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Color name
RGB 179 29 112

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 29 112 it is the complementary color RGB 76 226 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 29 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 29 112 shade: RGB 184 29 107, RGB 201 47 126, RGB 218 65 145, RGB 235 83 164 and RGB 252 101 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 29 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 29 112 shade: RGB 179 29 112, RGB 162 11 93, RGB 145 0 74, RGB 128 0 55 and RGB 111 0 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 29 112 shade: RGB 179 29 112, RGB 179 29 71, RGB 179 29 31 and RGB 179 29 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 29 112 shade: RGB 179 29 112, RGB 179 29 153, RGB 165 29 179, RGB 125 29 179 and RGB 84 29 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 29 112 shade matches the following richer shades: RGB 179 29 112 and RGB 196 12 114

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 29 112 shade: RGB 179 29 112, RGB 162 46 110, RGB 145 63 108, RGB 129 80 107 and RGB 112 96 105

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 29 112 shade: RGB 164 29 179, RGB 179 29 154, RGB 179 29 114, RGB 179 29 74 and RGB 179 29 34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 29 112 shade: RGB 108 17 68, RGB 144 23 90, RGB 179 29 112, RGB 215 35 134 and RGB 224 67 154

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 29 112 shade: RGB 179 29 112, RGB 179 124 29 and RGB 29 174 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 29 112 shade: RGB 179 29 112, RGB 114 179 29 and RGB 29 114 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 29 112 shade: RGB 179 29 112, RGB 179 124 29, RGB 29 179 94 and RGB 29 84 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 29 112 shade: RGB 179 29 112, RGB 179 169 29, RGB 29 179 94 and RGB 29 39 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 37 / 30

HEX #B31D70

RGB 179 29 112

HSL 326.8, 0.72%, 0.41%

LAB 40.63, 62.71, -8.82

 

Complementary color

CMYK 66 / 0 / 37 / 11

HEX #4CE28F

RGB 76 226 143

HSL 146.8, 0.72%, 0.59%

LAB 80.69, -57.93, 29.3

 

CMYK 0 / 84 / 42 / 28

HEX #B81D6B

RGB 184 29 107

HSL 329.81, 0.73%, 0.42%

LAB 41.42, 63.43, -4.4

 

CMYK 0 / 77 / 37 / 21

HEX #C92F7E

RGB 201 47 126

HSL 329.22, 0.62%, 0.49%

LAB 46.92, 64.9, -7.62

 

CMYK 0 / 70 / 33 / 15

HEX #DA4191

RGB 218 65 145

HSL 328.63, 0.67%, 0.55%

LAB 52.65, 65.56, -10.16

 

CMYK 0 / 65 / 30 / 8

HEX #EB53A4

RGB 235 83 164

HSL 328.03, 0.79%, 0.62%

LAB 58.54, 65.68, -12.2

 

CMYK 0 / 60 / 27 / 1

HEX #FC65B7

RGB 252 101 183

HSL 327.42, 0.96%, 0.69%

LAB 64.5, 65.45, -13.88

 

CMYK 0 / 84 / 37 / 30

HEX #B31D70

RGB 179 29 112

HSL 326.8, 0.72%, 0.41%

LAB 40.63, 62.71, -8.82

 

CMYK 0 / 93 / 43 / 36

HEX #A20B5D

RGB 162 11 93

HSL 327.42, 0.87%, 0.34%

LAB 35.42, 60.04, -4.89

 

CMYK 0 / 100 / 49 / 43

HEX #91004A

RGB 145 0 74

HSL 329.38, 1%, 0.28%

LAB 30.67, 55.86, 0.14

 

CMYK 0 / 100 / 57 / 50

HEX #800037

RGB 128 0 55

HSL 334.22, 1%, 0.25%

LAB 26.35, 50.26, 6.26

 

CMYK 0 / 100 / 68 / 56

HEX #6F0024

RGB 111 0 36

HSL 340.54, 1%, 0.22%

LAB 21.97, 44.66, 12.84

 

CMYK 0 / 84 / 37 / 30

HEX #B31D70

RGB 179 29 112

HSL 326.8, 0.72%, 0.41%

LAB 40.63, 62.71, -8.82

 

CMYK 0 / 84 / 60 / 30

HEX #B31D47

RGB 179 29 71

HSL 343.2, 0.72%, 0.41%

LAB 39.44, 59.25, 15.45

 

CMYK 0 / 84 / 83 / 30

HEX #B31D1F

RGB 179 29 31

HSL 359.2, 0.72%, 0.41%

LAB 38.83, 57.42, 39.1

 

CMYK 0 / 84 / 84 / 30

HEX #B31D1D

RGB 179 29 29

HSL 0, 0.72%, 0.41%

LAB 38.81, 57.37, 40.16

 

CMYK 0 / 84 / 37 / 30

HEX #B31D70

RGB 179 29 112

HSL 326.8, 0.72%, 0.41%

LAB 40.63, 62.71, -8.82

 

CMYK 0 / 84 / 15 / 30

HEX #B31D99

RGB 179 29 153

HSL 310.4, 0.72%, 0.41%

LAB 42.4, 67.68, -31.29

 

CMYK 8 / 84 / 0 / 30

HEX #A51DB3

RGB 165 29 179

HSL 294.4, 0.72%, 0.41%

LAB 41.43, 68.91, -48.54

 

CMYK 30 / 84 / 0 / 30

HEX #7D1DB3

RGB 125 29 179

HSL 278.4, 0.72%, 0.41%

LAB 34.99, 62.11, -59.26

 

CMYK 53 / 84 / 0 / 30

HEX #541DB3

RGB 84 29 179

HSL 262, 0.72%, 0.41%

LAB 29.46, 56.5, -68.55

 

CMYK 0 / 84 / 37 / 30

HEX #B31D70

RGB 179 29 112

HSL 326.8, 0.72%, 0.41%

LAB 40.63, 62.71, -8.82

 

CMYK 0 / 94 / 42 / 23

HEX #C40C72

RGB 196 12 114

HSL 326.74, 0.88%, 0.41%

LAB 43.08, 69.63, -6.04

 

CMYK 0 / 84 / 37 / 30

HEX #B31D70

RGB 179 29 112

HSL 326.8, 0.72%, 0.41%

LAB 40.63, 62.71, -8.82

 

CMYK 0 / 72 / 32 / 36

HEX #A22E6E

RGB 162 46 110

HSL 326.9, 0.56%, 0.41%

LAB 39.18, 52.94, -10.07

 

CMYK 0 / 57 / 26 / 43

HEX #913F6C

RGB 145 63 108

HSL 327.07, 0.39%, 0.41%

LAB 39, 39.94, -9.36

 

CMYK 0 / 38 / 17 / 49

HEX #81506B

RGB 129 80 107

HSL 326.94, 0.23%, 0.41%

LAB 40.35, 24.72, -6.94

 

CMYK 0 / 14 / 6 / 56

HEX #706069

RGB 112 96 105

HSL 326.25, 0.08%, 0.41%

LAB 42.51, 8.14, -2.73

 

CMYK 8 / 84 / 0 / 30

HEX #A41DB3

RGB 164 29 179

HSL 294, 0.72%, 0.41%

LAB 41.26, 68.73, -48.82

 

CMYK 0 / 84 / 14 / 30

HEX #B31D9A

RGB 179 29 154

HSL 310, 0.72%, 0.41%

LAB 42.45, 67.82, -31.82

 

CMYK 0 / 84 / 36 / 30

HEX #B31D72

RGB 179 29 114

HSL 326, 0.72%, 0.41%

LAB 40.7, 62.92, -9.96

 

CMYK 0 / 84 / 59 / 30

HEX #B31D4A

RGB 179 29 74

HSL 342, 0.72%, 0.41%

LAB 39.51, 59.45, 13.63

 

CMYK 0 / 84 / 81 / 30

HEX #B31D22

RGB 179 29 34

HSL 358, 0.72%, 0.41%

LAB 38.86, 57.51, 37.46

 

CMYK 0 / 84 / 37 / 58

HEX #6C1144

RGB 108 17 68

HSL 326.37, 0.73%, 0.25%

LAB 23.69, 42.68, -7.04

 

CMYK 0 / 84 / 38 / 44

HEX #90175A

RGB 144 23 90

HSL 326.78, 0.72%, 0.33%

LAB 32.44, 53.08, -7.79

 

CMYK 0 / 84 / 37 / 30

HEX #B31D70

RGB 179 29 112

HSL 326.8, 0.72%, 0.41%

LAB 40.63, 62.71, -8.82

 

CMYK 0 / 84 / 38 / 16

HEX #D72386

RGB 215 35 134

HSL 327, 0.72%, 0.49%

LAB 48.72, 72.19, -9.51

 

CMYK 0 / 70 / 31 / 12

HEX #E0439A

RGB 224 67 154

HSL 326.75, 0.72%, 0.57%

LAB 54.23, 67.48, -13.01

 

CMYK 0 / 84 / 37 / 30

HEX #B31D70

RGB 179 29 112

HSL 326.8, 0.72%, 0.41%

LAB 40.63, 62.71, -8.82

 

CMYK 0 / 31 / 84 / 30

HEX #B37C1D

RGB 179 124 29

HSL 38, 0.72%, 0.41%

LAB 56.18, 13.56, 55.6

 

CMYK 84 / 3 / 0 / 30

HEX #1DAEB3

RGB 29 174 179

HSL 182, 0.72%, 0.41%

LAB 64.79, -33.19, -12.83

 

CMYK 0 / 84 / 37 / 30

HEX #B31D70

RGB 179 29 112

HSL 326.8, 0.72%, 0.41%

LAB 40.63, 62.71, -8.82

 

CMYK 36 / 0 / 84 / 30

HEX #72B31D

RGB 114 179 29

HSL 86, 0.72%, 0.41%

LAB 66.45, -42.54, 62.55

 

CMYK 84 / 36 / 0 / 30

HEX #1D72B3

RGB 29 114 179

HSL 206, 0.72%, 0.41%

LAB 46.38, -0.73, -41.29

 

CMYK 0 / 84 / 37 / 30

HEX #B31D70

RGB 179 29 112

HSL 326.8, 0.72%, 0.41%

LAB 40.63, 62.71, -8.82

 

CMYK 0 / 31 / 84 / 30

HEX #B37C1D

RGB 179 124 29

HSL 38, 0.72%, 0.41%

LAB 56.18, 13.56, 55.6

 

CMYK 84 / 0 / 47 / 30

HEX #1DB35E

RGB 29 179 94

HSL 146, 0.72%, 0.41%

LAB 64.41, -56.07, 33.02

 

CMYK 84 / 53 / 0 / 30

HEX #1D54B3

RGB 29 84 179

HSL 218, 0.72%, 0.41%

LAB 37.58, 18.56, -55.4

 

CMYK 0 / 84 / 37 / 30

HEX #B31D70

RGB 179 29 112

HSL 326.8, 0.72%, 0.41%

LAB 40.63, 62.71, -8.82

 

CMYK 0 / 6 / 84 / 30

HEX #B3A91D

RGB 179 169 29

HSL 56, 0.72%, 0.41%

LAB 68.06, -10.89, 65.7

 

CMYK 84 / 0 / 47 / 30

HEX #1DB35E

RGB 29 179 94

HSL 146, 0.72%, 0.41%

LAB 64.41, -56.07, 33.02

 

CMYK 84 / 78 / 0 / 30

HEX #1D27B3

RGB 29 39 179

HSL 236, 0.72%, 0.41%

LAB 26.64, 47.17, -73.35

 

Description

Color code: RGB 179 29 112 | qconv.com Color code: RGB 179 29 112 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 29 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 29 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 37 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 37% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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