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Color name
RGB 179 54 19

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 54 19 it is the complementary color RGB 76 201 236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 54 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 54 19 shade: RGB 184 54 14, RGB 201 72 33, RGB 218 90 52, RGB 235 108 71 and RGB 252 126 90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 54 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 54 19 shade: RGB 179 54 19, RGB 162 36 0, RGB 145 18 0, RGB 128 0 0 and RGB 111 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 54 19 shade: RGB 180 54 18 and RGB 180 18 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 54 19 shade: RGB 180 54 18, RGB 180 97 18, RGB 180 141 18, RGB 175 180 18 and RGB 132 180 18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 54 19 shade matches the following richer shades: RGB 180 54 18 and RGB 196 45 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 54 19 shade: RGB 180 54 18, RGB 163 63 34, RGB 147 72 51, RGB 131 81 67 and RGB 115 90 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 54 19 shade: RGB 180 18 69, RGB 180 18 26, RGB 180 53 18, RGB 180 96 18 and RGB 180 139 18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 54 19 shade: RGB 105 31 11, RGB 142 42 14, RGB 180 54 18, RGB 217 65 22 and RGB 233 88 48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 54 19 shade: RGB 179 54 19, RGB 112 180 18 and RGB 18 48 180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 54 19 shade: RGB 179 54 19, RGB 18 180 53 and RGB 53 18 180

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 54 19 shade: RGB 179 54 19, RGB 112 180 18, RGB 18 145 180 and RGB 86 18 180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 54 19 shade: RGB 179 54 19, RGB 64 180 18, RGB 18 145 180 and RGB 134 18 180

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 89 / 30

HEX #B33613

RGB 179 54 19

HSL 13.13, 0.81%, 0.39%

LAB 41.64, 49.08, 47.24

 

Complementary color

CMYK 68 / 15 / 0 / 7

HEX #4CC9EC

RGB 76 201 236

HSL 193.13, 0.81%, 0.61%

LAB 75.68, -23.6, -27.4

 

CMYK 0 / 71 / 92 / 28

HEX #B8360E

RGB 184 54 14

HSL 14.12, 0.86%, 0.39%

LAB 42.55, 50.68, 50.17

 

CMYK 0 / 64 / 84 / 21

HEX #C94821

RGB 201 72 33

HSL 13.93, 0.72%, 0.46%

LAB 48.46, 49.52, 48.5

 

CMYK 0 / 59 / 76 / 15

HEX #DA5A34

RGB 218 90 52

HSL 13.73, 0.69%, 0.53%

LAB 54.52, 48.14, 46.18

 

CMYK 0 / 54 / 70 / 8

HEX #EB6C47

RGB 235 108 71

HSL 13.54, 0.8%, 0.6%

LAB 60.64, 46.7, 43.81

 

CMYK 0 / 50 / 64 / 1

HEX #FC7E5A

RGB 252 126 90

HSL 13.33, 0.96%, 0.67%

LAB 66.79, 45.29, 41.6

 

CMYK 0 / 70 / 89 / 30

HEX #B33613

RGB 179 54 19

HSL 13.13, 0.81%, 0.39%

LAB 41.64, 49.08, 47.24

 

CMYK 0 / 78 / 100 / 36

HEX #A22400

RGB 162 36 0

HSL 13.33, 1%, 0.32%

LAB 35.87, 49.76, 48.87

 

CMYK 0 / 88 / 100 / 43

HEX #911200

RGB 145 18 0

HSL 7.45, 1%, 0.28%

LAB 30.53, 49.54, 43.78

 

CMYK 0 / 100 / 100 / 50

HEX #800000

RGB 128 0 0

HSL 0, 1%, 0.25%

LAB 25.53, 48.06, 38.06

 

CMYK 0 / 100 / 100 / 56

HEX #6F0000

RGB 111 0 0

HSL 0, 1%, 0.22%

LAB 21.5, 43.4, 32.69

 

CMYK 0 / 70 / 90 / 29

HEX #B43612

RGB 180 54 18

HSL 13.33, 0.82%, 0.39%

LAB 41.82, 49.4, 47.86

 

CMYK 0 / 90 / 90 / 29

HEX #B41212

RGB 180 18 18

HSL 0, 0.82%, 0.39%

LAB 38.16, 59.65, 45.14

 

CMYK 0 / 70 / 90 / 29

HEX #B43612

RGB 180 54 18

HSL 13.33, 0.82%, 0.39%

LAB 41.82, 49.4, 47.86

 

CMYK 0 / 46 / 90 / 29

HEX #B46112

RGB 180 97 18

HSL 29.26, 0.82%, 0.39%

LAB 49.85, 28.65, 53.95

 

CMYK 0 / 22 / 90 / 29

HEX #B48D12

RGB 180 141 18

HSL 45.56, 0.82%, 0.39%

LAB 60.6, 4.31, 62.26

 

CMYK 3 / 0 / 90 / 29

HEX #AFB412

RGB 175 180 18

HSL 61.85, 0.82%, 0.39%

LAB 70.73, -18.53, 70.02

 

CMYK 27 / 0 / 90 / 29

HEX #84B412

RGB 132 180 18

HSL 77.78, 0.82%, 0.39%

LAB 67.72, -36.51, 66.33

 

CMYK 0 / 70 / 90 / 29

HEX #B43612

RGB 180 54 18

HSL 13.33, 0.82%, 0.39%

LAB 41.82, 49.4, 47.86

 

CMYK 0 / 77 / 99 / 23

HEX #C42D02

RGB 196 45 2

HSL 13.3, 0.98%, 0.39%

LAB 43.68, 57.54, 55.64

 

CMYK 0 / 70 / 90 / 29

HEX #B43612

RGB 180 54 18

HSL 13.33, 0.82%, 0.39%

LAB 41.82, 49.4, 47.86

 

CMYK 0 / 61 / 79 / 36

HEX #A33F22

RGB 163 63 34

HSL 13.49, 0.65%, 0.39%

LAB 40.34, 39.81, 37.97

 

CMYK 0 / 51 / 65 / 42

HEX #934833

RGB 147 72 51

HSL 13.13, 0.48%, 0.39%

LAB 39.71, 29.76, 26.99

 

CMYK 0 / 38 / 49 / 49

HEX #835143

RGB 131 81 67

HSL 13.13, 0.32%, 0.39%

LAB 39.77, 19.28, 16.99

 

CMYK 0 / 22 / 28 / 55

HEX #735A53

RGB 115 90 83

HSL 13.13, 0.16%, 0.39%

LAB 40.54, 9.1, 7.95

 

CMYK 0 / 90 / 62 / 29

HEX #B41245

RGB 180 18 69

HSL 341.11, 0.82%, 0.39%

LAB 38.84, 61.58, 15.95

 

CMYK 0 / 90 / 86 / 29

HEX #B4121A

RGB 180 18 26

HSL 357.04, 0.82%, 0.39%

LAB 38.22, 59.81, 41.29

 

CMYK 0 / 71 / 90 / 29

HEX #B43512

RGB 180 53 18

HSL 12.96, 0.82%, 0.39%

LAB 41.68, 49.79, 47.75

 

CMYK 0 / 47 / 90 / 29

HEX #B46012

RGB 180 96 18

HSL 28.89, 0.82%, 0.39%

LAB 49.63, 29.19, 53.78

 

CMYK 0 / 23 / 90 / 29

HEX #B48B12

RGB 180 139 18

HSL 44.81, 0.82%, 0.39%

LAB 60.08, 5.41, 61.85

 

CMYK 0 / 70 / 90 / 59

HEX #691F0B

RGB 105 31 11

HSL 12.77, 0.81%, 0.23%

LAB 23.7, 32.06, 30.07

 

CMYK 0 / 70 / 90 / 44

HEX #8E2A0E

RGB 142 42 14

HSL 13.13, 0.82%, 0.31%

LAB 32.78, 40.99, 39.41

 

CMYK 0 / 70 / 90 / 29

HEX #B43612

RGB 180 54 18

HSL 13.33, 0.82%, 0.39%

LAB 41.82, 49.4, 47.86

 

CMYK 0 / 70 / 90 / 15

HEX #D94116

RGB 217 65 22

HSL 13.23, 0.82%, 0.47%

LAB 50.2, 57.51, 55.59

 

CMYK 0 / 62 / 79 / 9

HEX #E95830

RGB 233 88 48

HSL 12.97, 0.81%, 0.55%

LAB 56.6, 54.2, 51.04

 

CMYK 0 / 70 / 89 / 30

HEX #B33613

RGB 179 54 19

HSL 13.13, 0.81%, 0.39%

LAB 41.64, 49.08, 47.24

 

CMYK 38 / 0 / 90 / 29

HEX #70B412

RGB 112 180 18

HSL 85.19, 0.82%, 0.39%

LAB 66.62, -44.03, 64.98

 

CMYK 90 / 73 / 0 / 29

HEX #1230B4

RGB 18 48 180

HSL 228.89, 0.82%, 0.39%

LAB 28.22, 41.82, -71.35

 

CMYK 0 / 70 / 89 / 30

HEX #B33613

RGB 179 54 19

HSL 13.13, 0.81%, 0.39%

LAB 41.64, 49.08, 47.24

 

CMYK 90 / 0 / 71 / 29

HEX #12B435

RGB 18 180 53

HSL 132.96, 0.82%, 0.39%

LAB 64.18, -62.73, 51.66

 

CMYK 71 / 90 / 0 / 29

HEX #3512B4

RGB 53 18 180

HSL 252.96, 0.82%, 0.39%

LAB 25.21, 57.79, -76.27

 

CMYK 0 / 70 / 89 / 30

HEX #B33613

RGB 179 54 19

HSL 13.13, 0.81%, 0.39%

LAB 41.64, 49.08, 47.24

 

CMYK 38 / 0 / 90 / 29

HEX #70B412

RGB 112 180 18

HSL 85.19, 0.82%, 0.39%

LAB 66.62, -44.03, 64.98

 

CMYK 90 / 19 / 0 / 29

HEX #1291B4

RGB 18 145 180

HSL 192.96, 0.82%, 0.39%

LAB 55.76, -18.96, -27.18

 

CMYK 52 / 90 / 0 / 29

HEX #5612B4

RGB 86 18 180

HSL 265.19, 0.82%, 0.39%

LAB 28.66, 60.36, -70.45

 

CMYK 0 / 70 / 89 / 30

HEX #B33613

RGB 179 54 19

HSL 13.13, 0.81%, 0.39%

LAB 41.64, 49.08, 47.24

 

CMYK 64 / 0 / 90 / 29

HEX #40B412

RGB 64 180 18

HSL 102.96, 0.82%, 0.39%

LAB 64.78, -58.21, 62.7

 

CMYK 90 / 19 / 0 / 29

HEX #1291B4

RGB 18 145 180

HSL 192.96, 0.82%, 0.39%

LAB 55.76, -18.96, -27.18

 

CMYK 26 / 90 / 0 / 29

HEX #8612B4

RGB 134 18 180

HSL 282.96, 0.82%, 0.39%

LAB 35.59, 66.28, -58.82

 

Description

Color code: RGB 179 54 19 | qconv.com Color code: RGB 179 54 19 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 54 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 54 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 89 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 89% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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