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Color name
RGB 179 93 50

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 93 50 it is the complementary color RGB 76 162 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 93 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 93 50 shade: RGB 184 93 45, RGB 201 111 64, RGB 218 129 83, RGB 235 147 102 and RGB 252 165 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 93 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 93 50 shade: RGB 179 93 50, RGB 162 75 31, RGB 145 57 12, RGB 128 39 0 and RGB 111 21 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 93 50 shade: RGB 179 93 50, RGB 179 58 50 and RGB 179 50 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 93 50 shade: RGB 179 93 50, RGB 179 127 50, RGB 179 162 50, RGB 160 179 50 and RGB 126 179 50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 93 50 shade matches the following richer shades: RGB 179 93 50, RGB 197 87 31 and RGB 216 80 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 93 50 shade: RGB 179 93 50, RGB 160 99 69, RGB 141 105 87, RGB 123 111 106 and RGB 104 118 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 93 50 shade: RGB 179 50 76, RGB 179 59 50, RGB 179 93 50, RGB 179 127 50 and RGB 179 161 50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 93 50 shade: RGB 114 59 32, RGB 146 76 41, RGB 179 93 50, RGB 202 113 68 and RGB 211 137 100

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 93 50 shade: RGB 179 93 50, RGB 110 179 50 and RGB 50 59 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 93 50 shade: RGB 179 93 50, RGB 50 179 93 and RGB 93 50 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 93 50 shade: RGB 179 93 50, RGB 110 179 50, RGB 50 136 179 and RGB 119 50 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 93 50 shade: RGB 179 93 50, RGB 71 179 50, RGB 50 136 179 and RGB 157 50 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 72 / 30

HEX #B35D32

RGB 179 93 50

HSL 20, 0.56%, 0.45%

LAB 49.06, 31.51, 39.58

 

Complementary color

CMYK 63 / 21 / 0 / 20

HEX #4CA2CD

RGB 76 162 205

HSL 200, 0.56%, 0.55%

LAB 63.16, -12.87, -29.7

 

CMYK 0 / 49 / 76 / 28

HEX #B85D2D

RGB 184 93 45

HSL 20.72, 0.61%, 0.45%

LAB 49.75, 33.31, 43.08

 

CMYK 0 / 45 / 68 / 21

HEX #C96F40

RGB 201 111 64

HSL 20.58, 0.56%, 0.52%

LAB 56.24, 31.65, 41.16

 

CMYK 0 / 41 / 62 / 15

HEX #DA8153

RGB 218 129 83

HSL 20.44, 0.65%, 0.59%

LAB 62.7, 30.16, 39.3

 

CMYK 0 / 37 / 57 / 8

HEX #EB9366

RGB 235 147 102

HSL 20.3, 0.77%, 0.66%

LAB 69.1, 28.82, 37.56

 

CMYK 0 / 35 / 52 / 1

HEX #FCA579

RGB 252 165 121

HSL 20.15, 0.96%, 0.73%

LAB 75.44, 27.62, 35.95

 

CMYK 0 / 48 / 72 / 30

HEX #B35D32

RGB 179 93 50

HSL 20, 0.56%, 0.45%

LAB 49.06, 31.51, 39.58

 

CMYK 0 / 54 / 81 / 36

HEX #A24B1F

RGB 162 75 31

HSL 20.15, 0.68%, 0.38%

LAB 42.48, 33.27, 41.52

 

CMYK 0 / 61 / 92 / 43

HEX #91390C

RGB 145 57 12

HSL 20.3, 0.85%, 0.31%

LAB 35.93, 35.13, 42.87

 

CMYK 0 / 70 / 100 / 50

HEX #802700

RGB 128 39 0

HSL 18.28, 1%, 0.25%

LAB 29.51, 36.9, 41.47

 

CMYK 0 / 81 / 100 / 56

HEX #6F1500

RGB 111 21 0

HSL 11.35, 1%, 0.22%

LAB 23.39, 38.02, 34.66

 

CMYK 0 / 48 / 72 / 30

HEX #B35D32

RGB 179 93 50

HSL 20, 0.56%, 0.45%

LAB 49.06, 31.51, 39.58

 

CMYK 0 / 68 / 72 / 30

HEX #B33A32

RGB 179 58 50

HSL 3.72, 0.56%, 0.45%

LAB 42.52, 48.48, 32.24

 

CMYK 0 / 72 / 72 / 30

HEX #B33232

RGB 179 50 50

HSL 0, 0.56%, 0.45%

LAB 41.37, 51.64, 30.9

 

CMYK 0 / 48 / 72 / 30

HEX #B35D32

RGB 179 93 50

HSL 20, 0.56%, 0.45%

LAB 49.06, 31.51, 39.58

 

CMYK 0 / 29 / 72 / 30

HEX #B37F32

RGB 179 127 50

HSL 35.81, 0.56%, 0.45%

LAB 57.07, 12.74, 48.09

 

CMYK 0 / 9 / 72 / 30

HEX #B3A232

RGB 179 162 50

HSL 52.09, 0.56%, 0.45%

LAB 66.26, -6.4, 57.33

 

CMYK 11 / 0 / 72 / 30

HEX #A0B332

RGB 160 179 50

HSL 68.84, 0.56%, 0.45%

LAB 69.43, -23.34, 59.9

 

CMYK 30 / 0 / 72 / 30

HEX #7EB332

RGB 126 179 50

HSL 84.65, 0.56%, 0.45%

LAB 67.21, -37.01, 56.96

 

CMYK 0 / 48 / 72 / 30

HEX #B35D32

RGB 179 93 50

HSL 20, 0.56%, 0.45%

LAB 49.06, 31.51, 39.58

 

CMYK 0 / 56 / 84 / 23

HEX #C5571F

RGB 197 87 31

HSL 20.24, 0.73%, 0.45%

LAB 50.44, 41.03, 50.86

 

CMYK 0 / 63 / 94 / 15

HEX #D8500D

RGB 216 80 13

HSL 19.8, 0.89%, 0.45%

LAB 52.25, 50.96, 59.61

 

CMYK 0 / 48 / 72 / 30

HEX #B35D32

RGB 179 93 50

HSL 20, 0.56%, 0.45%

LAB 49.06, 31.51, 39.58

 

CMYK 0 / 38 / 57 / 37

HEX #A06345

RGB 160 99 69

HSL 19.78, 0.4%, 0.45%

LAB 48.04, 21.52, 27.27

 

CMYK 0 / 26 / 38 / 45

HEX #8D6957

RGB 141 105 87

HSL 20, 0.24%, 0.45%

LAB 47.56, 11.85, 15.73

 

CMYK 0 / 10 / 14 / 52

HEX #7B6F6A

RGB 123 111 106

HSL 17.65, 0.07%, 0.45%

LAB 47.78, 3.76, 4.47

 

CMYK 16 / 5 / 0 / 51

HEX #68767C

RGB 104 118 124

HSL 198, 0.09%, 0.45%

LAB 48.7, -3.83, -5.06

 

CMYK 0 / 72 / 58 / 30

HEX #B3324C

RGB 179 50 76

HSL 347.91, 0.56%, 0.45%

LAB 41.82, 53.2, 15.51

 

CMYK 0 / 67 / 72 / 30

HEX #B33B32

RGB 179 59 50

HSL 4.19, 0.56%, 0.45%

LAB 42.68, 48.06, 32.41

 

CMYK 0 / 48 / 72 / 30

HEX #B35D32

RGB 179 93 50

HSL 20, 0.56%, 0.45%

LAB 49.06, 31.51, 39.58

 

CMYK 0 / 29 / 72 / 30

HEX #B37F32

RGB 179 127 50

HSL 35.81, 0.56%, 0.45%

LAB 57.07, 12.74, 48.09

 

CMYK 0 / 10 / 72 / 30

HEX #B3A132

RGB 179 161 50

HSL 51.63, 0.56%, 0.45%

LAB 65.98, -5.87, 57.07

 

CMYK 0 / 48 / 72 / 55

HEX #723B20

RGB 114 59 32

HSL 19.76, 0.56%, 0.29%

LAB 31.37, 21.71, 27.04

 

CMYK 0 / 48 / 72 / 43

HEX #924C29

RGB 146 76 41

HSL 20, 0.56%, 0.37%

LAB 40.31, 26.51, 33.35

 

CMYK 0 / 48 / 72 / 30

HEX #B35D32

RGB 179 93 50

HSL 20, 0.56%, 0.45%

LAB 49.06, 31.51, 39.58

 

CMYK 0 / 44 / 66 / 21

HEX #CA7144

RGB 202 113 68

HSL 20.15, 0.56%, 0.53%

LAB 56.86, 31.23, 39.81

 

CMYK 0 / 35 / 53 / 17

HEX #D38964

RGB 211 137 100

HSL 20, 0.56%, 0.61%

LAB 63.88, 24.37, 31.42

 

CMYK 0 / 48 / 72 / 30

HEX #B35D32

RGB 179 93 50

HSL 20, 0.56%, 0.45%

LAB 49.06, 31.51, 39.58

 

CMYK 39 / 0 / 72 / 30

HEX #6EB332

RGB 110 179 50

HSL 92.09, 0.56%, 0.45%

LAB 66.36, -42.83, 55.83

 

CMYK 72 / 67 / 0 / 30

HEX #323BB3

RGB 50 59 179

HSL 235.81, 0.56%, 0.45%

LAB 31.94, 37.12, -64.56

 

CMYK 0 / 48 / 72 / 30

HEX #B35D32

RGB 179 93 50

HSL 20, 0.56%, 0.45%

LAB 49.06, 31.51, 39.58

 

CMYK 72 / 0 / 48 / 30

HEX #32B35D

RGB 50 179 93

HSL 140, 0.56%, 0.45%

LAB 64.73, -53.53, 34.01

 

CMYK 48 / 72 / 0 / 30

HEX #5D32B3

RGB 93 50 179

HSL 260, 0.56%, 0.45%

LAB 33.7, 48.53, -61.55

 

CMYK 0 / 48 / 72 / 30

HEX #B35D32

RGB 179 93 50

HSL 20, 0.56%, 0.45%

LAB 49.06, 31.51, 39.58

 

CMYK 39 / 0 / 72 / 30

HEX #6EB332

RGB 110 179 50

HSL 92.09, 0.56%, 0.45%

LAB 66.36, -42.83, 55.83

 

CMYK 72 / 24 / 0 / 30

HEX #3288B3

RGB 50 136 179

HSL 200, 0.56%, 0.45%

LAB 53.54, -11.24, -30.01

 

CMYK 34 / 72 / 0 / 30

HEX #7732B3

RGB 119 50 179

HSL 272.09, 0.56%, 0.45%

LAB 36.85, 53.27, -56.27

 

CMYK 0 / 48 / 72 / 30

HEX #B35D32

RGB 179 93 50

HSL 20, 0.56%, 0.45%

LAB 49.06, 31.51, 39.58

 

CMYK 60 / 0 / 72 / 30

HEX #47B332

RGB 71 179 50

HSL 110.23, 0.56%, 0.45%

LAB 64.81, -54.47, 53.76

 

CMYK 72 / 24 / 0 / 30

HEX #3288B3

RGB 50 136 179

HSL 200, 0.56%, 0.45%

LAB 53.54, -11.24, -30.01

 

CMYK 12 / 72 / 0 / 30

HEX #9D32B3

RGB 157 50 179

HSL 289.77, 0.56%, 0.45%

LAB 42.31, 61.04, -47.19

 

Description

Color code: RGB 179 93 50 | qconv.com Color code: RGB 179 93 50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 93 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 93 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 72 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 72% 30% C M Y K

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Provide designers and agencies with accurate color values.

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