 0 / 31

HEX #157FB1

RGB 21 127 177

HSL 199.23, 0.79%, 0.39%

LAB 50.11, -9.84, -34.25

 

CMYK 0 / 88 / 29 / 30

HEX #B3167F

RGB 179 22 127

HSL 319.87, 0.78%, 0.39%

LAB 40.72, 65.78, -18.02

 

CMYK 0 / 42 / 88 / 31

HEX #B16615

RGB 177 102 21

HSL 31.15, 0.79%, 0.39%

LAB 50.57, 24.7, 53.42

 

CMYK 88 / 0 / 60 / 31

HEX #15B147

RGB 21 177 71

HSL 139.23, 0.79%, 0.39%

LAB 63.39, -59.56, 43.05

 

CMYK 88 / 46 / 0 / 31

HEX #1560B1

RGB 21 96 177

HSL 211.15, 0.79%, 0.39%

LAB 40.73, 9.23, -49.14

 

CMYK 0 / 88 / 29 / 30

HEX #B3167F

RGB 179 22 127

HSL 319.87, 0.78%, 0.39%

LAB 40.72, 65.78, -18.02

 

CMYK 0 / 16 / 88 / 31

HEX #B19415

RGB 177 148 21

HSL 48.85, 0.79%, 0.39%

LAB 62.15, -0.81, 62.69

 

CMYK 88 / 0 / 60 / 31

HEX #15B147

RGB 21 177 71

HSL 139.23, 0.79%, 0.39%

LAB 63.39, -59.56, 43.05

 

CMYK 88 / 72 / 0 / 31

HEX #1532B1

RGB 21 50 177

HSL 228.85, 0.79%, 0.39%

LAB 28.42, 39.64, -69.22

 

Description

Color code: RGB 179 22 127 | qconv.com Color code: RGB 179 22 127 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 22 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 22 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 29 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 29% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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