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Color name
RGB 179 49 29

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 49 29 it is the complementary color RGB 76 206 226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 49 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 49 29 shade: RGB 184 49 24, RGB 201 67 43, RGB 218 85 62, RGB 235 103 81 and RGB 252 121 100

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 49 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 49 29 shade: RGB 179 49 29, RGB 162 31 10, RGB 145 13 0, RGB 128 0 0 and RGB 111 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 49 29 shade: RGB 179 49 29 and RGB 179 29 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 49 29 shade: RGB 179 49 29, RGB 179 89 29, RGB 179 130 29, RGB 179 171 29 and RGB 147 179 29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 49 29 shade matches the following richer shades: RGB 179 49 29 and RGB 196 36 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 49 29 shade: RGB 179 49 29, RGB 162 61 46, RGB 145 74 63, RGB 129 86 80 and RGB 112 98 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 49 29 shade: RGB 179 29 89, RGB 179 29 49, RGB 179 49 29, RGB 179 89 29 and RGB 179 129 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 49 29 shade: RGB 108 29 17, RGB 144 39 23, RGB 179 49 29, RGB 215 59 35 and RGB 224 88 67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 49 29 shade: RGB 179 49 29, RGB 129 179 29 and RGB 29 69 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 49 29 shade: RGB 179 49 29, RGB 29 179 49 and RGB 49 29 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 49 29 shade: RGB 179 49 29, RGB 129 179 29, RGB 29 159 179 and RGB 79 29 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 49 29 shade: RGB 179 49 29, RGB 84 179 29, RGB 29 159 179 and RGB 124 29 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 84 / 30

HEX #B3311D

RGB 179 49 29

HSL 8, 0.72%, 0.41%

LAB 41.01, 51.23, 42.18

 

Complementary color

CMYK 66 / 9 / 0 / 11

HEX #4CCEE2

RGB 76 206 226

HSL 188, 0.72%, 0.59%

LAB 76.78, -29.08, -20.34

 

CMYK 0 / 73 / 87 / 28

HEX #B83118

RGB 184 49 24

HSL 9.38, 0.77%, 0.41%

LAB 41.93, 52.73, 45.74

 

CMYK 0 / 67 / 79 / 21

HEX #C9432B

RGB 201 67 43

HSL 9.11, 0.65%, 0.48%

LAB 47.76, 51.94, 42.94

 

CMYK 0 / 61 / 72 / 15

HEX #DA553E

RGB 218 85 62

HSL 8.85, 0.68%, 0.55%

LAB 53.76, 50.84, 40.1

 

CMYK 0 / 56 / 66 / 8

HEX #EB6751

RGB 235 103 81

HSL 8.57, 0.79%, 0.62%

LAB 59.85, 49.61, 37.51

 

CMYK 0 / 52 / 60 / 1

HEX #FC7964

RGB 252 121 100

HSL 8.29, 0.96%, 0.69%

LAB 65.97, 48.35, 35.2

 

CMYK 0 / 73 / 84 / 30

HEX #B3311D

RGB 179 49 29

HSL 8, 0.72%, 0.41%

LAB 41.01, 51.23, 42.18

 

CMYK 0 / 81 / 94 / 36

HEX #A21F0A

RGB 162 31 10

HSL 8.29, 0.88%, 0.34%

LAB 35.37, 51.44, 44.69

 

CMYK 0 / 91 / 100 / 43

HEX #910D00

RGB 145 13 0

HSL 5.38, 1%, 0.28%

LAB 30.18, 50.55, 43.52

 

CMYK 0 / 100 / 100 / 50

HEX #800000

RGB 128 0 0

HSL 0, 1%, 0.25%

LAB 25.53, 48.06, 38.06

 

CMYK 0 / 100 / 100 / 56

HEX #6F0000

RGB 111 0 0

HSL 0, 1%, 0.22%

LAB 21.5, 43.4, 32.69

 

CMYK 0 / 73 / 84 / 30

HEX #B3311D

RGB 179 49 29

HSL 8, 0.72%, 0.41%

LAB 41.01, 51.23, 42.18

 

CMYK 0 / 84 / 84 / 30

HEX #B31D1D

RGB 179 29 29

HSL 0, 0.72%, 0.41%

LAB 38.81, 57.37, 40.16

 

CMYK 0 / 73 / 84 / 30

HEX #B3311D

RGB 179 49 29

HSL 8, 0.72%, 0.41%

LAB 41.01, 51.23, 42.18

 

CMYK 0 / 50 / 84 / 30

HEX #B3591D

RGB 179 89 29

HSL 24, 0.72%, 0.41%

LAB 48.03, 32.79, 48.49

 

CMYK 0 / 27 / 84 / 30

HEX #B3821D

RGB 179 130 29

HSL 40.4, 0.72%, 0.41%

LAB 57.69, 10.21, 56.9

 

CMYK 0 / 4 / 84 / 30

HEX #B3AB1D

RGB 179 171 29

HSL 56.8, 0.72%, 0.41%

LAB 68.6, -11.93, 66.16

 

CMYK 18 / 0 / 84 / 30

HEX #93B31D

RGB 147 179 29

HSL 72.8, 0.72%, 0.41%

LAB 68.41, -29.67, 65.02

 

CMYK 0 / 73 / 84 / 30

HEX #B3311D

RGB 179 49 29

HSL 8, 0.72%, 0.41%

LAB 41.01, 51.23, 42.18

 

CMYK 0 / 82 / 94 / 23

HEX #C4240C

RGB 196 36 12

HSL 7.83, 0.88%, 0.41%

LAB 42.8, 60.21, 52.14

 

CMYK 0 / 73 / 84 / 30

HEX #B3311D

RGB 179 49 29

HSL 8, 0.72%, 0.41%

LAB 41.01, 51.23, 42.18

 

CMYK 0 / 62 / 72 / 36

HEX #A23D2E

RGB 162 61 46

HSL 7.76, 0.56%, 0.41%

LAB 39.94, 40.93, 30.81

 

CMYK 0 / 49 / 57 / 43

HEX #914A3F

RGB 145 74 63

HSL 8.05, 0.39%, 0.41%

LAB 40.04, 28.78, 20.15

 

CMYK 0 / 33 / 38 / 49

HEX #815650

RGB 129 86 80

HSL 7.35, 0.23%, 0.41%

LAB 41.06, 17.03, 10.75

 

CMYK 0 / 13 / 14 / 56

HEX #706260

RGB 112 98 96

HSL 7.5, 0.08%, 0.41%

LAB 42.8, 5.23, 3.18

 

CMYK 0 / 84 / 50 / 30

HEX #B31D59

RGB 179 29 89

HSL 336, 0.72%, 0.41%

LAB 39.89, 60.57, 4.61

 

CMYK 0 / 84 / 73 / 30

HEX #B31D31

RGB 179 29 49

HSL 352, 0.72%, 0.41%

LAB 39.04, 58.06, 28.77

 

CMYK 0 / 73 / 84 / 30

HEX #B3311D

RGB 179 49 29

HSL 8, 0.72%, 0.41%

LAB 41.01, 51.23, 42.18

 

CMYK 0 / 50 / 84 / 30

HEX #B3591D

RGB 179 89 29

HSL 24, 0.72%, 0.41%

LAB 48.03, 32.79, 48.49

 

CMYK 0 / 28 / 84 / 30

HEX #B3811D

RGB 179 129 29

HSL 40, 0.72%, 0.41%

LAB 57.44, 10.77, 56.68

 

CMYK 0 / 73 / 84 / 58

HEX #6C1D11

RGB 108 29 17

HSL 7.91, 0.73%, 0.25%

LAB 24.02, 34.29, 27.56

 

CMYK 0 / 73 / 84 / 44

HEX #902717

RGB 144 39 23

HSL 7.93, 0.72%, 0.33%

LAB 32.79, 43.15, 35.19

 

CMYK 0 / 73 / 84 / 30

HEX #B3311D

RGB 179 49 29

HSL 8, 0.72%, 0.41%

LAB 41.01, 51.23, 42.18

 

CMYK 0 / 73 / 84 / 16

HEX #D73B23

RGB 215 59 35

HSL 8, 0.72%, 0.49%

LAB 49.13, 59.31, 49.12

 

CMYK 0 / 61 / 70 / 12

HEX #E05843

RGB 224 88 67

HSL 8.03, 0.72%, 0.57%

LAB 55.31, 51.84, 39.4

 

CMYK 0 / 73 / 84 / 30

HEX #B3311D

RGB 179 49 29

HSL 8, 0.72%, 0.41%

LAB 41.01, 51.23, 42.18

 

CMYK 28 / 0 / 84 / 30

HEX #81B31D

RGB 129 179 29

HSL 80, 0.72%, 0.41%

LAB 67.27, -36.9, 63.59

 

CMYK 84 / 61 / 0 / 30

HEX #1D45B3

RGB 29 69 179

HSL 224, 0.72%, 0.41%

LAB 33.5, 28.58, -62.04

 

CMYK 0 / 73 / 84 / 30

HEX #B3311D

RGB 179 49 29

HSL 8, 0.72%, 0.41%

LAB 41.01, 51.23, 42.18

 

CMYK 84 / 0 / 73 / 30

HEX #1DB331

RGB 29 179 49

HSL 128, 0.72%, 0.41%

LAB 63.94, -61.84, 52.96

 

CMYK 73 / 84 / 0 / 30

HEX #311DB3

RGB 49 29 179

HSL 248, 0.72%, 0.41%

LAB 26.12, 53.26, -74.18

 

CMYK 0 / 73 / 84 / 30

HEX #B3311D

RGB 179 49 29

HSL 8, 0.72%, 0.41%

LAB 41.01, 51.23, 42.18

 

CMYK 28 / 0 / 84 / 30

HEX #81B31D

RGB 129 179 29

HSL 80, 0.72%, 0.41%

LAB 67.27, -36.9, 63.59

 

CMYK 84 / 11 / 0 / 30

HEX #1D9FB3

RGB 29 159 179

HSL 188, 0.72%, 0.41%

LAB 60.17, -25.85, -19.83

 

CMYK 56 / 84 / 0 / 30

HEX #4F1DB3

RGB 79 29 179

HSL 260, 0.72%, 0.41%

LAB 28.89, 55.94, -69.5

 

CMYK 0 / 73 / 84 / 30

HEX #B3311D

RGB 179 49 29

HSL 8, 0.72%, 0.41%

LAB 41.01, 51.23, 42.18

 

CMYK 53 / 0 / 84 / 30

HEX #54B31D

RGB 84 179 29

HSL 98, 0.72%, 0.41%

LAB 65.13, -52.32, 60.88

 

CMYK 84 / 11 / 0 / 30

HEX #1D9FB3

RGB 29 159 179

HSL 188, 0.72%, 0.41%

LAB 60.17, -25.85, -19.83

 

CMYK 31 / 84 / 0 / 30

HEX #7C1DB3

RGB 124 29 179

HSL 278, 0.72%, 0.41%

LAB 34.84, 61.96, -59.51

 

Description

Color code: RGB 179 49 29 | qconv.com Color code: RGB 179 49 29 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 49 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 49 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 84 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 84% 30% C M Y K

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